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Nat King Cole

Background information
Birth name Nathaniel Adams Coles
Born March 17, 1919(1919-03-17)
Montgomery, Alabama, United States
Died February 15, 1965 (aged 45)
Genres Vocal jazz, swing, traditional pop, jump blues, vocal
Occupations Singer-songwriter, pianist
Years active 1935–1965
Labels Decca,Capitol
Associated acts Natalie Cole, Frank Sinatra, Dean Martin

Nathaniel Adams Coles (March 17, 1919 – February 15, 1965), known professionally as Nat "King" Cole, was an American musician who first came to prominence as a leading jazz pianist. Although an accomplished pianist, he owes most of his popular musical fame to his soft baritone voice, which he used to perform in big band and jazz genres. He was one of the first black Americans to host a television variety show, and has maintained worldwide popularity since his death; he is widely considered one of the most important musical personalities in United States history.

Contents

Childhood and Chicago

He was born Nathaniel Adams Coles in Montgomery, Alabama, on Saint Patrick's Day in 1919[1] (some sources erroneously list his birth year as 1917), and at the age of 4,[2] his family moved to Chicago, Illinois. There his father became a Baptist minister. Cole learned to play the organ from his mother, Perlina, the church organist. His first performance, at age four, was of "Yes! We Have No Bananas". He began formal lessons at the age of 12, eventually learning not only jazz and gospel music but also European classical music, performing, as he said, "from Johann Sebastian Bach to Sergei Rachmaninoff".

Cole had three brothers; Eddie, Ike, and Freddy. The family lived in the Bronzeville neighborhood of Chicago. Cole would sneak out of the house and hang around outside the clubs, listening to artists such as Louis Armstrong, Earl "Fatha" Hines, and Jimmie Noone. He participated in Walter Dyett's renowned music program at DuSable High School.

Inspired by the playing of Earl Hines, Cole began his performing career in the mid 1930s while still a teenager, adopting the name "Nat Cole". His older brother, Eddie Cole, a bass player, soon joined Cole's band, and the brothers made their first recording in 1936 under Eddie's name. They were also regular performers at clubs. In fact, Cole acquired his nickname "King" performing at one jazz club, a nickname presumably reinforced by the otherwise unrelated nursery rhyme about Old King Cole. He was also a pianist in a national tour of Broadway theatre legend Eubie Blake's revue, "Shuffle Along". When it suddenly failed in Long Beach, California, Cole decided to remain there.

Los Angeles and the King Cole Trio

Cole and three other musicians formed the "King Cole Swingers" in Long Beach and played in a number of local bars before getting a gig on the Long Beach Pike for US$90 ($1,413 in current dollar terms) per week.

In January 1937, Cole married dancer Nadine Robinson, who was also in the musical Shuffle Along, and moved to Los Angeles. The trio consisted of Cole on piano, Oscar Moore on guitar, and Wesley Prince on double bass. The trio played in Failsworth throughout the late 1930s and recorded many radio transcriptions. Cole's role was that of piano player and leader of the combo.

It is a common misconception that Cole's singing career did not start until a drunken barroom patron demanded that he sing "Sweet Lorraine". In fact, Cole has gone on record saying that the fabricated story "sounded good, so I just let it ride." Cole frequently sang in between instrumental numbers. Noticing that people started to request more vocal numbers, he obliged. Yet the story of the insistent customer is not without some truth. There was a customer who requested a certain song one night, but it was a song that Cole did not know, so instead he sang "Sweet Lorraine". The trio was tipped 15 cents for the performance, a nickel apiece (Nat King Cole: An Intimate Biography, Maria Cole with Louie Robinson, 1971).

The Capitol Records Building, known as "the house that Nat built"

During World War II, Wesley Prince left the group and Cole replaced him with Johnny Miller. Miller would later be replaced by Charlie Harris in the 1950s. The King Cole Trio signed with the fledgling Capitol Records in 1943. Revenues from Cole's record sales fueled much of Capitol Records' success during this period. The revenue is believed to have played a significant role in financing the distinctive Capitol Records building on Hollywood and Vine in Los Angeles. Completed in 1956, it was the world's first circular office building and became known as "the house that Nat built".

