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Mickey Mouse
Mickey Mouse.svg
Mickey Mouse
First appearance Plane Crazy (1928)
Created by Walt Disney, Ub Iwerks
Voiced by Walt Disney (1928–1947)
Jimmy MacDonald (1947–1977)
Wayne Allwine (1977–2009)
Bret Iwan (2009–present)
.Mickey Mouse is a cartoon character who has become an icon for The Walt Disney Company.^ Mickey Mouse as an icon and as a symbol of Walt Disney Co.
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

^ "Explores the basis for the long and universal popularity of Walt Disney's Mickey Mouse cartoon character.
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

^ "The Walt Disney Company's ideological program shifted from conservatism in the 1930's-70's to liberal multiculturalism in the 1990's.
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

Mickey Mouse was created in 1928 by Walt Disney and Ub Iwerks[1] and voiced by Walt Disney. The Walt Disney Company celebrates his birth as November 18, 1928 upon the release of Steamboat Willie,[2] although Mickey had already appeared six months earlier in Plane Crazy (Steamboat Willie being the first Mickey Mouse Cartoon with sound). .The anthropomorphic mouse has evolved from being simply a character in animated cartoons and comic strips to become one of the most recognizable symbols in the world.^ The animated main character has Western sensibilities and, although attractive and behaving admirably, does not evoke identification in most Chinese moviegoers.
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

^ "Explores the basis for the long and universal popularity of Walt Disney's Mickey Mouse cartoon character.
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

^ This study is a quantitative content analysis of characters appearing in the 19 most successful and most recent Disney animated movies.
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

.Mickey is currently the main character in the Disney Channel's Playhouse Disney series "Mickey Mouse Clubhouse." Mickey is the leader of The Mickey Mouse Club.^ "Explores the basis for the long and universal popularity of Walt Disney's Mickey Mouse cartoon character.
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

^ ""Now Mickey Mouse enters art's temple": Walt Disney at the intersection ofart and entertainment."
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

^ "This essay deals with two important comics, Walt Disney's Mickey Mouse and George Herriman's Krazy Kat, and considers the social, cultural, psychological and symbolic significance of the main characters and their creators.
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

Contents

Creation and debut

One of the original Mickeys.
Mickey was created as a replacement for Oswald the Lucky Rabbit, an earlier cartoon character created by the Disney studio for Charles Mintz of Universal Studios.[3]
When Disney asked for a larger budget for his popular Oswald series, Mintz announced that Disney could keep doing the Oswald series, as long as he agreed to a budget cut and went on the payroll. Mintz owned Oswald and thought he had Disney over a barrel. Angrily, Disney refused the deal and returned to produce the final Oswald cartoons he contractually owed Mintz. Disney was dismayed at the betrayal by his staff, but determined to restart from scratch. .The new Disney Studio initially consisted of animator Ub Iwerks and a loyal apprentice artist, Les Clark.^ UCB Main PN1999.W27 .S5 1982 UCB Moffitt PN1999.W27 .S5 1982 Sito, Tom "The great Disney Studio strike: the civil war of animation."
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

^ UCB Main PN1998.A3 .D568 UCB Moffitt PN1998.A3 .D568 Thomas, Bob Walt Disney, the Art of the Animation; The Story of the Disney Studio contributin to a new art, by Bob Thomas.
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

^ Disney animated film)(Education Pages) New York Times v144 (Wed, July 12, 1995):A16(N), B6(L), col 1, 24 col in.
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

.One lesson Disney learned from the experience was to thereafter always make sure that he owned all rights to the characters produced by his company.^ O'Boyle, J.G. ""Be sure you're right, then go ahead": the early Disney westerns."
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

^ "There's Always Tomorrowland: Disney and the Hypercinematic Experience."
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

In the spring of 1928, Disney asked Ub Iwerks to start drawing up new character ideas. Iwerks tried sketches of various animals, such as dogs and cats, but none of these appealed to Disney. A female cow and male horse were also rejected. They would later turn up as Clarabelle Cow and Horace Horsecollar. (A male frog, also rejected, would later show up in Iwerks own Flip the Frog series.)[1] .Walt Disney got the inspiration for Mickey Mouse from his old pet mouse he used to have on his farm.^ Portions of this script are copyrighted by Walt Disney Pictures and are used without permission, but I'm not making any bucks off it, so...
  • A Goofy Movie 31 January 2010 12:52 UTC www.fpx.de [Source type: General]

.In 1925, Hugh Harman drew some sketches of mice around a photograph of Walt Disney.^ Draws on studies of the Walt Disney Company that have used a variety of theoretical and methodological approaches to challenge some of the myths that surround the company, its products, and its creator, Walt Disney.
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

These inspired Ub Iwerks to create a new mouse character for Disney.[1] ."Mortimer Mouse" had been Disney's original name for the character before his wife, Lillian convinced him to change it, and ultimately Mickey Mouse came to be.^ "Explores the basis for the long and universal popularity of Walt Disney's Mickey Mouse cartoon character.
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

^ Allers was asked to return from projects outside Disney to attempt several alternate, more upbeat endings, but ultimately the executives let him restore the original ending true to Andersen's intent."
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

^ However, Disney's stereotypical portrayal of blacks in the movie was a distortion of the original texts and the Uncle Remus character."
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

[4][5] .Actor Mickey Rooney has claimed that, during his Mickey McGuire days, he met cartoonist Walt Disney at the Warner Brothers studio, and that Disney was inspired to name Mickey Mouse after him.^ Mickey Mouse as an icon and as a symbol of Walt Disney Co.
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

^ "Explores the basis for the long and universal popularity of Walt Disney's Mickey Mouse cartoon character.
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

^ ""Now Mickey Mouse enters art's temple": Walt Disney at the intersection ofart and entertainment."
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

[6] Said Disney:
"We felt that the public, and especially the children, like animals that are cute and little. I think we are rather indebted to Charlie Chaplin for the idea. We wanted something appealing, and we thought of a tiny bit of a mouse that would have something of the wistfulness of Chaplin — a little fellow trying to do the best he could. .When people laugh at Mickey Mouse, it's because he's so human; and that is the secret of his popularity.^ "Explores the basis for the long and universal popularity of Walt Disney's Mickey Mouse cartoon character.
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

I only hope that we don't lose sight of one thing — that it was all started by a mouse."[7]

Plane Crazy

.Mickey and Minnie debuted in the cartoon short Plane Crazy, first released on May 15, 1928. The cartoon was co-directed by Walt Disney and Ub Iwerks.^ Mickey Mouse as an icon and as a symbol of Walt Disney Co.
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

^ Walt Disney co.
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

^ "Explores the basis for the long and universal popularity of Walt Disney's Mickey Mouse cartoon character.
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

Iwerks was also the main animator for this short, and reportedly spent six weeks working on it. .In fact, Iwerks was the main animator for every Disney short released in 1928 and 1929. Hugh Harman and Rudolf Ising also assisted Disney during those years.^ UCB Main PN1999.W27 .S5 1982 UCB Moffitt PN1999.W27 .S5 1982 Sito, Tom "The great Disney Studio strike: the civil war of animation."
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

^ This study was designed to identify themes about couples and families portrayed in 26 Disney animated classics and recently released movies.
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

^ Focuses on Walt Disney's long cinematic career and his desire to control not only his audience but also every facet of his productions, and describes the work of the animators in his employ.
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

.They had already signed their contracts with Charles Mintz, but he was still in the process of forming his new studio and so for the time being they were still employed by Disney.^ UCB Main PN1998.A3 .D568 UCB Moffitt PN1998.A3 .D568 Thomas, Bob Walt Disney, the Art of the Animation; The Story of the Disney Studio contributin to a new art, by Bob Thomas.
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

^ (Walt Disney movie) New York Times v136 (Thu, Aug 6, 1987):17(N), C1(L), col 1, 24 col in.
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

^ Walt Disney Productions movie 'Aladdin') (Editorial) New York Times v142 (Wed, July 14, 1993):A14(N), A18(L), col 1, 6 col in.
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

This short would be the last they animated under this somewhat awkward situation.
The plot of Plane Crazy was fairly simple. Mickey is apparently trying to become an aviator in emulation of Charles Lindbergh. After building his own aircraft, he proceeds to ask Minnie to join him for its first flight, during which he repeatedly and unsuccessfully attempts to kiss her, eventually resorting to force. Minnie then parachutes out of the plane. While distracted by her, Mickey loses control of the plane. This becomes the beginning of an out-of-control flight that results in a series of humorous situations and eventually in the crash-landing of the aircraft.
Mickey as portrayed in Plane Crazy was mischievous, amorous, and has often been described as a rogue. At the time of its first release, however, Plane Crazy apparently failed to impress audiences, and to add insult to injury, Walt could not find a distributor. Though understandably disappointed, Walt went on to produce a second Mickey short: The Gallopin' Gaucho.

