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| "Paste" is a 5,800-word short story by Henry James first published in Frank Leslie’s Popular Monthly in December, 1899. James included the story in his collection, The Soft Side, published by Macmillan the following year. James conceived the story as a clever reversal of Maupassant's "The Necklace". — Excerpted from Paste (story) on Wikipedia, the free encyclopedia. |
“I’ve found a lot more things,” her cousin said to her the
day after the second funeral; “they’re up in her room—but they’re
things I wish YOU’D look at.”
The pair of mourners, sufficiently stricken, were in the
garden of the vicarage together, before luncheon, waiting to be
summoned to that meal, and Arthur Prime had still in his face the
intention, she was moved to call it rather than the expression, of
feeling something or other. Some such appearance was in itself of
course natural within a week of his stepmother’s death, within
three of his father’s; but what was most present to the girl,
herself sensitive and shrewd, was that he seemed somehow to brood
without sorrow, to suffer without what she in her own case would
have called pain. He turned away from her after this last speech—it
was a good deal his habit to drop an observation and leave her to
pick it up without assistance. If the vicar’s widow, now in her
turn finally translated, had not really belonged to him it was not
for want of her giving herself, so far as he ever would take her;
and she had lain for three days all alone at the end of the
passage, in the great cold chamber of hospitality, the dampish
greenish room where visitors slept and where several of the ladies
of the parish had, without effect, offered, in pairs and
successions, piously to watch with her. His personal connexion with
the parish was now slighter than ever, and he had really not waited
for this opportunity to show the ladies what he thought of them.
She felt that she herself had, during her doleful month’s leave
from Bleet, where she was governess, rather taken her place in the
same snubbed order; but it was presently, none the less, with a
better little hope of coming in for some remembrance, some relic,
that she went up to look at the things he had spoken of, the
identity of which, as a confused cluster of bright objects on a
table in the darkened room, shimmered at her as soon as she had
opened the door.
They met her eyes for the first time, but in a moment, before
touching them, she knew them as things of the theatre, as very much
too fine to have been with any verisimilitude things of the
vicarage. They were too dreadfully good to be true, for her aunt
had had no jewels to speak of, and these were coronets and girdles,
diamonds, rubies and sapphires. Flagrant tinsel and glass, they
looked strangely vulgar, but if after the first queer shock of them
she found herself taking them up it was for the very proof, never
yet so distinct to her, of a far-off faded story. An honest widowed
cleric with a small son and a large sense of Shakespeare had, on a
brave latitude of habit as well as of taste—since it implied his
having in very fact dropped deep into the “pit”—conceived for an
obscure actress several years older than himself an admiration of
which the prompt offer of his reverend name and hortatory hand was
the sufficiently candid sign. The response had perhaps in those dim
years, so far as eccentricity was concerned, even bettered the
proposal, and Charlotte, turning the tale over, had long since
drawn from it a measure of the career renounced by the
undistinguished comedienne—doubtless also tragic, or perhaps
pantomimic, at a pinch—of her late uncle’s dreams. This career
couldn’t have been eminent and must much more probably have been
comfortless.
“You see what it is—old stuff of the time she never liked to
mention.”
Our young woman gave a start; her companion had after all
rejoined her and had apparently watched a moment her slightly
scared recognition. “So I said to myself,” she replied. Then to
show intelligence, yet keep clear of twaddle: “How peculiar they
look!”
“They look awful,” said Arthur Prime. “Cheap gilt, diamonds
as big as potatoes. These are trappings of a ruder age than ours.
Actors do themselves better now.”
“Oh now,” said Charlotte, not to be less knowing, “actresses
have real diamonds.”
“Some of them.” Arthur spoke dryly.
“I mean the bad ones—the nobodies too.”
“Oh some of the nobodies have the biggest. But mamma wasn’t
of that sort.”
“A nobody?” Charlotte risked.
“Not a nobody to whom somebody—well, not a nobody with
diamonds. It isn’t all worth, this trash, five pounds.”
