12nd | Renaissance/ |
Much Ado About Nothing | |
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![]() Theatrical poster |
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Directed by | Kenneth Branagh |
Produced by | Kenneth Branagh Stephen Evans David Parfitt |
Written by | William Shakespeare Kenneth Branagh |
Starring | Kenneth Branagh Richard Briers Michael Keaton Keanu Reeves Emma Thompson Denzel Washington Kate Beckinsale Robert Sean Leonard Imelda Staunton Jimmy Yuill |
Music by | Patrick Doyle |
Editing by | Andrew Marcus |
Distributed by | Samuel Goldwyn
Company MGM (DVD release) |
Release date(s) | May 7, 1993 |
Running time | 111 minutes |
Country | United Kingdom |
Language | English |
Budget | $11,000,000 |
Gross revenue | $22,549,338 |
Much Ado About Nothing is a 1993 film based on William Shakespeare's play. It was adapted for the screen and directed by Kenneth Branagh, who also played the role of Benedick.
Much Ado About Nothing was released on May 7, 1993, reaching 200 U.S. screens at its widest release. It earned $22 million at the U.S. box office and $36 million total worldwide, which, despite failing to reach the mark set by Franco Zeffirelli's Romeo and Juliet, made it one of the most financially successful Shakespeare films ever released. It was also entered into the 1993 Cannes Film Festival.[1]
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Don Pedro, Prince of Aragon and his noblemen are visiting their good friend Leonato in Messina after having quashed the uprising led by Don John, the prince's bastard half-brother. Among the victors are the misogynistic and witty Benedick, erstwhile flame of Leonato's equally sharp-tongued and somewhat fierce niece Beatrice (who is something of a misandrist), and Benedick's "sworn brother" Claudio, a young count. Claudio has been thinking fondly of Leonato's gentle and lovely daughter Hero since before he went to war, and returns to find her as attractive as ever. Don Pedro, learning of his young friend's feelings, arranges the match at a party. As an anxious Claudio watches Don Pedro talking earnestly to Hero, Don John and Borachio come to him and tell him that they "heard [the Prince] swear his affection" and "[swear] he would marry her to-night." Claudio, heartbroken, leaves, but comes back when bid by Don Pedro to find Hero and the Prince waiting for him. Upon seeing his distressed expression, the prince asks, "Why, how now, count! wherefore are you sad?" Beatrice observes, "The count is neither sad, nor sick, nor merry, nor well; but civil count, civil as an orange, and something of that jealous complexion." Hero then goes to Claudio and it is revealed that she, too, has been thinking of him in his absence. Claudio, overcome with joy and love, tells Hero, "Lady, as you are mine, I am yours." They then kiss, and their wedding is planned to take place the following week. Using the excuse of needing something to pass the time until the wedding day, Don Pedro decides to arrange a similar fate for Beatrice and Benedick. Of course, both parties being such “professed tyrant[s]” to the opposite sex, this match will take a little more ingenuity.
Leonato, Claudio and the Prince stage a loud conversation containing a fictitious account of how much Beatrice is in love with Benedick; all the while, they know Benedick to be hiding well within earshot. Hero and her gentlewoman Ursula play the same trick upon Beatrice. Each of them believes the story they hear about the other. In the midst of all of this good-natured scheming, Don John and his men have been casting about for ways to stop the intended marriage between the man who “hath all the glory of [Don John's] overthrow” and the woman for whom one may suspect he has cherished some tender feeling. The night before the wedding, his servant Borachio arranges to meet with Hero's gentlewoman Margaret at Hero's chamber window. John shows his half-brother and Claudio the rendezvous and makes them believe that they are seeing Hero in the act of infidelity.
Against the revelry of the evening, the constable Dogberry appoints a watch to keep the peace. The three hapless watchmen happen to hear Borachio bragging to his colleague Conrade about how he and Don John had finally succeeded in wrecking the wedding plans. They make the arrest and send Dogberry in the morning to fetch Leonato for the examination, but the old gentleman is in too much of a hurry to try to decipher what the constable would say to him. Amidst the confusion, the villain has managed to escape to parts unknown before he can get his comeuppance.
At the wedding, Claudio publicly disgraces his would-be bride and storms away along with all of the guests except for Ursula, the Friar, Leonato, Beatrice, her father Antonio, and Benedick. They all agree to the Friar's plan to publish the tale that Hero, upon the grief of Claudio's accusations, suddenly died. Beatrice and Benedick linger a moment, and wind up confessing their love to one another. In the wake of this declaration, Beatrice asks Benedick to do the one thing that will satisfy her outrage with what has just happened; she asks him to kill Claudio. He agrees, but it is with a heavy heart. Just after the challenge is issued, the story of Don John's deception comes to light, and the Prince and Claudio are sorely grieved for their grave mistake. Leonato forgives Claudio on the condition that he marry Hero's cousin on the next morning. When the bride is brought forth, she is revealed to be none other than Hero herself! They then profess their true and undying love for each other, as do Beatrice and Benedick when faced with written evidence (acquired and produced by Hero and Claudio) found in the pockets of each, Benedick's in the form of a song, Beatrice's in an unknown style. All are reconciled and Don John is discovered and promised punishment. The movie ends with the whole of Leonato's household dancing in the courtyard, with the newlyweds at the center of them.
The film received generally enthusiastic notices from critics, with most of the negative criticism focusing on particular casting choices, notably Keanu Reeves as Don John, and Michael Keaton as Dogberry.[2]
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