Early landmarks

The Gallopin' Gaucho, the first encounter with Black / Peg Leg Pete

.The Gallopin' Gaucho was again co-directed by Walt Disney and Ub Iwerks, with the latter serving as the sole animator in this case.^ Walt Disney co.
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

^ Focuses on Walt Disney's long cinematic career and his desire to control not only his audience but also every facet of his productions, and describes the work of the animators in his employ.
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

^ The animated man : a life of Walt Disney Berkeley : University of California Press, c2007.
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

.The short was intended as a parody of Douglas Fairbanks's The Gaucho, a film first released on November 21, 1928. Following the original film, the events of the short take place in the Pampas of Argentina.^ He first applied the technique to Mickey Mouse short films and attained major success with the release of Snow White and the Seven Dwarfs."
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

The gaucho of the title was Mickey himself. He is first seen riding on a rhea, instead of a horse as would be expected (or an ostrich as is often reported). He soon encounters "Cantina Argentina", apparently serving as the local bar and restaurant. Mickey proceeds to enter the establishment and take a seat. He apparently just wants to relax with some drinking and tobacco smoking. Also present at the establishment are Pegleg Pete (later renamed Black Pete, or just Pete), a wanted outlaw and fellow customer for the time being, and Minnie Mouse, the barmaid and dancer of the establishment, at the time performing a tango. Both customers soon begin to flirt with Minnie and to rival one another. At some point Pete proceeds in kidnapping Minnie and attempts to escape on his horse. Mickey gives chase on his rhea. He soon catches up to his rival and they proceed to fight with swords. Mickey emerges the victor of this joust. The finale of the short has Mickey and Minnie riding the rhea into the distance.
In later interviews, Iwerks would comment that Mickey as featured in The Gallopin' Gaucho was intended to be a swashbuckler, an adventurer modeled after Fairbanks himself. .This short marks the first encounter between Mickey and Black Pete, a character already established as an antagonist in both the Alice Comedies and the Oswald series.^ He first applied the technique to Mickey Mouse short films and attained major success with the release of Snow White and the Seven Dwarfs."
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

Based on Mickey and Minnie acting as strangers to each other before the finale, it was presumably intended to feature their original acquaintance to each other as well. Modern audiences have commented that all three characters seem to be coming out of rough, lower class backgrounds that little resemble their later versions. Consequently the short is arguably of some historical significance.
.At the time of its original production though, Walt again failed to find a distributor.^ Walt Disney Productions movie 'Aladdin') (Editorial) New York Times v142 (Wed, July 14, 1993):A14(N), A18(L), col 1, 6 col in.
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

.It would be first released on December 30, 1928, following the release of another Mickey short.^ He first applied the technique to Mickey Mouse short films and attained major success with the release of Snow White and the Seven Dwarfs."
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

Reportedly Mickey was at first thought to be much too similar to Oswald and this resulted in the apparent lack of interest in him. .Walt would soon start to contemplate ways to distinguish the Mickey Mouse series from his previous work and that of his rivals.^ "Explores the basis for the long and universal popularity of Walt Disney's Mickey Mouse cartoon character.
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

^ ""Now Mickey Mouse enters art's temple": Walt Disney at the intersection ofart and entertainment."
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

^ Mickey Mouse as an icon and as a symbol of Walt Disney Co.
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

.The result of his contemplations would be the third Mickey short to be produced, the second to be released and the first to really draw the attention of the audiences: Steamboat Willie.^ He first applied the technique to Mickey Mouse short films and attained major success with the release of Snow White and the Seven Dwarfs."
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

Addition of sound to the series

Mickey Mouse in Steamboat Willie (1928).
.Steamboat Willie was first released on November 18, 1928. It was co-directed by Walt Disney and Ub Iwerks.^ Walt Disney co.
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

^ "Walt Disney's 1942 animated film Bambi, based on Felix Salten's 1928 novel, has been influential in determining American attitudes toward wildlife and hunting.
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

^ 'Snow White and the Seven Dwarfs' discuss working for Walt Disney Co.
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

Iwerks again served as the head animator, assisted by Johnny Cannon, Les Clark, Wilfred Jackson and Dick Lundy. This short was intended as a parody of Buster Keaton's Steamboat Bill Jr., first released on May 12 of the same year. Although it was the third Mickey cartoon produced, it was the first to find a distributor, and thus has been cited as Mickey's debut. Willie featured changes to Mickey's appearance (in particular, simplifying his eyes to large dots) that established his look for later cartoons.
The cartoon was not the first cartoon to feature a soundtrack connected to the action. Fleischer Studios, headed by brothers Dave and Max Fleischer, had already released a number of sound cartoons using the DeForest system in the mid-1920s. However, these cartoons did not keep the sound synchronized throughout the film. .For Willie, Disney had the sound recorded with a click track that kept the musicians on the beat.^ Mouse tracks : the story of Walt Disney Records Jackson : University Press of Mississippi, 2006.
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

This precise timing is apparent during the "Turkey in the Straw" sequence, when Mickey's actions exactly match the accompanying instruments. Animation historians have long debated who had served as the composer for the film's original music. This role has been variously attributed to Wilfred Jackson, Carl Stalling and Bert Lewis, but identification remains uncertain. .Walt Disney himself was voice actor for both Mickey and Minnie.^ "Explores the basis for the long and universal popularity of Walt Disney's Mickey Mouse cartoon character.
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

^ ""Now Mickey Mouse enters art's temple": Walt Disney at the intersection ofart and entertainment."
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

^ "Walt Disney's 'Beauty and the Beast' expresses two conflicting gendered voices which enact the masculine and feminine conceptions of power.
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

The script had Mickey serving aboard Steamboat Willie under Captain Pete. At first he is seen piloting the steamboat while whistling. Then Pete arrives to take over piloting and angrily throws him out of the boat's bridge. They soon have to stop for cargo to be transferred on board. Almost as soon as they leave, Minnie arrives. She was apparently supposed to be their only passenger but was late to board. Mickey manages to pick her up from the river shore. Minnie accidentally drops her sheet music for the popular folk song "Turkey in the Straw". A goat which was among the animals transported on the steamboat proceeds to eat the sheet music. Consequently Mickey and Minnie use its tail to turn it into a phonograph which is playing the tune. Through the rest of the short, Mickey uses various other animals as musical instruments. Captain Pete is eventually disturbed by all this noise and places Mickey back to work. Mickey is reduced to peeling potatoes for the rest of the trip. A parrot attempts to make fun of him but is then thrown to the river by Mickey. This served as the final scene of this short.
Audiences at the time of Steamboat Willie's release were reportedly impressed by the use of sound for comedic purposes. Sound films or "talkies" were still considered innovative. .The first feature-length movie with dialogue sequences, The Jazz Singer starring Al Jolson, was released on October 6, 1927. Within a year of its success, most United States movie theaters had installed sound film equipment.^ To date, no research has examined images of couples and families in a wide sampling of Disney feature-length animated films.
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

^ "Images of couples and families in Disney feature-length animated films."
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

^ "Immigration is discussed as a subtext in the Disney movie 'The Lion King' (1994), revealing societal anxiety over immigration of Latinos/as to the United States.
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

.Walt Disney apparently intended to take advantage of this new trend and, arguably, managed to succeed.^ Walt Disney : the triumph of the American imagination New York : Knopf, 2006.
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

^ (Walt Disney Pictures depicts Native Americans in a sensitive manner in its in its new children's film).
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

^ Native American girl, and about her involvement with Captain John Smith, bear very little resemblance to the story presented in Walt Disney Co.'s new...
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

