Peter Ustinov: Wikis


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Sir Peter Ustinov

Portrait of Sir Peter Ustinov
Born Peter Alexander Baron von Ustinow
16 April 1921(1921-04-16)
London, England, UK
Died 28 March 2004 (aged 82)
Genolier, Vaud, Switzerland
Occupation Actor, Writer, Filmmaker
Years active 1940–2004
Spouse(s) Isolde Denham
Suzanne Cloutier
Helene de Lau d'Allemans

Sir Peter Alexander Ustinov, CBE (pronounced /ˈjuːstɪnɒf/ or /ˈuːstɪnɒf/;[1] 16 April 1921 – 28 March 2004), was a British actor, writer and dramatist.

He was also renowned as a filmmaker, theatre and opera director, director, stage designer, screenwriter, comedian, humorist, newspaper and magazine columnist, radio broadcaster and television presenter.

A noted wit and raconteur, he was, for much of his career, a fixture on television talk shows and lecture circuits, as well as a respected intellectual and diplomat who, in addition to his various academic posts, served as a Goodwill Ambassador for UNICEF and President of the World Federalist Movement.

Ustinov was the winner of numerous awards over his life, including Academy Awards, Emmy Awards, Golden Globes and BAFTA Awards, as well the recipient of governmental honours from, amongst others, the United Kingdom, France and Germany. He displayed a unique cultural versatility that has frequently earned him the accolade of a Renaissance Man.


Childhood and early life

Ustinov was born Peter Alexander Baron von Ustinow in Swiss Cottage, London. His father, Iona (né Jonah Freiherr von Ustinow), nicknamed "Klop" (Russian: Клоп, "bed-bug"), was of Russian, German and Ethiopian noble[2] descent, and had served as a lieutenant in the Imperial German Air Force in World War I. He worked as a press officer at the German Embassy in London in the 1930s, and was a reporter for a German news agency. In 1935, two years after Adolf Hitler came to power in Germany, Iona von Ustinov began working for the British intelligence service MI5 and became a British citizen, thus avoiding internment during the war. He was the controller of Wolfgang zu Putlitz, an MI5 spy in the German embassy in London who furnished information on Hitler's intentions before World War II.[3] (Peter Wright mentions in his book Spycatcher that Klop was possibly the spy known as U35; Ustinov says in his autobiography that his father hosted secret meetings of senior British and German officials at their London home.) Ustinov's great-grandfather Moritz Hall,[4] a Jewish refugee from Krakow and later a convert and collaborator of Swiss and German missionaries in Ethiopia, married into a German-Ethiopian family.

Ustinov's mother, Nadezhda Leontievna "Nadia" Benois, was a painter and ballet designer of Russian, French and Italian ancestry. Her father Leon Benois was an imperial Russian architect and owner of Leonardo da Vinci's painting Madonna Benois. His brother Alexandre Benois was a stage designer who worked with Stravinsky and Diaghilev. Their paternal ancestor Jules-César Benois was a chef who had left France for St Petersburg during the French Revolution and became a chef to Tsar Paul.

Ustinov was educated at Westminster School and had a difficult childhood because of his parents' constant fighting. One of his schoolmates was Rudolf von Ribbentrop, the eldest son of the Nazi Foreign Minister Joachim von Ribbentrop. While at school he considered anglicizing his name to "Peter Austin" but was counselled against it by a fellow pupil who said that he should “Drop the ‘von’ but keep the ‘Ustinov’”. After training as an actor in his late teens, along with early attempts at playwriting, he made his stage début in 1938 at the Players' Theatre, becoming quickly established. He later wrote, "I was not irresistibly drawn to the drama. It was an escape road from the dismal rat race of school."[5]

Career highlights

as Nero in Quo Vadis (1951)