There was something in the old gewgaws that spoke to her, and
she continued to turn them over. “They’re relics. I think they have
their melancholy and even their dignity.”
Arthur observed another pause. “Do you care for them?” he
then asked. “I mean,” he promptly added, “as a souvenir.”
“Of you?” Charlotte threw off.
“Of me? What have I to do with it? Of your poor dead aunt who
was so kind to you,” he said with virtuous sternness.
“Well, I’d rather have them than nothing.”
“Then please take them,” he returned in a tone of relief
which expressed somehow more of the eager than of the
gracious.
“Thank you.” Charlotte lifted two or three objects up and set
them down again. Though they were lighter than the materials they
imitated they were so much more extravagant that they struck her in
truth as rather an awkward heritage, to which she might have
preferred even a matchbox or a penwiper. They were indeed shameless
pinchbeck. “Had you any idea she had kept them?”
“I don’t at all believe she HAD kept them or knew they were
there, and I’m very sure my father didn’t. They had quite equally
worked off any tenderness for the connexion. These odds and ends,
which she thought had been given away or destroyed, had simply got
thrust into a dark corner and been forgotten.”
Charlotte wondered. “Where then did you find them?”
“In that old tin box”—and the young man pointed to the
receptacle from which he had dislodged them and which stood on a
neighbouring chair. “It’s rather a good box still, but I’m afraid I
can’t give you THAT.”
The girl took no heed of the box; she continued only to look
at the trinkets. “What corner had she found?”
“She hadn’t ‘found’ it,” her companion sharply insisted; “she
had simply lost it. The whole thing had passed from her mind. The
box was on the top shelf of the old school-room closet, which,
until one put one’s head into it from a step-ladder, looked, from
below, quite cleared out. The door’s narrow and the part of the
closet to the left goes well into the wall. The box had stuck there
for years.”
Charlotte was conscious of a mind divided and a vision
vaguely troubled, and once more she took up two or three of the
subjects of this revelation; a big bracelet in the form of a gilt
serpent with many twists and beady eyes, a brazen belt studded with
emeralds and rubies, a chain, of flamboyant architecture, to which,
at the Theatre Royal Little Peddlington, Hamlet’s mother must have
been concerned to attach the portrait of the successor to Hamlet’s
father. “Are you very sure they’re not really worth something?
Their mere weight alone—!” she vaguely observed, balancing a moment
a royal diadem that might have crowned one of the creations of the
famous Mrs. Jarley.
But Arthur Prime, it was clear, had already thought the
question over and found the answer easy. “If they had been worth
anything to speak of she would long ago have sold them. My father
and she had unfortunately never been in a position to keep any
considerable value locked up.” And while his companion took in the
obvious force of this he went on with a flourish just marked enough
not to escape her: “If they’re worth anything at all—why you’re
only the more welcome to them.”
Charlotte had now in her hand a small bag of faded figured
silk—one of those antique conveniences that speak to us, in terms
of evaporated camphor and lavender, of the part they have played in
some personal history; but though she had for the first time drawn
the string she looked much more at the young man than at the
questionable treasure it appeared to contain. “I shall like them.
They’re all I have.”
“All you have—?”
“That belonged to her.”
He swelled a little, then looked about him as if to appeal—as
against her avidity—to the whole poor place. “Well, what else do
you want?”
“Nothing. Thank you very much.” With which she bent her eyes
on the article wrapped, and now only exposed, in her superannuated
satchel—a string of large pearls, such a shining circle as might
once have graced the neck of a provincial Ophelia and borne company
to a flaxen wig. “This perhaps IS worth something. Feel it.” And
she passed him the necklace, the weight of which she had gathered
for a moment into her hand.
He measured it in the same way with his own, but remained
quite detached. “Worth at most thirty shillings.”
“Not more?”
“Surely not if it’s paste?”
“But IS it paste?”
He gave a small sniff of impatience. “Pearls nearly as big as
filberts?”
“But they’re heavy,” Charlotte declared.
