The Rashtrakuta Dynasty (Sanskrit: राष्ट्रकूट rāṣṭrakūṭa, Template:Lang-kn) was a royal Indian dynasty ruling large parts of southern, central and northern India between the sixth and the tenth centuries. During this period they ruled as several closely related, but individual clans. The earliest known Rashtrakuta inscription is a seventh century copper plate grant that mentions their rule from Manpur in the Malwa region of modern Madhya Pradesh. Other ruling Rashtrakuta clans from the same period mentioned in inscriptions were the kings of Achalapur which is modern Elichpur in Maharashtra and the rulers of Kannauj. Several controversies exist regarding the origin of these early Rashtrakutas, their native home and their language.
The clan that ruled from Elichpur was a feudatory of the Badami Chalukyas and during the rule of Dantidurga, it overthrew Chalukya Kirtivarman II and went on to build an impressive empire with the Gulbarga region in modern Karnataka as its base. This clan came to be known as the Rashtrakutas of Manyakheta, rising to power in South India in 753. At the same time the Pala Dynasty of Bengal and the Prathihara dynasty of Gujarat were gaining force in eastern and northwestern India respectively.
This period, between the eight and the tenth centuries, saw a tripartite struggle for the resources of the rich Gangetic plains, each of these three empires annexing the seat of power at Kannauj for short periods of time. At their peak the Rashtrakutas of Manyakheta ruled a vast empire stretching from the Ganga River and Yamuna River doab in the north to Cape Comorin in the south, a fruitful time of political expansion, architectural achievements and famous literary contributions. The early kings of this dynasty were Hindu but the later kings were strongly influenced by Jainism.
During their rule, Jain mathematicians and scholars contributed important works in Kannada and Sanskrit. Amoghavarsha I was the most famous king of this dynasty and wrote Kavirajamarga, a landmark literary work in the Kannada language. Architecture reached a milestone in the Dravidian style, the finest example of which is seen in the Kailasanath Temple at Ellora. Other important contributions are the sculptures of Elephanta Caves in modern Maharashtra as well as the Kashivishvanatha temple and the Jain Narayana temple at Pattadakal in modern Karnataka, all of which are UNESCO World Heritage Sites.
The origin of Rashtrakuta dynasty has been a controversial topic. These issues pertain to the origins of the earliest ancestors of the Rashtrakutas during the time of Emperor Ashoka in the second century BCE, and the connection between the several Rashtrakuta dynasties that ruled small kingdoms in northern and central India and the Deccan between the sixth and seventh centuries. The relationship of these medieval Rashtrakutas to the most famous later dynasty, the Rashtrakutas of Manyakheta (present day Malkhed in the Gulbarga district, Karnataka state), who ruled between the eighth and tenth centuries has also been debated.
The sources of Rashtrakuta history include medieval inscriptions, ancient literature in the Pali language, contemporaneous literature in Sanskrit and Kannada and the notes of the Arab travellers. Theories about the dynastic lineage (Surya Vamsa—Solar line and Chandra Vamsa—Lunar line), the native region and the ancestral home have been proposed, based on information gleaned from inscriptions, royal emblems, the ancient clan names such as "Rashtrika", epithets (Ratta, Rashtrakuta, Lattalura Puravaradhiswara), the names of dynasty princes and princesses, and clues from relics such as coins. Scholars debate over which of the many ethnic groups the early Rashtrakutas belonged, the north western ethnic groups of India, the Kannadiga, Reddi, the Maratha, or the ethnic tribes from the Punjab region.
Scholars however concur that the kings of the imperial dynasty in the eighth to tenth century made the Kannada language as important as Sanskrit. Rashtrakuta inscriptions are in the two languages of Kannada and Sanskrit (historians Sheldon Pollock and Jan Houben claim they are mostly in Kannada), and the kings encouraged literature in both languages. The earliest existing Kannada literary writings are credited to their court poets and royalty. Though these Rashtrakutas were Kannadigas, they were conversant in a northern Deccan language as well.