Ustinov served as a private in the British Army during World War II, including time spent as batman to David Niven. He also appeared in propaganda films, debuting in One of Our Aircraft is Missing (1942), in which he was required to deliver lines in English, Latin and Dutch. After the war he began writing; his first major success was with the play The Love of Four Colonels (1951). He starred with Humphrey Bogart and Aldo Ray in We're No Angels (1955). His career as a dramatist continued, his best-known play being Romanoff and Juliet (1956). His film roles include Roman emperor Nero in Quo Vadis (1951), Lentulus Batiatus in Spartacus (1960), Captain Vere in Billy Budd (1962), an old man surviving a totalitarian future in Logan's Run (1976), and, in half a dozen films, Hercule Poirot, a part he first played in Death on the Nile (1978). Ustinov voiced the anthropomorphic lion Prince John of the 1973 Disney animated movie Robin Hood. He also worked on several films as writer and occasionally director, including The Way Ahead (1944), School for Secrets (1946), Hot Millions (1968) and Memed, My Hawk (1984).

in The Sundowners (1960)

Ustinov won Academy Awards for Best Supporting Actor for his roles in Spartacus (1960) and Topkapi (1964). He could arguably be considered the first man of known Russian descent to have won an Oscar for Best Supporting Actor. He also won one Golden Globe award for Best Supporting Actor for the film Quo Vadis (he set the Oscar and Globe statuettes up on his desk as if playing doubles tennis; the game was also a love of his life, as was ocean yachting). Furthermore, Ustinov was the winner of three Emmys, one Grammy, and was nominated for two Tony Awards.

Between 1952 and 1955, he starred with Peter Jones in the BBC radio comedy In All Directions. The series featured Ustinov and Jones as themselves in a London car journey perpetually searching for Copthorne Avenue. The comedy derived from the characters they met, whom they often also portrayed. The show was unusual for the time as it was improvised rather than scripted. Ustinov and Jones improvised on a tape, which was then edited for broadcast by Frank Muir and Denis Norden, who also sometimes took part. The favourite characters were Morris and Dudley Grosvenor, two rather stupid East End spivs whose sketches always ended with the phrase "Run for it Morry" (or Dudley as appropriate.)

During the 1960s, with the encouragement of Sir Georg Solti, Ustinov directed several operas including Puccini's Gianni Schicchi, Ravel's L'heure espagnole, Schoenberg's Erwartung and Mozart's The Magic Flute. Further demonstrating his great talent and versatility in the theatre, Ustinov later did set and costume design for Don Giovanni.

His autobiography, Dear Me (1977), was well received and saw him describe his life (ostensibly his childhood) while being interrogated by his own ego, with forays into philosophy, theatre, fame, and self-realization. In concluding, Ustinov muses "We have gone through much together, Dear Me, and yet it suddenly occurs to me we don't know each other at all".

In the later part of his life (from 1969 until his death), his acting and writing tasks took second place to his work on behalf of UNICEF, for which he was a Goodwill Ambassador and fundraiser. In this role he visited some of the neediest children and made use of his ability to make just about anybody laugh, including many of the world's most disadvantaged children. "Sir Peter could make anyone laugh," UNICEF Executive Director Carol Bellamy is quoted as saying. "His one-man show in German was the funniest performance I have ever seen – and I don’t speak a word of German."

On October 31, 1984, Ustinov was to meet with Indian Prime Minister Indira Gandhi. She was assassinated on her way to the meeting.[6]

Ustinov also served as President of the World Federalist Movement from 1991 until his death. He once said, "World Government is not only possible, it is inevitable; and when it comes, it will appeal to patriotism in its truest, in its only sense, the patriotism of men who love their national heritages so deeply that they wish to preserve them in safety for the common good."[7]

He is best-known to many Britons as a chat-show guest, a role to which he was ideally suited. Towards the end of his life he undertook some one-man stage shows in which he let loose his raconteur streak - he told the story of his life, including some moments of tension with the national society he was born into (as just one example, he took a test as a child which asked him to name a Russian composer; he wrote Rimsky-Korsakov but was marked down, told the correct answer was Tchaikovsky since they had been studying him in class, and told to stop showing off).

