Notre Dame de Paris: Wikis


Note: Many of our articles have direct quotes from sources you can cite, within the Wikipedia article! This article doesn't yet, but we're working on it! See more info or our list of citable articles.

Did you know ...

More interesting facts on Notre Dame de Paris

Include this on your site/blog:


From Wikipedia, the free encyclopedia

Notre Dame de Paris: Western Façade
Notre Dame de Paris from the Seine
Notre Dame de Paris: exterior of the apse
Flying buttress

Notre Dame de Paris (in English: Our Lady of Paris), also known as Notre Dame Cathedral, is a Gothic, Roman Catholic cathedral on the eastern half of the Île de la Cité in the fourth arrondissement of Paris, France. It is the cathedral of the Catholic archdiocese of Paris: that is, it is the church that contains the "cathedra", or official chair, of the Archbishop of Paris, André Cardinal Vingt-Trois. Notre Dame de Paris is widely considered one of the finest examples of French Gothic architecture in France and in Europe. It was restored and saved from destruction by Eugène Viollet-le-Duc, one of France's most famous architects. The name Notre Dame means "Our Lady" in French, and is frequently used in the names of Catholic church buildings in Francophone countries. Notre Dame de Paris was one of the first Gothic cathedrals, and its construction spanned the Gothic period. Its sculptures and stained glass show the heavy influence of naturalism, unlike that of earlier Romanesque architecture.

Notre Dame de Paris was among the first buildings in the world to use the flying buttress (arched exterior supports). The building was not originally designed to include the flying buttresses around the choir and nave. After the construction began and the thinner walls (popularized in the Gothic style) grew ever higher, stress fractures began to occur as the walls pushed outward. In response, the cathedral's architects built supports around the outside walls, and later additions continued the pattern.

The cathedral suffered desecration during the radical phase of the French Revolution in the 1790s, when much of its religious imagery was damaged or destroyed. During the 19th century, an extensive restoration project was completed, returning the cathedral to its previous state.



In 1160, because the church in Paris had become the "parisian church of the kings of Europe", Bishop Maurice de Sully deemed the previous Paris cathedral, Saint-Étienne (St Stephen's), which had been founded in the 4th century, unworthy of its lofty role, and had it demolished shortly after he assumed the title of Bishop of Paris. As with most foundation myths, this account needs to be taken with a grain of salt; archeological excavations in the 20th century suggested that the Merovingian Cathedral replaced by Sully was itself a massive structure, with a five-aisled nave and a façade some 36m across. It seems likely therefore that the faults with the previous structure were exaggerated by the Bishop to help justify the rebuilding in a newer style. According to legend, Sully had a vision of a glorious new cathedral for Paris, and sketched it on the ground outside the original church. To begin the construction, the bishop had several houses demolished and had a new road built in order to transport materials for the rest of the cathedral.

Façade, showing the Portal of the Virgin, Portal of the Last Judgment and Portal of St-Anne

Construction began in 1163, during the reign of Louis VII, and opinion differs as to whether Sully or Pope Alexander III laid the foundation stone of the cathedral. However, both were at the ceremony in question. Bishop de Sully went on to devote most of his life and wealth to the cathedral's construction. Construction of the choir took from 1163 until around 1177 and the new High Altar was consecrated in 1182 (it was normal practice for the eastern end of a new church to be completed first, so that a temporary wall could be erected at the west of the choir, allowing the chapter to use it without interruption while the rest of the building slowly took shape). After Bishop Maurice de Sully's death in 1196, his successor, Eudes de Sully (no relation) oversaw the completion of the transepts and pressed ahead with the nave, which was nearing completion at the time of his own death in 1208. By this stage, the western façade had also been laid out, though it was not completed until around the mid 1240s.[1]

The cathedral illuminated at night

Over the construction period, numerous architects worked on the site, as is evidenced by the differing styles at different heights of the west front and towers. Between 1210 and 1220, the fourth architect oversaw the construction of the level with the rose window and the great halls beneath the towers. The most signifiant change in design came in the mid 13th century, when the transepts were remodelled in the latest Rayonnant style; in the late 1240s Jean de Chelles added a gabled portal to the north transept topped off by a spectacular rose window. Shortly afterwards (from 1258) Pierre de Montreuil executed a similar scheme on the South transept. Both these transept portals were richly embellished with sculpture; the south portal features scenes from the lives of St Stephen and of various local saints, while the north portal featured the infancy of Christ and the story of Theophilus in the tympanum, with a highly influential statue of the Virgin and Child in the trumeau.[2]

The cathedral was effectively complete by around 1345.


