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Prometheus having his liver eaten out by an eagle. Painting by Jacob Jordaens, c. 1640, Wallraf-Richartz-Museum, Cologne, Germany.

In Greek mythology, Prometheus (Ancient GreekΠρομηθεύς, "forethought")[1] is a Titan, the son of Iapetus and Themis, and brother to Atlas, Epimetheus and Menoetius. He was a champion of human-kind known for his wily intelligence, who stole fire from Zeus and gave it to mortals.[2] Zeus then punished him for his crime by having him bound to a rock while a great eagle ate his liver every day only to have it grow back to be eaten again the next day. His myth has been treated by a number of ancient sources, in which Prometheus is credited with – or blamed for – playing a pivotal role in the early history of humankind.

Contents

Hesiod

The Prometheus myth first appeared in the late 8th-century BC Greek epic poet Hesiod's Theogony (lines 507-616). He was a son of the Titan, Iapetus by Themis or Clymene, one of the Oceanids. He was brother to Menoetius, Atlas, and Epimetheus. In the Theogony, Hesiod introduces Prometheus as a lowly challenger to Zeus' omniscience and omnipotence. In the trick at Mecone, a sacrificial meal marking the "settling of accounts" between mortals and immortals, Prometheus played a trick against Zeus (545-557). He placed two sacrificial offerings before the Olympian: a selection of beef hidden inside an ox's stomach (nourishment hidden inside a displeasing exterior), and the bull's bones wrapped completely in "glistening fat" (something inedible hidden inside a pleasing exterior). Zeus chose the latter, setting a precedent for future sacrifices; henceforth, humans would keep the meat for themselves and burn the bones wrapped in fat as an offering to the gods. This angered Zeus, who hid fire from humans in retribution. Prometheus in turn stole fire in a giant fennel-stalk and gave it back to mankind. This further enraged Zeus, who sent Pandora, the first woman, to live with men.[3] She was fashioned by Hephaestus out of clay and brought to life by the four winds, with all the goddesses of Olympus assembled to adorn her. "From her is the race of women and female kind," Hesiod writes; "of her is the deadly race and tribe of women who live amongst mortal men to their great trouble, no helpmeets in hateful poverty, but only in wealth."

Prometheus, in eternal punishment, is chained to a rock in the Caucasus, where his liver is eaten out daily by an eagle,[4] only to be regenerated by night, which, by legend, is due to his immortality.[5] Years later, the Greek hero Heracles (Hercules) would shoot the eagle and free Prometheus from his chains.[6]

Hesiod revisits the story of Prometheus in the Works and Days (lines 42-105). Here, the poet expands upon Zeus' reaction to the theft of fire. Not only does Zeus withhold fire from men, but "the means of life," as well (42). Had Prometheus not provoked Zeus' wrath (44-47), "you would easily do work enough in a day to supply you for a full year even without working; soon would you put away your rudder over the smoke, and the fields worked by ox and sturdy mule would run to waste." Hesiod also expands upon the Theogony's story of the first woman, now explicitly called Pandora ("all gifts"). After Prometheus' theft of fire, Zeus sent Pandora in retaliation. Despite Prometheus' warning, Epimetheus accepted this "gift" from the gods. Pandora carried a jar with her, from which were released (91-92) "evils, harsh pain and troublesome diseases which give men death".[7] Pandora shut the lid of the jar too late to contain all the evil plights that escaped, but hope remained in the jar.

Angelo Casanova[8] finds in Prometheus a reflection of an ancient, pre-Hesiodic trickster-figure, who served to account for the mixture of good and bad in human life, and whose fashioning of men from clay was an Eastern motif familiar in Enuma Elish; as an opponent of Zeus he was an analogue of the Titans, and like them was punished. As an advocate for humanity he gains semi-divine status at Athens, where the episode in Theogony in which he is liberated[9] is interpreted by Casanova as a post-Hesiodic interpolation.[10]

