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1811–1820
![]() George IV while Prince Regent by Sir Thomas Lawrence. |
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| Preceded by | Georgian era |
|---|---|
| Followed by | Victorian era |
| Monarch | George IV |
| Tudor period | |
|---|---|
| Elizabethan era | |
| Stuart period | |
| Jacobean era | |
| Caroline era | |
| Georgian era | |
| British Regency | |
| Victorian era | |
| Edwardian era | |
The Regency era in the United Kingdom is the period between 1811—when King George III was deemed unfit to rule and his son, the Prince of Wales, ruled as his proxy as Prince Regent—and 1820, when the Prince Regent became George IV on the death of his father.
The term Regency era sometimes refers to a more extended time frame than the decade of the formal Regency. The period between 1795 and 1837 (the latter part of the reign of George III and the reigns of his sons George IV, as Prince Regent and King, and William IV) was characterized by distinctive trends in British architecture, literature, fashions, politics, and culture. If Regency era is being used to describe the transition between Georgian and Victorian eras, the focus is on the pre-Victorian period from 1811, when the formal Regency began, through 1837 when Queen Victoria succeeded William IV. If, however, Regency era is being contrasted with the Eighteenth century, then the period includes the later French Revolutionary Wars and the Napoleonic Wars.
The era was a time of excess for the aristocracy: for example, it was during this time that the Prince Regent built the Brighton Pavilion. However, it was also an era of uncertainty caused by several factors including the Napoleonic wars, periodic riots, and the concern (threat to some, hope to others) that the British people might imitate the upheavals of the French Revolution.
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The Regency was noted in history for its elegance and achievements in the fine arts and architecture. This era encompassed a time of great social, political, and even economic change. War was waged with Napoleon and on other fronts, affecting commerce both at home and internationally as well as politics. Despite the bloodshed and warfare the Regency was also a period of great refinement and cultural achievement, shaping and altering the societal structure of Britain as a whole.
One of the greatest patrons of the arts and architecture was the Prince Regent himself (the future George IV). Upper class society flourished in a sort of mini-Renaissance of culture and refinement. Headed by the widely popular Georgiana, Duchess of Devonshire, the nobility sought to out do one another in any way. extravagance, pomp, and circumstance, albeit of a shallow nature.[1] As one of the greatest patrons of the arts, the Regent (the future George IV) ordered the costly building and refurbishing of the beautiful and exotic Brighton Pavilion, the ornate Carlton House, as well as many other public works and architecture (See John Nash). Naturally this required dipping into the treasury and the Regent, and later, King's exuberance often outstripped his pocket, at the peoples' expense.[2] The famed poet of the time Shelley observed after a particularly ostentatious festivity held by the Regent that,
this entertainment will cost 120,000 pounds. Nor will it be the last bauble which the nation must buy to amuse this overgrown bantling of Regency—David, Saul[3]
Not only was society marked by excessive spending on the part of the Prince Regent, it was also highly stratified, and in many ways there was a dark side to the beauty and fashion in England at this time. In the dingier, less affluent areas of London thievery, womanizing, gambling, the existence of rookeries, and constant drinking ran rampant.[4] This combined with the massive population boom, which had leapt from just under a million in 1801 to one and a quarter million by 1820[5] created a wild, roiling, volatile, and vibrant scene. Indeed so vast was the difference between the levels of society that they developed nearly wholly different existences, as characterized by Robert Southey who stated that,
The inhabitants of this great city seem to be divided into two distinct casts, - the Solar and the Lunar races…—[6]
Thus beneath the glamour and gloss of Regency society there existed levels of such squalor as to form an extreme contrast to that of the Prince Regent's social circle. Poverty was a major issue and one that was addressed only marginally. In many ways the retirement of George III and the formation of the Regency saw the death of a more pious and reserved society and the birth of a more frivolous, ostentatious one, largely due to the character of the Regent, himself. One can blame the profligate nature of the Prince Regent on the fact that the policy of the time was to keep the heir apparent entirely removed from the machinations of politics and military exploits, which did nothing to channel his energies in a more positive direction, thereby leaving him with the pursuit of pleasure as his only outlet, as well as his sole form of rebellion against what he saw as disapproval and censure in the form of his father.[7]
It was not only money and rebellious pampered youth that fueled these changes but also significant technological advancements. In 1814 The Times adopted steam printing thereby increasing production capabilities, along with demand tenfold (printing 1100 sheets per hour versus the previous 200 per hour).[8] This development brought about the rise of the wildly popular fashionable novels in which publishers spread the stories, rumors, and flaunting of the rich and aristocratic, not so secretly hinting at the specific identity of these individuals. The gap in the hierarchy of society was so great that those of the upper classes could be viewed by those below as wondrous and fantastical fiction, something entirely out of reach yet tangibly there.
The following is a list of places associated with the Regency era:
(incomplete list)
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(incomplete list)
![]() Necklothitania,1818 |
![]() Astley's Amphitheatre, 1808-1811. |
![]() Brighton Pavillion. 1826. |
![]() Carlton House, Pall Mall London. |
![]() Vauxhall Gardens. 1808-1811. |
![]() Church of All Souls, architect John Nash. 1823. |
![]() Regent's Canal, Limehouse. 1823. |
![]() Frost Fair, Thames River. 1814 |
![]() The Piccadilly entrance to the Burlington Arcade. 1819. |
![]() Princess Charlotte Augusta of Wales and Leopold I. 1817. |
![]() Morning dress, Ackermann. 1820. |
![]() Water at Wentworth, Humphry Repton. 1752-1818. |
![]() Hanover Square, Horwood Map, 1819. |
![]() Beau Brummell. 1805 |
![]() Battle of Waterloo. 1815. |
![]() Almack's Assembly Room. 1805-1825. |
![]() Drury Lane interior. 1808. |
![]() Balloon ascent, James Sadler, 1811. |
![]() The Anatomist, Thomas Rowlandson, 1811. |
![]() Regent's Park, Schmollinger map, 1833. |
![]() 100 Pall Mall, former location of National Gallery, 1824-1834 |
![]() Cognocenti, Gillray Cartoon, 1801 |
![]() Custom Office, London Docks, 1811-1843 |
![]() Custom and Excise, London Docks, 1820 |
![]() Mail coach, 1827 |
![]() Assassination of Spencer Perceval, 1812 |
![]() The pillory at Charing Cross, Ackermann's Microcosm of London (1808-11) |
![]() Covent Garden Theatre, 1827-28 |
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