Timeline of construction

  • 1160 Maurice de Sully (named Bishop of Paris), orders the original cathedral to be demolished.
  • 1163 Cornerstone laid for Notre Dame de Paris—construction begins.
  • 1182 Apse and choir completed.
  • 1196 Bishop Maurice de Sully dies.
  • c.1200 Work begins on western façade.
  • 1208 Bishop Eudes de Sully dies. Nave vaults nearing completion.
  • 1225 Western façade completed.
  • 1250 Western towers and north rose window completed.
  • c.1245–1260s Transepts remodelled in the Rayonnant style by Jean de Chelles then Pierre de Montreuil
  • 1250–1345 Remaining elements completed

The organ

Grandes Orgues

Though several organs were installed in the cathedral over time, the earliest ones were inadequate for the building. The first noteworthy organ was finished in the 18th century by the noted builder François-Henri Clicquot. Some of Clicquot's original pipework in the pedal division continues to sound from the organ today. The organ was almost completely rebuilt and expanded in the 19th century by Aristide Cavaillé-Coll.

The position of titular organist ("head" or "chief" organist) at Notre-Dame is considered as one of the most prestigious organist posts in France, along with the post of titular organist of Saint Sulpice in Paris, Cavaillé-Coll's largest instrument.

The organ has 7,800 pipes, with 900 classified as historical. It has 110 stops, five 56-key manuals and a 32-key pedalboard. In December 1992, work was completed on the organ that fully computerized the organ under three LANs (Local Area Networks).

I Grand Orgue C–g3
Violon-Basse 16′
Bourdon 16′
Montre 8′
Viole de Gambe 8′
Flûte Harmonique 8′
Bourdon 8′
Prestant 4′
Octave 4′
Doublette 2′
Fourniture II–V
Cymbale II–V
Bombarde 16′
Trompette 8′
Chamade(Réc.) 8′
Clairon 4′
Chamade 8
Chamade 4
II Positif C–g3
Montre 16′
Bourdon 16′
Salicional 8′
Flûte Harmonique 8′
Bourdon 8′
Unda Maris (ab c0) 8′
Prestant 4′
Flûte Douce 4′
Nasard 22/3
Doublette 2′
Tierce 13/5
Fourniture V
Cymbale V
Clarinette 16′
Cromorne 8′
Clarinette aiguë 4′
III Récit C–g3
Quintaton 16′
Diapason 8′
Viole de gambe 8′
Voix céleste 8
Flûte traversière 8′
Bourdon céleste 8′
Octave 4′
Flûte Octaviante 4′
Nazard 22/3
Octavin 2′
Bombarde 16′
Trompette 8′
Clairon 4′
Basson-Hautbois 8′
Clarinette 8′
Voix Humaine 8′
Dessus de Cornet V
Dessus de Hautbois 8′
Chamade 8′
Chamade 4′
Régale en chamade 2′/16′
Chamade (G.O.) 8′
Chamade (G.O.) 4′
IV Solo C–g3
Bourdon 32′
Principal 16′
Montre 8′
Flûte Harmonique 8′
Grosse Quinte 51/3
Prestant 4′
Grosse Tierce 31/5
Quinte 22/3
Septième 22/7
Doublette 2′
Grande Fourniture III
Fourniture V
Cymbale V
Cornet II–V
Cromorne 8′
Chamade (G.O.) 8′
Chamade (G.O.) 4′
V Grand Chœur C–g3
Principal 8′
Bourdon 8′
Prestant 4′
Quinte 22/3
Doublette 2′
Tierce 13/5
Larigot 11/3
Septième 11/7
Piccolo 1′
Cornet V
Plein jeu IV-VI
Tuba Magna 16′
Trompette 8′
Clairon 4′
Pédale C–f1
Principal 32′
Contrebasse 16′
Soubasse 16′
Quinte 102/3
Violoncelle 8′
Flûte 8′
Bourdon 8′
Grosse Tierce 62/5
Quinte 51/3
Septième 44/7
Octave 4′
Flûte 4′
Tierce 31/5
Quinte 22/3
Flûte 2′
Tierce 13/5
Larigot 11/3
Piccolo 1′
Fourniture III
Cymbale IV
Contre-Bombarde 32′
Bombarde 16′
Basson 16′
Sordun 16′
Trompette 8′
Basson 8′
Clairon 4′
Chalumeau 4′
Clairon 2′
View from the south


Among the best-known organists at Notre Dame was Louis Vierne, who held this position from 1900 to 1937. Under his tenure, the Cavaillé-Coll organ was modified in its tonal character, notably in 1902 and 1932.