Aeschylus

Perhaps the most famous treatment of the myth can be found in the Greek tragedy Prometheus Bound – traditionally attributed to the 5th-century BC Greek tragedian Aeschylus. At the center of the drama are the results of Prometheus' theft of fire and his current punishment by Zeus; the playwright's dependence on the Hesiodic source material is clear, though Prometheus Bound also includes a number of changes to the received tradition.[11] Before his theft of fire, Prometheus played a decisive role in the Titanomachy, securing victory for Zeus and the other Olympians. Zeus's torture of Prometheus thus becomes a particularly harsh betrayal. The scope and character of Prometheus' transgressions against Zeus are also widened. In addition to giving humankind fire, Prometheus claims to have taught them the arts of civilization, such as writing, mathematics, agriculture, medicine, and science. The Titan's greatest benefaction for humankind seems to have been saving them from complete destruction. In an apparent twist on the myth of the so-called Five Ages of Man found in Hesiod's Works and Days (wherein Cronus and, later, Zeus created and destroyed five successive races of mortal men), Prometheus asserts that Zeus had wanted to obliterate the human race, but that he somehow stopped him. Moreover, Aeschylus anachronistically and artificially injects Io, another victim of Zeus' violence and ancestor of Heracles, into Prometheus' story. Finally, just as Aeschylus gave Prometheus a key role in bringing Zeus to power, he also attributed to him secret knowledge that could lead to Zeus' downfall: Prometheus had been told by his mother Gaia of a potential marriage that would produce a son who would overthrow Zeus. Fragmentary evidence indicates that Heracles, as in Hesiod, frees the Titan in the trilogy's second play, Prometheus Unbound. It is apparently not until Prometheus reveals this secret of Zeus' potential downfall that the two reconcile in the final play, Prometheus the Fire-Bringer.

Prometheus Bound also includes two mythic innovations of omission. The first is the absence of Pandora's story in connection with Prometheus' own. Instead, Aeschylus includes this one oblique allusion to Pandora and her jar that contained Hope (252): "[Prometheus] caused blind hopes to live in the hearts of men." Second, Aeschylus makes no mention of the sacrifice-trick played against Zeus in the Theogony.[12]

These innovations reflect the play's thematic reversal of the Hesiodic myth. In Hesiod, the story of Prometheus (and, by extension, of Pandora) serves to reinforce the theodicy of Zeus: he is a wise and just ruler of the universe, while Prometheus is to blame for humanity's unenviable existence. In Prometheus Bound, this dynamic is transposed: Prometheus becomes the benefactor of humanity, while every character in the drama (except for Hermes, a virtual stand-in for Zeus) decries the Olympian as a cruel, vicious tyrant.

Other authors

Some two dozen other Greek and Roman authors retold and further embellished the Prometheus myth into the 4th century AD. The most significant detail added to the myth found in, e.g., Sappho, Plato, Aesop and Ovid — was the central role of Prometheus in the creation of the human race. According to these sources, Prometheus fashioned humans out of clay. In his dialogue Protagoras, Plato asserts that the gods created humans and all the other animals, but it was left to Prometheus and his brother Epimetheus to give defining attributes to each. As no physical traits were left when the pair came to humans, Prometheus decided to give them fire and other civilizing arts.[13]

Although perhaps made explicit in the Prometheia, later authors such as Hyginus, Apollodorus, and Quintus of Smyrna would confirm that Prometheus warned Zeus not to marry the sea nymph Thetis. She is consequently married off to the mortal Peleus, and bears him a son greater than the father — Achilles, Greek hero of the Trojan War. Apollodorus moreover clarifies a cryptic statement (1026–29) made by Hermes in Prometheus Bound, identifying the centaur Chiron as the one who would take on Prometheus' suffering and die in his place.[13]

Reflecting a myth attested in Greek vase paintings from the Classical period, Apollodorus places the Titan (armed with an axe) at the birth of Athena, thus explaining how the goddess sprang forth from the forehead of Zeus.[13]

Other minor details attached to the myth include: the duration of Prometheus' torment;[14][15] the origin of the eagle that ate the Titan's liver (found in Apollodorus and Hyginus); Pandora's marriage to Epimetheus (found in Apollodorus); myths surrounding the life of Prometheus' son, Deucalion (found in Ovid and Apollonius of Rhodes); and Prometheus' marginal role in the myth of Jason and the Argonauts (found in Apollonius of Rhodes and Valerius Flaccus).[13]

