The New York Biltmore Hotel was a luxury hotel in New York City. It was one of three hotels built as part of the Terminal City development. The others were the Commodore Hotel, now the Grand Hyatt New York, and the Roosevelt Hotel, which is still in operation.
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The New York Biltmore was founded by Gustav Baumann, who purchased the lease from the New York Realty and Terminal Company, a division of the New York Central Railroad. The design was by the architectural firm of Warren and Wetmore, which also created the adjoining Grand Central Terminal. The hotel had its own arrival station within the terminal, nicknamed "The Kissing Room," with elevator access to the lobby. A private elevator served only the Presidential Suite. The Tea Room (a.k.a. Palm Court) echoed the design of the main concourse at the Terminal. On the 22nd floor of the hotel was the grand ballroom, called the Cascades Room; Bert Lown was the conductor in the hotel's early years. Between the north and south towers was the Italian Garden, which looking out over Vanderbilt Avenue. The garden also served as an ice rink in the winter.
The hotel opened on New Year's Day 1913, and was operated by Baumann until his tragic death on October 15, 1914[1]. John McEntee Bowman, the Biltmore's manager under Mr. Baumann, took control of the lease and operated the hotel thereafter.
The New York Biltmore Hotel ceased operation when the building was gutted in the August 1981 by its then owner Paul Milstein[2]. The demolition took place despite the building's landmark status and concerted protests by preservationists[3]. The Bank of America Plaza Building, at 335 Madison Avenue, was built from the hotel's steel skeleton.
For 23 years the Biltmore was the home to the Grand Central Art Galleries, founded in 1922 by Walter Leighton Clark together with John Singer Sargent, Edmund Greacen, and others[4]. Originally in Grand Central Terminal, in 1958 the Galleries moved to second floor of the Biltmore, where they had six exhibition rooms and an office[5]. The galleries remained at the Biltmore until the structure was gutted and converted into an office building[2]. The final show was "Anita Loos and Friends." Describing the end of the Biltmore and the Grand Central Art Galleries' final show there, John Russell of New York Times wrote:
"Hardly since Samson tore down the great temple at Gaza has a building disappeared as rapidly as the Biltmore Hotel. But people have shown a rare persistence this last day or two in pushing their way upstairs at the entrance on Vanderbilt Avenue to where the Grand Central Galleries has been holding its own."[6]
In 1942, the hotel was the location of the Biltmore Conference which was a meeting of mostly Zionist groups that produced the Biltmore Program, a series of demands regarding Palestine.
The reclusive writer J. D. Salinger would meet William Shawn, the editor of The New Yorker, under the Biltmore's lobby clock.[7] It is one of many that claim to be the basis for the expression "Meet me under the clock." The office building retains the hotel's famous piano and lobby clock.
In the fourth episode of the first season of The Cosby Show (titled "You're Not a Mother Night," which originally aired on December 6, 1984)[8], Cliff Huxtable (Bill Cosby) vows to take his wife, Clair Huxtable (Phylicia Rashad), to the Biltmore hotel for dinner and he says they will stay the night at the hotel. To his wife, Cliff says: "I know the manager. I delivered his baby and he owes me because the baby does not look like him or his wife."
source of Mr. Baumann 1914 New York Times Article Google Milstein Article New York Magazine September 1981
   | The City Review article on nearby Roosevelt Hotel - The Midtown Book - The Roosevelt Hotel |
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