The heart of the Rashtrakutas empire included nearly all of Karnataka, Maharashtra and parts of Andhra Pradesh, an area which the Rastrakutas ruled for over two centuries. The Samangadh copper plate grant (753) confirms that the feudatory King Dantidurga, who probably ruled from Achalapura in Berar (modern Elichpur in Maharashtra), defeated the great Karnatic army (referring to the army of the Badami Chalukyas) of Kirtivarman II of Badami in 753 and took control of the northern regions of the Chalukya empire. He then helped his father-in-law, Pallava King Nandivarman regain Kanchi from the Chalukyas and defeated the Gurjaras of Malwa, and the kings of Kalinga, Kosala and Srisailam.
Dantidurga's successor Krishna I brought major portions of present day Karnataka and Konkan under his control. During the rule of Dhruva Dharavarsha who took control in 780, the kingdom expanded into an empire that encompassed all of the territory between the Kaveri River and Central India. He led successful expeditions to Kannauj, the seat of northern Indian power where he defeated the Gurjara Pratiharas and the Palas of Bengal, gaining him fame and vast booty but not more territory. He also brought the Eastern Chalukyas and Gangas of Talakad under his control. According to a historian, the Rashtrakutas became a pan-India power during his rule.
The ascent of Dhruva Dharavarsha's third son, Govinda III, to the throne heralded an era of success like never before. There is uncertainty about the location of the early capital of the Rashtrakutas at this time. During his rule there was a three way conflict between the Rashtrakutas, the Palas and the Pratiharas for control over the Gangetic plains. Describing his victories over the Pratihara King Nagabhatta II and the Pala King Dharmapala, the Sanjan inscription states the horses of Govinda III drank from the icy waters of the Himalayan streams and his war elephants tasted the sacred waters of the Ganga. His military exploits have been compared to those of Alexander the Great and Pandava Arjuna of Mahabharata. Having conquered Kannauj, he travelled south, took firm hold over Gujarat, Kosala (Kaushal), Gangavadi, humbled the Pallavas of Kanchi, installed a ruler of his choice in Vengi and received two statues as an act of submission from the king of Ceylon (one statue of the king and another of his minister). The Cholas, the Pandyas and the Keralas all paid him tribute. As one historian puts it, the drums of the Deccan were heard from the Himalayan caves to the shores of the Malabar. The Rashtrakutas empire now spread over the areas from Cape Comorin to Kannauj and from Banaras to Broach.
The successor of Govinda III, Amoghavarsha I made Manyakheta his capital and ruled a large empire. Manyakheta remained the Rashtrakutas regal capital until the end of the empire. He came to the throne in 814 but it was not until 821 that he had suppressed revolts from feudatories and ministers. Amoghavarsha I made peace with the Gangas by giving them his two daughters in marriage, and then defeated the invading Eastern Chalukyas at Vingavalli and assumed the title Viranarayana. His rule was not as militant as that of Govinda III as he preferred to maintain friendly relations with his neighbours, the Gangas, the Eastern Chalukyas and the Pallavas with whom he also cultivated marital ties. His era was an enriching one for the arts, literature and religion. Widely seen as the most famous of the Rashtrakuta kings, Amoghavarsha I was an accomplished scholar in Kannada and Sanskrit. His Kavirajamarga is considered an important landmark in Kannada poetics and Prashnottara Ratnamalika in Sanskrit is a writing of high merit and was later translated into the Tibetan language. Because of his religious temperament, his interest in the arts and literature and his peace-loving nature, he has been compared to the emperor Ashoka and called "Ashoka of the South".
During the rule of Krishna II, the empire faced a revolt from the Eastern Chalukyas and its size decreased to the area including most of the Western Deccan and Gujarat. Krishna II ended the independent status of the Gujarat branch and brought it under direct control from Manyakheta. Indra III recovered the dynasty's fortunes in central India by defeating the Paramara and then invaded the doab region of the Ganges and Jamuna rivers. He also defeated the dynasty's traditional enemies, the Pratiharas and the Palas, while maintaining his influence over Vengi. The effect of his victories in Kannauj lasted several years according to the 930 copper plate inscription of King Govinda IV. After a succession of weak kings during whose reigns the empire lost control of territories in the north and east, Krishna III the last great king consolidated the empire so that it stretched from the Narmada River to Kaveri River and included the northern Tamil country (Tondaimandalam) while levying tribute on the king of Ceylon.
