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No Country for Old Men  
First edition cover
Author Cormac McCarthy
Country United States
Language English
Genre(s) Thriller novel
Publisher Alfred A. Knopf
Publication date July 19, 2005
Media type Print (Hardback & Paperback)
Pages 320 pp (hardback edition)
ISBN ISBN 0-375-40677-8 (hardback edition)
OCLC Number 57352812
Dewey Decimal 813/.54 22
LC Classification PS3563.C337 N6 2005

No Country for Old Men is a 2005 novel by U.S. author Cormac McCarthy. Set along the United States–Mexico border in 1980, the story concerns an illicit drug deal gone wrong in a remote desert location. The title comes from the poem "Sailing to Byzantium" by William Butler Yeats.[1] The book was adapted into the 2007 film No Country for Old Men, which won four Academy Awards, including Best Picture.

Contents

Characters

  • Sheriff Ed Tom Bell, the main protagonist, a laconic World War II veteran who oversees the investigation and the trail of the murders even as he struggles to face the sheer enormity of the crimes he is attempting to solve. His reminiscences serve as part of the book's narration.
  • Anton Chigurh, the main antagonist, a sociopathic hitman, prone to extreme violence and philosophical musings. He is in his 30s, and has eyes as "blue as lapis... Like wet stones". A man of dark and vaguely exotic complexion.
  • Llewelyn Moss, a welder and Vietnam War veteran in his 30s.
  • Carla Jean Moss, Llewelyn's young wife.
  • Carson Wells, another hitman, formerly a lieutenant colonel from the Vietnam War, who is hired to retrieve the money from Chigurh.

The plot involves a host of other characters of lesser importance, including other sheriffs, deputies, and other officials, as well as criminals and criminal leaders.

Synopsis

The plot follows the interweaving paths of the three central characters (Llewelyn Moss, Anton Chigurh, and Ed Tom Bell) set in motion by events related to a drug deal gone bad near the Mexican-American border in southwest Texas in Terrell County.

While Llewelyn Moss is hunting antelope, he stumbles across the aftermath of a drug-related gun battle which has left everyone dead except a single badly-wounded Mexican. Moss finds a truck full of heroin and a satchel with $2.4 million in cash. Leaving the man alive, he takes the money and returns home. Later, however, he feels remorse for leaving the wounded man alone. He returns to the scene with a jug of water for the Mexican, only to find that he has been executed. Llewelyn is seen in the process of returning to the scene, which sparks a tense chase by gunmen in trucks. This is only the beginning of a hunt for Moss that stretches for most of the remaining novel. After escaping from the gunmen at the scene of the battle, Llewelyn sends his wife, Carla Jean Moss, to her mother out in Odessa while he leaves his home with the money.

Sheriff Ed Tom Bell investigates the drug crime while trying to protect Moss and his young wife with the aid of other law enforcement. The sheriff is haunted by his actions in World War II, leaving his unit to die for which he received a Bronze Star. Now in his late 50s, Bell has spent most of his life attempting to make up for the incident when he was a 21-year-old soldier. He makes it his quest to resolve the case and save Moss. Complicating things is the arrival of Anton Chigurh, a hitman hired to recover the money. Chigurh uses a captive bolt pistol (called a "stungun" in the text) to kill many of his victims (and to destroy several cylinder locks in order to open doors), as well as a silenced shotgun. Carson Wells, a rival hitman and ex-Special Forces officer who is familiar with Chigurh, is also on the trail of the stolen money.

McCarthy tells the story in two voices. The bulk of the book is presented in third person, but this is interspersed with first-person reminiscences from Sheriff Bell. The reliance on dialogue and the sketchbook revelation of plot details lend a mystical air to the work. For example:

…when you encounter certain things in the world, the evidence for certain things, you realize that you have come upon something that you may not very well be equal to... When you've said that it's real and not just in your head, I'm not all that sure what it is you have said.

