From Wikipedia, the free encyclopedia
The National Recording Registry is a list of sound recordings that "are culturally, historically, or aesthetically important, and/or inform or reflect life in the United States." The registry was established by the National Recording Preservation Act of 2000,[1] which created the National Recording Preservation Board, whose members are appointed by the Librarian of Congress. The recordings preserved in the United States National Recording Registry form a registry of recordings selected yearly by the National Recording Preservation Board for preservation in the Library of Congress.[2]
The legislative intent of the National Recording Preservation Act of 2000 was to develop a national program to guard America's sound recording heritage. The Act resulted in the formations of the National Recording Registry, The National Recording Preservation Board and a fund-raising foundation to aid their efforts.[3] The act established the Registry specifically for the purpose of maintaining and preserving sound recordings and collections of sound recordings that are culturally, historically, or aesthetically significant.[1] Beginning in 2002, the National Recording Preservation Board began selecting nominated recordings each year to be preserved.
The first four yearly lists included 50 selections. However, since 2006, 25 recordings have been selected annually. Thus, a total of 250 recordings have been preserved in the Registry as of 2008. Each year, open nominations are accepted until July 1 for inclusion in that year's list of selections to be announced the following spring. Thus, nominations for the 2008 list to be announced in the spring of 2009 had to be submitted by July 1, 2008 although nominations are accepted year round.[2][4] Nominations are made in the following categories:
- Blues
- Broadway/Musical Theatre/Soundtrack
- Cajun/Zydeco/"Swamp"
- Children's recordings
- Choral
- Classical
- Comedy/Novelty
- Country/Bluegrass
- Documentary/Broadcast/Spoken Word
- Environmental
- Field
- Folk/Ethnic
- Gospel/Spiritual
- Jazz
- Latin
- Pop (pre-1955)
- Pop (post-1955)
- R&B
- Radio
- Rap
- Technology
Each yearly list has often included a few recordings that have also been selected for inclusion in the holdings of the National Archives' audiovisual collection. Those recordings on the Library of Congress' National Recording Registry that are of a political nature will tend to overlap with the audiovisual collection of the National Archives. The list shows overlapping items and whether the National Archives has an original or a copy of the recording.
Selection criteria
The criteria for selection are as follows:[5]
- Recordings selected for the National Recording Registry are those that are culturally, historically or aesthetically important, and/or inform or reflect life in the United States.
- For the purposes of recording selection, "sound recordings" are defined as works that result from the fixation of a series of musical, spoken, or other sounds, but not including the sound component of a moving image work, unless it is available as an autonomous sound recording or is the only extant component of the work.
- Recordings may be a single item or group of related items; published or unpublished; and may contain music, non-music, spoken word, or broadcast sound.
- Recordings will not be considered for inclusion into the National Recording Registry if no copy of the recording exists.
- No recording should be denied inclusion into the National Recording Registry because that recording has already been preserved.
- No recording is eligible for inclusion into the National Recording Registry until ten years after the recording's creation.
2002
In January 2003, the following 50 selections were made by the National Recording Preservation Board.[6]
Selected exhibitions recording for the
phonograph were added in 2002.
Louis Armstrong was one of American music's most important and influential figures. The sessions preserved in the registry, and his solos in particular, set a standard musicians still strive to equal in their beauty and innovation.
[6]
The Original Dixieland Jazz Band's "Tiger Rag" launched
jazz as a music genre, and is preserved in the registry.
"Down-Hearted Blues" was the first release by "Empress of the Blues" Bessie Smith.
Booker T. Washington recreated his controversial 1895 Atlanta Exposition Speech in 1906.
Franklin D. Roosevelt's "Fireside Chats" "redefined the relationship between the president and the American people."
[6]
Orson Welles' 1938 "War of the Worlds" radio drama created alarm and panic across the United States.
