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.When it becomes possible for a people to describe as ‘postmodern’ the décor of a room, the design of a building, the diegesis of a film, the construction of a record, or a ‘scratch’ video, a television commercial, or an arts documentary, or the ‘intertextual’ relations between them, the layout of a page in a fashion magazine or critical journal, an anti-teleological tendency within epistemology, the attack on the ‘metaphysics of presence’, a general attenuation of feeling, the collective chagrin and morbid projections of a post-War generation of baby boomers confronting disillusioned middle-age, the ‘predicament’ of reflexivity, a group of rhetorical tropes, a proliferation of surfaces, a new phase in commodity fetishism, a fascination for images, codes and styles, a process of cultural, political or existential fragmentation and/or crisis, the ‘de-centring’ of the subject, an ‘incredulity towards metanarratives’, the replacement of unitary power axes by a plurality of power/discourse formations, the ‘implosion of meaning’, the collapse of cultural hierarchies, the dread engendered by the threat of nuclear self-destruction, the decline of the university, the functioning and effects of the new miniaturised technologies, broad societal and economic shifts into a ‘media’, ‘consumer’ or ‘multinational’ phase, a sense (depending on who you read) of ‘placelessness’ or the abandonment of placelessness (‘critical regionalism’) or (even) a generalised substitution of spatial for temporal coordinates - when it becomes possible to describe all these things as ‘postmodern’ (or more simply using a current abbreviation as ‘post’ or ‘very post’) then it’s clear we are in the presence of a buzzword.^They have to become postmodern people, which means becoming urbanized people.
Ira Chernus, RLST 2400, Religion and Contemporary Society - Jameson Postmodernism 15 January 2010 5:49 UTC www.colorado.edu [Source type: Original source]IraChernus-JamesonAndPostmodernism 25 January 2010 13:28 UTC spot.colorado.edu [Source type: Original source]
^The postmodern view presents the individual as a "de-centered subject culturally inscribed/constructed, contradictory, relational .
10.2 POSTMODERNISM (Denis Hlynka) 15 January 2010 5:49 UTC www.aect.org [Source type: FILTERED WITH BAYES]
^Who suffers from the formation of particular discourses?
Michael Lackey - Science, Postmodernism, and the Varieties of Black Humanism | Point of Inquiry 15 January 2010 5:49 UTC www.pointofinquiry.org [Source type: Original source]
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Influencer Year Influence Karl Barth c.1925 fideist approach to theology brought a rise in subjectivity Martin Heidegger c.1927 rejected the philosophical grounding of the concepts of "subjectivity" and "objectivity" Thomas Samuel Kuhn c.1962 posited the rapid change of the basis of scientific knowledge to a provisional consensus of scientists, coined the term "paradigm shift" Jacques Derrida c.1967 re-examined the fundamentals of writing and its consequences on philosophy in general; sought to undermine the language of western metaphysics (deconstruction) Black Mountain College Poets c.1972 along with foundation of journal boundary 2 and an association with Black Sparrow Press, established postmodernism as a collective aesthetic project Michel Foucault c.1975 examined discursive power in .Discipline and Punish, with Bentham's panopticon as his model, and also known for saying "language is oppression" (Meaning that language was developed to allow only those who spoke the language not to be oppressed.^ Perhaps the authority lies not only in the author who wrote it, or in the text that says it, but in the reader who reads it.
10.2 POSTMODERNISM (Denis Hlynka) 15 January 2010 5:49 UTC www.aect.org [Source type: FILTERED WITH BAYES]
^Postmodernists, wearing their multiculturalist garb and saying that all cultures are equal, are like those creationists who say that all they want is equal time for evolutionism and creationism.
http://www.discoverthenetworks.org/viewSubCategory.asp?id=116 25 January 2010 13:28 UTC www.discoverthenetworks.org [Source type: Original source]
^For Derrida, difference is at the heart of everything: language has meaning only through linguistic chain of differentiations.
The Postmodern Turn in Philosophy: Theoretical Provocations andNormative Deficits by Steven Best and Douglas Kellner 25 January 2010 13:28 UTC www.gseis.ucla.edu [Source type: FILTERED WITH BAYES]
.All other people that don't speak the language would then be oppressed.^To destroy the tradition would be to see all the texts of that tradition as self-delusive, because [it is] using language to do what language cannot do.
Europe and the Post-Modern Left 15 January 2010 5:49 UTC www.wildmonk.net [Source type: Original source]
^Perl doesn't have any agenda at all, other than to be maximally useful to the maximal number of people.