A car enthusiast since the age of four, he owned a succession of interesting machines ranging from a Fiat Topolino, several Lancias, a Hispano-Suiza, a pre-selector Delage and a special-bodied Jowett Jupiter. He made records like Phoney Folklore which included the song of the Russian peasant "whose tractor had betrayed him" and his "Grand Prix of Gibraltar" was a vehicle for his creative wit and ability at car engine sound-effects and voices.

He spoke English, French, Spanish, Italian, German and Russian fluently, as well as some Turkish and modern Greek. He was proficient in accents and dialects in all his languages.

In the late 1960s, he became a Swiss citizen to avoid the British tax system of the time which heavily taxed the earnings of the wealthy. However, he was knighted in 1990, and was appointed Chancellor of Durham University in 1992, having previously served as Rector of the University of Dundee in the late 1970s (a role in which he moved from being merely a figure-head to taking on a political role, negotiating with militant students).

He received an honorary doctorate from the Vrije Universiteit Brussel (Belgium).

Peter Ustinov at a book signing session

Ustinov was a frequent defender of the Chinese government, stating in an address to Durham University in 2000, "People are annoyed with the Chinese for not respecting more human rights. But with a population that size it's very difficult to have the same attitude to human rights." In 2003, Durham's postgraduate college (previously known as the Graduate Society) was renamed Ustinov College.

Ustinov came to Berlin on a UNICEF mission in 2002 to visit the circle of United Buddy Bears that promote a more peaceful world between nations, cultures and religions for the first time. He was determined to ensure that Iraq would also be represented in this circle of about 140 countries. In 2003, he sponsored and opened the second exhibition of the United Buddy Bears in Berlin.[8]

Amongst his lesser known works, Ustinov presented and narrated the official video review of the 1987 Formula One season. His commentary proved highly entertaining. Ustinov also narrated the documentary series Wings of the Red Star.

Ustinov gave his name to the Foundation of the International Academy of Television Arts and Sciences for their prestigious Sir Peter Ustinov Television Scriptwriting Award, given annually to a young television screenwriter.

He died on 28 March 2004 of heart failure in a clinic in Genolier, near his home in Bursins, Vaud, Switzerland.[9] He was so well regarded as a goodwill ambassador that UNICEF Executive Director Carol Bellamy spoke at his funeral and represented United Nations Secretary-General Kofi Annan.

In an interview, he was once asked what he would like it to say on his tombstone, Ustinov replied "Please keep off the grass".

Ustinov appeared as a guest star during the first season of The Muppet Show in 1976. The theme of the show had Miss Piggy, Fozzie Bear, Hilda ‘The Wardrobe Lady’ and Scooter openly saying to Kermit the Frog how much they admired and wanted to be like Peter Ustinov. Kermit was under the impression that they harboured these feeling towards him but hastily altered them when Ustinov was on the show, and so to cheer himself up Kermit goes off and sings ‘It’s Not Easy Bein' Green’. At the end of the episode Kermit admits to Ustinov that he feels a bit jealous and Ustinov responds by saying ‘...I’m jealous of you. I’ve always wanted to be a frog.’ One of the highlights of the episode is when Ustinov becomes ‘The Robot Politician’, which was Dr. Bunsen Honeydew latest invention. In the sketch when ‘The Robot Politician’ inevitably breaks down, Ustinov accidentally punches Dr. Bunsen Honeydew in the face before blowing up. In a later interview about his time with Jim Henson's creations he said ‘ took the characters absolutely seriously and paid no attention to the manipulator...’ adding ‘...there's an old theatrical saying...“never work with children or animals”...I would add puppets to that list because they always steal the limelight.’