“No heavier than anything else.” And he gave them back with
an allowance for her simplicity. “Do you imagine for a moment
they’re real?”
She studied them a little, feeling them, turning them round.
“Mightn’t they possibly be?”
“Of that size—stuck away with that trash?”
“I admit it isn’t likely,” Charlotte presently said. “And
pearls are so easily imitated.”
“That’s just what—to a person who knows—they’re not. These
have no lustre, no play.”
“No—they ARE dull. They’re opaque.”
“Besides,” he lucidly enquired, “how could she ever have come
by them?”
“Mightn’t they have been a present?”
Arthur stared at the question as if it were almost improper.
“Because actresses are exposed—?” He pulled up, however, not saying
to what, and before she could supply the deficiency had, with the
sharp ejaculation of “No, they mightn’t!” turned his back on her
and walked away. His manner made her feel she had probably been
wanting in tact, and before he returned to the subject, the last
thing that evening, she had satisfied herself of the ground of his
resentment. They had been talking of her departure the next
morning, the hour of her train and the fly that would come for her,
and it was precisely these things that gave him his effective
chance. “I really can’t allow you to leave the house under the
impression that my stepmother was at ANY time of her life the sort
of person to allow herself to be approached—”
“With pearl necklaces and that sort of thing?” Arthur had
made for her somehow the difficulty that she couldn’t show him she
understood him without seeming pert.
It at any rate only added to his own gravity. “That sort of
thing, exactly.”
“I didn’t think when I spoke this morning—but I see what you
mean.”
“I mean that she was beyond reproach,” said Arthur
Prime.
“A hundred times yes.”
“Therefore if she couldn’t, out of her slender gains, ever
have paid for a row of pearls—”
“She couldn’t, in that atmosphere, ever properly have had
one? Of course she couldn’t. I’ve seen perfectly since our talk,”
Charlotte went on, “that that string of beads isn’t even as an
imitation very good. The little clasp itself doesn’t seem even
gold. With false pearls, I suppose,” the girl mused, “it naturally
wouldn’t be.”
“The whole thing’s rotten paste,” her companion returned as
if to have done with it. “If it were NOT, and she had kept it all
these years hidden—”
“Yes?” Charlotte sounded as he paused.
“Why I shouldn’t know what to think!”
“Oh I see.” She had met him with a certain blankness, but
adequately enough, it seemed, for him to regard the subject as
dismissed; and there was no reversion to it between them before, on
the morrow, when she had with difficulty made a place for them in
her trunk, she carried off these florid survivals.
At Bleet she found small occasion to revert to them and, in
an air charged with such quite other references, even felt, after
she had laid them away, much enshrouded, beneath various piles of
clothing, that they formed a collection not wholly without its note
of the ridiculous. Yet she was never, for the joke, tempted to show
them to her pupils, though Gwendolen and Blanche in particular
always wanted, on her return, to know what she had brought back; so
that without an accident by which the case was quite changed they
might have appeared to enter on a new phase of interment. The
essence of the accident was the sudden illness, at the last moment,
of Lady Bobby, whose advent had been so much counted on to spice
the five days’ feast laid out for the coming of age of the eldest
son of the house; and its equally marked effect was the dispatch of
a pressing message, in quite another direction, to Mrs. Guy, who,
could she by a miracle be secured—she was always engaged ten
parties deep—might be trusted to supply, it was believed, an
element of exuberance scarcely less potent. Mrs. Guy was already
known to several of the visitors already on the scene, but she
wasn’t yet known to our young lady, who found her, after many wires
and counter-wires had at last determined the triumph of her
arrival, a strange charming little red-haired black-dressed woman,
a person with the face of a baby and the authority of a commodore.
She took on the spot the discreet, the exceptional young governess
into the confidence of her designs and, still more, of her doubts;
intimating that it was a policy she almost always promptly
pursued.
“To-morrow and Thursday are all right,” she said frankly to
Charlotte on the second day, “but I’m not half-satisfied with
Friday.”
“What improvement then do you suggest?”