| Recording or collection |
Performer or agent |
Year |
National
Archives |
Edison exhibition recordings (Group of three cylinders):[7]
- "Around the World on the Phonograph"
- "The Pattison Waltz"
- "Fifth Regiment March"
|
Thomas Edison |
1888–1889 |
|
| Passamaquoddy Indians field recordings |
Recorded by Jesse Walter Fewkes |
1890 |
|
"Stars and Stripes Forever"
(Berliner Gramophone disc recording) |
Military Band |
1897 |
|
| Metropolitan Opera cylinder recordings (the Mapleson Cylinders) |
Lionel Mapleson and the Metropolitan Opera |
1900–1903 |
|
| Ragtime compositions piano rolls |
Scott Joplin |
1900s |
|
| 1895 Atlanta Exposition speech |
Booker T. Washington |
1906 recreation |
copy |
| "Vesti la giubba" from Pagliacci |
Enrico Caruso |
1907 |
|
| "Swing Low, Sweet Chariot" |
Fisk Jubilee Singers |
1909 |
|
| Lovey's Trinidad String Band |
Lovey's Trinidad String Band |
1912 |
|
| "Casey at the Bat" |
DeWolf Hopper |
1915 |
|
| "Tiger Rag" |
Original Dixieland Jazz Band |
1918 |
|
| "Arkansas Traveler" and "Sallie Gooden" |
Eck Robertson |
1922 |
|
| "Down-Hearted Blues" |
Bessie Smith |
1923 |
|
| Rhapsody in Blue |
George Gershwin, piano; Paul Whiteman Orchestra |
1924 |
|
| Louis Armstrong's Hot Five and Hot Seven recordings |
Louis Armstrong's Hot Five and Hot Seven |
1925–1928 |
|
| Victor Talking Machine Company sessions in Bristol, Tennessee |
Carter Family, Jimmie Rodgers, Ernest Stoneman, and others |
1927 |
|
| Harvard Vocarium record series |
T. S. Eliot, W. H. Auden and others |
1930–1940s |
|
| Highlander Center Field Recordings Collection |
Rosa Parks, Esau Jenkins and others |
1930s–1980s |
|
| Bell Laboratories experimental stereo recordings |
Philadelphia Orchestra; Leopold Stokowski, conductor |
1931–1932 |
|
| "Fireside Chats" radio broadcasts[A] |
Franklin D. Roosevelt |
1933–1944 |
original |
| "New Music Quarterly" recordings series |
Henry Cowell, producer |
1934–1949 |
|
| Description of the crash of the Hindenburg |
Herbert Morrison |
May 6, 1937 |
original |
"Who's on First?"
First radio broadcast version |
Abbott and Costello |
March, 1938 |
|
| "War of the Worlds" |
Orson Welles and the Mercury Theatre |
October 30, 1938 |
copy |
"God Bless America"
Radio broadcast premiere |
Kate Smith |
November 11, 1938 |
|
The Cradle Will Rock
(Marc Blitzstein) |
Original cast |
1938 |
|
| The John and Ruby Lomax Southern States Recording Trip |
John and Ruby Lomax |
1939 |
|
Grand Ole Opry
First network radio broadcast |
Uncle Dave Macon, Roy Acuff, and others |
October 14, 1939 |
|
| "Strange Fruit" |
Billie Holiday |
1939 |
|
| Blanton-Webster era recordings |
Duke Ellington Orchestra |
1940–1942 |
|
| Béla Bartók and Joseph Szigeti in Concert at the Library of Congress |
Béla Bartók, piano; Joseph Szigeti, violin |
1940 |
|
| The Rite of Spring |
Igor Stravinsky conducting the New York Philharmonic |
1940 |
|
| "White Christmas" |
Bing Crosby |
1942 |
|
| "This Land Is Your Land" |
Woody Guthrie |
1944 |
|
D-Day radio address to
the Allied Nations |
Dwight D. Eisenhower |
June 6, 1944 |
original |
| "Ko Ko" ("Ko-Ko") |
Charlie Parker, Miles Davis, Dizzy Gillespie, and others |
1945 |
|
| "Blue Moon of Kentucky" |
Bill Monroe and the Blue Grass Boys |
1947 |
|
| "How High the Moon" |
Les Paul and Mary Ford |
1951 |
|
| Sun Records sessions |
Elvis Presley |
1954–1955 |
|
| Songs for Young Lovers |
Frank Sinatra |
1954 |
|
| "Dance Mania" |
Tito Puente |
1958 |
|
| Kind of Blue |
Miles Davis, John Coltrane, Cannonball Adderley, Bill Evans, and others |
1959 |
|
| "What'd I Say," parts 1 and 2 |
Ray Charles |
1959 |
|
| "I Have a Dream" speech |
Dr. Martin Luther King, Jr. |
August 28, 1963 |
copy |
| The Freewheelin' Bob Dylan |
Bob Dylan |
1963 |
|
| "Respect" |
Aretha Franklin |
1967 |
|
| Philomel: For Soprano |
Bethany Beardslee, recorded soprano,
and synthesized sound |
1971 |
|
| Precious Lord: New Recordings of the Great Gospel Songs of Thomas A. Dorsey |
Thomas A. Dorsey,
Marion Williams,
and others |
1973 |
|
Crescent City Living Legends Collection
(New Orleans Jazz and Heritage Foundation Archive/WWOZ New Orleans) |
|
1973–1990 |
|
| "The Message" |
Grandmaster Flash and the Furious Five |
1982 |
|
2003
In March 2004, the following 50 selections were made by the National Recording Preservation Board.[8]
"He’s Got the Whole World in His Hands" was one of Marian Anderson’s favorite
spirituals, and she often performed it at the conclusion of her recitals.