Novels and plays

  • Add a Dash of Pity and Other Short Stories
  • Brewer's Theatre with Isaacs et al.
  • The Comedy Collection
  • Dear Me
  • Disinformer: Two Novellas
  • Frontiers of the Sea
  • Generation at Jeopardy: Children in Central and Eastern Europe and the Former Soviet Union with United Nations Children's Fund
  • God and the State Railways
  • Half Way Up a Tree
  • The Indifferent Shepherd
  • James Thurber with Thurber
  • Klop and the Ustinov Family with Nadia B. Ustinov
  • Krumnagel
  • The Laughter Omnibus
  • Life is an Operetta: And Other Short Stories
  • Loser
  • The Love of Four Colonels
  • The Methuen Book of Theatre Verse with Jonathan and Moira Field
  • Monsieur Rene
  • My Russia
  • Niven's Hollywood with Tom Hutchinson
  • Old Man & Mr.Smith
  • Photo Finish
  • Quotable Ustinov
  • Romanoff and Juliet
  • Still at Large
  • The 13 Clocks with James Thurber
  • The Unicorn in the Garden and Other Fables for Our Time with James Thurber
  • The Unknown Soldier and His Wife
  • Ustinov at Eighty
  • Ustinov at Large
  • Ustinov in Russia
  • Ustinov Still at Large
  • Beethoven's Tenth

World politics

Peter Ustinov was the President of the World Federalist Movement from 1991 to 2004, the time of his death. WFM is a global NGO that promotes the concept of one world government. WFM wish to lobby those in powerful positions to establish a unified human government based on democracy and civil society. The United Nations and other world agencies would become the institutions of a World Federation. The UN would be the federal government and nation states would become like provinces.

He was also unintentionally a part witness to the assassination of India's Prime Minister Indira Gandhi. She was on her way to be interviewed by him for a documentary for Irish television, at her residence, when two of her bodyguards, Satwant Singh and Beant Singh, opened fire and riddled her with bullets.

During the run-up to the 2003 invasion of Iraq, Ustinov said in an interview "I don't know whether I played Nero or whether I played George W. Bush."



Academy Award

  • 1952 nominated: Best Supporting Actor (Quo Vadis)
  • 1961 won: Best Supporting Actor (Spartacus)
  • 1965 won: Best Supporting Actor (Topkapi)
  • 1969 nominated: Best Original Screenplay (Hot Millions)


  • 1962 nominated: Best British Screenplay (Billy Budd)
  • 1978 nominated: Best Actor in a Leading Role (Death on the Nile)
  • 1992 won: Britannia Award
  • 1995 nominated: Best Light Entertainment Performance (An Evening with Sir Peter Ustinov)

Berlin International Film Festival

Emmy Award

  • 1958 won: Best Single Performance by a Leading or Supporting Actor (Omnibus: The Life of Samuel Johnson)
  • 1967 won: Outstanding Single Performance by an Actor in a Leading Role (Barefoot in Athens)
  • 1970 won: Outstanding Single Performance by an Actor in a Leading Role (A Storm in Summer)
  • 1982 nominated: Outstanding Individual Achievement in Informational Programming (Omni: The New Frontier)
  • 1985 nominated: Outstanding Classical Program in the Performing Arts (The Well-Tempered Bach with Peter Ustinov)

Golden Globe Award

  • 1952 won: Best Supporting Actor - Motion Picture (Quo Vadis)
  • 1961 nominated: Best Supporting Actor - Motion Picture (Spartacus)
  • 1965 nominated: Best Actor - Motion Picture Musical or Comedy (Topkapi)

Grammy Award

  • 1960 won: Best Recording for Children (Prokofjew: Peter and the Wolf) with the Philharmonia Orchestra directed by Herbert von Karajan

Tony Award

  • 1958 nominated: Best Play (Romanoff and Juliet)
  • 1958 nominated: Best Actor in a Play (Romanoff and Juliet)