“Well, my strong point, you know, is TABLEAUX VIVANTS.”
“Charming. And what is your favourite character?”
“Boss!” said Mrs. Guy with decision; and it was very markedly
under that ensign that she had, within a few hours, completely
planned her campaign and recruited her troop. Every word she
uttered was to the point, but none more so than, after a general
survey of their equipment, her final enquiry of Charlotte. She had
been looking about, but half-appeased, at the muster of decoration
and drapery. “We shall be dull. We shall want more colour. You’ve
nothing else?”
Charlotte had a thought. “No—I’ve SOME things.”
“Then why don’t you bring them?”
The girl weighed it. “Would you come to my room?”
“No,” said Mrs. Guy—“bring them to-night to mine.”
So Charlotte, at the evening’s end, after candlesticks had
flickered through brown old passages bedward, arrived at her
friend’s door with the burden of her aunt’s relics. But she
promptly expressed a fear. “Are they too garish?”
When she had poured them out on the sofa Mrs. Guy was but a
minute, before the glass, in clapping on the diadem. “Awfully
jolly—we can do Ivanhoe!”
“But they’re only glass and tin.”
“Larger than life they are, RATHER!—which is exactly what’s
wanted for tableaux. OUR jewels, for historic scenes, don’t
tell—the real thing falls short. Rowena must have rubies as big as
eggs. Leave them with me,” Mrs. Guy continued—“they’ll inspire me.
Good-night.”
The next morning she was in fact—yet very strangely—inspired.
“Yes, I’LL do Rowena. But I don’t, my dear, understand.”
“Understand what?”
Mrs. Guy gave a very lighted stare. “How you come to have
such things?”
Poor Charlotte smiled. “By inheritance.”
“Family jewels?”
“They belonged to my aunt, who died some months ago. She was
on the stage a few years in early life, and these are a part of her
trappings.”
“She left them to you?”
“No; my cousin, her stepson, who naturally has no use for
them, gave them to me for remembrance of her. She was a dear kind
thing, always so nice to me, and I was fond of her.”
Mrs. Guy had listened with frank interest. “But it’s HE who
must be a dear kind thing!”
Charlotte wondered. “You think so?”
“Is HE,” her friend went on, “also ‘always so nice’ to
you?”
The girl, at this, face to face there with the brilliant
visitor in the deserted breakfast-room, took a deeper sounding.
“What is it?”
“Don’t you know?”
Something came over her. “The pearls—?” But the question
fainted on her lips.
“Doesn’t HE know?”
Charlotte found herself flushing. “They’re NOT paste?”
“Haven’t you looked at them?”
She was conscious of two kinds of embarrassment. “YOU
have?”
“Very carefully.”
“And they’re real?”
Mrs. Guy became slightly mystifying and returned for all
answer: “Come again, when you’ve done with the children, to my
room.”
Our young woman found she had done with the children that
morning so promptly as to reveal to them a new joy, and when she
reappeared before Mrs. Guy this lady had already encircled a plump
white throat with the only ornament, surely, in all the late Mrs.
Prime’s—the effaced Miss Bradshaw’s—collection, in the least
qualified to raise a question. If Charlotte had never yet once,
before the glass, tied the string of pearls about her own neck,
this was because she had been capable of no such stoop to approved
“imitation”; but she had now only to look at Mrs. Guy to see that,
so disposed, the ambiguous objects might have passed for frank
originals. “What in the world have you done to them?”
“Only handled them, understood them, admired them and put
them on. That’s what pearls want; they want to be worn—it wakes
them up. They’re alive, don’t you see? How HAVE these been treated?
They must have been buried, ignored, despised. They were half-dead.
Don’t you KNOW about pearls?” Mrs. Guy threw off as she fondly
fingered the necklace.
“How SHOULD I? Do YOU?”
“Everything. These were simply asleep, and from the moment I
really touched them—well,” said their wearer lovingly, “it only
took one’s eye!”
“It took more than mine—though I did just wonder; and than
Arthur’s,” Charlotte brooded. She found herself almost panting.
