Original Japanese poster
|Directed by||Akira Kurosawa|
|Produced by||Takashi Koide|
|Written by||Akira Kurosawa
|Music by||Fumio Hayasaka|
|Distributed by||Shochiku Co. Ltd.|
|Release date(s)||April 30, 1950|
|Running time||104-5 minutes|
Scandal (醜聞 Sukyandaru , aka Shūbun) is a Japanese film written and directed by Akira Kurosawa in 1950.The film stars Toshirō Mifune, Takashi Shimura and Shirley Yamaguchi. It is in black-and-white and runs 104 minutes.
Ichiro Aoye (Toshirō Mifune), an artist, meets a famous young classical singer, Miyako Saijo (Shirley Yamaguchi) whilst working on his paintings in the mountains. After discovering they are both heading for the same location he offers to give her a motorcycle ride to where they are staying. On the way, they are spotted by paparazzi for the tabloid magazine Amour, who track the two down. As Saijo refuses to grant the photographers an interview they plot their revenge by taking a picture of the couple having breakfast and print it under the headline 'The Love Story of Miyako Saijo'.
Aoye is outraged by this false scandal and plans to sue the magazine. During the subsequent media circus, Aoye is approached by a down-and-out lawyer, Hiruta (Takashi Shimura), who claims to share Aoye's anger with the press. Aoye takes him for his attorney but Hiruta, desperate for money to cure his daughter with terminal tuberculosis, Masako (Yôko Katsuragi), accepts a bribe from the editor of the magazine to throw the trial. The trial proceeds badly for the plaintiffs. Struck by the kindness of Aoye and Saijo towards his Masako, and Masako's own disgust at the way he is handling the case, Hiruta becomes ridden with guilt. As the trial draws to an end, Masako dies, convinced that Aoye and Saijo will win the case. On the final day of the trial Hiruta, prodded by his conscience, confesses all and, though he is disbarred, his reputation is saved and Amour loses the case.
Scandal was described by Kurosawa himself as a protest film about "the rise of the press in Japan and its habitual confusion of freedom with license." It perhaps isn't coincidental that Mifune's character in the film is a painter - Kurosawa had toyed with the idea of becoming a painter before becoming a director (a passion he retained during his life - he was famous for often painting the storyboards for his films) and is probably indicative of the amount of personal involvement Kurosawa had with the film.