| Rumpelstiltskin | |
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| Illustration of Rumpelstiltskin from Andrew Lang's The Blue Fairy Book, ca. 1889 |
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| Folk tale | |
| Name: | Rumpelstiltskin |
| AKA: | Tom Tit Tot Päronskaft Repelsteeltje |
| Data | |
| Aarne-Thompson Grouping: | 500 |
| Country: | Germany England Sweden |
| Published in: | Grimm's Fairy Tales The Blue Fairy Book English Fairy Tales |
Rumpelstiltskin is a character in a fairy tale of the same name that originated in Germany (where he is known as Rumpelstilzchen). The tale was collected by the Brothers Grimm, who first published it in the 1812 edition of Children's and Household Tales. It was subsequently revised in later editions until the final version was published in 1857.
The same story pattern appears in numerous other cultures: Tom Tit Tot in England (from English Fairy Tales by Joseph Jacobs), Päronskaft (meaning "pear stalk") in Sweden[citation needed], Joaidane جعيدان in Arabic (he who talks too much), Martinko Klingáč in Slovakia, Ruidoquedito (meaning "little noise") in Spain , Ootz'Lee Gootz'Lee in Hebrew, Pancimanci in Hungary (from A Csodafurulya by Kolozsvari Grandpierre Emil) and Cvilidreta (whine-screamer) in Croatia.
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In order to make himself appear more important, Junior Stopka lied to the king that his daughter could spin straw into gold. The king called for the girl, shut her in a tower room with straw and a spinning wheel, and demanded that she spin the straw into gold by morning, for three nights, or be executed. She had given up all hope, when a dwarfish creature appeared in the room and spun straw into gold for her in return for her necklace; then again the following night for her ring. On the third night, when she had nothing with which to reward him, the strange creature spun straw into gold for a promise that the girl's first-born child would become his.
The king was so impressed that he married the miller's daughter, but when their first child was born, the dwarf returned to claim his payment: "Now give me what you promised". The queen was frightened and offered him all the wealth she had if she could keep the child. The dwarf refused but finally agreed to give up his claim to the child if the queen could guess his name in three days. At first she failed, but before the final night, her messenger discovered the dwarf's remote mountain cottage and, unseen, overhears the dwarf hopping about his fire and singing. While there are many variations in this song, the 1886 translation by Lucy Crane reads:
When the dwarf came to the queen on the third day and she revealed his name, Rumpelstiltskin lost his bargain. In the 1812 edition of the Brothers Grimm tales, Rumpelstiltskin then "ran away angrily, and never came back". The ending was revised in a final 1857 edition to a more gruesome version where Rumpelstiltskin "in his rage drove his right foot so far into the ground that it sank in up to his waist; then in a passion he seized the left foot with both hands and tore himself in two." Other versions have Rumpelstiltskin driving his right foot so far into the ground that he creates a chasm and falls into it, never to be seen again. In the oral version originally collected by the brothers Grimm, Rumpelstiltskin flies out of the window on a cooking ladle (Heidi Anne Heiner).
The name Rumpelstilzchen in German means literally "little rumble stilt". (A stilt is a post or pole which provides support for a structure.) A rumpelstilt or rumpelstilz was the name of a type of goblin, also called a pophart or poppart that makes noises by rattling posts and rapping on planks. The meaning is similar to rumpelgeist ("rattle ghost") or poltergeist, a mischievous spirit that clatters and moves household objects. (Other related concepts are mummarts or boggarts and hobs that are mischievous household spirits that disguise themselves.)
The earliest known mention of Rumpelstiltskin occurs in Johann Fischart's Geschichtklitterung, or Gargantua of 1577 (a loose adaptation of Rabelais' Gargantua and Pantagruel) which refers to an "amusement" for children named "Rumpele stilt or the Poppart".
Another tale revolves about a girl trapped by false claims about her spinning abilities: The Three Spinners. However, the three women who assist that girl do not demand her first born, but that she invite them to her wedding and say that they are relatives of hers. With this more reasonable request, she complies, and is freed from her hated spinning when they tell the king that their hideous looks spring from their endless spinning. In one Italian variant, she must discover their names, as with Rumpelstiltskin, but not for the same reason: she must use their names to invite them, and she has forgotten them.
In written fiction, Vivian Vande Velde's book The Rumpelstiltskin Problem presents a handful of alternative versions of the tale in a humorous attempt to address the story's plot holes.
