| Oliver & Company | |
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 Theatrical poster |
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| Directed by | George Scribner |
| Produced by | Kathleen Gavin (production manager) |
| Written by | Jim Cox Timothy A. Disney James Mangold Original book: Charles Dickens |
| Starring | Joey Lawrence Billy Joel Natalie Gregory Dom DeLuise Cheech Marin Bette Midler |
| Music by | J.A.C. Redford Barry Manilow |
| Studio | Walt Disney Pictures |
| Distributed by | Buena Vista Distribution |
| Release date(s) | November 18, 1988 |
| Running time | 73 minutes |
| Country | United States |
| Language | English |
| Gross revenue | $74,151,346 |
Oliver & Company is a 1988 animated film in which a homeless kitten named Oliver joins a gang of dogs to survive on the 1980s New York City streets. The film was produced by Walt Disney Feature Animation and became the twenty-seventh animated feature released in the Walt Disney Animated Classics series. It was distributed by Walt Disney Pictures and Buena Vista Distribution. It was re-released in the USA, Canada, and the UK on March 29, 1996, and again on March 7, 2009 on DVD.
The movie was inspired by the Charles Dickens novel Oliver Twist, which has been adapted many other times for the screen. In this version, Oliver is a cat and Fagin's gang is made up of dogs, one of which is Dodger. The film is Disney's fifth animated feature to take place in the present day of its release, using New York City as its setting.
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Oliver, an orange kitten, is lost in the streets. He steals some hot dogs from a hot dog vendor with the help of a mongrel named Dodger. Together they are successful, but Dodger runs off, attempting to leave the orphaned feline behind.
Dodger eventually arrives at the barge of his owner, a pickpocket named Fagin, along with his meal, to share with his friends: Tito the Chihuahua, Einstein the Great Dane, Rita the Saluki and Francis (Frankie), the Bulldog. Oliver sneaks into their home, located below the city's docks, and is discovered by the dogs. Fagin, owner of the dogs, comes in and explains that he is running out of time to repay the money he borrowed from Sykes, a shipyard agent and ruthless loan shark. Sykes and his Doberman Pinschers, Roscoe and DeSoto, arrive.
While DeSoto is sniffing around the barge, Roscoe flirts with Rita, and smashes the television. He then goads the protective Einstein to let the angry but tiny Tito attack him, when DeSoto finds Oliver. The terrified kitten scratches his nose and both Roscoe and Desoto intend to tear him apart when the dog gang gets between them. Before further violence can ensue, Sykes calls his dogs back to his car, and they leave while making threats towards the gang and Oliver.
After this, a soaking wet Fagin returns to the barge, lamenting that he has only three days to find the money he owes Sykes. He discovers Oliver and, considering that they all need help, accepts him into the gang.
Next day, Fagin sets out into the city with his canine menagerie, Oliver included, and tries to sell his wares at a pawn shop, with no success. The animals, meanwhile, come face-to-face with a limousine driven by a butler named Winston. Winston is employed by the Foxworth family and is taking care of their daughter Jenny while the couple is out of the country. The dogs stage an elaborate ruse in order to get Winston out of the car. Tito and Oliver slip in and attempt to steal its radio to give to Fagin so that he'll have something to pawn to pay back Sykes. In doing so, Tito gets shocked by the electrical system, and Jenny finds Oliver tangled up in the wires near it. Oliver finds a good home and a caring owner in Jenny, to the chagrin of Winston and the Foxworth's pampered, pedigreed poodle, Georgette.
The next day Fagin's dogs go to Jenny's house. After some initial disputes, Georgette is very happy that they are there to collect Oliver, and helps them take him back, convincing them that he's been traumatised by the whole experience and wants to go back to them. When Oliver is taken back, Fagin sees Oliver's new golden tag and the wealthy district he got it from, and sends Jenny a map and a letter requesting "lots and lots of money" as a ransom. Fagin then goes to convince Sykes that his plan is air-tight enough to pay him his money.
Jenny receives the letter and takes Georgette with her to go and get Oliver back, but Fagin's poorly drawn map leaves them both totally lost, although they do unknowingly arrive at their destination. Being distraught that his "wealthy cat-owner" is just a little girl with her piggy-bank, Fagin decides that he might as well return Oliver to her, and pretends to find him in a dumpster. However Sykes kidnaps Jenny, intending to hold her for ransom to her wealthy parents, and tells Fagin that their account is closed.
Fagin, who was not expecting Sykes to use him to perform an actual kidnapping, takes his dogs and Georgette to Sykes' shipyard to rescue Jenny, which the dogs, with Oliver's help manage to do. However an enraged Sykes and his Dobermans chase them down the city streets and into the subway in his car. Roscoe and DeSoto are both thrown onto the tracks in their fight with Dodger, and presumably killed. Jenny is thrown onto the hood of Sykes' car and Fagin tries to snatch her back while the dogs drive. They emerge onto the Manhattan Bridge, where Sykes' car collides with a train and he is killed. Tito manages to steer Fagin's vehicle onto one of the Manhattan Bridge's cables and they emerge unscathed.
The next morning, Fagin and the entire group celebrate Jenny's birthday party at her home. That same day, Winston receives a phone call from Jenny's parents in Rome saying that they will be back tomorrow, apparently earlier than expected. Fagin and his dog gang finally drive into the streets to make a new start.