[8]
O. Winston Link's recordings of the sounds produced by a variety of locomotive models capture "the unique and now-lost sounds of the engines which united the United States."
[8]
Carole King's
Tapestry has sold over 25,000,000 copies; the album is credited with proving the audience for
soft rock.
[9]
The Cole Porter
Songbook was the first of Ella Fitzgerald's many anthologies.
| Recording or collection |
Performer or agent |
Year |
National
Archives |
"The Lord’s Prayer" and
"Twinkle Twinkle Little Star" |
Emile Berliner |
c. 1888 |
|
| "Honolulu Cake Walk" |
Vess Ossman |
1898 |
|
| Victor Releases |
Bert Williams and
George Walker |
1901 |
|
| "You're a Grand Old Rag [Flag]" |
Billy Murray |
1906 |
|
| Chippewa/Ojibwe Cylinder Collection |
Frances Densmore |
1907–1910 |
The Bubble Book
(the first Bubble Book) |
|
1917 |
|
"Cross of Gold"
Speech re-enactment |
William Jennings Bryan |
1921 |
|
Cylinder recordings
of African-American Music |
Guy B. Johnson |
1920s |
|
| "OKeh Laughing Record" |
Lucie Bernardo and Otto Rathke |
1922 |
|
| "Adeste Fideles" |
Associated Glee Clubs of America |
1925 |
|
| Cajun-Creole Columbia releases |
Amadé Ardoin and
Dennis McGee |
1929 |
|
| "Goodnight, Irene" |
Lead Belly |
1933 |
|
| "Every Man a King" speech |
Huey P. Long |
February 23, 1935 |
copy |
| "He’s Got the Whole World in His Hands" |
Marian Anderson |
1936 |
|
| The Complete Recordings |
Robert Johnson |
1936–1937 |
|
| Interviews conducted by Alan Lomax |
Jelly Roll Morton, Alan Lomax |
1938 |
|
| Carnegie Hall Jazz Concert |
Benny Goodman |
1938 |
|
| Complete day of radio broadcasting, WJSV (Washington, D.C.) |
WJSV, Washington, D.C. |
September 21, 1939 |
original |
| "New San Antonio Rose" |
Bob Wills and His Texas Playboys |
1940 |
|
| World Series-Game Four |
New York Yankees
vs. Brooklyn Dodgers |
October 5, 1941 |
|
| Bach B-Minor Mass |
Robert Shaw Chorale |
1947 |
|
| Beethoven String Quartets |
Budapest Quartet |
1940–1950 |
|
Porgy and Bess
(George Gershwin) |
Original cast |
1940, 1942 |
|
Oklahoma!