During the rule of Khottiga Amoghavarsha, the Paramara King Siyaka Harsha attacked the empire and plundered Manyakheta, the capital of Rastrakutas. This seriously undermined the reputation of the Rastrakuta Empire and consequently led to its downfall. The final decline was sudden as Tailapa II, a feudatory of the Rashtrakuta ruling from Tardavadi province in modern Bijapur district, declared himself independent by taking advantage of this defeat. Indra IV, the last king, committed Sallekhana (fasting unto death practised by Jain monks) at Shravanabelagola. With the fall of the Rashtrakutas, their feudatories and related clans in the Deccan and northern India declared independence. The Western Chalukyas annexed Manyakheta and made it their capital until 1015 and built an impressive empire in the Rashtrakuta heartland during the eleventh century. The focus of dominance shifted to the Krishna River - Godavari River doab called Vengi. The former feudatories of the Rashtrakutas in western Deccan were brought under control of the Chalukyas and the hitherto suppressed Cholas of Tanjore became their arch enemies in the south.
In conclusion, the rise of Rashtrakutas of Manyakheta had a great impact on India, even on India's north. Sulaiman (851), Al Masudi (944) and Ibn Khurdadba (912) wrote that their empire was the largest in contemporary India and Sulaiman further called it one among the four great contemporary empires of the world. Some historians have called these times an "Age of Imperial Kannauj". Since the Rashtrakutas successfully captured Kannauj, levied tribute on its rulers and presented themselves as masters of North India, the era could also be called the "Age of Imperial Karnataka". During their political expansion into central and northern India in the eighth to the tenth centuries, the Rashtrakutas or their relatives created several kingdoms that either ruled during the reign of the parent empire or continued to rule for centuries after the its fall or came to power much later. Well known among these were the Rashtrakutas of Gujarat (757–888), the Rattas of Saundatti (875–1230) in modern Karnataka, the Gahadavalas of Kannauj (1068–1223), the Rashtrakutas of Rajasthan (known as Rajputana) and ruling from Hastikundi or Hathundi (893–996), Dahal (near Jabalpur), Mandore (near Jodhpur), the Rathores of Dhanop, Rashtraudha dynasty of Mayuragiri in modern Maharashtra and Rashtrakutas of Kannauj.
|Rashtrakuta Kings (753-982)|
|Dantidurga||(735 - 756)|
|Krishna I||(756 - 774)|
|Govinda II||(774 - 780)|
|Dhruva Dharavarsha||(780 - 793)|
|Govinda III||(793 - 814)|
|Amoghavarsha I||(814 - 878)|
|Krishna II||(878 - 914)|
|Indra III||(914 -929)|
|Amoghavarsha II||(929 - 930)|
|Govinda IV||(930 – 936)|
|Amoghavarsha III||(936 – 939)|
|Krishna III||(939 – 967)|
|Khottiga Amoghavarsha||(967 – 972)|
|Karka II||(972 – 973)|
|Indra IV||(973 – 982)|
Inscriptions and other literary records show the Rashtrakutas selected the crown prince based on heredity. The crown did not always pass on to the eldest son. Abilities were considered more important than age and chronology of birth, as exemplified by the crowning of Govinda III who was the third son of king Dhruva Dharavarsha. The most important position under the king was the Chief Minister (Mahasandhivigrahi) whose position came with five insignia commensurate with his position namely, a flag, a conch, a fan, a white umbrella, a large drum and five musical instruments called Panchamahashabdas. Under him was the commander (Dandanayaka), the foreign minister (Mahakshapataladhikrita) and a prime minister (Mahamatya or Purnamathya), all of whom were usually associated with one of the feudatory kings and must have held a position in government equivalent to a premier. A Mahasamantha was a feudatory or higher ranking regal officer. All cabinet ministers were well versed in political science (Rajneeti) and possessed military training. There were cases where woman supervised significant areas as when Revakanimaddi, daughter of Amoghavarsha I, administered Edathore Vishaya.