The working title of this film during production was Oliver and the Dodger.[1] This film pre-dated the second Disney Renaissance; much of the original Nine Old Men had migrated away from the studio by this time, which signaled the entrance for the next generation of celebrated Disney animators. At a certain point, this film was to be set after The Rescuers. If this had happened, it would have given the character of Penny more development, showing her living her new life in New York City with Georgette, as well as her new adoptive parents. This idea was eventually scrapped because the producers had then felt that the story would not have been convincing. This is why Penny and Jenny are similar.
This was the first Disney movie to make heavy use of computer animation, since previous films The Black Cauldron and The Great Mouse Detective used it only for special sequences. The CGI effects were used for making the skyscrapers, the cars, trains, Fagin's scooter-cart and the climactic Subway chase. It was also the first Disney film to have a department created specifically for computer animation.[2]
This was a test run movie before The Walt Disney Company would fully commit to returning to a musical format for their animated films;[1] Oliver & Company was the first such film to be a musical since 1981's The Fox and the Hound. For most of the next decade, all of WDFA's (Walt Disney Feature Animated) films, first starting with The Little Mermaid, were also musicals excluding The Rescuers Down Under.
It was one of the first animated Disney films to introduce new sound effects for regular use, to replace many of their original classic sounds, which would be used occasionally in later Disney movies. However, The Little Mermaid introduced even more new SFX. The new sound effects were first introduced with The Black Cauldron, while The Great Mouse Detective released a year after the previous film used the classic Disney SFX. This included some sounds such as the then fifty-year-old Castle thunder and the classic Goofy holler. However, the Disney television animation studio continued extensively using the classic Disney sound effects for several years, while the feature animation studio retired the original sound effects.
It was the first animated Disney film to include real world advertised products. Many placements of real product names Coca-Cola, USA Today, Sony, and Ryder Truck Rental were some of the most used examples. It was said on ABC's The Wonderful World of Disney that this was for realism, was not paid product placement, and that it would not be New York City without advertising.[3]
Certain animals shown in the film are inspired from past Disney films. When Dodger sings Why Should I Worry? in the beginning of the film, some of the dogs shown are Peg, Jock and Trusty from Lady and the Tramp and Pongo from One Hundred and One Dalmatians.
The film was released in 1988 on the same day as The Land Before Time, a production of Disney expatriate Don Bluth.
As of 2008, Oliver made a total domestic gross of $74 million at the U.S. box office though it grossed $53.2 million of which came from its original run.[4] Its success prompted Disney's senior vice-president of animation, Peter Schneider, to announce the company's plans to release animated features annually.[1] Aladdin was the last to continue the trend. However, they picked up the trend after The Lion King and ended it after Tarzan.
The Ren and Stimpy Show creator John Kricfalusi suggested that the film was derivative of Ralph Bakshi's works, and jokingly suggested its use as a form of punishment.[5]
During its release, McDonald's sold Christmas musical ornaments containing the movie's two main characters, Oliver and Dodger, the start of a multi-year agreement of joint promotions with licensed products.[3]
This was the only Disney film to not be distributed in the UK on theatrical release by Buena Vista International, it was distributed by Warner Bros. but was then distributed by Buena Vista International upon video release.
Despite its financial success at the box office, however, the film was not released on video until after its re-release in 1996. It was later released on DVD in 2002. A 20th Anniversary Edition was released on DVD on February 3, 2009.
The instrumental score for Oliver & Company was composed by J. A. C. Redford, and the film's music was supervised by Carole Childs. The first song heard in the movie, "Once Upon a Time in New York City", was written by lyricist Howard Ashman. Billy Joel, in addition to voicing Dodger, fittingly performed the character's song in the film.
The track list below represents the 1996 re-release of the Oliver & Company soundtrack. The original 1988 release featured the same songs, but with the instrumental cues placed in between the songs in the order in which they appeared in the film. Using the numbering system in the list below, the order the tracks on the 1988 release would be: 1, 2, 6, 7, 3, 4, 5, 8, 9, 10, 11. The reprise of "Why Should I Worry?", performed by the entire cast, remains unreleased on CD.
In the movie various songwriters worked on the songs.
1. Once Upon a Time In New York City- Narrator
2. Why Should I Worry- Dodger & Chorus
3. Streets of Gold- Rita, Dodger, & Chorus
4. Perfect Isn't Easy- Georgette
5. Good Company- Jenny
6. Why Should I Worry- Company
1. Once Upon a Time in New York City - Huey Lewis; written by Barry Mann and Howard Ashman
2. Why Should I Worry? - Billy Joel; written by Dan Hartman and Charlie Midnight
3. Streets of Gold - Ruth Pointer ; written by Dean Pitchford and Tom Snow
4. Perfect Isn't Easy - Bette Midler ; written by Barry Manilow, Jack Feldman, and Bruce Sussman
5. Good Company - Myhanh Tran ; written by Ron Rocha and Robert Minkoff
6. Sykes (instrumental)
7. Bedtime Story (instrumental)
8. The Rescue (instrumental)
9. Pursuit Through The Subway (instrumental)
10. Buscando Guayaba - Rubén Blades
11. End Title (instrumental)
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Oliver & Company is the 27th film in the Disney animated features canon, released on November 18, 1988. The film's plot is based on Charles Dickens' Oliver Twist, which has been adapted many other times for the screen and television.
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Oliver and Company quotes at the Internet Movie Database
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