.Most other cartoon studios were still producing silent products and so were unable to effectively act as competition to Disney.^ Cartoons produced by commercial Hollywood studios in the mid-20th century are a case study of gender construction in American society.
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

^ Second, the volume of entertainment produced by the Disney Studios "resists interpretive synthesis."
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

^ [Expanded Academic Index] Lacroix, Celeste "Images of Animated Others: The Orientalization of Disney's Cartoon Heroines From The Little Mermaid to The Hunchback of Notre Dame."
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

As a result Mickey would soon become the most prominent animated character of the time. .Walt Disney soon worked on adding sound to both Plane Crazy and The Gallopin' Gaucho (which had originally been silent releases) and their new release added to Mickey's success and popularity.^ "Analyzes the distortion of the principles of surrealism for the American audience of the 1930's and considers the work of Walt Disney and Salvador Dali in this context."
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

^ Walt Disney : the triumph of the American imagination New York : Knopf, 2006.
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

^ "Explores the basis for the long and universal popularity of Walt Disney's Mickey Mouse cartoon character.
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

A fourth Mickey short, The Barn Dance, was also put into production; however, Mickey does not actually speak until The Karnival Kid in 1929 when his first spoken words were "Hot dogs, Hot dogs!" After Steamboat Willie was released, Mickey became a close competitor to Felix the Cat, and his popularity would grow as he was continuously featured in sound cartoons. By 1929, Felix would lose popularity among theater audiences, and Pat Sullivan decided to produce all future Felix cartoons in sound as a result.[8] Unfortunately, audiences did not respond well to Felix's transition to sound and by 1930, Felix had faded from the screen [9]

Addition of color

.Mickey first appeared in color in 1935. The first Technicolor Disney film was Flowers and Trees from 1932. In later years, old Disney cartoons originally produced in black and white would undergo the colorization process.^ "Explores the basis for the long and universal popularity of Walt Disney's Mickey Mouse cartoon character.
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

^ He first applied the technique to Mickey Mouse short films and attained major success with the release of Snow White and the Seven Dwarfs."
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

^ Produced under the shadow of the Cold War and the launching of the first nuclear submarine - named the Nautilus after Captain Nemo's famous boat - the Disney film of Leagues shows viewers a Nemo grown far less heroic.
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

Original Trademark

The original Mickey Mouse trademark, filed May 21, 1928
The original stylized Mickey Mouse logo, trademarked at the USPTO, and owned by The Walt Disney Company
.Mickey Mouse was introduced in 1928, first in Plane Crazy and then emerged as a star in the more popular Steamboat Willie animated cartoon.^ "Explores the basis for the long and universal popularity of Walt Disney's Mickey Mouse cartoon character.
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

^ He first applied the technique to Mickey Mouse short films and attained major success with the release of Snow White and the Seven Dwarfs."
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

^ One of the more popular forms of children's media is the Disney animated feature-length movie.
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

.Coinciding with the fanciful and giggly rodent's birth in 1928, Disney filed a trademark application to protect the company's precious icon, Mickey Mouse.^ Mickey Mouse as an icon and as a symbol of Walt Disney Co.
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

^ "Explores the basis for the long and universal popularity of Walt Disney's Mickey Mouse cartoon character.
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

^ Montana 48: (1) 2-17 Spring 1998 Stephenson, Tracy "My Silence Speaks Volumes: Mickey Mouse and the Ideology of an Icon."
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

Walter E. Disney filed the original application on May 21, 1928 to the USPTO and indicated that the trademark was used for, "motion pictures reproduced in copies for sale."[10] The application further stipulates that the trademark was in continuous use on or about May 1, 1928 and was, "applied or affixed to the goods by photographing the trade-mark upon motion-pictures films." .The legacy Mickey Mouse trademark is currently registered and renewed and owned by Disney Enterprises, Inc.^ "Explores the basis for the long and universal popularity of Walt Disney's Mickey Mouse cartoon character.
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

^ ""Now Mickey Mouse enters art's temple": Walt Disney at the intersection ofart and entertainment."
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

^ Mickey Mouse as an icon and as a symbol of Walt Disney Co.
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

of Burbank, California.

Roles and design

Mickey as a suitor

.The Barn Dance, first released on March 14, 1929, was the first of twelve Mickey shorts released during that year.^ He first applied the technique to Mickey Mouse short films and attained major success with the release of Snow White and the Seven Dwarfs."
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

.It was directed by Walt Disney with Ub Iwerks as the head animator.^ Walt Disney and Europe: European influences on the animated feature films of Walt Disney / Bloomington: Indiana University Press, c1999.
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^ "Walt Disney's 1942 animated film Bambi, based on Felix Salten's 1928 novel, has been influential in determining American attitudes toward wildlife and hunting.
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^ Focuses on Walt Disney's long cinematic career and his desire to control not only his audience but also every facet of his productions, and describes the work of the animators in his employ.
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

This short is notable for featuring Mickey turned down by Minnie in favor of Pete. It is also an unusual appearance of the Pete character; previously depicted as a menacing villain, he is portrayed here as a well-mannered gentleman. In addition, Mickey was not depicted as a hero but as a rather ineffective young suitor. In his sadness and crying over his failure, Mickey appears unusually emotional and vulnerable. It has been commented, however, that this only serves to add to the audience's empathy for the character.

First gloved appearance

"Ever wonder why we always wear these white gloves?" - Various characters (with minor variations)
Mickey in gloves.
.The Opry House, first released on March 28, 1929, was the second short released during the year.^ He first applied the technique to Mickey Mouse short films and attained major success with the release of Snow White and the Seven Dwarfs."
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

This short introduced Mickey's gloves. Mickey can be seen wearing them in most of his subsequent appearances. Supposedly one reason for adding the white gloves was to allow audiences to distinguish the characters' hands when they appeared against their bodies, as both were black (Mickey did not appear in color until The Band Concert in 1935). The three black lines on the backs of the gloves represent darts in the gloves' fabric extending from between the digits of the hand, typical of kid glove design of the era.

Depiction as a regular mouse

.When the Cat's Away, first released on April 18, 1929, was the third Mickey short to be released that year.^ He first applied the technique to Mickey Mouse short films and attained major success with the release of Snow White and the Seven Dwarfs."
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

It was essentially a remake of one of the Alice Comedies, Alice Rattled by Rats, which had been first released on January 15, 1926. Kat Nipp makes his second appearance, though his name is given as "Tom Cat" (this describes his being a tomcat, and the character should not be confused with the co-star of the Tom and Jerry series). He is seen getting drunk on alcoholic beverages. Then he leaves his house to go hunting. In his absence an army of mice invade his house in search of food. Among them are Mickey and Minnie, who proceed to turn this gathering into a party. This short is unusual in depicting Mickey and Minnie as having the size and partly the behavior of regular mice. The set standard both before and after this short was to depict them as having the size of rather short human beings. On another note, since this short was released during the Prohibition era, the alcoholic beverages would probably have been products of bootlegging.

Mickey as a soldier

.The next Mickey short to be released is also considered unusual.^ He first applied the technique to Mickey Mouse short films and attained major success with the release of Snow White and the Seven Dwarfs."
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

.It was "The Barnyard Battle", first released on April 25, 1929. This short is notable as the first to depict Mickey as a soldier and the first to place him in combat.^ He first applied the technique to Mickey Mouse short films and attained major success with the release of Snow White and the Seven Dwarfs."
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

Mouse in transition

Mickey Mouse Club

.In 1929, Disney began the first of what would later be many Mickey Mouse Clubs, which were located in hundreds of movie theaters across the United States.^ "Explores the basis for the long and universal popularity of Walt Disney's Mickey Mouse cartoon character.
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

^ He first applied the technique to Mickey Mouse short films and attained major success with the release of Snow White and the Seven Dwarfs."
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

^ Among the subjects addressed are Disney'sdocumentaries and westerns and the allegations that Bambi contributed toan antihunting sentiment in the United States.
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

[11]

First comic strip appearance

.By this point Mickey had appeared in fifteen commercially successful animated shorts and was easily recognized by the public.^ He first applied the technique to Mickey Mouse short films and attained major success with the release of Snow White and the Seven Dwarfs."
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

^ This study is a quantitative content analysis of characters appearing in the 19 most successful and most recent Disney animated movies.
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