The kingdom was divided into Mandala or Rashtras (provinces). A Rashtra was ruled by a Rashtrapathi who on occasion was the emperor himself. Amoghavarsha I's empire had sixteen Rashtras. Under a Rashtra was a Vishaya (district) overseen by a Vishayapathi. Trusted ministers sometimes ruled more than a Rashtra. For example, Bankesha, a commander of Amoghavarsha I headed Banavasi-12000, Belvola-300, Puligere-300, Kunduru-500 and Kundarge-70, the suffix designating the number of villages in that territory. Below the Vishaya was the Nadu looked after by the Nadugowda or Nadugavunda; sometimes there were two such officials, one assuming the position through heredity and another appointed centrally. The lowest division was a Grama or village administered by a Gramapathi or Prabhu Gavunda.
The Rashtrakuta army consisted of a large infantry, numerous horseman, and many elephants. A standing army was always ready for war in a cantonment (Sthirabhuta Kataka) in the regal capital of Manyakheta. Large armies were also maintained by the feudatory kings who were expected to contribute to the defense of the empire in case of war. Chieftains and all the officials also served as commanders whose postings were transferable if the need arose.
The Rashtrakutas issued coins (minted in an Akkashale) such as Suvarna, Drammas in silver and gold weighing 65 grains, Kalanju weighing 48 grains, Gadyanaka weighing 96 grains, Kasu weighing 15 grains, Manjati with 2.5 grains and Akkam of 1.25 grain.
, Karnataka]] The Rashtrakuta economy was sustained by its natural and agricultural produce, its manufacturing revenues and moneys gained from its conquests. Cotton was the chief crop of the regions of southern Gujarat, Khandesh and Berar. Minnagar, Gujarat, Ujjain, Paithan and Tagara were important centres of textile industry. Muslin cloth were manufactured in Paithan and Warangal. The cotton yarn and cloth was exported from Bharoch. White calicos were manufactured in Burhanpur and Berar and exported to Persia, Turkey, Poland, Arabia and Cairo. The Konkan region, ruled by the feudatory Silharas, produced large quantities of betel leaves, coconut and rice while the lush forests of Mysore, ruled by the feudatory Gangas, produced such woods as sandal, timber, teak and ebony. Incense and perfumes were exported from the ports of Thana and Saimur.
The Deccan soil, though not as fertile as that of the Gangetic plains, was rich in minerals. The copper mines of Cudappah, Bellary, Chanda, Buldhana, Narsingpur, Ahmadnagar, Bijapur and Dharwar were an important source of income and played an important role in the economy. Diamonds were mined in Cudappah, Bellary, Kurnool and Golconda; the capital Manyakheta and Devagiri were important diamond and jewellery trading centres. The leather industry and tanning flourished in Gujarat and some regions of northern Maharashtra. Mysore with its vast elephant herds was important for the ivory industry.
The Rashtrakuta empire controlled most of the western sea board of the subcontinent which facilitated its maritime trade. The Gujarat branch of the empire earned a significant income from the port of Bharoch, one of the most prominent ports in the world at that time. The empire's chief exports were cotton yarn, cotton cloth, muslins, hides, mats, indigo, incense, perfumes, betel nuts, coconuts, sandal, teak, timber, sesame oil and ivory. Its major imports were pearls, gold, dates from Arabia, slaves, Italian wines, tin, lead, topaz, storax, sweet clover, flint glass, antimony, gold and silver coins, singing boys and girls (for the entertainment of the royalty) from other lands. Trading in horses was an important and profitable business, monopolised by the Arabs and some local merchants. The Rashtrakuta government levied a shipping tax of one golden Gadyanaka on all foreign vessels embarking to any other ports and a fee of one silver Ctharna ( a coin) on vessels travelling locally.
Artists and craftsman operated as corporations (guilds) rather than as individual business. Inscriptions mention guilds of weavers, oilmen, artisans, basket and mat makers and fruit sellers. A Saundatti inscription refers to an assemblage of all the people of a district headed by the guilds of the region. Some guilds were considered superior to others, just as some corporations were, and received royal charters determining their powers and privileges. Inscriptions suggest these guilds had their own militia to protect goods in transit and, like village assemblies, they operated banks that lent money to traders and businesses.
The government's income came from five principal sources: regular taxes, occasional taxes, fines, income taxes, miscellaneous taxes and tributes from feudatories. An emergency tax was imposed occasionally and were applicable when the kingdom was under duress, such as when it faced natural calamities, or was preparing for war or overcoming war's ravages. Income tax included taxes on crown land, wasteland, specific types of trees considered valuable to economy, mines, salt, treasures unearthed by prospectors. Additionally, customary presents were give to the king or royal officers on such festive occasions as marriage or the birth of a son.