Cole was considered a leading jazz pianist, appearing, for example, in the first Jazz at the Philharmonic concerts (credited on the Mercury Record labels as "Shorty Nadine," apparently derived from the name of his wife at the time). His revolutionary lineup of piano, guitar, and bass in the time of the big bands became a popular setup for a jazz trio. It was emulated by many musicians, among them Art Tatum, Oscar Peterson, Ahmad Jamal, and blues pianists Charles Brown and Ray Charles. He also performed as a pianist on sessions with Lester Young, Red Callender, and Lionel Hampton. The Page Cavanaugh Trio, with the same setup as Cole, came out of the chute about the same time, at the end of the war. It's still a tossup as to who was first, although it is generally agreed that the credit goes to Cole.

Early singing career

Cole's first mainstream vocal hit was his 1943 recording of one of his compositions, "Straighten Up and Fly Right," based on a black folk tale that his father had used as a theme for a sermon. Johnny Mercer invited him to record it for the fledgling Capitol Records label. It sold over 500,000 copies, proving that folk-based material could appeal to a wide audience. Although Cole would never be considered a rocker, the song can be seen as anticipating the first rock and roll records. Indeed, Bo Diddley, who performed similar transformations of folk material, counted Cole as an influence.

Beginning in the late 1940s, Cole began recording and performing more pop-oriented material for mainstream audiences, often accompanied by a string orchestra. His stature as a popular icon was cemented during this period by hits such as "The Christmas Song" (Cole recorded that tune four times: on June 14, 1946, as a pure Trio recording, on August 19, 1946, with an added string section, on August 24, 1953, and in 1961 for the double album The Nat King Cole Story; this final version, recorded in stereo, is the one most often heard today), "Nature Boy" (1948), "Mona Lisa" (1950), "Too Young" (the #1 song in 1951),[3] and his signature tune "Unforgettable" (1951). While this shift to pop music led some jazz critics and fans to accuse Cole of selling out, he never totally abandoned his jazz roots; as late as 1956, for instance, he recorded an all-jazz album After Midnight. Cole had one of his last big hits two years before his death, in 1963, with the classic "Those Lazy-Hazy-Crazy Days of Summer", which reached #6 on the Pop chart.

Making television history

On November 5, 1956, The Nat King Cole Show debuted on NBC-TV. The Cole program was the first of its kind hosted by an African-American, which created controversy at the time.[4]

Beginning as a 15-minute pops show on Monday night, the program was expanded to a half hour in July 1957. Despite the efforts of NBC, as well as many of Cole's industry colleagues—many of whom, such as Ella Fitzgerald, Harry Belafonte, Frankie Laine, Mel Tormé, Peggy Lee, and Eartha Kitt worked for industry scale (or even for no pay)[4] in order to help the show save money—The Nat King Cole Show was ultimately done in by lack of a national sponsorship.[4] Companies such as Rheingold Beer assumed regional sponsorship of the show, but a national sponsor never appeared.[4]

The last episode of "The Nat King Cole Show" aired December 17, 1957. Cole had survived for over a year, and it was he, not NBC, who ultimately decided to pull the plug on the show.[citation needed] NBC, as well as Cole himself, had been operating at an extreme financial loss.[citation needed] Commenting on the lack of sponsorship his show received, Cole quipped shortly after its demise, "Madison Avenue is afraid of the dark."[citation needed] This statement, with the passing of time, has fueled the urban legend that Cole's show had to close down despite enormous popularity. In fact, the Cole program was routinely beaten by the competition at ABC, which was then riding high with its travel and western shows.[citation needed] In addition, musical variety series have always been risky enterprises with a fickle public; among the one-season casualties are Frank Sinatra in 1957, Judy Garland in 1963, and Julie Andrews in 1972.