“Then their value—?”
“Oh their value’s excellent.”
The girl, for a deep contemplative moment, took another
plunge into the wonder, the beauty and the mystery. “Are you
SURE?”
Her companion wheeled round for impatience. “Sure? For what
kind of an idiot, my dear, do you take me?”
It was beyond Charlotte Prime to say. “For the same kind as
Arthur—and as myself,” she could only suggest. “But my cousin
didn’t know. He thinks they’re worthless.”
“Because of the rest of the lot? Then your cousin’s an ass.
But what—if, as I understood you, he gave them to you—has he to do
with it?”
“Why if he gave them to me as worthless and they turn out
precious—!”
“You must give them back? I don’t see that—if he was such a
noodle. He took the risk.”
Charlotte fed, in fancy, on the pearls, which decidedly were
exquisite, but which at the present moment somehow presented
themselves much more as Mrs. Guy’s than either as Arthur’s or as
her own. “Yes—he did take it; even after I had distinctly hinted to
him that they looked to me different from the other pieces.”
“Well then!” said Mrs. Guy with something more than
triumph—with a positive odd relief.
But it had the effect of making our young woman think with
more intensity. “Ah you see he thought they couldn’t be different,
because—so peculiarly—they shouldn’t be.”
“Shouldn’t? I don’t understand.”
“Why how would she have got them?”—so Charlotte candidly put
it.
“She? Who?” There was a capacity in Mrs. Guy’s tone for a
sinking of persons—!
“Why the person I told you of: his stepmother, my uncle’s
wife—among whose poor old things, extraordinarily thrust away and
out of sight, he happened to find them.”
Mrs. Guy came a step nearer to the effaced Miss Bradshaw. “Do
you mean she may have stolen them?”
“No. But she had been an actress.”
“Oh well then,” cried Mrs. Guy, “wouldn’t that be just
how?”
“Yes, except that she wasn’t at all a brilliant one, nor in
receipt of large pay.” The girl even threw off a nervous joke. “I’m
afraid she couldn’t have been our Rowena.”
Mrs. Guy took it up. “Was she very ugly?”
“No. She may very well, when young, have looked rather
nice.”
“Well then!” was Mrs. Guy’s sharp comment and fresh
triumph.
“You mean it was a present? That’s just what he so dislikes
the idea of her having received—a present from an admirer capable
of going such lengths.”
“Because she wouldn’t have taken it for nothing?
SPERIAMO—that she wasn’t a brute. The ‘length’ her admirer went was
the length of a whole row. Let us hope she was just a little
kind!”
“Well,” Charlotte went on, “that she was ‘kind’ might seem to
be shown by the fact that neither her husband, nor his son, nor I,
his niece, knew or dreamed of her possessing anything so precious;
by her having kept the gift all the rest of her life beyond
discovery—out of sight and protected from suspicion.”
“As if, you mean”—Mrs. Guy was quick—“she had been wedded to
it and yet was ashamed of it? Fancy,” she laughed while she
manipulated the rare beads, “being ashamed of THESE!”
“But you see she had married a clergyman.”
“Yes, she must have been ‘rum.’ But at any rate he had
married HER. What did he suppose?”
“Why that she had never been of the sort by whom such
offerings are encouraged.”
“Ah my dear, the sort by whom they’re NOT—!” But Mrs. Guy
caught herself up. “And her stepson thought the same?”
“Overwhelmingly.”
“Was he then, if only her stepson—”
“So fond of her as that comes to? Yes; he had never known,
consciously, his real mother, and, without children of her own, she
was very patient and nice with him. And _I_ liked her so,” the girl
pursued, “that at the end of ten years, in so strange a manner, to
‘give her away’—”
“Is impossible to you? Then don’t!” said Mrs. Guy with
decision.
“Ah but if they’re real I can’t keep them!” Charlotte, with
her eyes on them, moaned in her impatience. “It’s too
difficult.”
“Where’s the difficulty, if he has such sentiments that he’d
rather sacrifice the necklace than admit it, with the presumption
it carries with it, to be genuine? You’ve only to be silent.”