  1. ^ The pronunciations accepted by Sir Peter himself according to
    Miller, Gertrude M. Miller (Editor). BBC Pronouncing Dictionary of British Names. Oxford University Press, 1971. ISBN 0194311252.
  2. ^ Previous rumours about a Ethiopian royal ancestry could not be confirmed by family documents. A recent publication based on genealogical documents preserved from his grandmother's family has clarified this open question. His grandmother was Magdalena Hall, daughter of Katharina Hall, also known as Welette-Iyesus (wife of Tewodros II' cannon-caster Moritz Hall, a Jewish convert and employee of the Protestant mission in Ethiopia, later Jaffa), a confidante of Empress Taytu in the early 20th century. She was of mixed Ethiopian-German origin, the daughter of the German painter and immigrant to Ethiopia Eduard Zander and the court lady Isette-Werq in Gondar, daughter of an Ethiopian general called Meqado (active before the mid-19th century). See: Wolbert G.C. Smidt: Verbindungen der Familie Ustinov nach Äthiopien, in: Aethiopica, International Journal of Ethiopian and Eritrean Studies 8, 2005, pp. 29-47; for older speculations on Ustinov's Ethiopian ancestry, which have been disproved, see Frontline: Ustinov, which wrongly claimed that Peter Ustinov's alleged ancestor, Susan Bell, was the daughter of Tewodros II. The supposed connection with Susan Bell is based on Ustinov's memory of some family relation with the Swiss missionary Theophilus Waldmeier (husband of Susan Sara Yewubdar Bell), who, however, was a colleague and friend of Ustinov's great-grandfather, not his great-grandfather himself.
  3. ^ MI5 monitored union and CND leaders with ministers' backing, book reveals Richard Norton-Taylor, The Guardian, October 5, 2009
  4. ^ For his biography, with references to archival documentation and publications on him and his family, see: Holtz: "Hall, Moritz", in: Siegbert Uhlig (ed.): Encyclopaedia Aethiopica, vol. 2, Wiesbaden 2005. There is also a family photo, which shows Ustinov's grandmother with her husband and their children, including Ustinov's father Jona.
  5. ^ Ustinov, Peter (1977). Dear Me (1st edition ed.). Boston: Little, Brown. pp. 95. ISBN 0-316-89057-0. OCLC 3071948. 
  6. ^ Juergensmeyer, Mark. Terror in the Mind of God: The Global Rise of Religious Violence. University of California Press; 2003.
  7. ^ World Federalist Movement: President
  8. ^ Ustinov and United Bears 2003 in Berlin
  9. ^ Sir Peter Ustinov, President of the World Federalist Movement from 1991–2004, Dies at Age 82, World Federalist Movement, March 29, 2004.
  10. ^ " Awards for Romanoff and Juliet". Retrieved 2010-01-24. 
  11. ^ "Berlinale 1972: Prize Winners". Retrieved 2010-03-16. 

External links

Critical viewpoints

Academic offices
Preceded by
(Learie Constantine)
as Rector of the University of St Andrews
Rector of the University of Dundee
Succeeded by
Sir Clement Freud
Preceded by
Dame Margot Fonteyn
Chancellor of the University of Durham
1992 – 2004
Succeeded by
Bill Bryson


Up to date as of January 14, 2010

From Wikiquote

Sir Peter Alexander Ustinov, CBE (April 16, 1921 – March 18, 2004), born Peter Alexander von Ustinov, was an Academy Award-winning English-German actor, writer, dramatist and raconteur.