In 1964, Cole made one of his final television appearances on The Jack Benny Program. In his typically magnanimous fashion, Benny allowed his guest star to steal the show. Cole sang “When I Fall in Love” in perhaps his finest and most memorable performance. Cole was introduced as “the best friend a song ever had” and traded very humorous banter with Benny. Cole highlighted a classic Benny skit in which Benny is upstaged by an emergency stand-in drummer. Introduced as Cole’s cousin, five-year-old James Bradley Jr. stunned Benny with incredible drumming talent and participated with Cole in playful banter at Benny’s expense. It would prove to be one of Cole's last performances.

Racism

Nat King Cole corner in the Hotel Nacional de Cuba

Cole fought racism all his life and refused to perform in segregated venues. In 1956, he was assaulted on stage during a concert in Birmingham, Alabama, (while singing the song "Little Girl") by three members of the North Alabama White Citizens Council (a group led by Education of Little Tree author Asa "Forrest" Carter, himself not among the attackers), who apparently were attempting to kidnap him. The three male attackers ran down the aisles of the auditorium towards Cole and his band. Although local law enforcement quickly ended the invasion of the stage, the ensuing melée toppled Cole from his piano bench and injured his back. Cole did not finish the concert and never again performed in the South. A fourth member of the group who had participated in the plot was later arrested in connection with the act. All were later tried and convicted for their roles in the crime.[5]

In 1956 he was contracted to perform in Cuba and wanted to stay at the Hotel Nacional de Cuba, Havana, but was not allowed to because it operated a color bar. Cole honored his contract, however, and the concert at the Tropicana was a huge success. The following year, he returned to Cuba for another concert, singing many songs in Spanish. There is now a tribute to him in the form of a bust and a jukebox in the Hotel Nacional.[6]

1950s and beyond

Throughout the 1950s, Cole continued to rack up hit after hit, including "Smile", "Pretend", "A Blossom Fell", and "If I May". His pop hits were collaborations with well-known arrangers and conductors of the day, including Nelson Riddle, Gordon Jenkins, and Ralph Carmichael. Riddle arranged several of Cole's 1950s albums, including his first 10-inch long-play album, his 1953 Nat King Cole Sings For Two In Love. In 1955, his single "Darling Je Vous Aime Beaucoup" reached #7 on the Billboard chart. Jenkins arranged Love Is the Thing, which hit #1 on the album charts in April 1957.

In 1958, Cole went to Havana, Cuba to record Cole Español, an album sung entirely in Spanish. The album was so popular in Latin America, as well as in the USA, that two others of the same variety followed: A Mis Amigos (sung in Spanish and Portuguese) in 1959 and More Cole Español in 1962. A Mis Amigos contains the Venezuelan hit "Ansiedad," whose lyrics Cole had learned while performing in Caracas in 1958. Cole learned songs in languages other than English by rote.

After the change in musical tastes during the late 1950s, Cole's ballad singing did not sell well with younger listeners, despite a successful stab at rock n' roll with "Send For Me" (peaked at #6 pop). Along with his contemporaries Dean Martin, Frank Sinatra, and Tony Bennett, Cole found that the pop singles chart had been almost entirely taken over by youth-oriented acts. In 1960, Nat's longtime collaborator Nelson Riddle left Capitol Records for Frank Sinatra's newly formed Reprise Records label. Riddle and Cole recorded one final hit album, Wild Is Love, based on lyrics by Ray Rasch and Dotty Wayne. Cole later retooled the concept album into an off-Broadway show, "I'm With You."

Cole did manage to record some hit singles during the 1960s, including the country-flavored hit "Ramblin' Rose" in August 1962 as well as "Dear Lonely Hearts", "Those Lazy, Hazy, Crazy Days Of Summer" (his final hit, reaching #6 pop), and "That Sunday, That Summer".

Cole performed in many short films, sitcoms, and television shows and played W. C. Handy in the film St. Louis Blues (1958). He also appeared in The Nat King Cole Story, China Gate, and The Blue Gardenia (1953). Cat Ballou (1965), his final film, was released several months after his death.

