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Perdita Durango

Perdita Durango
Directed by Alex de la Iglesia
Produced by Andrés Vicente Gómez
Written by Barry Gifford
David Trueba
Jorge Guerricaechevarría
Alex de la Iglesia
Starring Rosie Perez
Javier Bardem
James Gandolfini
Screamin' Jay Hawkins
Aimee Graham
Harley Cross
Alex Cox
Music by Simon Boswell
Cinematography Flavio Martínez Labiano
Editing by Teresa Font
Release date(s) 1997
Running time 126 min
Language English
Spanish

Perdita Durango, released as Dance with the Devil in the US, is a film directed by Alex de la Iglesia as a cross between the crime and horror genres.

Contents

Premise

The film is based on Barry Gifford's novel 59¬į and Raining: The Story of Perdita Durango. It features a psychotic criminal couple who kidnaps a random teenage couple, and plans to sacrifice them after raping them.

Plot

Perdita (Rosie Perez) is a tough, no-nonsense lady clad in a Tura Satana-style black outfit. She meets Romeo Dolorosa (Javier Bardem), a maniacal criminal who also happens to be an even more maniacal witch doctor. Romeo robs a bank but risks getting caught in order to force the Bank Teller to strip her shirt and reveal her large breasts. Once in the street, he hides his face from the cops by grabbing and french kissing a random woman on the street. Crossing the border into Mexico together, Perdita and Romeo become lovers and partners in crime as they kidnap a random Caucasian teenage couple in order to sacrifice them. Along the way they also hijack a truckload of human fetuses and try to evade a determined Drug Enforcement Administration officer (James Gandolfini).

Prior to the sacrifice, Perdita mounts tied up Duane on a chair and rapes him under gunpoint. She talks all the way through and makes him reveal through a flashback that his only previous experience was being mounted by a buxom overweight girl. After Perdita is done, she forces Duane to watch as Estelle is being raped on a bed by Romeo, who tries to force an orgasm on her via a cunnilingus.

Perdita later tells off Romeo for deflowering the victim and thus hurt the sacrifice. They include Duane and Estelle in the vote of who shall get sacrificed. Duane and Estelle blame each other for enjoying their intercourse with their respective captor. Duane and Perdita convince Romeo to choose Estelle. Eventually, a group of people crash in, save Estelle and free Duane. Alas, after a car chase, Duane and Estelle are re-kidnapped.

Critique

The character of Perdita Durango appeared previously in David Lynch's movie Wild at Heart, played by Isabella Rossellini.

The film is at its most horrific in the scenes where Romeo practices somethings called santeria, though in reality these have little or nothing to do with Santeria as it is in Cuba. In one ritualistic scene, he drenches himself in blood and smothers his face in a bag of cocaine. He then hacks limbs off a corpse, tears out its heart and writhes around on the ground, channeling multitudes of demons. De La Iglesia contrasts these scenes with gallows humour. Romeo may be a vicious killer but he also loves the music of Herb Alpert. There is a scene where he and Perdita happily groove to the strains of The Dating Game theme. Gandolfini's character speaks with a weasely lisp and has the misfortune of being repeatedly hit by fast moving vehicles, not unlike a live-action Wile E. Coyote.

Perdita Durango is a curious oddity in De La Iglesia's oeuvre. It is his most overt attempt to crack the North American market (where he has only a small but dedicated following) with his first English-speaking film and a cast of recognizable actors like Rosie Perez, James Gandolfini and Javier Bardem. This alienated his Spanish fans who felt that he had sold out, while his penchant for graphic sex and violence scared off potential distributors and mainstream audiences in North America, sending the movie direct to video. This film is a blend of genres (crime, horror, comedy, road trip) with an eclectic cast that features his regular favourites (Santiago Segura) and colourful character actors (Screamin' Jay Hawkins).

Various versions

The original Spanish version runs 10 minutes longer and features more sex and violence and ended with some characters digitally morphing into the scene finale from Vera Cruz (film).

It is available on VHS/DVD in two versions: the edited 115 min. R-rated version and a 121 min. unrated version. Both of these are shorter than the Spanish version.[1]

References

  1. ^ "Perdita Durango: A Case Study". sensesofcinema.com. http://www.sensesofcinema.com/contents/00/5/perdita.html.   the cuts made from the Spanish version for the U.S. release.

External links








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