.So Walt Disney was approached by King Features Syndicate with the offer to license Mickey and his supporting characters for use in a comic strip.^ "Explores the basis for the long and universal popularity of Walt Disney's Mickey Mouse cartoon character.
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

^ The Collection is supported by the Walt Disney Collectors Society, the first membership society established by Disney.
  • collection: Walt Disney Classics Collection at Barker Animation Art Gallery, Fine Arts & Sculptures 2 February 2010 17:57 UTC www.barkeranimation.com [Source type: General]

^ Walt Disney and Europe: European influences on the animated feature films of Walt Disney / Bloomington: Indiana University Press, c1999.
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

Walt accepted and Mickey made his first comic strip appearance on January 13, 1930. The comical plot was credited to Walt Disney himself, art to Ub Iwerks and inking to Win Smith. The first week or so of the strip featured a loose adaptation of "Plane Crazy". Minnie soon became the first addition to the cast. The strips first released between January 13, 1930 and March 31, 1930 have been occasionally reprinted in comic book form under the collective title "Lost on a Desert Island". Animation historian Jim Korkis notes "After the eighteenth strip[s], Iwerks left and his inker, Win Smith, continued drawing the gag-a-day format..."[12]

Classical music performances

Meanwhile in animation, two more Mickey shorts had been released. .The first of them was "The Barnyard Concert", first released on March 3, 1930. It featured Mickey conducting an orchestra.^ He first applied the technique to Mickey Mouse short films and attained major success with the release of Snow White and the Seven Dwarfs."
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

The only recurring characters among its members were Clarabelle as a flutist and Horace as a drummer. Their rendition of the Poet and Peasant Overture (by Franz von Suppé) is humorous enough; but it has been noted that several of the gags featured were repeated from previous shorts. The second, was originally released on March 14, 1930 under the title Fiddlin' Around but has since been renamed to Just Mickey. Both titles give an accurate enough description of the short which has Mickey performing a violin solo. .It is only notable for Mickey's emotional renditions of the finale to the "William Tell Overture", Robert Schumann's "Träumerei" ("Reverie"), and Franz Liszt's "Hungarian Rhapsody No.^ Issue 3, p501-537, 37p UC users only Gooding-Williams, Robert "Disney in Africa and the inner city: On race and space in The Lion King."
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

2", the latter which would appear on a regular basis in shorts starring Bugs Bunny, Tom and Jerry and Woody Woodpecker.
.In The Band Concert, the first Mickey Mouse cartoon filmed in Technicolor, Mickey conducted the William Tell Overture, but in the cartoon is swept up by a tornado, along with his orchestra.^ He first applied the technique to Mickey Mouse short films and attained major success with the release of Snow White and the Seven Dwarfs."
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

^ "Explores the basis for the long and universal popularity of Walt Disney's Mickey Mouse cartoon character.
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

It is said that conductor Arturo Toscanini so loved this short that, upon first seeing it, he asked the projectionist to run it again.
.Mickey made his most famous classical music appearance in 1940 in the classic Disney film Fantasia.^ The Mickey in Macy's window: childhood, consumerism, and Disney animation / Richard deCordova -- Fantasia: cultural constructions of Disney's "masterpiece" / Moya Luckett.
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^ Plans to create Fantasia continued, a new theatrical version of the 1940 classic.
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

^ One of the most famous of these is the 1954 Disney film of 20,000 Leagues Under the Sea.
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

.His screen "role" as The Sorcerer's Apprentice, set to the symphonic poem of the same name by Paul Dukas, is perhaps the most famous segment of the film.^ One of the most famous of these is the 1954 Disney film of 20,000 Leagues Under the Sea.
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

The segment features no dialogue at all, only the music. The apprentice (Mickey), not willing to do his chores, puts on the sorcerer's magic hat after the sorcerer goes to bed and casts a spell on a broom, which causes the broom to come to life and perform the most tiring chore—filling up a deep well using two buckets of water. When the well eventually overflows, Mickey finds himself unable to control the broom, leading to a near-flood. .After the segment ends, Mickey is seen in silhouette shaking hands with Leopold Stokowski, who conducts all the music heard in Fantasia.^ Taylor, Deems Walt Disney's Fantasia / by Deems Taylor; with a foreword by Leopold Stokowski.
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Departure of a co-creator and consequences

.They were followed by "Cactus Kid", first released on April 11, 1930. As the title implies the short was intended as a Western movie parody.^ He first applied the technique to Mickey Mouse short films and attained major success with the release of Snow White and the Seven Dwarfs."
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

But it is considered to be more or less a remake of "The Gallopin' Gaucho" set in Mexico instead of Argentina. Mickey was again cast as a lonely traveler who walks into the local tavern and starts flirting with its dancer. The latter is again Minnie. .The rival suitor to Mickey is again Pete though using the alias Peg-Leg Pedro.^ Peg Leg Pete .
  • collection: Walt Disney Classics Collection at Barker Animation Art Gallery, Fine Arts & Sculptures 2 February 2010 17:57 UTC www.barkeranimation.com [Source type: General]

.For the first time in a Mickey short, Pete was depicted as having a peg-leg.^ He first applied the technique to Mickey Mouse short films and attained major success with the release of Snow White and the Seven Dwarfs."
  • Walt Disney: A Bibliography of Materials in the UC Berkeley Libraries 14 January 2010 18:27 UTC www.lib.berkeley.edu [Source type: Academic]

This would become a recurring feature of the character. The rhea of the original short was replaced by Horace Horsecollar. This is considered to be his last non-anthropomorphic appearance. The short is considered significant for being the last Mickey short to be animated by Ub Iwerks.
Shortly before its release, Iwerks left the Studio to start his own bankrolled by Disney's then-distributor Pat Powers. Powers and Disney had a falling out over money due Disney from the distribution deal. It was in response to losing the right to distribute Disney's cartoons that Powers made the deal with Iwerks, who had long harbored a desire to head his own studio. The departure is considered a turning point to the careers of both Walt Disney and Mickey Mouse. The former lost the man who served as his closest colleague and confidant since 1919. The latter lost the man responsible for his original design and for the direction and/or animation of several of the shorts released till this point, and some would argue Mickey's creator. .Walt Disney has been credited for the inspiration to create Mickey, but Iwerks was the one to design the character and the first few Mickey Mouse cartoons were mostly or entirely drawn by Iwerks.^ The Collection is supported by the Walt Disney Collectors Society, the first membership society established by Disney.
  • collection: Walt Disney Classics Collection at Barker Animation Art Gallery, Fine Arts & Sculptures 2 February 2010 17:57 UTC www.barkeranimation.com [Source type: General]

^ The Walt Disney Classics Collection is the only collection of fine animation sculptures created using the time-honored principles of Disney film animation.
  • collection: Walt Disney Classics Collection at Barker Animation Art Gallery, Fine Arts & Sculptures 2 February 2010 17:57 UTC www.barkeranimation.com [Source type: General]

^ As a result, each sculpture captures all the emotion and magic of the unforgettable characters and settings created by Disney.
  • collection: Walt Disney Classics Collection at Barker Animation Art Gallery, Fine Arts & Sculptures 2 February 2010 17:57 UTC www.barkeranimation.com [Source type: General]

Consequently some animation historians have suggested that Iwerks should be considered the actual creator of Mickey Mouse. It has been pointed that advertising for the early Mickey Mouse cartoons credit them as "A Walt Disney Comic, drawn by Ub Iwerks". Later Disney Company reissues of the early cartoons tend to credit Walt Disney alone.
Disney and his remaining staff continued the production of the Mickey series, and he was able to eventually find a number of animators to replace Iwerks. .As the Great Depression progressed and Felix the Cat faded from the movie screen, Mickey's popularity would rise, and by 1932, the Mickey Mouse Club would have one million members[13] and Walt would receive a special Oscar for creating Mickey Mouse as well; in 1935, Disney would also begin to phase out the Mickey Mouse Clubs, due to administration problems.^ The Mickey Mouse Club (c.
  • collection: Walt Disney Classics Collection at Barker Animation Art Gallery, Fine Arts & Sculptures 2 February 2010 17:57 UTC www.barkeranimation.com [Source type: General]

[14] Despite being eclipsed by the Silly Symphonies short The Three Little Pigs in 1933, Mickey still maintained great popularity among theater audiences too, until 1935, when polls showed that Popeye the Sailor was more popular than Mickey.[15] By 1934, Mickey merchandise had also earned $600,000.00 a year.[16]
In 1994, "The Band Concert" was voted the third-greatest cartoon of all time in a poll of animation professionals. By colorizing and partially redesigning Mickey, Walt would put Mickey back on top once again, and Mickey would also reach popularity he never reached before as audiences now gave him more appeal;[13] in 1935, Walt would also receive a special award from the League of Nations for creating Mickey as well. However, by 1938, the more manic Donald Duck would surpass the passive Mickey, resulting in a redesig of the mouse;[17] the redesign between 1938 and 1940 also put Mickey at the peak of his popularity.[13] However, after 1940, Mickey's popularity would decline.[18] Despite this, the character continued to appear regularly in animated shorts until 1943 (winning his only competitive Academy Award—with Pluto—for a short subject for Lend a Paw) and again from 1946 to 1952.