Anecdotally, the Roman fabulist Phaedrus attributes to Aesop a simple etiology for homosexuality, in Prometheus' getting drunk while creating the first humans and misapplying the genitalia.[16]

Cults

  • Prometheus had a small shrine in the Kerameikos, or potter's quarter, of Athens, not far from the Academy. The Academy had its own altar dedicated to Prometheus. According to the 2nd-century AD Greek traveler Pausanias, this site was central to a torch race dedicated to Prometheus.
  • Pausanias also wrote that the Greek cities of Argos and Opous both claimed to be Prometheus' final resting place, each erecting a tomb in his honor.
  • Finally, Pausanias attested that in the Greek city of Panopeus there was a cult statue claimed by some to depict Prometheus, for having created the human race there.[13]

Comparative myths

The two most prominent aspects of the Prometheus myth – the creation of man from clay and the theft of fire – have parallels within the mythologies of many cultures throughout the world:

The creation of man from clay

  • In the Babylonian creation epic Enuma Elish, the goddess Ninhursag created humans from clay.
  • In Africa, the Yoruba culture holds that the god Obatala likewise created the human race.
  • In Egyptian mythology, the ram-headed god Khnum made people from clay in the waters of the Nile.
  • In Chinese myth, the goddess Nuwa created the first humans from mud and clay.
  • According to Genesis 2:7 "And the Lord God formed man of the dust of the ground, and breathed into his nostrils the breath of life; and man became a living soul."
  • According to Qur'an[23:12–15], Allah created man from clay.
  • Mayan myth holds that Tepeu and Kukulkán (Quetzalcoatl) made the first humans from clay, but they were unsatisfactory.
  • The Māori people believe that Tāne Mahuta, God of the forest, created the first woman out of clay and breathed life into her.

The theft of fire

  • In Georgian mythology Amirani challenged the chief god and for that was chained on Caucasian mountains where birds would eat his organs.
  • According to the Rig Veda (3:9.5), the hero Mātariśvan recovered fire, which had been hidden from mankind.
  • In Cherokee myth, after Possum and Buzzard had failed to steal fire, Grandmother Spider used her web to sneak into the land of light. She stole fire, hiding it in a clay pot.[17]
  • Among various Native American tribes of the Pacific Northwest and First Nations, fire was stolen and given to humans by Coyote, Beaver or Dog.[18]
  • According to some Yukon First Nations people, Crow stole fire from a volcano in the middle of the water.[19]
  • According to the Creek Indians, Rabbit stole fire from the Weasels.[20]
  • In Algonquin myth, Rabbit stole fire from an old man and his two daughters.[21]
  • In Ojibwa myth, Nanabozho the hare stole fire and gave it to humans.
  • In Polynesian myth, Māui stole fire from the Mudhens.[22]
  • In the Book of Enoch, the fallen angels and Azazel teach early mankind to use tools and fire.

In other arts

  • The mythic Prometheus is the lyrical I of the poem "Prometheus" by Johann Wolfgang Goethe, in which the character addresses God (as Zeus) in misotheist accusation and defiance.
  • The Norwegian symphonic black metal band Emperor released, in 2001, an album entitled "Prometheus: The Discipline of Fire & Demise".
  • The American Metalcore band Trivium pointed out similarities of the crucifixion of Jesus Christ, and Prometheus's torment of being eternally tortured in their song "Of Prometheus and The Crucifix".
  • Beethoven wrote a ballet called "The Creatures of Prometheus."
  • "Prometheus Unbound" is a four-act play by Percy Bysshe Shelley first published in 1820.
  • Prometheus: Poem of Fire, Opus 60 (1910) by Alexander Scriabin.
  • Prometheus, Symphonic Poem No. 5 (S.99) by Franz Liszt.
  • Prometheus, opera using Aeschylus's original Greek by Carl Orff, 1968.
  • Prometheus On His Crag, a 1973 poetry collection by Ted Hughes.
  • Prometheus' torment by the eagle and his rescue by Heracles were popular subjects in vase paintings of the 6th-4th c. BC. He also sometimes appears in depictions of Athena's birth from Zeus' forehead.
  • There was a relief sculpture of Prometheus with Pandora on the base of Athena's cult statue in the Athenian Parthenon of the 5th century BC.
  • Franz Kafka wrote a short piece on Prometheus (translated by Willa and Edwin Muir):
There are four legends concerning Prometheus:
According to the first, he was clamped to a rock in the Caucasus for betraying the secrets of the gods to men, and the gods sent eagles to feed on his liver, which was perpetually renewed.
According to the second, Prometheus, goaded by the pain of the tearing beaks, pressed himself deeper and deeper into the rock until he became one with it.
According to the third, his treachery was forgotten in the course of thousands of years, forgotten by the gods, the eagles, forgotten by himself.
According to the fourth, everyone grew weary of the meaningless affair. The gods grew weary, the eagles grew weary, the wound closed wearily.
There remains the inexplicable mass of rock. The legend tried to explain the inexplicable. As it came out of a substratum of truth it had in turn to end in the inexplicable [23]
  • A soviet cartoon called Prometheus (Прометей) was created in 1974 [24]
  • Laxmi Prasad Devkota, a great Nepalese poet, wrote an epic entitled Prometheus (प्रमीथस)