(Rodgers and Hammerstein) |
Original cast |
1943 |
|
| Othello |
Paul Robeson, Uta Hagen,
José Ferrer, and others |
1943 |
|
| The Four Seasons (Vivaldi) |
Louis Kaufman and
the Concert Hall String Orchestra |
1947 |
|
| Piano Sonata No. 2, "Concord"
(Ives)
|
John Kirkpatrick |
1948 |
|
| Steam locomotive recordings, 6 vol. |
O. Winston Link |
1957–1977 |
|
Pictures at an Exhibition (Modest Mussorgsky)
|
Rafael Kubelík conducting
the Chicago Symphony Orchestra |
1951 |
|
| "Problems of the American Home" |
Billy Graham |
1954 |
|
| Goldberg Variations (Bach) |
Glenn Gould |
1955 |
|
| Ella Fitzgerald Sings the Cole Porter Songbook |
Ella Fitzgerald |
1956 |
|
| "Roll Over Beethoven" |
Chuck Berry |
1956 |
|
| Brilliant Corners |
Thelonious Monk |
1956 |
|
Complete Ring Cycle (Richard Wagner)
|
Georg Solti and
the Vienna Philharmonic Orchestra |
1958–1965 |
|
| Winds in Hi-Fi |
Eastman Wind Ensemble
with Frederick Fennell |
1958 |
|
| Mingus Ah-Um |
Charles Mingus |
1959 |
|
| New York Taxi Driver |
Tony Schwartz |
1959 |
|
| "Crazy" |
Patsy Cline |
1961 |
|
| Kennedy Inauguration Ceremony |
John Fitzgerald Kennedy,
Robert Frost, and others |
January 20, 1961 |
original |
| Judy at Carnegie Hall |
Judy Garland |
1961 |
|
| "I've Been Loving You Too Long (To Stop Now)" |
Otis Redding |
1965 |
|
| Sgt. Pepper's Lonely Hearts Club Band |
The Beatles |
1967 |
|
| At Folsom Prison |
Johnny Cash |
1968 |
|
Ali Akbar College of Music,
Archive Selections |
|
1960s–1970s |
|
| What's Going On |
Marvin Gaye |
1971 |
|
| Tapestry |
Carole King |
1971 |
|
A Prairie Home Companion
First broadcast |
Garrison Keillor |
July 6, 1974 |
|
| Born to Run |
Bruce Springsteen |
1975 |
|
| Live at Yankee Stadium |
Fania All-Stars |
1975 |
|
2004
In April 2005, the following 50 selections were made by the National Recording Preservation Board.[10]
The
traditional pop music song "Fascinating Rhythm," sung by Fred and Adele Astaire in
Lady, Be Good, was preserved in 2004.
The NBC's coverage of Colonel Lindbergh in Washington was an important achievement for the network, and involved reporters in three locations in the city.
In spite of the controversy surrounding MacArthur at the time, his farewell speech to congress is noted for its eloquence and effectiveness.
[10]
"Houston. Tranquility base here. The Eagle has landed.... I’m going to step off the LEM now. That’s one small step for a man, one giant leap for mankind." Neil Armstrong's words upon landing on the moon "have become some of the most recognizable and memorable sentences spoken in United States history."
[10]
| Recording or collection |
Performer or agent |
Year |
National
Archives |
| "Gypsy Love Song" |
Eugene Cowles |
1898 |
|
| "Some of These Days" |
Sophie Tucker |
1911 |
|
"The Castles in Europe One-Step
(Castle House Rag)" |
Europe’s Society Orchestra |
1914 |
|
| "Swanee" |
Al Jolson |
1920 |
|
| Armistice Day radio broadcast |
Woodrow Wilson |
November 10, 1923 |
original |
| "See See Rider" |
Gertrude "Ma" Rainey |
1923 |
|
| "Charleston" |
Golden Gate Orchestra |
1925 |
|
"Fascinating Rhythm"
|
Fred and
Adele Astaire;
George Gershwin, piano |
1926 |
|
NBC radio coverage of
Charles A. Lindbergh’s
arrival and reception
in Washington, D.C. |
|
June 11, 1927 |
copy |
| "Stardust" |
Hoagy Carmichael |
1927 |
|
| "Blue Yodel (T for Texas)" |
Jimmie Rodgers |
1927 |
|
| "Ain't Misbehavin'" |
Thomas "Fats" Waller |
1929 |
|
| "Gregorio Cortez" |
Trovadores Regionales |
1929 |
|
| Piano Concerto No. 2 in C minor |
Sergei Rachmaninoff, piano;
Leopold Stokowski, conductor;