“And keep it? How can _I_ ever wear it?”
“You’d have to hide it, like your aunt?” Mrs. Guy was amused.
“You can easily sell it.”
Her companion walked round her for a look at the affair from
behind. The clasp was certainly, doubtless intentionally,
misleading, but everything else was indeed lovely. “Well, I must
think. Why didn’t SHE sell them?” Charlotte broke out in her
trouble.
Mrs. Guy had an instant answer. “Doesn’t that prove what they
secretly recalled to her? You’ve only to be silent!” she ardently
repeated.
“I must think—I must think!”
Mrs. Guy stood with her hands attached but motionless. “Then
you want them back?”
As if with the dread of touching them Charlotte retreated to
the door. “I’ll tell you to-night.”
“But may I wear them?”
“Meanwhile?”
“This evening—at dinner.”
It was the sharp selfish pressure of this that really, on the
spot, determined the girl; but for the moment, before closing the
door on the question, she only said: “As you like!”
They were busy much of the day with preparation and
rehearsal, and at dinner that evening the concourse of guests was
such that a place among them for Miss Prime failed to find itself
marked. At the time the company rose she was therefore alone in the
school-room, where, towards eleven o’clock, she received a visit
from Mrs. Guy. This lady’s white shoulders heaved, under the
pearls, with an emotion that the very red lips which formed, as if
for the full effect, the happiest opposition of colour, were not
slow to translate. “My dear, you should have seen the
sensation—they’ve had a success!”
Charlotte, dumb a moment, took it all in. “It IS as if they
knew it—they’re more and more alive. But so much the worse for both
of us! I can’t,” she brought out with an effort, “be silent.”
“You mean to return them?”
“If I don’t I’m a thief.”
Mrs. Guy gave her a long hard look: what was decidedly not of
the baby in Mrs. Guy’s face was a certain air of established habit
in the eyes. Then, with a sharp little jerk of her head and a
backward reach of her bare beautiful arms, she undid the clasp and,
taking off the necklace, laid it on the table. “If you do you’re a
goose.”
“Well, of the two—!” said our young lady, gathering it up
with a sigh. And as if to get it, for the pang it gave, out of
sight as soon as possible, she shut it up, clicking the lock, in
the drawer of her own little table; after which, when she turned
again, her companion looked naked and plain without it. “But what
will you say?” it then occurred to her to demand.
“Downstairs—to explain?” Mrs. Guy was after all trying at
least to keep her temper. “Oh I’ll put on something else and say
the clasp’s broken. And you won’t of course name ME to him,” she
added.
“As having undeceived me? No—I’ll say that, looking at the
thing more carefully, it’s my own private idea.”
“And does he know how little you really know?”
“As an expert—surely. And he has always much the conceit of
his own opinion.”
“Then he won’t believe you—as he so hates to. He’ll stick to
his judgement and maintain his gift, and we shall have the darlings
back!” With which reviving assurance Mrs. Guy kissed her young
friend for good-night.
She was not, however, to be gratified or justified by any
prompt event, for, whether or no paste entered into the composition
of the ornament in question, Charlotte shrank from the temerity of
dispatching it to town by post. Mrs. Guy was thus disappointed of
the hope of seeing the business settled—“by return,” she had seemed
to expect—before the end of the revels. The revels, moreover,
rising to a frantic pitch, pressed for all her attention, and it
was at last only in the general confusion of leave-taking that she
made, parenthetically, a dash at the person in the whole company
with whom her contact had been most interesting.
“Come, what will you take for them?”
“The pearls? Ah, you’ll have to treat with my cousin.”
Mrs. Guy, with quick intensity, lent herself. “Where then
does he live?”
“In chambers in the Temple. You can find him.”
“But what’s the use, if YOU do neither one thing nor the
other?”
“Oh I SHALL do the ‘other,’” Charlotte said: “I’m only
waiting till I go up. You want them so awfully?” She curiously,
solemnly again, sounded her.