Appearances in comics

.In early 1930, after Iwerks' departure, Disney was at first content to continue scripting the Mickey Mouse comic strip, assigning the art to Win Smith.^ Barker Comic Strip Art Publishers Co.
  • collection: Walt Disney Classics Collection at Barker Animation Art Gallery, Fine Arts & Sculptures 2 February 2010 17:57 UTC www.barkeranimation.com [Source type: General]

However, Walt's focus had always been in animation and Smith was soon assigned with the scripting as well. Smith was apparently discontent at the prospect of having to script, draw, and ink a series by himself as evidenced by his sudden resignation.
Walt proceeded to search for a replacement among the remaining staff of the Studio. For unknown reasons he selected Floyd Gottfredson, a recently hired employee. At the time Floyd was reportedly eager to work in animation and somewhat reluctant to accept his new assignment. Walt had to assure Floyd that the assignment was only temporary and that he would eventually return to animation. Floyd accepted and ended up holding this "temporary" assignment from May 5, 1930, to November 15, 1975.
Walt Disney's last script for the strip appeared May 17, 1930.[12] Gottfredson's first task was finish the storyline Disney had started on April 1, 1930. The storyline was completed on September 20, 1930 and later reprinted in comic book form as Mickey Mouse in Death Valley. This early adventure expanded the cast of the strip which to this point only included Mickey and Minnie. Among the characters who had their first comic strip appearances in this story were Clarabelle Cow, Horace Horsecollar and Black Pete as well as the debuts of corrupted lawyer Sylvester Shyster and Minnie's uncle Mortimer Mouse. The Death Valley narrative was followed by Mr. Slicker and the Egg Robbers, first printed between September 22 and December 26, 1930, which introduced Marcus Mouse and his wife as Minnie's parents.
Starting with these two early comic strip stories, Mickey's versions in animation and comics are considered to have diverged from each other. While Disney and his cartoon shorts would continue to focus on comedy, the comic strip effectively combined comedy and adventure. This adventurous version of Mickey would continue to appear in comic strips and later comic books throughout the 20th and into the 21st century.
Floyd Gottfredson left his mark with stories such as Mickey Mouse Joins the Foreign Legion (1936) and The Gleam (1942). He also created the Phantom Blot, Eega Beeva, Morty and Ferdie, Captain Churchmouse, and Butch. Besides Gottfredson artists for the strip over the years included Roman Arambula, Rick Hoover, Manuel Gonzales, Carson Van Osten, Jim Engel, Bill Wright, Ted Thwailes and Daan Jippes; writers included Ted Osborne, Merrill De Maris, Bill Walsh, Dick Shaw, Roy Williams, Del Connell, and Floyd Norman.
The next artist to leave his mark on the character was Paul Murry in Dell Comics. .His first Mickey tale appeared in 1950 but Mickey didn't become a speciality until Murry's first serial for Walt Disney's Comics and Stories in 1953 ("The Last Resort").^ The Collection is supported by the Walt Disney Collectors Society, the first membership society established by Disney.
  • collection: Walt Disney Classics Collection at Barker Animation Art Gallery, Fine Arts & Sculptures 2 February 2010 17:57 UTC www.barkeranimation.com [Source type: General]

In the same period Romano Scarpa in Italy for the magazine Topolino began to revitalize Mickey in stories that brought back the Phantom Blot and Eega Beeva along with new creations such as the Atomo Bleep-Bleep. While the stories at Western Publishing during the Silver Age emphasized Mickey as a detective in the style of Sherlock Holmes, in the modern era several editors and creators have consciously undertaken to depict a more vigorous Mickey in the mold of the classic Gottfredson adventures. This reinnasance has been spearheaded by Byron Erickson, David Gerstein, Noel Van Horn, Michael T. Gilbert and Cesar Ferioli.
In Europe, Mickey Mouse became the main attraction of a number of comics magazines, the most famous being Topolino in Italy from 1932 on and Le Journal de Mickey in France from 1934 on.
Mickey was the main character for the series MM Mickey Mouse Mystery Magazine, published in Italy from 1999 to 2001.

Later history

Recent history

On November 18, 1978, in honor of his 50th anniversary, he became the first cartoon character to have a star on the Hollywood Walk of Fame. The star is located on 6925 Hollywood Blvd.
Melbourne (Australia) runs the annual Moomba festival street procession and appointed Mickey Mouse as their King of Moomba (1977).[19] Although immensely popular with children, there was controversy with the appointment: some Melburnians wanted a 'home-grown' choice, e.g. Blinky Bill; when it was revealed that Patricia O'Carroll (from Disneyland's Disney on Parade show) was performing the mouse, Australian newspapers reported "Mickey Mouse is really a girl!"[20]
Throughout the decades, Mickey Mouse competed with Warner Bros.' Bugs Bunny for animated popularity. But in 1988, in a historic moment in motion picture history, the two rivals finally shared screen time in the Robert Zemeckis Disney/Amblin film Who Framed Roger Rabbit. Disney and Warner signed an agreement stating that each character had exactly the same amount of screen time, right down to the micro-second.
Similar to his animated inclusion into a live-action film on Roger Rabbit, Mickey made a featured cameo appearance in the 1990 television special The Muppets at Walt Disney World where he met Kermit the Frog. The two are established in the story as having been old friends. The Muppets have otherwise spoofed and referenced Mickey over a dozen times since the 1970s. Eventually, The Muppets were purchased by the Walt Disney Company in 2004.
Mickey appeared on several animated logos for Walt Disney Home Entertainment, starting with the "Neon Mickey" logo and then to the "Sorcerer Mickey" logos used for regular and Classics release titles. He also appeared on the video boxes in the 1980s.
His most recent theatrical cartoon was 1995's short Runaway Brain, while in 1999-2004, he appeared in made-for-video features, like Mickey's Once Upon a Christmas, Mickey, Donald, Goofy: The Three Musketeers, and the computer-animated Mickey's Twice Upon a Christmas. He has yet to appear in an original Disney film that wasn't based on a classical work.
.Many television programs have centered around Mickey, such as the recent shows Mickey Mouse Works (1999—2000), Disney's House of Mouse (2001—2003) and Mickey Mouse Clubhouse (2006).^ Design House: Disney Year Introduced: 2000 Notes: citrus, lemon, florals and sweet spices.
  • MINNIE MOUSE by Disney - Scentiful.com 6 February 2010 12:32 UTC www.scentiful.com [Source type: General]

Prior to all these, Mickey was also featured as an unseen character in the Bonkers episode "You Oughta Be In Toons".
Mickey was the Grand Marshal of the Tournament of Roses Parade on New Year's Day 2005.
In the Disney on Ice play, Disney Presents Pixar's The Incredibles in a Magic Kingdom/Disneyland Adventure, Mickey and Minnie are kidnapped by an android replica of Syndrome, who seeks to create "his" own theme park in Walt Disney World/Disneyland's place. They are briefly imprisoned in the Pirates of the Caribbean attraction's prison cell before an assault on the robot Syndrome by the Incredible Family forces "him" to place them in laser prisons, but not without using a flamethrower in a botched attempt to incinerate their would-be superhuman saviors. After the robot Syndrome is congealed by Frozone, Mickey and Minnie are finally liberated, the magic and happiness of the Walt Disney World/Disneyland Resort is restored, and the Incredibles become Mickey and Minnie's newest friends.