Léonce de Saint-Martin held the post between 1932 and 1954.

Pierre Cochereau initiated further alterations (many of which were already planned by Louis Vierne), including the electrification of the action between 1959 and 1963. The original Cavaillé-Coll console, (which is now located near the organ loft), was replaced by a new console in Anglo-American style and the addition of further stops between 1965 and 1972, notably in the pedal division, the recomposition of the mixture stops, and finally the adding of three horizontal reed stops "en chamade".

After Cochereau's sudden death in 1984, four new titular organists were appointed at Notre Dame in 1985: Jean-Pierre Leguay Olivier Latry, Yves Devernay (who died in 1990), and Philippe Lefebvre This was reminiscent of the 18th-century practice of the cathedral having four titular organists, each one playing for three months of the year. Beginning in 1990, another restoration to the instrument was undertaken, which was completed in 1992.

Alterations, vandalism and restorations

Sculpture from the restoration program

In 1548, rioting Huguenots damaged features of the cathedral, considering them idolatrous. During the reigns of Louis XIV and Louis XV, the cathedral underwent major alterations as part of an ongoing attempt to modernize cathedrals throughout Europe. Tombs and stained glass windows were destroyed. The north and south rose windows were spared this fate, however.

Extreme angle

In 1793, during the French Revolution, the cathedral was rededicated to the Cult of Reason, and then to the Cult of the Supreme Being. During this time, many of the treasures of the cathedral were either destroyed or plundered. The statues of biblical kings of Judah (erroneously thought to be kings of France) were beheaded. Many of the heads were found during a 1977 excavation nearby and are on display at the Musée de Cluny. For a time, Lady Liberty replaced the Virgin Mary on several altars. The cathedral's great bells managed to avoid being melted down. The cathedral came to be used as a warehouse for the storage of food.

A restoration program was initiated in 1845, overseen by architects Jean-Baptiste-Antoine Lassus and Eugène Viollet-le-Duc. The restoration lasted twenty five years and included the construction of a flèche (a type of spire) as well as the addition of the chimeras on the Galerie des Chimères. Viollet le Duc always signed his work with a bat, the wing structure of which most resembles the Gothic vault (see Château de Roquetaillade).

In 1871, during the period of the Paris Commune, the cathedral was nearly set alight: some records suggest that the rebels even went so far as to set fire to a mound of chairs within the building. Whether that was so or not, the cathedral survived the Commune period essentially unscathed.

In 1939, at the beginning of World War II, it was feared that German bombers could destroy the windows; as a result, on 11 September 1939, they were removed, and then restored at the end of the war.

In 1991, a major program of maintenance and restoration was initiated, which was intended to last ten years, but is still in progress as of 2009, the cleaning and restoration of old sculptures being an exceedingly delicate matter.

The bells

Emmanuel, the great bourdon bell, at the Notre Dame

There are five bells at Notre Dame. The great bourdon bell, Emmanuel, is located in the South Tower, weighs just over 13 tons, and is tolled to mark the hours of the day and for various occasions and services. There are four additional bells on wheels in the North Tower, which are swing chimed. These bells are rung for various services and festivals. The bells were once rung manually, but are currently rung by electric motors, when it was discovered that the size of the bells could cause the entire building to vibrate, which threatened its integrity. The bells also have external hammers for tune playing from a small clavier.

In the night of 24 August 1944, as the Île de la Cité was taken by an advance column of French and Allied armoured troops and elements of the Resistance, it was the tolling of the Emmanuel that announced to the city that its liberation was under way.

Significant events

Coronation of Napoleon I on Sunday 2 December 1804, at Notre Dame, in a 1807 painting by Jacques-Louis David

A series of articles on
Roman Catholic

Raphael - Madonna dell Granduca.jpg

General articles
Overview of Mariology
Veneration of the Blessed VirginHistory of Mariology

Expressions of devotion

Specific articles
ApparitionsSaintsPopesDogmas and DoctrinesMovements & Societies

The cathedral is renowned for its Lent sermons founded by the famous Dominican Jean-Baptiste Henri Lacordaire in the 1860s. In recent years, however, an increasing number have been given by leading public figures and state-employed academics.

One of the many roses in the flower garden behind Notre Dame.

See also


  1. ^ Caroline Bruzelius, The Construction of Notre-Dame in Paris, in The Art Bulletin, Vol. 69, No. 4 (Dec., 1987), pp. 540–569.
  2. ^ Paul Williamson, Gothic Sculpture, 1140–1300, Yale University Press, 1995.
  3. ^ Hiatt, Charles, Notre Dame de Paris: a short history & description of the cathedral, (George Bell & Sons, 1902), 12.
  4. ^ (English) Daniel Stone (2001). The Polish-Lithuanian State, 1386-1795. Warsaw: University of Washington Press. pp. 119. ISBN 02-95980-93-1. Retrieved 2008-07-23. 