“I’m dying for them. There’s a special charm in them—I don’t
know what it is: they tell so their history.”
“But what do you know of that?”
“Just what they themselves say. It’s all IN them—and it comes
out. They breathe a tenderness—they have the white glow of it. My
dear,” hissed Mrs. Guy in supreme confidence and as she buttoned
her glove—“they’re things of love!”
“Oh!” our young woman vaguely exclaimed.
“They’re things of passion!”
“Mercy!” she gasped, turning short off. But these words
remained, though indeed their help was scarce needed, Charlotte
being in private face to face with a new light, as she by this time
felt she must call it, on the dear dead kind colourless lady whose
career had turned so sharp a corner in the middle. The pearls had
quite taken their place as a revelation. She might have received
them for nothing—admit that; but she couldn’t have kept them so
long and so unprofitably hidden, couldn’t have enjoyed them only in
secret, for nothing; and she had mixed them in her reliquary with
false things in order to put curiosity and detection off the scent.
Over this strange fact poor Charlotte interminably mused: it became
more touching, more attaching for her than she could now confide to
any ear. How bad or how happy—in the sophisticated sense of Mrs.
Guy and the young man at the Temple—the effaced Miss Bradshaw must
have been to have had to be so mute! The little governess at Bleet
put on the necklace now in secret sessions; she wore it sometimes
under her dress; she came to feel verily a haunting passion for it.
Yet in her penniless state she would have parted with it for money;
she gave herself also to dreams of what in this direction it would
do for her. The sophistry of her so often saying to herself that
Arthur had after all definitely pronounced her welcome to any gain
from his gift that might accrue—this trick remained innocent, as
she perfectly knew it for what it was. Then there was always the
possibility of his—as she could only picture it—rising to the
occasion. Mightn’t he have a grand magnanimous moment?—mightn’t he
just say “Oh I couldn’t of course have afforded to let you have it
if I had known; but since you HAVE got it, and have made out the
truth by your own wit, I really can’t screw myself down to the
shabbiness of taking it back”?
She had, as it proved, to wait a long time—to wait till, at
the end of several months, the great house of Bleet had, with due
deliberation, for the season, transferred itself to town; after
which, however, she fairly snatched at her first freedom to knock,
dressed in her best and armed with her disclosure, at the door of
her doubting kinsman. It was still with doubt and not quite with
the face she had hoped that he listened to her story. He had turned
pale, she thought, as she produced the necklace, and he appeared
above all disagreeably affected. Well, perhaps there was reason,
she more than ever remembered; but what on earth was one, in close
touch with the fact, to do? She had laid the pearls on his table,
where, without his having at first put so much as a finger to them,
they met his hard cold stare.
“I don’t believe in them,” he simply said at last.
“That’s exactly then,” she returned with some spirit, “what I
wanted to hear!”
She fancied that at this his colour changed; it was indeed
vivid to her afterwards—for she was to have a long recall of the
scene—that she had made him quite angrily flush. “It’s a beastly
unpleasant imputation, you know!”—and he walked away from her as he
had always walked at the vicarage.
“It’s none of MY making, I’m sure,” said Charlotte Prime. “If
you’re afraid to believe they’re real—”
“Well?”—and he turned, across the room, sharp round at
her.
“Why it’s not my fault.”
He said nothing more, for a moment, on this; he only came
back to the table. “They’re what I originally said they were.
They’re rotten paste.”
“Then I may keep them?”
“No. I want a better opinion.”
“Than your own?”
“Than YOUR own.” He dropped on the pearls another queer
stare; then, after a moment, bringing himself to touch them, did
exactly what she had herself done in the presence of Mrs. Guy at
Bleet—gathered them together, marched off with them to a drawer,
put them in and clicked the key. “You say I’m afraid,” he went on
as he again met her; “but I shan’t be afraid to take them to Bond
Street.”
“And if the people say they’re real—?”
He had a pause and then his strangest manner. “They won’t say
it! They shan’t!”