The king determined the tax levels based on need and circumstances in the kingdom while ensuring that an undue burden was not placed on the peasants. The land owner or tenant paid a variety of taxes, including land taxes, produce taxes and payment of the overhead for maintenance of the Gavunda (village head). Land taxes were varied, based on type of land, its produce and situation and ranged from 8% to 16%. A Banavasi inscription of 941 mentions reassessment of land tax due to the drying up of an old irrigation canal in the region. The land tax may have been as high as 20% to pay for expenses of a military frequently at war. In most of the kingdom, land taxes were paid in goods and services and rarely was cash accepted. A portion of all taxes earned by the government (usually 15%) was returned to the villages for maintenance.
Taxes were levied on artisans such as potters, sheep herders, weavers, oilmen, shopkeepers, stall owners, brewers and gardeners. Taxes on perishable items such as fish, meat, honey, medicine, fruits and essentials like fuel was as high as 16%. Taxes on salt and minerals were mandatory although the empire did not claim sole ownership of mines, implying that private mineral prospecting and the quarrying business may have been active. The state claimed all such properties whose deceased legal owner had no immediate family to make an inheritance claim. Under miscellaneous taxes were ferry and house taxes. Only Brahmins and their temple institutions were taxed at a lower rate.
The Rashtrakutas kings supported the popular religions of the day in the traditional spirit of religious tolerance. Scholars have offered various arguments regarding which specific religion the Rashtrakutas favoured, basing their evidence on inscriptions, coins and contemporary literature. Some claim the Rashtrakutas were inclined towards Jainism since many of the scholars who flourished in their courts and wrote in Sanskrit, Kannada and a few in Apabhramsha and Prakrit were Jains. The Rashtrakutas built well known Jain temples at locations such as Lokapura in Bagalkot district and their loyal feudatory, the Western Ganga Dynasty, built Jain monuments at Shravanabelagola and Kambadahalli. Scholars have suggested that Jainism was a principal religion at the very heart of the empire, modern Karnataka, accounting for a more than 30% of the population and dominating the culture of the region. King Amoghavarsha I was a disciple of the Jain acharya Jinasena and wrote in his religious writing, Prashnottara Ratnamalika, "having bowed to Varaddhamana (Mahavira), I write Prashnottara Ratnamalika". The mathematician Mahaviracharya wrote in his Ganita Sarasangraha, "The subjects under Amoghavarsha are happy and the land yields plenty of grain. May the kingdom of King Nripatunga Amoghavarsha, follower of Jainism ever increase far and wide." Amoghavarsha may have taken up Jainism in his old age.
However,few of the Rashtrakuta kings were Hindus, followers of the Shaiva, Vaishnava and Shakta faiths. Almost all of their inscriptions begin with an invocation to god Vishnu or god Shiva. The Sanjan inscriptions tell of King Amoghavarsha I sacrificing a finger from his left hand at the Lakshmi temple at Kolhapur to avert a calamity in his kingdom. King Dantidurga performed the Hiranyagarbha (horse sacrifice) and the Sanjan and Cambay plates of King Govinda IV mention Brahmins performing such rituals as Rajasuya, Vajapeya and Agnishtoma. An early copper plate grant of King Dantidurga (753) shows an image of god Shiva and the coins of his successor, King Krishna I (768), bear the legend Parama Maheshwara (another name for Shiva). The kings' titles such as Veeranarayana showed their Vaishnava leanings. Their flag had the sign of the Ganga and Yamuna rivers, perhaps copied from the Badami Chalukyas. The famous Kailasnatha temple at Ellora and other rock-cut caves attributed to them show that the Hinduism was flourishing. Their family deity was a goddess by name Latana (also known as Rashtrashyena, Manasa Vindyavasini) who took the form of a falcon to save the kingdom. They built temples with iconification and ornamentation that satisfied the needs of different faiths. The temple at Salotgi was meant for followers of Shiva and Vishnu and the temple at Kargudri was meant for worshipers of Shiva, Vishnu and Bhaskara (Surya, the sun god).
