| 121st | Top people from Mississippi |
| 23rd | Top nicknames of blues musicians |
| Mississippi John Hurt | |
|---|---|
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| Background information | |
| Birth name | John Smith Hurt |
| Born | July 3, 1893 or March 8, 1892 Teoc, Carroll County, Mississippi, United States |
| Origin | Avalon, Mississippi |
| Died | November 2, 1966 Grenada, Mississippi |
| Genres | Blues, Folk music, Country music |
| Years active | 1928, 1963 – 1966 |
| Labels | Okeh Records Vanguard Records |
Mississippi John Hurt (July 3, 1893[1][2] or March 8, 1892[3] — November 2, 1966) was an influential country blues singer and guitarist.[4] He sang in a loud whisper, to a melodious finger-picked guitar accompaniment.[5]
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Born John Smith Hurt in Teoc,[6] Carroll County, Mississippi and raised in Avalon, Mississippi, Hurt learned to play guitar at age 9. He spent much of his youth playing old time music for friends and dances, earning a living as a farm hand into the 1920s.[7] In 1923 he partnered with the fiddle player Willie Narmour as a substitute for his regular partner Shell Smith.[7] When Narmour got a chance to record for Okeh Records as a prize for winning first place in a 1928 fiddle contest, Narmour recommended John Hurt to Okeh Records producer Tommy Rockwell. After auditioning "Monday Morning Blues" at his home, he took part in two recording sessions, in Memphis and New York City (see Discography below).[7] The "Mississippi" tag was added by Okeh as a sales gimmick. After the commercial failure of the resulting records, and Okeh Records going out of business during the Great Depression, Hurt returned to Avalon and obscurity, working as a sharecropper and playing local parties and dances.[5]
In 1963, however, a folk musicologist, Tom Hoskins, inspired by the recordings, was able to locate Hurt near Avalon, Mississippi.[8] Seeing that Hurt's guitar playing skills were still intact, Hoskins encouraged him to move to Washington, D.C., and begin performing on a wider stage. His performance at the 1964 Newport Folk Festival saw his star rise amongst the new folk revival audience.[5] Before his death he played extensively in colleges, concert halls, coffee houses and also on the Tonight Show with Johnny Carson, as well as recording three further albums for Vanguard Records.[5] Much of his repertoire was recorded for the Library of Congress, also. The numbers his devotees particularly liked were the ragtime songs "Salty Dog" and "Candy Man", and the blues ballads "Spike Driver Blues" (a variant of "John Henry") and "Frankie".[5]
Hurt's influence spanned several music genres including blues, country, bluegrass, folk and contemporary rock and roll. A soft-spoken man, his nature was reflected in the work, which remained a mellow mix of country, blues and old time music to the end.[7]
Hurt died in November 1966 from a heart attack in Grenada, Mississippi.[9]
There is now a memorial in Avalon, Mississippi for Mississippi John Hurt. It is parallel to RR2, which is the rural road on which he grew up.
American singer-songwriter Tom Paxton, who met Hurt and played on the same bill as him at the Gaslight in Greenwich Village around 1963, wrote and recorded a song about him in 1977 entitled "Did You Hear John Hurt?" Paxton still frequently plays this song at his live performances.
John Fahey (musician) in 1968 wrote the album Requia on which the first track is entitled Requiem For John Hurt. Fahey's posthumous live album The Great Santa Barbara Oil Slick also features a version of the song, entitled slightly differently as Requiem For Mississippi John Hurt.
Pat The Bunny of Wingnut Dishwashers Union regularly performs a cover or Ain't Nobody's Business
(VSD-79220, Vanguard Records)
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(Vanguard)
(Piedmont PLP 13161, Piedmont Records)
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(VSD-19/20, Vanguard Records) Recorded live at Oberlin College, April 15, 1966
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(QS 5042, Quicksilver Records)
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(CLPS 1068, Piedmont Records)
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(PLP 13757, Piedmont Records)
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