Video games

Like many popular characters, Mickey has starred in many video games, including "Mickey Mousecapade" on the Nintendo Entertainment System, "Mickey Mania: The Timeless Adventures of Mickey Mouse", "Mickey's Ultimate Challenge", and "Disney's Magical Quest" on the Super Nintendo Entertainment System, Castle of Illusion Starring Mickey Mouse on the Mega Drive/Genesis, "Mickey Mouse: Magic Wands" on the Game Boy, and many others. In the 2000s, the Disney's Magical Quest series were ported to the Game Boy Advance, while Mickey made his sixth generation era debut in Disney's Magical Mirror Starring Mickey Mouse, a Nintendo GameCube title aimed at younger audiences. Mickey plays a major role in the Kingdom Hearts series, as the king of Disney Castle and aide to the protagonist, Sora. King Mickey wields the Keyblade, a weapon in the form of a key that has the power to open any lock and combat darkness. Epic Mickey, featuring a darker version of the Disney universe, is scheduled to be released in 2010 for the Wii.

Toys and games

In 1989, Milton Bradley released the electronic-talking game titled Mickey Says, with three modes featuring Mickey Mouse as its host. Mickey also appeared in other toys and games, including the Worlds of Wonder-released Talking Mickey Mouse.

Design and voice

The character has gone through some major changes through his existence. The first one happened with "The Pointer" in 1939 and "The Sorcerer's Apprentice" section of "Fantasia" in 1940, where he was given pupils in his eyes, a Caucasian skin colored face, and a pear-shaped body. In the 40's, he changed once more in "The Little Whirlwind", where he used his trademark pants for the last time in decades, lost his tail, got more realistic ears that changed with perspective and a different body anatomy. But this change would only last for a short period of time before returning to the one in "The Pointer", with the exception of his pants. In his final theatrical cartoons in the 50's, he was given eyebrows, which were removed in the more recent cartoons.
Mickey's top trademark is his ears, and they have also become a trademark of the Disney company in general. Basic design of Mickey's ears is two very round ears that are attached to a very round head. Other than the 1940s Mickey, he and Minnie's ears have had the unusual characteristic of always being viewable with the same symmetry despite which direction that their respective head is facing. In other words, the ears are always generally in the same position as they are in a frontal view of the character, and appear to be sideways on their head when facing left or right.
A large part of Mickey's screen persona is his famously shy, falsetto voice. From his first speaking role in "The Karnival Kid" onward, Mickey was voiced by Walt Disney himself, a task in which Disney took great personal pride. (Carl Stalling and Clarence Nash allegedly did some uncredited ADR for Mickey in a few early shorts as well.) However, by 1946, Disney was becoming too busy with running the studio to do regular voice work (and it is speculated his cigarette habit had damaged his voice over the years), and during the recording of the "Mickey and the Beanstalk" section of "Fun and Fancy Free", Mickey's voice was handed over to veteran Disney musician and actor Jimmy MacDonald. (Both Disney's and MacDonald's voices can be heard on the final soundtrack.) MacDonald voiced Mickey in the remainder of the theatrical shorts, and for various television and publicity projects up until his retirement in the mid-1970s, although Walt voiced Mickey again for the introductions of the original 1954—1959 "Mickey Mouse Club" TV series and the "Fourth Anniversary Show" episode of the "Disneyland" TV series aired on September 11, 1958. 1983's Mickey's Christmas Carol marked the theatrical debut of the late Wayne Allwine as Mickey Mouse, who was the voice of Mickey until his death in 2009[21]. Allwine was, incidentally, married to Russi Taylor, the current voice of Minnie Mouse. Les Perkins did the voice of Mickey in the TV special Down and Out with Donald Duck released in 1987.
Bret Iwan, a former Hallmark greeting card artist, has been chosen to represent the new voice of Mickey. His first acting has been for a Mickey toy and Disney Cruise Line promotions, and will be featured in the Disney on Ice: Celebrations! ice show.[22]. His first official voiceover of Mickey Mouse will be on Kingdom Hearts Birth by Sleep, an upcoming video game for PlayStation Portable. He is also rumored to voice the character in the next games for the Kingdom Hearts series.

Voices in other languages

  • French
    • Jacques Bodoin: In Fun and Fancy Free (original version)
    • Jean-François Kopf: In Fun and Fancy Free (reissue version)
    • Roger Carel: 1973 - 1980s (France)
    • Marc François: 1980s (France)
    • Vincent Violette: Late 1980s - early 1990s (France)
    • Jean-Paul Audrain: 1990s (France)
    • Laurent Pasquier: 2000–present (France)
    • Daniel Picard: 2000 (French Canada)
  • Spanish
    • Walt Disney: Fantasia
    • Edmundo Santos: Original shorts through Fun and Fancy Free
    • Francisco Colmenero: Other shorts
    • Raúl Aldana: Other shorts up through The Prince and the Pauper
    • Juan Alfonso Carralero: In Who Framed Roger Rabbit (Latin American version)
    • Rafael Alonso Naranjo Jr.: In Who Framed Roger Rabbit (European version)
    • Rubén Cerda: 1990s - present (Latin American version)
    • José Padilla: 1990s - present (European version)

Social impact

A picture of several packaged products displaying pictures of Mickey Mouse and Donald Duck dressed in traditional Japanese attire.

Use in politics

In the United States, protest votes are often made in order to indicate dissatisfaction with the slate of candidates presented on a particular ballot, or to highlight the inadequacies of a particular voting procedure. Since most states' electoral systems do not provide for blank balloting or a choice of "None of the Above", most protest votes take the form of a clearly non-serious candidate's name entered as a write-in vote[citation needed]. Cartoon characters are typically chosen for this purpose[citation needed]; as Mickey Mouse is the best-known and most-recognized character in America, his name is frequently selected for this purpose. (Other popular selections include Donald Duck and Bugs Bunny.) This phenomenon has the humorous effect of causing Mickey Mouse to be a minor but perennial contestant in nearly all U.S. presidential elections.[citation needed] A similar phenomenon occurs in the parliament elections in Finland and Sweden, although Finns and Swedes usually write Donald Duck or Donald Duck Party as a protest vote.
Mickey Mouse's name has also been known to appear fraudulently on voter registration lists, most recently in the 2008 U.S. Presidential Election[23][24].

Pejorative use of Mickey's name

"Mickey Mouse" is a slang expression meaning small-time, amateurish or trivial. In the UK and Ireland, it also means poor quality or counterfeit.
  • In The Godfather: Part II, Fredo's justification of betraying Michael is that his orders in the family usually were "Send Fredo off to do this, send Fredo off to do that! Let Fredo to take care of some Mickey Mouse night club somewhere!" as opposed to more meaningful tasks.
  • In 1984, just after an ice hockey game in which Wayne Gretzky's Edmonton Oilers beat the New Jersey Devils 13-4, Gretzky is quoted as saying to a reporter, "Well, it's time they got their act together, they're ruining the whole league. They had better stop running a Mickey Mouse organization and put somebody on the ice."[25] Reacting to Gretzky's comment, Devils fans wore Mickey Mouse apparel when the Oilers returned to New Jersey.
  • In the 1989 film Indiana Jones and the Last Crusade, a butler at Brunwald castle says to Indy, "Yes, we have tapestries. But if you are a Scottish lord, then I am Mickey Mouse!"
  • In the 1993 Warner Bros. film Demolition Man, as Sylvester Stallone's character is fighting the malfunctioning AI of his out-of-control police car, he shouts for the system to "Brake! Brake! Brake, now, you Mickey Mouse piece of shit!"[26]
  • In the 1996 Warner Bros. film Space Jam, Bugs Bunny derogatorily referred to Daffy Duck's idea for the name of their basketball team, asking, "What kind of Mickey Mouse organization would call themselves 'The Ducks?'" (This also referenced the Anaheim Mighty Ducks, a NHL team that was owned by Disney.)
  • In the United States armed forces, actions that produce good looks, but have little practical use, (such as the specific manner of making beds in basic training or the polishing of brass fittings onboard ship) are commonly referred to as "Mickey Mouse work".
  • In schools a "Mickey Mouse course" or "Mickey Mouse major" is a class or college major where very little effort is necessary in order to attain a good grade (especially an A) and/or one where the subject matter of such a class is not of any importance in the labor market.[27]
  • Musicians often refer to a film score that directly follows each action on screen as Mickey Mousing (also mickey-mousing and mickeymousing).[28]
  • .
  • The software company Microsoft has been derogatorily called "Mickeysoft".[29]
  • During WWII, the Motor Minesweepers used by the British Royal Naval Patrol Service were unofficially known as "Mickey Mouses".
  • In the beginning of the 1980s, then-British Prime Minister Margaret Thatcher once called the European Parliament a "Mickey Mouse parliament", meaning a discussion club without influence.^ The Mickey Mouse Club (c.
    • collection: Walt Disney Classics Collection at Barker Animation Art Gallery, Fine Arts & Sculptures 2 February 2010 17:57 UTC www.barkeranimation.com [Source type: General]

