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Nahapet
Directed by Henrik Malyan
Written by Henrik Malyan (writer)
Starring Sos Sargsyan, Frunzik Mkrtchyan, Sofik Sarkisyan
Music by Alexander Arutunian
Cinematography Sergei Israelyan
Editing by H. Melkonyan
Distributed by Armenfilm studios
Release date(s) 27 November 1977
Running time 92 minutes
Country Soviet Union
Language Armenian, Russian, English (with the title of Life Triumphs)

Nahapet (Armenian: Նահապետ) is a 1977 Armenian film about a man who tries to rebuild his life after losing his wife and child in the Armenian genocide. It is based on a novel written by Hrachya Kochar.[1] The film has been cited as an example of the portrayal of genocide in the film industry.[2] The film was screened in the Un Certain Regard section of the 1978 Cannes Film Festival.[3]

Contents

Plot

The film centres round the life of a strong-willed Armenian fighter Nahapet (Sos Sargsyan). In the horrors of the Armenian genocide, Nahapet (whose name means patriarch in Armenian) and others valiantly attempt to defend their village in Turkish Armenia from Ottoman troops but are soon overwhelmed. All his children and his wife, Manushak, are brutally beaten and killed whilst he is tied to a beam and forced to witness the destruction of his village.

Left for dead, Nahapet is able to make his way to a bleak and cold village in Aragats (filmed in Talin), a part of the new state of Soviet Armenia. He is filled with grief and feels unable to move on. With encouragment from his brother-in-law and friend Apro (Frunzik Mkrtchyan), Nahapet reluctantly begins a new relationship with a woman named Noubar (Sofik Sarkisyan). But the pair are estranged from one another from the start and the scenes from the film show candid but silent moments of the two attempting to find ways to build a new lives and trying to survive with what little they have. They plant trees and labour intensively to build a house despite the harsh weather conditions of the region.

Nahapet and Noubar gradually realise that their survival and future is linked and both now come to the aid of one another. She reveals to Nahapet that she is pregnant. As Nahapet is working outside one day he, he hears the wailing of a newborn and rushes to his home's wooden door, collapsing on it with the tears and with the full realisation that building a new future after suffering such deprivations in life is possible. The film ends with him and the other villagers walking with their children as they all take a pledge to plant a new apple tree for each child born in the village.

Symbolism

Red apples are always seen in flashback sequences during the film, accompanied to the score of 'Dle Yaman', rolling in the hundreds into a lake.

Reception

British historian David Marshall Lang called the film 'absorbing' and it was broadcast by the BBC in Britain after it was released.[4]

References

  1. ^ See the collection of Kochar's short works in Spitak Girquh (The White Book). (Yerevan 1965).
  2. ^ Shelton, Dinah (2005). Encyclopedia of Genocide and Crimes Against Humanity. Macmillan Reference. pp. 360, 361. ISBN 9780028658483.  
  3. ^ "Festival de Cannes: Nahapet". festival-cannes.com. http://www.festival-cannes.com/en/archives/ficheFilm/id/2000/year/1978.html. Retrieved 2009-05-23.  
  4. ^ Lang, David Marshall (1988). The Armenians: A People in Exile. Unwin Paperbacks. p. 181. ISBN 9780044402893.  

External links

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