Intertextual links

In the final paragraph of the novel, Ed Tom Bell refers to a dream in which his father rides past him in the night carrying fire of moonlight color in a horn. This same theme of "carrying the fire" plays a large part in McCarthy's later novel, The Road.[2]

Literary significance and criticism

William J. Cobb, in a review published in the Houston Chronicle (July 15, 2005), characterizes McCarthy as "our greatest living writer" and describes the book as "a heated story that brands the reader's mind as if seared by a knife heated upon campfire flames."[3] On the other hand, in the July 24, 2005, issue of The New York Times Book Review, the critic and fiction writer Walter Kirn suggests that the novel's plot is "sinister high hokum", but writes admiringly of the prose, describing the author as "a whiz with the joystick, a master-level gamer who changes screens and situations every few pages."[4]

Film adaptation

In 2007 Joel and Ethan Coen released a film adaptation of No Country for Old Men, which was met with critical acclaim. On January 27, 2008, the film won the Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture. On February 24, 2008, it won four Academy Awards: Best Picture, Best Director (Joel and Ethan Coen), Best Adapted Screenplay (Joel and Ethan Coen), and Best Supporting Actor (Javier Bardem as Anton Chigurh). It also won three BAFTA awards and two Golden Globes.

References

  1. ^ Frye, S. (2006). "Yeats' 'Sailing to Byzantium' and McCarthy's No Country for Old Men: Art and Artifice in the New Novel". The Cormac McCarthy Society Journal 5. 
  2. ^ Whitmer, Benjamin (2006-10-23). "Review of Cormack McCarthy, The Road". The Modern Word. http://www.themodernword.com/reviews/mccarthy_road.html. Retrieved 2009-02-16. 
  3. ^ No Country For Old Men — Synopses & Reviews Powell's Books Retrieved on December 1, 2007.
  4. ^ Texas Noir The New York Times Retrieved December 3, 2007

External links

Further reading


Quotes

Up to date as of January 14, 2010
(Redirected to No Country for Old Men (film) article)

From Wikiquote

No Country For Old Men is a 2007 film adaptation of Cormac McCarthy's 2005 novel of the same name. Set in West Texas, a man on the run with a suitcase full of money is pursued by a number of individuals.

Directed by Joel Coen and Ethan Coen. Written by Joel Coen and Ethan Coen.
There Are No Clean Getaways . Taglines

Contents

Anton Chigurh

  • What business is it of yours where I'm from... friendo?
  • Let me ask you something: if the rule you followed brought you to this, of what use was the rule?

Sheriff Ed Tom Bell

  • I always liked to hear about the old-timers. Never missed a chance to do so. You can't help but compare yourself against the old timers. Can't help but wonder how they would've operated these times. There was this boy I sent to Huntsville here a while back. My arrest and my testimony. He killed a fourteen-year-old girl. Papers said it was a crime of passion but he told me there wasn't any passion to it. Told me that he'd been planning to kill somebody for about as long as he could remember. Said that if they turned him out he'd do it again. Said he knew he was going to hell. Be there in about fifteen minutes. I don't know what to make of that. I surely don't.

Ellis

  • All the time you spend trying to get back what's been took from you, more is going out the door.

Dialogue

Chigurh: What's the most you've ever lost on a coin toss?
Proprietor: Sir?
Chigurh: The most. You ever lost. On a coin toss.
Proprietor: I don't know. I couldn't say.
[Chigurh tosses a quarter in the air, catches it, then places it on the counter with his hand over it]
Chigurh: Call it.
Proprietor: Call it?
Chigurh: [sighs] Yes.
Proprietor: Well - we need to know what we're callin' for here.
Chigurh: You need to call it. I can't call it for you. It wouldn't be fair.
Proprietor: I didn't put nothin' up.
Chigurh: Yes you did. You've been putting it up your whole life. You just didn't know it. You know what date is on this coin?
Proprietor: No.
Chigurh: Nineteen fifty-eight. It's been traveling twenty-two years to get here. And now it's here. And it's either heads or tails, and you have to say. Call it.
Proprietor: Well look... I need to know what I stand to win.
Chigurh: Everything.
Proprietor: ...How's that?
Chigurh: You stand to win everything. Call it.
Proprietor: All right. Heads then.
[Chigurh removes his hand, revealing the proprietor made the correct call]
Chigurh: [suddenly] Well done! [pause] Don't put it in your pocket, sir.... Don't put it in your pocket, it's your lucky quarter.
Proprietor: Well where do you want me to put it?
Chigurh: Anywhere, not in your pocket. Where it'll get mixed in with the others and become just a coin... Which it is.