Philadelphia Orchestra |
1929 |
|
| "The Suncook Town Tragedy" |
Mabel Wilson Tatro
|
July 1930 |
|
Oral narrative from
the Lorenzo D. Turner Collection |
Rosina Cohen |
1932 |
|
| "Stormy Weather" |
Ethel Waters |
1933 |
|
| "Body and Soul" |
Coleman Hawkins |
1939 |
|
Peter and the Wolf
(Sergey Prokofiev) |
Serge Koussevitzky, conductor;
Richard Hale, narrator;
Boston Symphony Orchestra |
1939 |
|
| "In the Mood" |
Glenn Miller and His Orchestra |
1939 |
|
| Broadcasts from London |
Edward R. Murrow |
1940 |
copy |
We Hold These Truths
(Norman Corwin) |
|
December 15, 1941 |
original |
Piano Concerto No. 1, op. 23, Bb minor
(Pyotr Ilyich Tchaikovsky) |
Vladimir Horowitz, piano;
Arturo Toscanini; conductor;
NBC Symphony Orchestra |
1943 |
|
| "Down by the Riverside" |
Sister Rosetta Tharpe |
1944 |
|
U. S. Highball
(A Musical Account of
a Transcontinental Hobo Trip) |
Harry Partch, Gate 5 Ensemble |
1946 |
|
| Four Saints in Three Acts (Virgil Thomson) |
Original cast |
1947 |
|
| "Manteca" |
Dizzy Gillespie Big Band
with Chano Pozo |
1947 |
|
| The Jack Benny Program |
Jack Benny |
March 28, 1948 |
|
| "Foggy Mountain Breakdown" |
Lester Flatt and Earl Scruggs |
1949 |
|
| "Lovesick Blues" |
Hank Williams |
1949 |
|
| Guys & Dolls |
Original cast |
1950 |
|
"Old Soldiers Never Die"
(Farewell Address to the United States Congress) |
General Douglas MacArthur |
April 19, 1951 |
copy |
| Songs by Tom Lehrer |
Tom Lehrer |
1953 |
| "Hoochie Coochie Man" |
Muddy Waters |
1954 |
|
| "Earth Angel (Will You Be Mine)" |
The Penguins |
1954 |
|
| Tuskegee Institute Choir Sings Spirituals |
Tuskegee Institute Choir,
directed by William L. Dawson |
1955 |
|
| Messiah |
Eugene Ormandy, conductor;
Richard P. Condie, choir director;
Mormon Tabernacle Choir;
Philadelphia Orchestra |
1958 |
|
| Giant Steps |
John Coltrane |
1959 |
|
| Drums of Passion |
Michael Babatunde Olatunji |
1960 |
|
| Peace Be Still |
James Cleveland |
1962 |
|
"The Girl from Ipanema"
(Garota de Ipanema) |
Stan Getz,
João Gilberto,
Antonio Carlos Jobim,
Astrud Gilberto |
1963 |
|
| Live at the Apollo |
James Brown |
1963 |
| Pet Sounds |
The Beach Boys |
1966 |
|
| King James version of the Bible |
Alexander Scourby |
1966 |
|
| Remarks broadcast from the moon |
Apollo 11 astronaut Neil Armstrong |
July 21, 1969 |
original |
| At Fillmore East |
The Allman Brothers Band |
1971 |
|
| Star Wars (Soundtrack) |
John Williams |
1977 |
|
| Recordings of Asian elephants |
Katharine B. Payne |
1984 |
|
| Fear of a Black Planet |
Public Enemy |
1990 |
|
| Nevermind |
Nirvana |
1991 |
|
2005
In April 2006, the following 50 selections were made by the National Recording Preservation Board.[11]
An athlete, a gentleman and a scholar, Robeson used his diverse talents to pave a successful career as a performer and become active in sociopolitical affairs.
Count Basie, prominent band leader during the
big band era, influenced many musicians of his day.
Former champion Max Schmeling handed Joe Louis his first loss.
| Recording or collection |
Performer or agent |
Year |
National
Archives |
"Canzone del Porter"
from Martha (von Flotow) |
Edouard de Reszke |
1903 |
|
| "Listen to the Lambs" |
Hampton Quartette;
recorded by Natalie Curtis Burlin |
1917 |
|
| "Over There" |
Nora Bayes |
1917 |
|
| "Crazy Blues" |
Mamie Smith |
1920 |
|
| "My Man" and "Second Hand Rose" |
Fanny Brice |
1921 |
|
| "Ory’s Creole Trombone" |
Kid Ory |
June 1922 |
|
| Coolidge Inauguration Ceremony |
Calvin Coolidge |
March 4, 1925 |
|
"Tanec Pid Werbamy/
Dance Under the Willows" |