In modern culture

Sculpture of Prometheus in front of the GE Building at the Rockefeller Center (New York City, New York, United States).
  • In Disney's version of Rudyard Kipling's The Jungle Book, King Louie is an orangutan who kidnaps Mowgli to gain the secret of "man's red fire".
  • The Prometheus Society is a High IQ society six hundred times more selective than Mensa. Its magazine is called 'Gift of Fire' and its website [1] notes that fire has from antiquity been associated with mental gifts.
  • The cloned horse Prometea, and Prometheus, a moon of Saturn, are named after this Titan, as is the asteroid 1809 Prometheus. The story of Prometheus has inspired many authors through the ages, and the Romantics saw Prometheus as a prototype of the natural daemon or genius.
  • The name of the sixty-first element, promethium, is derived from Prometheus.
  • Mary Shelley's 1818 novel Frankenstein is subtitled "The Modern Prometheus". This is a reference to the novel's themes of the over-reaching of modern man into dangerous areas of knowledge.
  • In Herman Melville's Moby-Dick, Prometheus is used in a metaphor describing Captain Ahab's intense obsession with Moby-Dick: "God help thee, old man, thy thoughts have created a creature in thee; and he whose intense thinking thus makes him a Prometheus; a vulture feeds upon that heart for ever; that vulture the very creature he creates."
  • Percy Bysshe Shelley's Prometheus Unbound rewrites the lost play of Aeschylus so that Prometheus does not submit to Zeus (Shelley's Jupiter), but supplants him instead in a triumph of the human heart and intellect over tyrannical religion. Lord Byron's poem "Prometheus" also portrays the titan as unrepentant. For the Romantics, Prometheus was the rebel who resisted all forms of institutional tyranny epitomized by Zeus — church, monarch, and patriarch. They drew comparisons between Prometheus and the spirit of the French Revolution, Christ, Milton's Satan, and the divinely inspired poet or artist.
  • Prometheus Books, a publishing company for scientific, educational, and popular books, especially those relating to secular humanism or scientific skepticism, takes its name from the myth.
  • The Prometheus Award is given by the Libertarian Futurist Society for Libertarian science fiction."
  • Prometheus is the mascot of the Technische Universiteit Delft in Holland, where his statue stands in front of the main building; the fire of Prometheus can be seen on the T on the logo of the University. The Minho University in Portugal also features a prominent statue of Prometheus in the main entrance.
  • In the video game God of War II, Prometheus is freed from his torture when he is killed by the game's protagonist, Kratos.
  • Ayn Rand uses Prometheus (as well as other characters from Greek Mythology) as metaphors of her radical individualist ideology in Atlas Shrugged.

Liver regeneration

The mythological story that Prometheus was chained to a rock in the Caucasus mountain and his liver was eaten every day by an eagle only to "regenerate" in the night has been used by scientists studying liver regeneration as an indication that ancient Greeks knew that liver can regenerate if surgically removed or injured.[25] Because of the association of Prometheus with liver regeneration, his name has also been associated with biomedical companies involved in regenerative medicine.