  • I don't know why I have these dreams. I've never wanted to be Pope. In fact, I have a greater affinity to Martin Luther.
    • Sir Peter Ustinov's 'Bizarre' Pope Dreams, 2001
  • Beliefs are what divide people. Doubt unites them.
    • James A. Haught, 2000 Years of Disbelief
  • Contrary to general belief, I do not believe that friends are necessarily the people you like best, they are merely the people who got there first.
  • Once we are destined to live out our lives in the prison of our mind, our one duty is to furnish it well.
  • Terrorism is the war of the poor, and war is the terrorism of the rich.
    • Achtung! Vorurteile, 2003
Original German: "Der Terrorismus, der im furchtbaren 11. September kulminierte, ist ein Krieg der Armen gegen die Reichen. Der Krieg ist ein Terrorismus der Reichen gegen die Armen.", typically cited in short: "Terrorismus ist der Krieg der Armen und der Krieg ist der Terrorismus der Reichen."
  • The truth is really an ambition which is beyond us.
  • It is unfortunate for all that no moral issue has ever been clearer. Any attempt to plea - bargain with outlaws and renegades will only be at the expense of honor, decency and self - respect. The Serbs, are two-dimensional people with a craving for simplicity and an ideology so basic it can be understood without effort. They need enemies, not friends, to focus their two-dimensional ideas. Life for them is a simple tune, never an orchestration, or even a pleasant harmony. Animals make use of their resources with far greater felicity than these retorted creatures, whose subscription to the human race is well in arrears.

Ustinov's comic touch, BBC News (March 12, 2004)

  • Her virtue was that she said what she thought, her vice that what she thought didn't amount to much.
  • I have four children which is not bad considering I'm not a Catholic.
  • It is our responsibilities, not ourselves, that we should take seriously.
  • To refuse awards is another way of accepting them with more noise than is normal.
  • Love is an act of endless forgiveness, a tender look which becomes a habit.
  • Critics search for ages for the wrong word, which, to give them credit, they eventually find.


  • A diplomat these days is nothing but a head-waiter who's allowed to sit down occasionally.
  • By increasing the size of the keyhole, today's playwrights are in danger of doing away with the door.
  • Children are the only form of immortality that we can be sure of.
  • Comedy is simply a funny way of being serious.
  • Corruption is nature's way of restoring our faith in democracy.
  • When people say to me "Have a nice day", I reply "Sorry, I've made other plans".
  • Sex is a conversation carried out by other means.
  • I was irrevocably betrothed to laughter, the sound of which has always seemed to me the most civilized music in the world.
  • I'm convinced there's a small room in the attic of the Foreign Office where future diplomats are taught to stammer.
  • If Botticelli were alive today he'd be working for Vogue.
  • If the world should blow itself up, the last audible voice would be that of an expert saying it can't be done.
  • In America, through pressure of conformity, there is freedom of choice, but nothing to choose from.
  • Laughter would be bereaved if snobbery died.
  • Parents are the bones on which children cut their teeth.
  • Pavarotti is not vain, but conscious of being unique.
  • People who reach the top of the tree are only those who haven't got the qualifications to detain them at the bottom.
  • Playwrights are like men who have been dining for a month in an Indian restaurant. After eating curry night after night, they deny the existence of asparagus.
  • The only reason I made a commercial for American Express was to pay for my American Express bill.
  • The point of living, and of being an optimist, is to be foolish enough to believe the best is yet to come.
  • The social sciences were for all those who had not yet decided what to do with their lives, and for all those whose premature frustrations led them into the sterile alleys of confrontation.
  • There is no question but that if Jesus Christ, or a great prophet from another religion, were to come back today, he would find it virtually impossible to convince anyone of his credentials despite the fact that the vast evangelical machine on American television is predicated on His imminent return among us sinners.
  • Unfortunately, the balance of nature decrees that a super-abundance of dreams is paid for by a growing potential for nightmares.
  • I have Russian, German, Spanish, Italian, French and Ethiopian blood in my veins.
  • As for being a General, well, at the age of four with paper hats and wooden swords, we're all Generals. Only some of us never grow out of it.
  • I imagine hell like this: Italian punctuality, German humour and English wine.


  • Sunshine Sally and Peter Ustinov don't like the scene anyhow.
    • Sheryl Crow
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