  • Jacobs, Jay, ed. The Horizon Book of Great Cathedrals. New York, New York: American Heritage Publishing, 1968.
  • Janson, H.W. History of Art. 3rd Edition. New York, New York: Harry N. Abrams, Inc., 1986.
  • Myers, Bernard S. Art and Civilization. New York, New York: McGraw-Hill, 1957.
  • Michelin Travel Publications. The Green Guide Paris. Hertfordshire, UK: Michelin Travel Publications, 2003.
  • Tonazzi, Pascal. Florilège de Notre-Dame de Paris (anthologie), Editions Arléa, Paris, 2007, ISBN 2869597959

External links

Coordinates: 48°51′11″N 2°20′59″E / 48.8530°N 2.3498°E / 48.8530; 2.3498

Source material

Up to date as of January 22, 2010
(Redirected to The Hunchback of Notre Dame article)

From Wikisource

The Hunchback of Notre Dame
by Victor Hugo, translated by Isabel F. Hapgood
Wikiquote logo Wikiquote has a collection of quotations related to: The Hunchback of Notre Dame.
Information about this edition
The Hunchback of Notre Dame (French: Notre-Dame de Paris) is an 1831 French novel written by Victor Hugo. It is set in 1482 in Paris, in and around the cathedral of Notre Dame de Paris. The book tells the story of a poor Gypsy girl (La Esmeralda) and a misshapen bell-ringer (Quasimodo) who was raised by the archdeacon (Claude Frollo). The book was written as a statement to preserve the Notre Dame cathedral and not to 'modernize' it, as Hugo was thoroughly against. The enormous popularity of the book in France spurred the nascent historical preservation movement in that country and strongly encouraged Gothic revival architecture.
Excerpted from The Hunchback of Notre Dame on Wikipedia, the free encyclopedia.

Translated from the French in 1896.


A few years ago, while visiting or, rather, rummaging about Notre-Dame, the author of this book found, in an obscure nook of one of the towers, the following word, engraved by hand upon the wall:—


These Greek capitals, black with age, and quite deeply graven in the stone, with I know not what signs peculiar to Gothic caligraphy imprinted upon their forms and upon their attitudes, as though with the purpose of revealing that it had been a hand of the Middle Ages which had inscribed them there, and especially the fatal and melancholy meaning contained in them, struck the author deeply.

He questioned himself; he sought to divine who could have been that soul in torment which had not been willing to quit this world without leaving this stigma of crime or unhappiness upon the brow of the ancient church.

Afterwards, the wall was whitewashed or scraped down, I know not which, and the inscription disappeared. For it is thus that people have been in the habit of proceeding with the marvellous churches of the Middle Ages for the last two hundred years. Mutilations come to them from every quarter, from within as well as from without. The priest whitewashes them, the archdeacon scrapes them down; then the populace arrives and demolishes them.

Thus, with the exception of the fragile memory which the author of this book here consecrates to it, there remains to-day nothing whatever of the mysterious word engraved within the gloomy tower of Notre-Dame,—nothing of the destiny which it so sadly summed up. The man who wrote that word upon the wall disappeared from the midst of the generations of man many centuries ago; the word, in its turn, has been effaced from the wall of the church; the church will, perhaps, itself soon disappear from the face of the earth.

It is upon this word that this book is founded.

March, 1831.


Note added to Definitive Edition

This translation is hosted with different licensing information than from the original text. The translation status applies to this edition.
PD-icon.svg This work published before January 1, 1923 is in the public domain worldwide because the author died at least 100 years ago.
PD-icon.svg This work is in the public domain in the United States because it was published before January 1, 1923. It may be copyrighted outside the U.S. (see Help:Public domain). Flag of the United States.svg

Simple English

For other uses, see Notre Dame

[[File:|thumb|right|The front of Notre Dame cathedral]]

Notre Dame is a very old cathedral in Paris, France. It is one of France's most famous landmarks and many people visit it each year. The cathedral is on a small island on the River Seine.

Victor Hugo wrote a famous story. The story takes place around the cathedral. The English title is 'The Hunchback of Notre Dame', but in French it is called 'Notre-Dame de Paris'.

Tradition has it that Notre-Dame’s first stone was laid in 1163 in the presence of Pope Alexander III


Got something to say? Make a comment.
Your name
Your email address