See also

Other figures in Greek mythology punished by the gods include:

Notes

  1. ^ The ancient Greek derivation of Prometheus from the Greek pro (before) + manthano (learn), thus "forethought", which engendered a contrasting brother Epimetheus, was a folk etymology; it is succinctly expressed in Servius' commentary on Virgil, Eclogue 6.42: "Prometheus vir prudentissimus fuit, unde etiam Prometheus dictus est ἀπὸ τής πρόμηθείας, id est a providentia." Modern linguists show, however, that the name comes from the Proto-Indo-European root that also produces the Vedic pra math, "to steal," hence pramathyu-s, "thief", whence "Prometheus", the thief of fire. The Vedic myth of fire's theft by Mātariśvan is an analog to the account found in Greek myth. To these etymological cognates, we may add pramantha, the tool used to create fire. Thus Fortson 2004, 27; Williamson 2004, 214-15; Dougherty 2006, 4.
  2. ^ There is scholarly thought that man already had fire, and it was taken away by Zeus. Prometheus then, in stealing it for man. cf. M.L. West commentaries on Hesiod, W.J. Verdenius commentaries on Hesiod, and R. Lamberton's Hesiod, pp.95-100.
  3. ^ Hesiod, Theogony 590-93.
  4. ^ The Aetos Kaukasios (or Caucasian Eagle) in the Prometheus Myth
  5. ^ The liver is one of the rare human organs to regenerate itself spontaneously in the case of lesion. The ancient Greeks seem to have been aware of this, since the Greek word for the liver -- hêpar -- apparently derives from the verb hêpaomai (ηπάομαι), which means: mend, repair. Hence, hêpar roughly translates as, "repairable."
  6. ^ Hesiod, Theogony
  7. ^ Hesiod, WORKS AND DAYS Translation By H. G. Evelyn-White
  8. ^ Casanova, La famiglia di Pandora: analisi filologica dei miti di Pandora e Prometeo nella tradizione esiodea (Florence) 1979.
  9. ^ Hesiod, Theogony, 526-33.
  10. ^ In this Casanova is joined by some editors of Theogony.
  11. ^ Some of these changes are rather minor. For instance, rather than being the son of Iapetus and Clymene Prometheus becomes the son of Gaea. In addition, the chorus makes a passing reference (561) to Prometheus' wife Hesione, whereas a fragment from Hesiod's Catalogue of Women calls her by the name of Pronoia. (Theoi Project: Pronoia).
  12. ^ Aeschylus, Prometheus Bound
  13. ^ a b c d e Theoi Project: "Prometheus:
  14. ^ 30 Years
  15. ^ 30,000 Years
  16. ^ Dionysos
  17. ^ Erdoes/Ortiz 1984.
  18. ^ Judson 1912.
  19. ^ Janke, Daniel (2008). "How People Got Fire (animated short)" (DVD). National Film Board of Canada. http://onf-nfb.gc.ca/eng/collection/film/?id=57017. Retrieved 2010-02-10. 
  20. ^ Swanton 1929.
  21. ^ Alexander 1916.
  22. ^ Westervelt 1910, Ch. 5.
  23. ^ Glatzer, Nahum N., ed. "Franz Kafka: The Complete Stories" Schocken Book, Inc.: New York, 1971.
  24. ^ http://www.animator.ru/db/?ver=eng&p=show_film&fid=2661
  25. ^ Michalopoulos, George K., and DeFrances, Marie C., "Liver regeneration:, Science, 4 April 1997: Vol. 276. no. 5309, pp. 60 - 66: "The ancient Greeks recognized liver regeneration in the myth of Prometheus. Having stolen the secret of fire from the gods of Olympus, Prometheus was condemned to having a portion of his liver eaten daily by an eagle. His liver regenerated overnight,"