    [30]
  • In the British sitcom Red Dwarf. In the episode Quarantine: After the team's substandard equipment nearly cost them their lives, Lister pointed out, "We're a real Mickey Mouse operation, aren't we?" The Cat replied, "Mickey Mouse? We ain't even Betty Boop!"
  • Because of Mickey's status as Disney's signature character, he is often jokingly referred to as the boss of The Walt Disney Company. Disney employees sometimes say they "work for the Mouse." [31][32] In the South Park season 13 episode "The Ring," Mickey is portrayed as a greedy, sadistic and foul-mouthed head of the studio, who berates and beats the Jonas Brothers after they complain that their purity rings are overshadowing their music.
  • The 2009 NBA Finals between the Los Angeles Lakers and Orlando Magic are being dubbed the "Mickey Mouse Series"[33] due to the Disney theme parks located near Los Angeles (Disneyland) and Orlando (Walt Disney World), plus the fact that the Finals aired on ABC, which Disney also owns.

Parodies and criticism

Mickey Mouse was originally portrayed as a minstrel character. From 1929 to well into the 1930s the character of Mickey Mouse was understood and openly described as "minstrel".[34] These portrayals can be seen in early depictions such as the original version of "Steamboat Willie",[35] as well as "Mickey's Mellerdrammer", the advertising for which featured Mickey in blackface with pronounced facial features understood to resemble caricatures of African-Americans in the 1930s.[36]
Mickey Mouse's global fame has made him both a symbol of The Walt Disney Company and as of the United States itself. For this reason Mickey has been used frequently in anti-American satire, such as the infamous underground cartoon "Mickey Mouse in Vietnam". There have been numerous parodies of Mickey Mouse, such as the Mad Magazine parody "Mickey Rodent" by Will Elder in which the mouse walks around unshaven and jails Donald Duck out of jealousy over the duck's larger popularity.[37] The grotesque Rat Fink character was created by Ed "Big Daddy" Roth over his hatred of Mickey Mouse. In The Simpsons Movie, Bart Simpson puts a black bra on his head to mimic Mickey Mouse and says: "I'm the mascot of an evil corporation!"[38] In the South Park episode "The Ring" Mickey Mouse is depicted as the sadistic, greedy boss of The Walt Disney Company, only interested in money.
On September 20, 2008 Sheikh Muhammad Al-Munajid claimed that the sharia considers mice to be harmful vermin and that characters like Mickey Mouse and Jerry from Tom & Jerry are to be blamed for making mice such loveable characters. He issued a fatwa against Mickey, which made international headline news and was the subject of much controversy and ridicule. Sheikh Muhammed Al-Munajid issued a statement afterwards in which he stated that he was misquoted and translated badly.

Legal issues

A typical style of sign in Walt Disney World, showing one of many uses by Disney of the Mickey ears logo.
It is sometimes erroneously stated that the Mickey Mouse character is only copyrighted. In fact, the character, like all major Disney characters, is also trademarked, which lasts in perpetuity as long as it continues to be used commercially by its owner. So, whether or not a particular Disney cartoon goes into the public domain, the characters themselves may not be used as trademarks without authorization. However, within the United States, European Union and some other jurisdictions, the Copyright Term Extension Act (sometimes called the 'Mickey Mouse Protection Act' because of extensive lobbying by the Disney corporation) and similar legislation has ensured that works such as the early Mickey Mouse cartoons will remain under copyright until at least 2023. However a Los Angeles Times article explains that ambiguity and "imprecision" in early film credits copyright claims could invalidate Disney's copyright on the earliest version of the character.[39]
The Walt Disney Company has become well known for protecting its trademark on the Mickey Mouse character, whose likeness is closely associated with the company, with particular zeal. In 1989, Disney threatened legal action against three daycare centers in Florida for having Mickey Mouse and other Disney characters painted on their walls. The characters were removed, and rival Universal Studios replaced them with Universal cartoon characters.[40]

Walt Disney Productions v. Air Pirates

In 1971, a group of underground cartoonists calling themselves "The Air Pirates," after a group of villains from early Mickey Mouse films, produced a comic called Air Pirates Funnies. In the first issue, cartoonist Dan O'Neill depicted Mickey and Minnie Mouse engaging in explicit sexual behavior and consuming drugs. As O'Neill explained, "The air pirates were...some sort of bizarre concept to steal the air, pirate the air, steal the media...Since we were cartoonists, the logical thing was Disney."[41] Rather than change the appearance or name of the character, which O'Neill felt would dilute the parody, the mouse depicted in Air Pirates Funnies looks like and is named "Mickey Mouse." Disney sued for copyright infringement, and after a series of appeals, O'Neill eventually lost and was ordered to pay Disney $1.9 million. The outcome of the case remains controversial amongst free-speech advocates. New York Law School professor Edward Samuels said, "[The Air Pirates] set parody back twenty years."[42]

Censorship

In 1930, The German Board of Film Censors prohibited showing a Mickey Mouse film because they felt the kepi-wearing mouse negatively portrayed the Germans and would "reawaken the latest anti-German feeling existing abroad since the War".[43] A mid 1930s German newspaper article even stated :
"Mickey Mouse is the most miserable ideal ever revealed...Healthy emotions tell every independent young man and every honorable youth that the dirty and filfth-covered vermin, the greatest bacteria carrier in the animal kingdom, cannot be the ideal type of animal...Away with Jewish brutalization of the people! Down with Mickey Mouse! Wear the Swastika Cross!"[44][45][46]
Art Spiegelman used this quote on the opening page of the second volume of his comic Maus II.
The 1935 Romanian authorities banned Mickey Mouse films from cinemas after they feared that children would be "scared to see a ten-foot mouse in the movie theatre".[47] In 1938, based on the Ministry of Popular Culture's recommendation that a reform was necessary "to raise children in the firm and imperialist spirit of the Fascist revolution," the Italian Government banned Mickey and other foreign Children's literature.[48]

Filmography

See also

  • Minnie Mouse, best known as the fellow Disney character, often portrayed as Mickey's significant other in animated shorts and features.
  • Pluto, a canine character of the Disney series who is often portrayed as Mickey's dog in the animated shorts and features.
  • Mickey Mouse universe, the phenomenon that has spawned from the Mickey Mouse series and other related characters.
  • Mouse Museum, a Russian museum featuring artifacts and memorabilia relating to Mickey Mouse.
  • Mickey Mouse Adventures A short-lived comic starring Mickey Mouse as the protagonist.
  • Hidden Mickey, a phenomenon featuring throughout Disney films, theme parks and merchandise involving hiding images that are similar to a silhouette of Mickey's head and ears, another trademark of the Disney series, in non-related places.
  • Celebration Mickey, a two foot tall, 100 lb (45 kg)., 24-karat gold authentic Mickey Mouse sculpture, designed by Disney artist Marc Delle and produced in 2001 to commemorate Walt Disney's 100th birthday. Certified an authentic and one-of-a-kind piece by Disneyland Resort, it is the largest gold sculpture ever cast in the history of the Disney Company.