Pawlo Humeniuk |
1926 |
|
| "Singin’ the Blues" |
Frankie Trumbauer and
His Orchestra
with Bix Beiderbecke |
1927 |
|
First official transatlantic
telephone conversation |
W.S. Gifford and Sir Evelyn P. Murray |
January 7, 1927 |
original |
"El Manisero" ("The Peanut Vendor")
(Two versions) |
Rita Montaner,
vocal with orchestra;
Don Azpiazu and
His Havana Casino orchestra |
1927;
1930 |
|
| Light's Golden Jubilee Celebration |
|
October 21, 1929 |
copy |
| Beethoven’s Egmont Overture, Op. 84 |
Modesto High School Band |
1930 |
|
| Show Boat |
Helen Morgan, Paul Robeson,
James Melton and others;
Victor Young, conductor;
Louis Alter, piano |
1932 |
|
| "Wabash Cannonball" |
Roy Acuff |
1936 |
|
| "One O'Clock Jump" |
Count Basie and His Orchestra |
1937 |
|
| "Fall of the City" (Columbia Workshop) |
Orson Welles, narrator;
Burgess Meredith, Paul Stewart |
April 11, 1937 |
copy |
The Adventures of Robin Hood
(Erich Wolfgang Korngold) |
|
May 11, 1938 |
|
| Joe Louis-Max Schmeling fight |
Clem McCarthy, announcer |
June 22, 1938 |
|
| "John the Revelator" |
Golden Gate Quartet |
1938 |
|
| "Adagio for Strings" |
Arturo Toscanini, conductor;
NBC Symphony |
November 5, 1938 |
|
Command Performance,
show No. 21 |
Bob Hope, master of ceremonies |
July 7, 1942 |
copy |
| "Straighten Up and Fly Right" |
Nat “King” Cole |
1943 |
|
| The Fred Allen Show |
Fred Allen |
October 7, 1945 |
|
| "Jole Blon (Jolie Blonde)" |
Harry Choates |
1946 |
|
| Tubby the Tuba |
Victor Jory |
1946 |
|
| "Move On Up a Little Higher" |
Mahalia Jackson |
1948 |
|
| Anthology of American Folk Music |
Edited by Harry Smith |
1952 |
|
| "Schooner Bradley" |
Pat Bonner |
1952–60 |
|
| Damnation of Faust |
Boston Symphony Orchestra
with the Harvard Glee Club
and Radcliffe Choral Society |
1954 |
|
| "Blueberry Hill" |
Fats Domino |
1956 |
|
Variations for Orchestra
Representative of the Louisville Orchestra
First Edition Recordings series |
Louisville Orchestra |
1956 |
|
| "Whole Lotta Shakin' Goin On" |
Jerry Lee Lewis |
1957 |
|
| "That'll Be the Day" |
The Crickets |
1957 |
|
| Poeme Electronique |
Edgard Varèse |
1958 |
|
| Time Out |
The Dave Brubeck Quartet |
1959 |
|
Studs Terkel interview
with James Baldwin
Representative of the Studs Terkel Collection at the Chicago History Museum (formerly the Chicago Historical Society) |
Studs Terkel, James Baldwin |
September 29, 1962 |
|
| United States Military Academy address |
William Faulkner |
April 19-20, 1962 |
|
| "Dancing in the Street" |
Martha and the Vandellas |
1964 |
|
| Live at the Regal |
B.B. King |
1965 |
|
| Are You Experienced |
The Jimi Hendrix Experience |
1967 |
|
| We're Only in It for the Money |
Frank Zappa and the Mothers of Invention |
1968 |
|
| Switched-On Bach |
Wendy Carlos |
1968 |
|
| "Oh Happy Day" |
Edwin Hawkins Singers |
1969 |
|
| Don't Crush That Dwarf, Hand Me the Pliers |
Firesign Theatre |
1970 |
|
| "The Revolution Will Not Be Televised" |
Gil Scott-Heron |
1970 |
|
| Will the Circle Be Unbroken |
Nitty Gritty Dirt Band |
1972 |
|
| The old foghorn, Kewaunee, Wisconsin |
Recorded by James A. Lipsky |
1972 |
|
| Songs in the Key of Life |
Stevie Wonder |
1976 |
|
| Daydream Nation |
Sonic Youth |
1988 |
|
2006
On March 6, 2007, the following 25 selections were made by the National Recording Preservation Board.[12]
Cal Stewart was among the most prolific and popular recording artists of the first 20 years of commercial recording.
President Roosevelt signs the declaration of war against Japan after the
attack on Pearl Harbor, the "date which will live in infamy".
