| Naji al-Ali ناجي العلي |
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| Born | 1938 Al-Shajara,  Palestine |
| Died | 29 August 1987 London, UK |
| Occupation | cartoonist |
| Nationality | Palestinian |
| Writing period | 1938-1987 |
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Influences
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Naji Salim al-Ali (Arabic: ناجي سليم العلي, born c. 1938 – 29 August 1987) was a Palestinian cartoonist, noted for the political criticism of Israel in his works. He drew over 40,000 cartoons, which often reflected Palestinian and Arab public opinion and were sharply critical commentaries on Palestinian and Arab politics and political leaders.[1] He is perhaps best known as creator of the character Handala, pictured in his cartoons as a young witness of the satirized policy or event depicted,[1] and who has since become an icon of Palestinian defiance. Naji al-Ali was shot in the face and mortally wounded in London by unknown persons on 22 July 1987, outside the offices of al-Qabas, a Kuwaiti newspaper for which he drew political caricatures.[2][1] He died five weeks later in Charing Cross Hospital.
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Naji al-Ali was born in 1938 or thereabouts in the northern Palestinian village of Al-Shajara, located between Tiberias and Nazareth. He was exiled in the south of Lebanon with his family after the 1948 Palestinian exodus (the Nakba), and lived in Ain al-Hilweh refugee camp near Sidon,[3] where he attended the Union of Christian Churches school. After gaining his Certificat he worked in the orchards of Sidon, then moved to Tripoli where he attended the White Friars' vocational school for two years.
Naji al-Ali then moved to Beirut, where he lived in a tent in Shatila refugee camp and worked in various industrial jobs. In 1957, after qualifying as a car mechanic, he travelled to Saudi Arabia, where he worked for two years.
In 1959 Naji al-Ali returned to Lebanon, and that year he joined the Arab Nationalist Movement (ANM), but was expelled four times within one year for lack of party discipline. Between 1960 and 1961, along with comrades from the ANM, he published a handwritten political journal Al-Sarkha ('the cry').
In 1960, he entered the Lebanon Academy of Arts, but was unable to continue his studies there as he was imprisoned for political reasons soon afterwards. After his release he moved to Tyre, where he worked as a drawing instructor in the Ja'fariya College.
The writer and political activist Ghassan Kanafani saw some of Naji al-Ali's cartoons on a visit to Ain al-Hilweh and printed the artist's first published drawings along with an accompanying article in Al-Hurriya no. 88 on 25 September 1961.
In 1963 Naji al-Ali moved to Kuwait, hoping to save money to study art in Cairo or Rome. There he worked as an editor, cartoonist, designer and newspaper producer on the Arab nationalist Al-Tali'a newspaper. From 1968 on he worked for Al-Siyasa. In the course of these years he returned to Lebanon several times. In 1974 he started working for the Lebanese newspaper Al-Safir, which permitted him to return to Lebanon for a longer period. During the Israeli invasion of Lebanon in 1982, he was briefly detained by the occupying forces along with other residents of Ain al-Hilweh. In 1983 he once more moved to Kuwait to work for Al-Qabas and in 1985 moved to London where he worked for its international edition until his death.
In 1984 he was described by The Guardian as "the nearest thing there is to an Arab public opinion".[4]
In his career as a political cartoonist, Naji al-Ali produced over 40,000 drawings. They generally deal with the situation of the Palestinian people, depicting suffering and resistance and harshly criticizing the Israeli state and illegal Israeli occupation, Palestinian leadership, and the Arab regimes. Naji al-Ali was a fierce opponent of any settlement that would not vindicate the Palestinian people's right to all of historic Palestine, and many of his cartoons express this opposition. Unlike many political cartoonists, specific politicians do not appear in person in his work: as he stated, "... I have a class outlook, that is why my cartoons take this form. What is important is drawing situations and realities, not drawing presidents and leaders."
Naji al-Ali published three books of his cartoons, in 1976, 1983 and 1985, and was preparing another at the time of his death.
In 1979, Naji al-Ali was elected president of the League of Arab Cartoonists. In 1979 and 1980, he received the first prize in the Arab cartoonists exhibitions held in Damascus. The International Federation of Newspaper Publishers awarded him the "Golden Pen of Freedom" posthumously in 1988.[5]
Handala, also known as Handhala (Arabic: حنظلة) is the most famous of Naji al-Ali's characters. He is depicted as a ten-year old boy, and appeared for the first time in Al-Siyasa in Kuwait in 1969. The figure turned his back to the viewer from the year 1973, and clasped his hands behind his back. The artist explained that the ten-year old represented his age when forced to leave Palestine and would not grow up until he could return to his homeland; his turned back and clasped hands symbolised the character's rejection of "outside solutions". Handala wears ragged clothes and is barefoot, symbolising his allegiance to the poor. In later cartoons, he sometimes appears throwing stones or writing graffiti.
Handala became the signature of Naji al-Ali's cartoons and remains an iconic symbol of Palestinian identity and defiance; the artist remarked that "this being that I have invented will certainly not cease to exist after me, and perhaps it is no exaggeration to say that I will live on with him after my death".
Other characters in Naji al-Ali's cartoons include a thin, miserable-looking man representing the Palestinian as the defiant victim of Israeli oppression and other hostile forces, and a fat man representing the Arab regimes and Palestinian political leaders who led an easy life and engaged in political compromises which the artist fervently opposed. The motifs of the Crucifixion (representing Palestinian suffering) and stone-throwing (representing the resistance of ordinary Palestinians) are also common in his work.
An unknown youth opened fire on Naji al-Ali outside the London office of Kuwaiti newspaper Al Qabas on the 22 July 1987, hitting him in the right temple. He remained unconscious until his death on 29 August 1987. Although his will requested that he be buried in Ain al-Hilweh beside his father, this proved impossible to arrange and he was buried in Brookwood Islamic Cemetery outside London. It is still not known who was responsible for his assassination. British police investigating the killing arrested a 28-year-old Jerusalem-born Jordanian researcher at Hull University, Isma'il Hassan Sawan, and found a cache of weapons in his apartment that they said were intended for terrorist attacks around Europe; he was only charged with possession of weapons and explosives. Police said Sawan was a member of the PLO, though that organisation denied any involvement.[6][7]
Under interrogation, Sawan claimed that he worked for the Israeli intelligence agency Mossad, which he said was aware of the plot to kill the cartoonist. By refusing to pass on the relevant information to their British counterparts, Mossad earned the displeasure of Britain, which retaliated by expelling two Israeli diplomats from London. A furious Margaret Thatcher, then prime minister, closed Mossad’s London base in Palace Green, Kensington. [8]
A statue of Naji al-Ali by the sculptor Charbel Faris was erected at the northern entrance of Ain al-Hilweh camp, where Naji was raised for most of his youth years and presumably where he got most of his inspirations.
Working on the statue took around 5 months. Upon the finish, It was 275 cm tall, 85 cm average width, and 45 cm average thickness. It was made of fiberglass and colored polyester, and was supported with steel. The statue held a rock in his right hand and a booklet of drawings in the left hand.
Shortly afterwards, it was damaged in an explosion caused by unknown elements, and it was shot in the left eye as well. It was re-erected, but subsequently disappeared.
A movie was made about the life of Naji Al Ali in Egypt, and the main role was assigned to the Egyptian actor Nour El-Sherif.
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