Chigurh: You know how this is going to turn out, dontcha?
Moss: No. Do you?
Chigurh: I think you do. So this is what I'll offer. You bring me the money and I'll let her go. Otherwise she's accountable. The same as you. That's the best deal you're going to get. I won't tell you you can save yourself because you can't.
Moss: Yeah I'm goin' to bring you somethin' all right. I've decided to make you a special project of mine. You ain't goin to have to look for me at all.

Man Who Hires Wells: How well do you know Chigurh?
Wells: Well enough.
Man Who Hires Wells: That's not an answer.
Wells: What do you want to know?
Man Who Hires Wells: I'd just like to know your opinion of him. In general. Just how dangerous is he?
Wells: Compared to what? The bubonic plague? He's bad enough that you called me. He's a psychopathic killer but so what? There's plenty of them around.
Man Who Hires Wells: He killed three men in a motel in Del Rio yesterday. And two others at that colossal goatfuck out in the desert.
Wells: Okay. We can stop that.
Man Who Hires Wells: You seem pretty sure of yourself. You've led something of a charmed life haven't you Mr. Wells?
Wells: In all honesty I can't say that charm has had a whole lot to do with it.

Carla Jean Moss: What're you goin to do?
Llewelyn Moss: I'm fixin' to do somethin' dumbern' hell but I'm goin' anyways. ...If I don't come back tell Mother I love her.
Carla Jean Moss: Your mother's dead, Llewelyn.
Llewelyn Moss: Well then I'll tell her myself.

[Carla Jean Moss enters her mother's house, finding Anton Chigurh sitting in a chair in her mother's room]
Carla Jean : I knew this wasn't done with. I ain't got the money. What little I had is long gone and they's bill aplenty to pay yet. I buried my mother today. I ain't paid for that neither.
Chigurh: I wouldn't worry about it.
Carla Jean: I need to sit down. [pause] You got no cause to hurt me.
Chigurh: No. But I gave my word.
Carla Jean: You gave your word?
Chigurh: To your husband.
Carla Jean: That don't make sense. You gave your word to my husband to kill me?
Chigurh: Your husband had the opportunity to save you. Instead, he used you to try to save himself.
Carla Jean: Not like that. Not like you say. [pause] You don't have to do this.
Chigurh: People always say the same thing.
Carla Jean: What do they say?
Chigurh: They say, "you don't have to do this."
Carla Jean: You don't.
Chigurh: [sighs] Okay.
[Chigurh produces a quarter and tosses it into the air, catching it and putting it on his thigh]
Chigurh: This is the best I can do. Call it.
Carla Jean: I knowed you was crazy when I saw you settin' there. I knowed exactly what was in store for me.
Chigurh: Call it.
Carla Jean: No. I ain't gonna call it.
Chigurh: Call it.
Carla Jean: The coin don't have no say! It's just you!
Chigurh: I got here the same way the coin did.

Loretta: How'd you sleep?
Sheriff Ed Bell: I don't know. Had dreams.
Loretta: Well you got time for 'em now. Anything interesting?
Sheriff Ed Bell: Well they always is to the party concerned.
Loretta: Ed Tom, I'll be polite.
Sheriff Ed Bell: Alright then. Two of 'em. Both had my father in 'em. It's peculiar. I'm older now then he ever was by twenty years. So in a sense he's the younger man. Anyway, first one I don't remember too well but it was about meetin' him in town somewhere, he's gonna give me some money. I think I lost it. The second one, it was like we was both back in older times and I was on horseback goin' through the mountains of a night. Goin' through this pass in the mountains. It was cold and there was snow on the ground and he rode past me and kept on goin'. Never said nothin' goin' by. He just rode on past... and he had his blanket wrapped around him and his head down and when he rode past I seen he was carryin' fire in a horn the way people used to do and I could see the horn from the light inside of it. 'Bout the color of the moon. And in the dream I knew that he was goin' on ahead and he was fixin' to make a fire somewhere out there in all that dark and all that cold. And I knew that whenever I got there he would be there. And then I woke up.

Taglines

  • There are no clean getaways.
  • You Can't Stop What's Coming
  • There are no laws.

Cast

External links








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