References

  • Alexander, Hartley Burr. The Mythology of All Races. Vol 10: North American. Boston, 1916.
  • Beall, E.F., Hesiod's Prometheus and Development in Myth, Journal of the History of Ideas, Vol. 52, No. 3 (Jul. - Sep., 1991), pp. 355–371
  • Dougherty, Carol. Prometheus. Taylor & Francis, 2006. ISBN 0415324068, 9780415324069
  • Erdoes, Richard and Alfonso Ortiz, edds. American Indian Myths and Legends. New York, 1984.
  • Fortson, Benjamin. Indo-European Language and Culture: An Introduction. Blackwell Publishing, 2004.
  • Judson, Katharine B. Myths and Legends of the Pacific Northwest. Chicago, 1912.
  • Lamberton, Robert. Hesiod, Yale University Press, 1988. ISBN 0300040687
  • Swanton, John. "Myths and Tales of the Southeastern Indians." Bureau of American Ethnology Bulletin 88: 1929.
  • Verdenius, Willem Jacob, "A Commentary on Hesiod: Works and Days, Vv. 1-382", Brill, 1985, ISBN 9004074651
  • West, M.L., "Hesiod, Theogony, ed. with prolegomena and commentary", Oxford: Clarendon Press 1966
  • West, M.L., "Hesiod, Works and Days, ed. with prolegomena and commentary", Oxford: Clarendon Press 1978
  • Westervelt, W.D. Legends of Maui – a Demigod of Polynesia, and of His Mother Hina. Honolulu, 1910.
  • Williamson, George S. The Longing for Myth in Germany: Religion and Aesthetic Culture from Romanticism to Nietzsche (Chicago, 2004).

Further reading

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Source material

Up to date as of January 22, 2010

From Wikisource

Prometheus
disambiguation
This is a disambiguation page, which lists works which share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.


Prometheus may refer to:

  • Prometheus, a poem by George Gordon, Lord Byron
  • Prometheus, a poem by Johann Wolfgang von Goethe
  • Prometheus, a poem by Paul Laurence Dunbar
  • Prometheus, a poem by James Russell Lowell
  • Prometheus, a poem by James Gates Percival

1911 encyclopedia

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From LoveToKnow 1911

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Wiktionary

Up to date as of January 15, 2010

Definition from Wiktionary, a free dictionary

Contents

English

Heinrich fueger 1817 prometheus brings fire to mankind.jpg

Etymology

From Ancient Greek Προμηθεύς, from πρό (before) + μήδεα (thoughts, ruses, concerns)

Proper noun

Singular
Prometheus

Plural
-

Prometheus

  1. (Greek mythology) The Titan chiefly honored for stealing fire from Zeus in the stalk of a fennel plant and giving it to mortals for their use. The god of fire and craft.

Translations

External links


Wikispecies

Up to date as of January 23, 2010

From Wikispecies

Taxonavigation

Main Page
Cladus: Eukaryota
Supergroup: Unikonta
Cladus: Opisthokonta
Regnum: Animalia
Subregnum: Eumetazoa
Cladus: Bilateria
Cladus: Nephrozoa
Cladus: Protostomia
Cladus: Ecdysozoa
Phylum: Arthropoda
Subphylum: Hexapoda
Classis: Insecta
Cladus: Dicondylia
Cladus: Pterygota
Cladus: Metapterygota
Cladus: Neoptera
Cladus: Eumetabola
Cladus: Endopterygota
Superordo: Panorpida
Cladus: Amphiesmenoptera
Ordo: Lepidoptera
Subordo: Glossata
Infraordo: Heteroneura
Divisio: Ditrysia
Sectio: Cossina
Subsectio: Cossina
Superfamilia: Castnioidea
Familia: Castniidae
Subfamilia: Castniinae
Tribus: Gazerini
Genus: Prometheus
Species: P. cochrus

Name

Prometheus Hübner, 1824

References

  • Lamas, G., 1995, Revista Peruana de Entomologia 37: 73-87. [1]

Simple English

, 1611-1612]] Prometheus was a Titan in Greek mythology. He is the son of Iapetus and Themis. He created humans. He also stole fire from Zeus and gave it to humans. As punishment, Zeus had Prometheus chained to a mountain. Every day an eagle would come and eat his liver. Prometheus is immortal, so he never died, and his liver grew back every night. But he still felt great pain.

After a long time, Zeus sent his son Heracles to free Prometheus by breaking the chains which held him.

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