Perl, the first postmodern computer language 15 January 2010 5:49 UTC www.wall.org [Source type: Original source]
^After all, people are creative in different ways and what one person would consider "creative" another person might consider "off the wall."
New Page 1 15 January 2010 5:49 UTC users.sfo.com [Source type: FILTERED WITH BAYES]New Page 1 25 January 2010 13:28 UTC users.california.com [Source type: FILTERED WITH BAYES]
)Jean-François Lyotard c.1979 opposed universality, meta-narratives, and generality Richard Rorty c.1979 argues philosophy mistakenly imitates scientific methods; advocates dissolving traditional philosophical problems; anti-foundationalism and anti-essentialism Jean Baudrillard c.1981 Simulacra and Simulation - reality disappears underneath the interchangeability of signs Fredric Jameson 1982 First expansive theoretical treatment of postmodernism as historical period in a series of lectures at the Whitney Museum, later expanded as Postmodernism: The Cultural Logic of Late Capitalism
Postmodernism is a word that describes a kind of response to culture and thought. The term has been used in many different ways at different times, but there are some things in common.
Postmodernism rejects the idea of objective truth and universal social progress. Starting with the 18th century Enlightenment, and for more than a century, there was widespread belief that science, and knowledge, would improve the world. Social progress would be inevitable. Modernism in particular held these beliefs.
Postmodernism challenges all this certainty. Postmodernist thought is an intentional departure from modernist approaches that had previously been dominant. Postmodernism has influenced many cultural fields, including literary criticism, philosophy, sociology, linguistics, architecture, visual arts, and music.
Although the term was first used around 1870, its modern appearance was to express criticism of modern architecture. In 1949 the term was used to describe a dissatisfaction with modern architecture, leading to the postmodern architecture movement.[1] Postmodern architecture returns to surface ornament, historical reference in decorative forms, and non-orthogonal angles (less box-like shapes).
Postmodernist ideas can be seen in philosophy, the analysis of culture and society, literature, architecture, and design. Changes in history, law and culture came in the late 20th century. These developments were a re-evaluation of the entire Western value system: (love, marriage, popular culture, and a shift from industrial to service economy). All that took place since the 1950s and 1960s, and are described with the term Postmodernity,[2] as opposed to Postmodernism, a term referring to an opinion or movement. Whereas something being "Postmodernist" would make it part of the movement, its being "Postmodern" would place it in the period of time since the 1950s, making it a part of contemporary history.
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The term "Postmodernism" is often used to refer to different, sometimes contradictory concepts. Conventional definitions follow:
While the term "Postmodern" and its derivatives are freely used, with some uses apparently contradicting others, those outside the academic milieu have described it as merely a buzzword that means nothing. Dick Hebdige, in his text ‘Hiding in the Light’, writes:
"When it becomes possible for a people to describe as ‘postmodern’ the décor of a room, the design of a building, the diegesis of a film, the construction of a record, or a ‘scratch’ video, a television commercial, or an arts documentary, or the ‘intertextual’ relations between them, the layout of a page in a fashion magazine or critical journal, an anti-teleological tendency within epistemology, the attack on the ‘metaphysics of presence’, a general attenuation of feeling, the collective chagrin and morbid projections of a post-War generation of baby boomers confronting disillusioned middle-age, the ‘predicament’ of reflexivity, a group of rhetorical tropes, a proliferation of surfaces, a new phase in commodity fetishism, a fascination for images, codes and styles, a process of cultural, political or existential fragmentation and/or crisis, the ‘de-centring’ of the subject, an ‘incredulity towards metanarratives’, the replacement of unitary power axes by a plurality of power/discourse formations, the ‘implosion of meaning’, the collapse of cultural hierarchies, the dread engendered by the threat of nuclear self-destruction, the decline of the university, the functioning and effects of the new miniaturised technologies, broad societal and economic shifts into a ‘media’, ‘consumer’ or ‘multinational’ phase, a sense (depending on who you read) of ‘placelessness’ or the abandonment of placelessness (‘critical regionalism’) or (even) a generalised substitution of spatial for temporal coordinates - when it becomes possible to describe all these things as ‘Postmodern’ (or more simply using a current abbreviation as ‘post’ or ‘very post’) then it’s clear we are in the presence of a buzzword".[6]
British historian Perry Anderson's history of the term and its understanding, 'The Origins of Postmodernity', explains these apparent contradictions, and demonstrates the importance of "Postmodernism" as a category and a phenomenon in the analysis of contemporary culture.[7]
Here are sentences from other pages on Postmodernism, which are similar to those in the above article.
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