References

Notes
  1. ^ a b c Kenworthy, John (2001). The Hand Behind the Mouse (Disney ed.). New York. pp. 53–54. 
  2. ^ "Disney Online Guest Services". Disney Online. http://psc.disney.go.com/guestservices/8699.html. Retrieved 2006-08-31. 
  3. ^ Barrier, Michael (2008). The Animated Man: A Life of Walt Disney. University of California Press. p. 56. ISBN 978-0520256194. 
  4. ^ Mickey Mouse's Magic- Tweentimes - Indiatimes
  5. ^ » Mickey Mouse was going to be Mortimer Mo ... Useless Knowledge
  6. ^ Albin, Kira (1995). "Mickey Rooney: Hollywood, Religion and His Latest Show". GrandTimes.com. Senior Magazine. http://www.grandtimes.com/rooney.html. 
  7. ^ justdisney.com
  8. ^ toontracker.com
  9. ^ Felix the Cat | St. James Encyclopedia of Pop Culture |
  10. ^ Mickey Mouse trademark
  11. ^ Disney Timeline: A mouse is born!!
  12. ^ a b Korkis, Jim. "The Uncensored Mouse".
  13. ^ a b c Charles Solomon. "The Golden Age of Mickey Mouse". Disney.com guest services. http://disney.go.com/disneyatoz/familymuseum/exhibits/articles/mickeymousegoldenage/index.html. 
  14. ^ Chronology of the Walt Disney Company (1935)
  15. ^ GAC Forums - Popeye's Popularity - Article from 1935
  16. ^ The Golden Age of Mickey Mouse
  17. ^ Free Cartoon Reviews of Fantasia
  18. ^ Charles Solomon. "Mickey in the Post-War Era". Disney.com guest services. http://disney.go.com/disneyatoz/familymuseum/exhibits/articles/mickeymousepostwar/index.html. 
  19. ^ Craig Bellamy, Gordon Chisholm, Hilary Eriksen (17 February 2006). "Moomba: A festival for the people (pp 17-22)" (PDF). http://www.melbourne.vic.gov.au/rsrc/PDFs/Moomba/History%20of%20Moomba.pdf. 
  20. ^ Craig Bellamy, Gordon Chisholm, Hilary Eriksen (17 February 2006). "Moomba: A festival for the people (pp 19-20)" (PDF). http://www.melbourne.vic.gov.au/rsrc/PDFs/Moomba/History%20of%20Moomba.pdf. 
  21. ^ Disney Legends - Wayne Allwine
  22. ^ Disney on Ice Celebrations features Princess Tiana and Mickey's New Voice, Bret Iwan - The Latest - LaughingPlace.com: Disney World, Disneyland and More
  23. ^ Vote drives defended, despite fake names - St. Petersburg Times
  24. ^ "The ACORN investigations". October 16, 2008. http://www.economist.com/world/unitedstates/displaystory.cfm?story_id=12432392. 
  25. ^ 1983-84: Growing Pains Lead to Promise
  26. ^ script-o-rama.com
  27. ^ BBC News | Education | 'Irresponsible' Hodge under fire
  28. ^ Holm, Peter. "The Cottage: Review". Music From The Movies. http://www.musicfromthemovies.com/review.asp?ID=7374. Retrieved 2008-08-12. 
  29. ^ Richard Forno. ""Microsoft", No. "Mickeysoft", Yes." Published November 28, 2001; retrieved November 7, 2006.
  30. ^ "What does Mickey Mouse Have To Do With The European Parliament?". EU-Oplysnigen (Denmark). http://www.eu-oplysningen.dk/euo_en/spsv/all/26/. Retrieved 2008-08-12. 
  31. ^ Working for the Mouse
  32. ^ Working for the Mouse - Disney (Unofficial) - Families.com
  33. ^ "The Mickey Mouse Series". FanNation. May 30, 2009. http://www.fannation.com/throwdowns/show/346722-the-mickey-mouse-series?category_id=17. Retrieved June 1, 2009. 
  34. ^ Ye Olden Days at the Internet Movie Database
  35. ^ Steamboat Willie at the Internet Movie Database
  36. ^ Mickey's Mellerdrammer Movie Poster
  37. ^ "Mickey Rodent!" (Mad #19)
  38. ^ The Simpsons Movie (2007) - Memorable Quotes. The Internet Movie Database (IMDb). Retrieved on March 20, 2008.. Retrieved on March 20, 2008.
  39. ^ Joseph Menn (2008-08-22). "Disney's rights to young Mickey Mouse may be wrong". Los Angeles Times.com. http://www.latimes.com/business/la-fi-mickey22-2008aug22,0,6883462.story. Retrieved 2008-08-22. 
  40. ^ Daycare Center Murals, Snopes.com
  41. ^ Comic Book Confidential. Sphinx Productions. 1989. 
  42. ^ Levin, Bob (2003). The Pirates and the Mouse: Disney's War Against the Counterculture. Fantagraphics Books. ISBN 156097530X. 
  43. ^ The Times (1930-7-14). "Mickey Mouse in Trouble (German Censorship)", The Times Archive (archive.timesonline.co.uk) Accessed November 19, 2008.
  44. ^ Hungerford, Amy (January 15, 2003). The Holocaust of Texts. University Of Chicago Press. pp. 206. ISBN 0226360768. http://books.google.com/books?id=hQaoyehtkBgC&pg=PA87&lpg=PA87&dq=%22Mickey+Mouse+is+the+most+miserable+ideal+ever+revealed%22&source=web&ots=it1ra73w24&sig=ciUpF4YqVRVLEtUncn-Y9qtqIVA&hl=en&sa=X&oi=book_result&resnum=9&ct=result. 
  45. ^ LaCapra, Dominick (March 1998). History and Memory After Auschwitz. Cornell University Press. pp. 214. ISBN 0801484960. http://books.google.com/books?id=pBhow2EcLHwC&pg=PA159&lpg=PA159&dq=%22Mickey+Mouse+is+the+most+miserable+ideal+ever+revealed%22&source=bl&ots=OriZYqZ5Ua&sig=_Xg1JJgTHeVSZf_DOSYI7Ck5LjQ&hl=en&sa=X&oi=book_result&resnum=3&ct=result. 
  46. ^ Rosenthal, Jack (1992-08-02). "ON LANGUAGE; Mickey-Mousing". New York Times, The. http://query.nytimes.com/gst/fullpage.html?res=9E0CE5DB1339F931A3575BC0A964958260&partner=rssnyt&emc=rss. Retrieved 2008-12-30. 
  47. ^ Conner, Floyd. Hollywood's Most Wanted: The Top 10 Book of Lucky Breaks, Prima Donnas, Box Office Bombs, and Other Oddities. illustrated. Brassey's, 2002.(pg 243)
  48. ^ The Times (1938-11-16). "The Banning of a Mouse", The Times Archive (archive.timesonline.co.uk) Accessed November 19, 2008.

External links


Wiktionary

Up to date as of January 15, 2010

Definition from Wiktionary, a free dictionary

Contents

English

Etymology

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Wikipedia has an article on:
The adjective sense developed during the second world war, after a large quantity of low quality counterfeit Mickey Mouse watches flooded the UK.

Pronunciation

Proper noun

Singular
Mickey Mouse
Plural
-
Mickey Mouse
  1. The most famous Disney character, an anthropomorphic mouse.

Translations

Adjective

Mickey Mouse (not comparable)
Positive
Mickey Mouse
  1. (idiomatic) Of an item of dubious quality.
    I took Twentieth Century Film, hoping it would be a Mickey Mouse course and an easy A.

Quotations

"They're putting a Mickey-Mouse operation on the ice... It's ruining hockey." - Ice hockey player Wayne Gretzky after his Edmonton Oilers beat the New Jersey Devils 13-4, 1984 (espn.go.com)

Synonyms

Derived terms

Translations


Simple English

Mickey Mouse is a cartoon character created by Walt Disney and Ub Iwerks in 1928.

He is the Walt Disney company's mascot and is the main character in Fantasia. Mickey Mouse also has television shows with the whole gang including Donald Duck, Goofy, Minnie Mouse, and Pluto. Minnie Mouse is his girl friend. His birthday is on 18th Novenver 1928. This is a same day as Minnie Mouse.

Pets

Mickey Mouse has a pet; a dog. The dog is called Pluto. Pluto has 5 puppies with Minnie's dog, Fifi.

Friends

Goofy, Donald Duck, Daisy Duck, Chip 'n Dale, Clarice, Max, Clarabelle Cow, Horace Horsecollar etc...

Other pages

Walt Disney Pictures

List of Disney movies


Citable sentences

Up to date as of December 20, 2010

Here are sentences from other pages on Mickey Mouse, which are similar to those in the above article.








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