Death and posthumous achievements

Cole's vault at Forest Lawn Memorial Park

Cole was a heavy smoker of Kool menthol cigarettes. He believed smoking kept his voice low. (He would smoke several cigarettes in succession before a recording for this very purpose.) He died of lung cancer on February 15, 1965, at St. John's Hospital in Santa Monica, California. His funeral was held at St. James Episcopal Church on Wilshire Boulevard in Los Angeles. His remains were interred inside Freedom Mausoleum at Forest Lawn Memorial Park in Glendale.

His last album, L-O-V-E, was recorded in early December 1964—just a few days before he entered the hospital for cancer treatment—and was released just prior to his death. It peaked at #4 on the Billboard Albums chart in the spring of 1965. A "Best Of" album went gold in 1968. His 1957 recording of "When I Fall In Love" reached #4 in the UK charts in 1987.

In 1983, an archivist for EMI Electrola Records, EMI (Capitol's parent company) Records' subsidiary in Germany, discovered some songs Cole had recorded but that had never been released, including one in Japanese and another in Spanish ("Tu Eres Tan Amable"). Capitol released them later that year as the LP "Unreleased."

Cole was inducted into both the Alabama Music Hall of Fame and the Alabama Jazz Hall of Fame. In 1990, he was awarded the Grammy Lifetime Achievement Award, and in 1997 was inducted into the Down Beat Jazz Hall of Fame. In 2007, he was inducted into the Hit Parade Hall of Fame.

In 1991, Mosaic Records released "The Complete Capitol Recordings of the Nat King Cole Trio," an 18-compact-disc set consisting of 349 songs. (This special compilation also was available as a 27 LP set.)

Cole's youngest brother, Freddy Cole, and Cole's daughter Natalie are also singers. In the summer of 1991, Natalie Cole and her father had a hit when Natalie mixed her own voice with her father's 1961 rendition of "Unforgettable" as part of a tribute album to her father's music. The song and album of the same name won seven Grammy awards in 1992.

Marriage, children and other personal details

There has been some confusion as to Cole's actual year of birth. Cole himself used four different dates on official documents: 1915, 1916, 1917, and 1919. However, Nathaniel is listed with his parents and older siblings in the 1920 U.S. Federal census for Montgomery Ward 7 and his age is given as nine months old. Since this is a contemporary record, it is very likely he was born in 1919. This is also consistent with the 1930 census which finds him at age 11 with his family in Chicago's Ward 3. In the 1920 census, the race of all members of the family (Ed, Perlina, Eddie M., Edward D., Evelina and Nathaniel) is recorded as mulatto. Cole's birth year is also listed as 1919 on the Nat King Cole Society's web site.

Cole's first marriage, to Nadine Robinson, ended in 1948. On March 28, 1948 (Easter Sunday), just six days after his divorce from Nadine became final, Cole married singer Maria Hawkins Ellington. Although Maria had sung with Duke Ellington's band, she is not related to Duke Ellington. Maria and Cole were married in Harlem's Abyssinian Baptist Church by Adam Clayton Powell, Jr. They had five children: daughter Natalie (born 1950); adopted daughter Carole (the daughter of Maria's sister), (1944-2009), who died of lung cancer aged 64; adopted son Nat Kelly Cole (1959-1995), who died of AIDS at 36;[7] and twin girls Casey and Timolin (born 1961).

In 1948, Cole purchased a house in the all-white Hancock Park neighborhood of Los Angeles. Members of the property-owners association told Cole they did not want any undesirables moving in. Cole retorted, "Neither do I. And if I see anybody undesirable coming in here, I'll be the first to complain." The Ku Klux Klan, still active in Los Angeles well into the 1950s, responded by placing a burning cross on his front lawn.

Cole carried on affairs throughout his marriages. By the time he developed lung cancer, he was estranged from his wife Maria in favor of actress Gunilla Hutton, best known as Nurse Goodbody of "Hee Haw" fame. But he was with Maria during his illness, and she stayed with him until his death. In an interview, Maria expressed no lingering resentment over his affairs. Instead, she emphasized his musical legacy and the class he exhibited in all other aspects of his life.