In short, the Rashtrakuta rule was tolerant to multiple popular religions, Jainism, Vaishnavaism and Shaivism. Buddhism too found support and was popular in places such as Dambal and Balligavi, although it had declined significantly by this time. The decline of Buddhism in South India began in the 8th century with the spread of Adi Shankara's Advaita philosophy. Islamic contact with South India began as early as the 7th century, a result of trade between the Southern kingdoms and Arab lands. Jumma Masjids existed in the Rashtrakuta empire by the 10th century and many Muslims lived and mosques flourished on the coasts, specifically in towns such as Kayalpattanam and Nagore. Muslim settlers married local women; their children were known as Mappilas (Moplahs) and were actively involved in horse trading and manning shipping fleets.
Chronicles mention more castes than the four commonly known castes in the Hindu social system, some as many as seven castes. One traveller's account mentions sixteen castes including the four basic castes of Brahmins, Kshatriya, Vaishya and Chandalas. The Zakaya or Lahud caste consisted of communities specialising in dance and acrobatics. People in the professions of sailing, hunting, weaving, cobblery, basket making and fishing belonged to specific castes or subcastes. The Antyajas caste provided many menial services to the wealthy. Brahmins enjoyed the highest status in Rashtrakuta society; only those Kshatriyas in the Sat-Kshatriya sub-caste (noble Kshatriyas) were higher in status.
The Jains enjoyed a very high status during this period.
The careers of Brahmins usually related to education, the judiciary, astrology, mathematics, poetry and philosophy or the occupation of hereditary administrative posts. Also Brahmins increasingly practiced non-Brahminical professions (agriculture, trade in betel nuts and martial posts). Capital punishment, although widespread, was not given to the royal Kshatriya sub-castes or to Brahmins found guilty of heinous crimes as the killing of a Brahmin in medieval Hindu India was itself considered a heinous crime. As an alternate punishment to enforce the law a Brahmin's right hand and left foot was severed, leaving that person disabled.
By the ninth century, kings from all the four castes had occupied the highest seat in the monarchical system in Hindu India. Admitting Kshatriyas to Vedic schools along with Brahmins was customary, but the children of the Vaishya and Shudra castes were not allowed. Landownership by people of all castes is recorded in inscriptions Intercaste marriages in the higher castes were only between highly placed Kshatriya girls and Brahmin boys, but was relatively frequent among other castes. Intercaste functions were rare and dining together between people of various castes was avoided.
Joint families were the norm but legal separations between brothers and even father and son have been recorded in inscriptions. Women and daughters had rights over property and land as there are inscriptions recording the sale of land by women. The arranged marriage system followed a strict policy of early marriage for women. Among Brahmins, boys married at or below 16 years of age and the brides chosen for them were 12 or younger. This age policy was not strictly followed by other castes. Sati (a custom in which a dead man's widow tended to immolate herself on her husband’s funeral pyre) was practiced but the few examples noted in inscriptions were mostly in the royal families. The system of shaving the heads of widows was infrequent as epigraphs note that widows were allowed to grow their hair but decorating it was discouraged. The remarriage of a widow was rare among the upper castes and more accepted among the lower castes.
In the general population men wore two simple pieces of cloth, a loose garment on top and a garment worn like a dhoti for the lower part of the body. Only kings could wear turbans, a practice that spread to the masses much later. Dancing was a popular entertainment and inscriptions speak of royal women being charmed by dancers, both male and female, in the king's palace. Devadasis (girls were "married" to a deity or temple) were often present in temples. Other recreational activities included attending animal fights of the same or different species. An Atkur hero stone (virgal) has been found made for the favourite hound of the feudatory Western Ganga King Butuga II that died fighting a wild boar in a sport. There are records of game preserves for hunting by royalty. Astronomy and astrology were well developed as subjects of study, and there were many superstitious beliefs such as catching a snake alive proved a woman's chastity. Old persons suffering from incurable diseases preferred to end their lives by drowning in the sacred waters of a pilgrim site or by a ritual burning.
]] Kannada became more prominent as a literary language during the Rashtrakuta rule with its script and literature showing remarkable growth, dignity and productivity. This period effectively marked the end of the classical Prakrit and Sanskrit era. Court poets and royalty created eminent works in Kannada and Sanskrit that spanned such literary forms as prose, poetry, rhetoric, Hindu epics and life history of Jain tirthankaras. Famous scholars wrote on secular subjects such as mathematics.
