An ogre (feminine: ogress) is a large, cruel, monstrous and hideous humanoid monster, featured in mythology, folklore and fiction. Ogres are often depicted in fairy tales and folklore as feeding on human beings, and have appeared in many classic works of literature. In art, ogres are often depicted with a large head, abundant hair and beard, a voracious appetite, and a strong body. The term is often applied in a metaphorical sense to disgusting persons who exploit, brutalize or devour their victims.
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The word ogre is of French origin. Its earliest attestation is in Chrétien de Troyes' late 12th century verse romance Perceval, li contes del graal, which contains the lines:
| “ | et s'est escrit que il ert ancore
que toz li reaumes de Logres, qui ja dis fu la terre as ogres, ert destruite par cele lance |
” |
"And it is written that there will come a time when all the kingdom of Logres [England] which formerly was the land of the ogres will be destroyed by that spear." The ogres in this rhyme may refer to the giants who, in the fictional History of the Kings of Britain by Geoffrey of Monmouth, were the inhabitants of Britain prior to human settlement. Ogre could possibly derive from the two mythical giants Gog and Magog (or from the Greek river god Oiagros, father of Orpheus).
The word ogre came into wider usage in the works of Charles Perrault (1628-1703) or Marie-Catherine Jumelle de Berneville, Comtesse d' Aulnoy (1650-1705), both of whom were French authors. Other sources say that the name is derived from the word Hongrois, which means Hungarian.[1] The word ogre is thought to have been popularized by the works of Italian author Giambattista Basile (1575-1632), who used the Neapolitan word uerco, or in standard Italian, orco. This word is documented[2] in earlier Italian works (Fazio degli Uberti, XIV cent.; Luigi Pulci, XV; Ludovico Ariosto, XV-XVI) and has even older cognates with the Latin orcus and the Old English orcnēas found in Beowulf lines 112-113, which inspired J.R.R. Tolkien's Orc.[3] All these words may derive from a shared Indo-European mythological concept (as Tolkien himself speculated, as cited by Tom Shippey, The Road to Middle-earth, 45). Some see the French myth of the ogre as being inspired by the real-life crimes of Gilles de Rais.[4]
The first appearance of the word ogre in Perrault's work occurred in his Histoires ou Contes du temps Passé (1697). It later appeared in several of his other fairy tales, many of which were based on the Neapolitan tales of Basile. The first example of a female ogre being referred to as an ogress is found in his version of Sleeping Beauty, where it is spelled ogresse. The Comtesse d' Aulnoy first employed the word ogre in her story L'Orangier et l' Abeille (1698), and was the first to use the word ogree to refer to the creature's offspring.
Literature for children is rife with tales involving ogres and kidnapped princesses who were rescued by valiant knights, and sometimes peasants. Ogres are also popular in fantasy fiction, such as C. S. Lewis's The Chronicles of Narnia, and in various fantasy games.
Ogre is often used metaphorically, as in the association of ogres with Nazis made in Michel Tournier's novel Le Roi des aulnes (1970; The Ogre). Other modern works depicting ogres include L'Ogre (1973) by Jacques Chessex, and Nacer Khemir's L'Ogresse (1975), a collection of Tunisian tales.
Ogres appear in many popular fantasy roleplaying and video games series. See also Ogre (disambiguation).
OGRE, the name in fairy tales and folk-lore of a malignant monstrous giant who lives on human flesh. The word is French, and occurs first in Charles Perrault's Histoires ou conies du temps passé (1697). The first English use is in the translation of a French version of the Arabian Nights in 1713, where it is spelled hogre. Attempts have been made to connect the word with Ugri, the racial name of the Magyars or Hungarians, but it is generally accepted that it was adapted into French from the O. Span. huerco, huergo, uergo, cognate with Ital. orco, i.e. Orcus, the Latin god of the dead and the infernal regions (see Pluto), who in Romance folk-lore became a man-eating demon of the woods.
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