In 2009 the story was adapted as a ballet in one act, Rumpelstiltskin, Op. 88, by American composer Evan Bushman.
http://www.drinknation.com/drink/rumpelstiltskin
(http://www.drinknation.com/drink/rumpelstiltskin)
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| Rumpelstiltskin by |
| From Grimm's Fairy Tales. Also an Opera written by J. Sherwood Montgomery and composed by Dr. Nicolas Reveles. |
By the side of a wood, in a country a long way off, ran a fine stream of water; and upon the stream there stood a mill. The miller's house was close by, and the miller, you must know, had a very beautiful daughter. She was, moreover, very shrewd and clever; and the miller was so proud of her, that he one day told the king of the land, who used to come and hunt in the wood, that his daughter could spin gold out of straw. Now this king was very fond of money; and when he heard the miller's boast his greediness was raised, and he sent for the girl to be brought before him. Then he led her to a chamber in his palace where there was a great heap of straw, and gave her a spinning-wheel, and said, 'All this must be spun into gold before morning, as you love your life.' It was in vain that the poor maiden said that it was only a silly boast of her father, for that she could do no such thing as spin straw into gold: the chamber door was locked, and she was left alone.
She sat down in one corner of the room, and began to bewail her hard fate; when on a sudden the door opened, and a droll-looking little man hobbled in, and said, 'Good morrow to you, my good lass; what are you weeping for?' 'Alas!' said she, 'I must spin this straw into gold, and I know not how.' 'What will you give me,' said the hobgoblin, 'to do it for you?' 'My necklace,' replied the maiden. He took her at her word, and sat himself down to the wheel, and whistled and sang:
And round about the wheel went merrily; the work was quickly done, and the straw was all spun into gold.
When the king came and saw this, he was greatly astonished and pleased; but his heart grew still more greedy of gain, and he shut up the poor miller's daughter again with a fresh task. Then she knew not what to do, and sat down once more to weep; but the dwarf soon opened the door, and said, 'What will you give me to do your task?' 'The ring on my finger,' said she. So her little friend took the ring, and began to work at the wheel again, and whistled and sang:
till, long before morning, all was done again.
The king was greatly delighted to see all this glittering treasure; but still he had not enough: so he took the miller's daughter to a yet larger heap, and said, 'All this must be spun tonight; and if it is, you shall be my queen.' As soon as she was alone that dwarf came in, and said, 'What will you give me to spin gold for you this third time?' 'I have nothing left,' said she. 'Then say you will give me,' said the little man, 'the first little child that you may have when you are queen.' 'That may never be,' thought the miller's daughter: and as she knew no other way to get her task done, she said she would do what he asked. Round went the wheel again to the old song, and the manikin once more spun the heap into gold. The king came in the morning, and, finding all he wanted, was forced to keep his word; so he married the miller's daughter, and she really became queen.
At the birth of her first little child she was very glad, and forgot the dwarf, and what she had said. But one day he came into her room, where she was sitting playing with her baby, and put her in mind of it. Then she grieved sorely at her misfortune, and said she would give him all the wealth of the kingdom if he would let her off, but in vain; till at last her tears softened him, and he said, 'I will give you three days' grace, and if during that time you tell me my name, you shall keep your child.'
Now the queen lay awake all night, thinking of all the odd names that she had ever heard; and she sent messengers all over the land to find out new ones. The next day the little man came, and she began with TIMOTHY, ICHABOD, BENJAMIN, JEREMIAH, and all the names she could remember; but to all and each of them he said, 'Madam, that is not my name.'
The second day she began with all the comical names she could hear of, BANDY-LEGS, HUNCHBACK, CROOK-SHANKS, and so on; but the little gentleman still said to every one of them, 'Madam, that is not my name.'
The third day one of the messengers came back, and said, 'I have travelled two days without hearing of any other names; but yesterday, as I was climbing a high hill, among the trees of the forest where the fox and the hare bid each other good night, I saw a little hut; and before the hut burnt a fire; and round about the fire a funny little dwarf was dancing upon one leg, and singing:
When the queen heard this she jumped for joy, and as soon as her little friend came she sat down upon her throne, and called all her court round to enjoy the fun; and the nurse stood by her side with the baby in her arms, as if it was quite ready to be given up. Then the little man began to chuckle at the thought of having the poor child, to take home with him to his hut in the woods; and he cried out, 'Now, lady, what is my name?' 'Is it JOHN?' asked she. 'No, madam!' 'Is it TOM?' 'No, madam!' 'Is it JEMMY?' 'It is not.' 'Can your name be RUMPELSTILTSKIN?' said the lady slyly. 'Some witch told you that!--some witch told you that!' cried the little man, and dashed his right foot in a rage so deep into the floor, that he was forced to lay hold of it with both hands to pull it out.
Then he made the best of his way off, while the nurse laughed and the baby crowed; and all the court jeered at him for having had so much trouble for nothing, and said, 'We wish you a very good morning, and a merry feast, Mr RUMPELSTILTSKIN!'
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Rumpelstiltskin
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