There was something in the way he brought it out that
deprived poor Charlotte, as she was perfectly aware, of any manner
at all. “Oh!” she simply sounded, as she had sounded for her last
word to Mrs. Guy; and within a minute, without more conversation,
she had taken her departure.
A fortnight later she received a communication from him, and
toward the end of the season one of the entertainments in Eaton
Square was graced by the presence of Mrs. Guy. Charlotte was not at
dinner, but she came down afterwards, and this guest, on seeing
her, abandoned a very beautiful young man on purpose to cross and
speak to her. The guest displayed a lovely necklace and had
apparently not lost her habit of overflowing with the pride of such
ornaments.
“Do you see?” She was in high joy.
They were indeed splendid pearls—so far as poor Charlotte
could feel that she knew, after what had come and gone, about such
mysteries. The poor girl had a sickly smile. “They’re almost as
fine as Arthur’s.”
“Almost? Where, my dear, are your eyes? They ARE ‘Arthur’s’!”
After which, to meet the flood of crimson that accompanied her
young friend’s start: “I tracked them—after your folly, and, by
miraculous luck, recognised them in the Bond Street window to which
he had disposed of them.”
“DISPOSED of them?” Charlotte gasped. “He wrote me that I had
insulted his mother and that the people had shown him he was
right—had pronounced them utter paste.”
Mrs. Guy gave a stare. “Ah I told you he wouldn’t bear it!
No. But I had, I assure you,” she wound up, “to drive my
bargain!”
Charlotte scarce heard or saw; she was full of her private
wrong. “He wrote me,” she panted, “that he had smashed them.”
Mrs. Guy could only wonder and pity. “He’s really morbid!”
But it wasn’t quite clear which of the pair she pitied; though the
young person employed in Eaton Square felt really morbid too after
they had separated and she found herself full of thought. She even
went the length of asking herself what sort of a bargain Mrs. Guy
had driven and whether the marvel of the recognition in Bond Street
had been a veracious account of the matter. Hadn’t she perhaps in
truth dealt with Arthur directly? It came back to Charlotte almost
luridly that she had had his address.
The End
| This work is in the public domain in
the United States because it was published before
January 1, 1923.
The author died in 1916, so this work is also in the public domain in countries and areas where the copyright term is the author's life plus 80 years or less. This work may also be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works. |
PASTE (0. Fr. paste, modern pate, Late Lat. pasta, whence also in Span., Port. and Ital., from Gr. Ira6T11 or barley porridge, or salted pottage, - to sprinkle with salt), a. mixture or composition of a soft plastic consistency. The term is applied to substances used for various purposes, as e.g. in cookery, a mixture of flour and water with lard, butter or suet, for making pies and pastry, or of flour and water boiled, to which starch or other ingredients to prevent souring are added, forming an adhesive for the affixing of wall-paper, bill-posting and other purposes. In technical language, the term is also applied to the prepared clay which forms the body in the manufacture of pottery and porcelain (see Ceramics) and to the specially prepared glass, known also as "strass," from which imitation gems are manufactured. This latter must be the purest, most transparent and most highly refractive glass that can be prepared. These qualities are comprised in the highest degree in a flint glass of unusual density from the large percentage of lead it contains. Among various mixtures regarded as suitable for strass the following is an example: powdered quartz 300 parts, red lead 470, potash (purified by alcohol) 163, borax 22, and white arsenic part by weight. Special precautions are taken in the melting. The finished colourless glass is used for imitation diamonds; and when employed to imitate coloured precious stones the strass is melted up with various metallic oxides. Imitation gems are easily distinguished from real stones by their inferior hardness and by chemical tests; they may generally be detected by the comparatively warm sensation they communicate to the tongue.
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Categories: PAS-PEA
Paste f. (genitive Paste, plural Pasten)
This German entry was created from the translations listed at paste. It may be less reliable than other entries, and may be missing parts of speech or additional senses. Please also see Paste in the German Wiktionary. This notice will be removed when the entry is checked. (more information) December 2008
Paste could mean:
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