An official United States postage stamp featuring Cole's likeness was issued in 1994. [2]

In 2000 Cole was inducted into the Rock and Roll Hall of Fame as one of the major influences for early Rock and Roll. [2]

Politics

Cole sang at the 1956 Republican National Convention in the Cow Palace, San Francisco, California, on August 23, 1956. There, his "singing of 'That's All There Is To That' was greeted with applause." [8] He was also present at the Democratic National Convention in 1960 to throw his support behind President John F. Kennedy. Cole was also among the dozens of entertainers recruited by Frank Sinatra to perform at the Kennedy Inaugural gala in 1961. Cole frequently consulted with President Kennedy (and later President Johnson) on civil rights.

Notable TV appearances (other than his own show)

  • Ed Sullivan: Nat King Cole was on The Ed Sullivan Show six times before his own show ran regularly in 1957. He appeared twice after his show ended, once in 1958
    • Nat King Cole appearances on The Ed Sullivan Show by: (Season, Episode and Production Number, Air Date, Episode Title)
      • Season 9 (380.9-2 02-Oct-1955)
        • Scheduled: Nat King Cole; "Fanny" cast and Josh Logan
      • Season 9 (383.9-5 23-Oct-1955)
      • Season 9 (404.9-26 18-Mar-1956)
        • Scheduled: Marcel Marceau; Eli Wallach; Nat King Cole and Cesare Siepe
      • Season 9 (405.9-27 25-Mar-1956)
        • Scheduled: Nat King Cole; Jack Carter and Reese & Davis
      • Season 9 (411.9-33 06-May-1956)
        • Scheduled: Tony Martin; Nat King Cole; Edie Adams; The Lovers and Will Jordan
      • Season 9 (416.9-38 10-Jun-1956)
        • Scheduled: Nat King Cole; Bob Hope (on film); Jack Carter and film: "A Short Vision"
      • Season 11 (510.11-29 13-Apr-1958)
        • Scheduled: Nat King Cole; Mickey Mantle; Yogi Berra and Jack Norworth
      • Season 14 (648.14-16 29-Jan-1961)
        • Scheduled: Carmen McRae; Carol Channing and Nat King Cole
  • The Pat Boone Chevy Showroom (singing duets with the host, October 1, 1959)
  • Dinah Shore: Nat King Cole was also on The Dinah Shore Show – singing "Mr. Cole Won’t Rock & Roll" — in the early-1960s.
  • Your Show of Shows ... aka Sid Caesar's Show of Shows - Episode dated September 12, 1953.
  • What's My Line? (Mystery Guest, December 6, 1953)
  • An Evening With Nat King Cole BBC Special 1963.

Discography

Filmography

Features

Short subjects

  • King Cole Trio & Benny Carter Orchestra (1950)
  • Nat King Cole and Joe Adams Orchestra (1952)
  • Nat King Cole and Russ Morgan and His Orchestra (1953)
  • The Nat King Cole Musical Story (1955)

See also


References

  1. ^ Nat King Cole Society
  2. ^ a b c "Nat King Cole". Nat King Cole. http://www.natkingcole.com/timeline.aspx. Retrieved 2010-03-04. 
  3. ^ "''Billboard'' website". Billboard.com. http://www.billboard.com/bbcom/charts/yearend_chart_display.jsp?f=The+Billboard+Hot+100&g=Year-end+Singles&year=1951. Retrieved 2010-03-04. 
  4. ^ a b c d Shulman, Arthur; Youman, Roger (1966). How Sweet It Was. Television: A Pictorial Commentary. Bonanza Books, a division of Crown Publishers. . Book has no page numbers; source: Chapter III, The Sounds of Music
  5. ^ Eyewitness Account published in The Birmingham News. Felts, Jim. Letter to the Editor. December 15, 2007.
  6. ^ "Cuba Now". Cuba Now. 2007-04-30. http://www.cubanow.net/pages/loader.php?sec=4&t=2&item=2481. Retrieved 2010-03-04. 
  7. ^ "TCM". TCM. http://www.tcm.com/tcmdb/participant.jsp?spid=823550&apid=116271. Retrieved 2010-03-04. 
  8. ^ Official Report of the Proceedings of the Twenty-Sixth Republican National Convention, August 20-23, 1956, p. 327

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