Kavirajamarga (850) by King Amoghavarsha I is the earliest available book on rhetoric and poetics in Kannada, though it is evident from this book that other styles of Kannada literature and poetry had already existed in previous centuries. Kavirajamarga is a guide to poets (Kavishiksha) that aims to standardize these various styles. The book refers to early Kannada prose and poetry writers such as Durvinita, perhaps the 6th century monarch of Western Ganga Dynasty.
A jain writer named Pampa, widely regarded as one of the greatest Kannada writers, became famous for Adipurana (941). Written in champu (mixed prose-verse style) style, it is the life history of the first Jain tirthankara Rishabhadeva.He is called as Adikavi Pampa. Pampa's other notable work was Vikramarjuna Vijaya (941), the author's version of the Hindu epic, Mahabharata, with Arjuna as the hero. Also called Pampa Bharata, it praises the writer's patron, King Chalukya Arikeseri of Vemulavada (a Rashtrakuta feudatory), comparing the king's virtues favorably to those of Arjuna. Pampa demonstrates such a command of classical Kannada that scholars over the centuries have written many interpretations of his work.
Another great jain writer in Kannada was Sri Ponna, patronised by King Krishna III and famed for his description of the life of the 16th Jain tirthankara Shantinatha entitled Santipurana. He earned the title Ubhaya Kavichakravathi (supreme poet in two languages) for his command over both Kannada and Sanskrit. His other writings in Kannada were Bhuvanaika-karamabhyudaya, Jinaksaramale and Gatapratiagata. Adikavi Pampa, Sri Ponna are called "gems of Kannada literature".
Prose works in Sanskrit was prolific during this era as well. Important mathematical theories and axioms were postulated by Mahaviracharya, a native of Gulbarga, who belonged to the Karnataka mathematical tradition and was patronised by King Amoghavarsha I. His greatest contribution was Ganitasarasangraha, a writing in 9 chapters. Somadevasuri of 950 wrote in the court of Arikesari II, a feudatory of Rashtrakuta Krishna III in Vemulavada. He was the author of Yasastilaka champu, Nitivakyamrita and other writings. The main aim of the champu writing was to propagate Jain tenets and ethics. The second writing reviews the subject matter of Arthasastra from the standpoint of Jain morals in a clear and pithy manner.
Trivikrama was a noted scholar in the court of King Indra III. His classics were Nalachampu (915), the earliest in champu style in Sanskrit, Damayanti Katha, Madalasachampu and Begumra plates. Legend has it that Goddess Saraswati helped him in his effort to compete with a rival in the kings court. Jinasena was the spiritual preceptor and guru of Amoghavarsha I. A theologian, his contributions are Dhavala and Jayadhavala (written with another theologian Virasena). These writings are named after their patron king who was also called Athishayadhavala. Other contributions from Jinasena were Adipurana later completed by his disciple Gunabhadra, Harivamsha and Parshvabhyudaya.
The Rashtrakutas contributed much to the architectural heritage of the Deccan. The Rashtrakuta contributions to art and architecture are reflected in the splendid rock-cut cave temples at Ellora and Elephanta, located in present day Maharashtra. The Ellora site was originally part of a complex of 34 Buddhist caves probably created in the first half of the sixth century in rocky areas also occupied by Jains monks whose structural details show Pandyan influence. Cave temples occupied by Hindus only became feasible later.
The Rashtrakutas renovated these Buddhist caves and re-dedicated the rock-cut shrines. Amoghavarsha I espoused Jainism and there are five Jain cave temples at Ellora ascribed to his period. The most extensive and sumptuous of the Rashtrakutas work at Ellora is their creation of the monolithic Kailasanath Temple, a splendid achievement confirming the "Balhara" status as "one among the four principle Kings of the world". The walls of the temple have marvellous sculptures from Hindu mythology including Ravana, Shiva and Parvathi while the ceilings have paintings.
