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Trinity Church in Boston, an exemplar of Richardsonian Romanesque style.
Richardsonian Romanesque has both French and Spanish Romanesque characteristics, as seen in the First Presbyterian Church in Detroit, Michigan, by architects George D. Mason and Zachariah Rice in 1891
Architectural details of the American Museum of Natural History

Richardsonian Romanesque is a style of Romanesque Revival architecture named after architect Henry Hobson Richardson, whose masterpiece is Trinity Church, Boston (1872–77), designated a National Historic Landmark. Richardson first used elements of the style in his Buffalo State Asylum for the Insane in Buffalo, New York, designed in 1870.

Contents

History and development

This very free revival style incorporates 11th and 12th century southern French, Spanish and Italian Romanesque characteristics. It emphasizes clear, strong picturesque massing, round-headed "Romanesque" arches, often springing from clusters of short squat columns, recessed entrances, richly varied rustication, boldly blank stretches of walling contrasting with bands of windows, and cylindrical towers with conical caps embedded in the walling.

Architects working in the style

The style includes work by the generation of architects practicing in the 1880s before the influence of the Beaux-Arts styles. It is epitomised by the American Museum of Natural History's original 77th Street building by J. Cleaveland Cady of Cady, Bird and See in New York City. It was seen in smaller communities in this time period such as in St. Thomas, Ontario's city hall.

Some of the practitioners who most faithfully followed Richardson's proportion, massing and detailing had worked in his office. These include Wadsworth Longfellow and Frank Alden (Longfellow, Alden & Harlow of Boston & Pittsburgh); George Shepley and Charles Coolidge (Richardson's former employees, and his successor firm, Shepley, Rutan & Coolidge of Boston); and Herbert Burdett (Marling & Burdett of Buffalo). Other architects who employed Richardson Romanesque elements in their designs include Spier and Rohns and George D. Mason, both firms from Detroit, and John Wellborn Root.

The style also influenced the Chicago school of architecture and architects Louis Sullivan and Frank Lloyd Wright. In Finland, Eliel Saarinen was influenced by Richardson.[citation needed]

Dispersion

Research is underway to try to document the westward movement of the artisans and craftsmen, many of whom were immigrant Italians and Irish, who built in the Richardsonian Romanesque tradition. The style began in the East, in and around Boston, where Richardson built the influential Trinity Church on Copley Square. As the style was losing favor in the East, it was gaining popularity further west. Stone carvers and masons trained in the Richardsonian manner appear to have taken the style west, until it died out in the early years of the 20th century.

As an example, four small bank buildings were built in Richardsonian Romanesque style in Osage County, Oklahoma, during 1904-1911.[1]

Images

For pictures of H.H. Richardson’s own designs and some of the details, see Henry Hobson Richardson.

None of the following structures were designed by Richardson. They illustrate the strength of his architectural personality on progressive North American architecture from 1885 to 1905.

They are divided into categories denoting the various difference uses of the buildings.

Civic Buildings

Educational Institutions and Libraries

Service-related buildings


Churches and chapels

Residences

See also

References

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Footnotes

Notations

  • Kelsey, Mavis P. and Donald H. Dyal, The Courthouses of Texas: A Guide, Texas A&M University Press, College Station Texas 1993 ISBN 0890965471
  • Kvaran, Einar Einarsson, Architectural Sculpture in America unpublished manuscript
  • Kvaran, Einar Einarsson, Starkweather Memorial Chapel, Highland Cemetery, Ypsilanti, Michigan, Unpublished paper 1983
  • Larson, Paul C., Editor, with Susan Brown, The Spirit of H.H. Richardson on the Midwest Prairies, University Art Museum, University of Minnesota, Minneapolis and Iowa State University Press, Ames 1988
  • Ochsner, Jeffrey Karl, H.H.Richardson: Complete Architectural Works, MIT Press, Cambridge MA 1984 ISBN 0262150239
  • Ochsner, Jeffrey Karl, and Andersen, Dennis Alan, Distant Corner: Seattle Architects and the Legacy of H. H. Richardson, University of Washington Press, Seattle WA 2003 ISBN 0-295-98238-1
  • Van Rensselaer, Mariana Griswold, Henry Hobson Richardson and His Works, Dover Publications, Inc. NY 1959 (Reprint of 1888 edition) ISBN 0486223205

External links


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