Folk singer Pete Seeger adapted a gospel song, "I Shall Overcome", by changing "I" to "We", and it became a standard for the civil rights movement.
| Recording or collection |
Performer or agent |
Year |
National
Archives |
| "Uncle Josh and the Insurance Agent" |
Cal Stewart |
1904 |
|
| "Il Mio Tesoro" |
John McCormack; orchestra
conducted by Walter Rogers |
1916 |
|
| National Defense Test |
General John J. Pershing |
September 12, 1924 |
copy |
| "Black Bottom Stomp" |
Jelly Roll Morton's Red Hot Peppers |
1926 |
|
| "Wildwood Flower" |
Carter Family |
1928 |
|
| "Pony Blues" |
Charley Patton |
1929 |
|
| "You're the Top" |
Cole Porter |
1934 |
|
The Lone Ranger
Episode: "The Osage Bank Robbery" |
Earle Graser, John Todd |
December 17, 1937 |
|
| "Day of Infamy" speech to Congress |
Franklin D. Roosevelt |
December 8, 1941 |
copy |
Native Brazilian music recorded
under the supervision of Leopold Stokowski |
Pixinguinha, Donga, Cartola,
Jararaca, Ratinho and José Espinguela |
1942 |
|
| "Peace in the Valley" |
Red Foley and the Sunshine Boys |
1951 |
|
"Polonaise in A Major" ("Polonaise militaire"),
Op. 40, No. 1, by Frédéric Chopin |
Artur Rubinstein |
1952 |
|
| "Blue Suede Shoes" |
Carl Perkins |
1955 |
|
Interviews with William "Billy" Bell
(Canadian-Irish northwoods work songs) |
Recorded by Edward D. "Sandy" Ives |
1956 |
|
| Howl |
Allen Ginsberg |
1959 |
|
| The Button-Down Mind of Bob Newhart |
Bob Newhart |
1960 |
|
| "Be My Baby" |
The Ronettes |
1963 |
|
| "We Shall Overcome" |
Pete Seeger |
1963 |
|
| "(I Can't Get No) Satisfaction" |
The Rolling Stones |
1965 |
|
| "A Change Is Gonna Come" |
Sam Cooke |
1965 |
|
| The Velvet Underground & Nico |
The Velvet Underground and Nico |
1967 |
|
| The Eighty-Six Years of Eubie Blake |
Eubie Blake |
1969 |
|
| Burnin' |
The Wailers |
1973 |
|
| Live in Japan |
Sarah Vaughan |
1973 |
|
| Graceland |
Paul Simon |
1986 |
|
2007
"Allons à Lafayette" was the best-known recording by Cajun accordionist Joe Falcon.
Fiorella LaGuardia read the comics on WNYC radio during the 1945 newspaper delivery strike.
The Sounds of Earth is an eclectic 90-minute record of life and culture, sent into space by NASA.
On May 14, 2008, the following 25 selections were made by the National Recording Preservation Board. [13][14]
| Recording or collection |
Performer or agent |
Year |
National
Archives |
| The first transatlantic broadcast |
|
March 14, 1925 |
|
| "Allons a Lafayette" |
Joe Falcon |
1928 |
|
| "Casta Diva" from Bellini's Norma |
Rosa Ponselle and the Metropolitan Opera Orchestra and Chorus, conducted by Giulio Setti |
December 31, 1928 and January 30, 1929 |
|
| "If I Could Hear My Mother Pray Again" |
Thomas A. Dorsey |
1934 |
|
| "Sweet Lorraine" |
Art Tatum |
1940 |
|
Fibber McGee and Molly
Fibber's closet opens for the first time |
Jim Jordan, Marian Jordan |
March 4, 1940 |
|
| Wings Over Jordan |
|
May 10, 1942 |
|
| Fiorello H. La Guardia reading the comics |
Fiorello H. La Guardia |
1945 |
|
| "Call It Stormy Monday (But Tuesday Is Just as Bad)" |
T-Bone Walker |
1947 |
|
| Speech at the 1948 Democratic National Convention |
Harry S. Truman |
July 15, 1948 |
|
| The Jazz Scene |
Various artists, produced by Norman Granz |
1949 |
|
| "It Wasn't God Who Made Honky Tonk Angels" |
Kitty Wells |
1952 |
|
| My Fair Lady |
Original cast |
1956 |
|
| Navajo Shootingway Ceremony Field Recordings |
Recorded by David McAllester |
1957–1958 |
|
| "Freight Train" and Other North Carolina Folk Songs and Tunes |
Elizabeth Cotten |
1959 |
|
| United States Marine Band Recordings for the National Cultural Center |
|
1963 |
|
| "Oh, Pretty Woman" |
Roy Orbison |
1964 |
|
| "The Tracks of My Tears" |
Smokey Robinson and the Miracles |
1965 |
|
| You’ll Sing a Song and I’ll Sing a Song |
Ella Jenkins |
1966 |
|
| Music from the Morning of the World |
Various artists, recorded by David Lewiston |
1966 |
|
| For the Roses |
Joni Mitchell |
1972 |
|
| Head Hunters |
Herbie Hancock |
1973 |
|
| Ronald Reagan radio broadcasts |
Ronald Reagan |
1976–79 |
|
The Sounds of Earth
Disc prepared for the Voyager spacecraft |
|
1977 |
|
| Thriller |
Michael Jackson |
1982 |
|
2008
Shortly after his Carnegie Hall debut on November 7, 1917, violinist Jascha Heifetz made his first recordings for Victor.