The Kailasanath Temple project was commissioned by King Krishna I after the Rashtrakuta rule had spread into South India from the Deccan. The architectural style used was Dravidian. It does not contain any of the Shikharas common to the Nagara style and was built on the same lines as the Virupaksha temple at Pattadakal in Karnataka. The achievement at the Kailasanath temple is considered an architectural consummation of the monolithic rock-cut temple and deserves be considered one of the wonders of the world. As an accomplishment of art, the Kailasnatha temple is considered an unrivalled work of rock architecture, a monument that has always excited and astonished travellers.
While some scholars have claimed the architecture at Elephanta is attributable to the Kalachuri, others claim that it was built during the Rashtrakuta period. Some of the sculptures such as Nataraja and Sadashiva excel in beauty and craftmanship even that of the Ellora sculptures. Famous sculptures at Elephanta include Ardhanarishvara and Maheshamurthy. The latter, a three faced bust of Lord Shiva, is 25 feet (8 m) tall and considered one of the finest pieces of sculpture in India. It is said that, in the world of sculpture, few works of art depicting a divinity are as balanced. Other famous rock-cut temples in the Maharashtra region are the Dhumer Lena and Dashvatara cave temples in Ellora (famous for its sculptures of Vishnu and Shivaleela) and the Jogeshvari temple near Mumbai. , Karnataka]] In Karnataka their most famous temples are the Kashivishvanatha temple and the Jain Narayana temple at Pattadakal, a UNESCO World Heritage site. Other well known temples are the Parameshwara temple at Konnur, Brahmadeva temple at Savadi, the Settavva, Kontigudi II, Jadaragudi and Ambigeragudi temples at Aihole, Mallikarjuna temple at Ron, Andhakeshwara temple at Huli (Hooli), Someshwara temple at Sogal, Jain temples at Lokapura, Navalinga temple at Kuknur, Kumaraswamy temple at Sandur, at Shirival in Gulbarga and the Trikuteshwara temple at Gadag which was later expanded by Kalyani Chalukyas. Archeological study of these temples show some have the stellar (multigonal) plan later to be used profusely by the Hoysalas of Belur and Halebidu. One of the richest traditions in Indian architecture took shape in the Deccan during this time and one writer calls it Karnata dravida style as opposed to traditional Dravida style.
, Karnataka]] With the ending of the Gupta Dynasty in northern India in the early sixth century, major changes began taking place in the Deccan south of the Vindyas and in the southern regions of India. These changes were not only political but also linguistic and cultural. The royal courts of peninsular India (outside of Tamilakam) interfaced between the increasing use of the local Kannada language and the expanding Sanskritic culture. Inscriptions, including those that were bilingual, demonstrate the use of Kannada as the primary administrative language in conjunction with Sanskrit. Government archives used Kannada for recording pragmatic information relating to grants of land. The local language formed the desi (popular) literature while literature in Sanskrit was more marga (formal). Educational institutions and places of higher learning (ghatikas) taught in Sanskrit, the language of the learned Brahmins, while Kannada increasingly became the speech of personal expression of devotional closeness of a worshipper to a private deity. The patronage Kannada received from rich and literate Jains eventually led to its use in the devotional movements of later centuries.
Contemporaneous literature and inscriptions show that Kannada was not only popular in the modern Karnataka region but the linguistic change had spread further north into present day southern Maharashtra and to the northern Deccan by the eighth century. Kavirajamarga, the work on poetics, refers to the entire region between the Kaveri River and the Godavari River as "Kannada country". Higher education in Sanskrit included the subjects of Veda, Vyakarana (grammar), Jyotisha (astronomy and astrology), Sahitya (literature), Mimansa (Exegesis), Dharmashastra (law), Puranas (ritual), and Nyaya (logic). An examination of inscriptions from this period shows that the Kavya (classical) style of writing was popular. The awareness of the merits and defects in inscriptions by the archivists indicates that even they, though mediocre poets, had studied standard classical literature in Sanskrit. An inscription in Kannada by King Krishna III, written in a poetic Kanda metre, has been found as far away as Jabalpur in modern Madhya Pradesh. Kavirajamarga, a work on poetics in Kannada by Amoghavarsha I, shows that the study of poetry was popular in the Deccan during this time. Trivikrama's Sanskrit writing, Nalachampu, is perhaps the earliest in the champu style from the Deccan.
|Middle kingdoms of India|
|Timeline:||Northern Empires||Southern Dynasties||Northwestern Kingdoms|
6th century BCE