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Mount Penglai

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Mount Penglai (simplified Chinese: 蓬莱山traditional Chinese: 蓬萊山pinyin: Pénglái shān), or Penglai Island (simplified Chinese: 蓬莱仙岛traditional Chinese: 蓬萊仙島pinyin: Pénglái xiāndǎo), is a mystical land found in Chinese mythology. The legend also passed into Japan, where it took shape as the legend of Hōrai (蓬莱 Hōrai ?)[1].



According to Shan Hai Jing, the mountain is said to be on an island in the eastern end of Bohai Sea, along with four other islands where the immortals lived, called Fāngzhàng (方丈), Yíngzhōu (瀛州), Dàiyú (岱輿), and Yuánjiāo (員嬌).

Though a Penglai City exists in Shandong, China, whether or not the city was the actual spot as described in the legends is unknown. The city, however, prides itself for the legend, and claims that a certain scenic region in the city was the landing point of the Eight Immortals. Others claim that the mountain can be seen in form of the frequent mirages at sea that the city is famous for.

Another theory by Yichu (義楚) of Later Zhou Dynasty puts the fabled island as Japan, while Penglai Mountain is Mount Fuji.

In Chinese mythology

In Chinese mythology, the mountain is often said to be the base for the Eight Immortals, or at least where they travel to have a banquet, as well as the magician Anqi Sheng. Supposedly, everything on the mountain seems white, while its palaces are made from gold and platinum, and jewelries grow on trees.

There is no pain and no winter; there are rice bowls and wine glasses that never become empty no matter how much people eat or drink from them; and there are magical fruits growing in Penglai that can heal any disease, grant eternal youth, and even raise the dead.

Historically, Qin Shi Huang, in search of the elixir of life, made several attempts to find the island where the mountain is located, to no avail. Legends tell that Xu Fu, one servant sent to find the island, found Japan instead.

In Japanese mythology

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Japanese Mythology

The presentation of Mt. Hōrai in Lafcadio Hearn's Kwaidan: Stories and Studies of Strange Things, is somewhat different from the earlier idyllic Chinese myth. This version, which does not truly represent the Japanese views of Horai in the Meiji and preceding Tokugawa periods, rejects much of the fantastic and magical properties of Hōrai. In this version of the myth, Hōrai is not free from sorrow or death, and the winters are bitterly cold. Hearn's conception of Hōrai holds that there are no magical fruits that cure disease, grant eternal youth or raise the dead, and no rice bowls or wine glasses that never become empty.

Hearn's incarnation of the myth of Hōrai focuses more on the atmosphere of the place, which is said to be made up not of air but of "quintillions of quintillions" of souls. Breathing in these souls is said to grant one all of the perceptions and knowledge of these ancient souls. The Japanese version also holds that the people of Hōrai are small fairies, and they have no knowledge of great evil, and so their hearts never grow old.

In the Kwaidan, there is some indication that the Japanese hold such a place to be merely a fantasy. It is pointed out that "Hōrai is also called Shinkiro, which signifies Mirage — the Vision of the Intangible".

Yet uses of Mount Hōrai in Japanese literature and art of the Tokugawa period (1615-1868) reveal a very different view than Hearn's Victorian-influenced interpretation.


  1. ^ McCullough, Helen Craig (1990). Classical Japanese Prose. Stanford University Press. p. 570. ISBN 0-8047-1960-8.  




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