Winston Churchill's "
Sinews of Peace" address originated the term "Iron Curtain."
On June 10, 2009, the following 25 selections were made by the National Recording Preservation Board. [15]
Odds and ends
See also
Notes
- A The original 25 recordings from July 24, 1933 and July 28, 1934 are preserved at the Roosevelt Library in Hyde Park, New York.[17]
References
- ^ a b "Current Registry". The Library of Congress. November 3, 2006. http://www.loc.gov/rr/record/nrpb/nrpb-home.html. Retrieved February 9, 2007.
- ^ a b "Current Registry". The Library of Congress. November 3, 2006. http://www.loc.gov/rr/record/nrpb/nrpb-home.html. Retrieved February 26, 2007.
- ^ "Overview". The Library of Congress. November 16, 2006. http://www.loc.gov/rr/record/nrpb/nrpb-about.html. Retrieved February 26, 2007.
- ^ ""Thriller" in the Library of Congress: 2007 National Recording Registry Announced". The Library of Congress. May 16, 2008. http://www.loc.gov/today/pr/2008/08-079.html. Retrieved August 9, 2008.
- ^ "National Recording Registry Criteria". The Library of Congress. November 3, 2006. http://www.loc.gov/rr/record/nrpb/nrpb-nrr.html. Retrieved February 9, 2007.
- ^ a b c "The National Recording Registry 2002". The Library of Congress. December 6, 2006. http://www.loc.gov/rr/record/nrpb/nrpb-2002reg.html. Retrieved February 9, 2007.
- ^ "Edison cylinders chosen for National Recording Registry". Edison National Historic Site. National Park Service. December 22, 2004. http://www.nps.gov/archive/edis/pr_loc_rec_020103.htm. Retrieved March 7, 2007.
- ^ a b c "The National Recording Registry 2003". The Library of Congress. October 25, 2006. http://www.loc.gov/rr/record/nrpb/nrpb-2003reg.html. Retrieved February 9, 2007.
- ^ http://books.google.com/books?id=F0xAUXaBYqoC&printsec=frontcover&dq=Rock+eras:+interpretations+of+music+and+society&ei=TNKAS7SxB4fulQSl8oCUCg&cd=1#v=snippet&q=236%20Carole%20King&f=false
- ^ a b c "The National Recording Registry 2004". The Library of Congress. October 25, 2006. http://www.loc.gov/rr/record/nrpb/nrpb-2004reg.html. Retrieved February 9, 2007.
- ^ "The National Recording Registry 2005". The Library of Congress. October 25, 2006. http://www.loc.gov/rr/record/nrpb/nrpb-2005reg.html. Retrieved February 9, 2007.
- ^ "The National Recording Registry 2006". The Library of Congress. March 6, 2007. http://www.loc.gov/rr/record/nrpb/nrpb-2006reg.html. Retrieved March 7, 2007.
- ^ Logue, Susan (May 15, 2008). "Jackson, Reagan Added to National Recording Registry". VOA News (Voice of America). http://voanews.com/english/archive/2008-05/2008-05-15-voa24.cfm. Retrieved January 3, 2009.
- ^ "The National Recording Registry 2007". The Library of Congress. May 14, 2008. http://www.loc.gov/rr/record/nrpb/nrpb-2007reg.html. Retrieved August 9, 2008.
- ^ Metzler, Natasha (June 9, 2009). "New National Recording Registry entries announced". Associated Press, San Fransciso Chronicle. http://www.sfgate.com/cgi-bin/article.cgi?f=/n/a/2009/06/09/national/w124722D20.DTL&type=business. Retrieved June 10, 2009.
- ^ a b c d e f g h "Full Registry". The Library of Congress. November 3, 2006. http://http://www.loc.gov/rr/record/nrpb/nrpb-masterlist.html. Retrieved December 16, 2009.
- ^ "National Archives Sound Recordings Named to National Recording Registry". U.S. Newswire. January 23, 2003. http://www.highbeam.com/doc/1G1-97082009.html. Retrieved February 24, 2007.
External links