Sly Stone: Wikis


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Sly Stone

Sly Stone at the Northsea Jazz festival 2007 Photo: Chris Hakkens
Background information
Birth name Sylvester Stewart
Born March 15, 1943 (1943-03-15) (age 66)
Denton, Texas, United States
Genres Funk, rock, soul, R&B
Occupations Singer, songwriter, musician, producer
Instruments Vocals, organ, guitar, bass guitar, piano, keyboards, harmonica
Years active 1952 – present
Labels Epic Records, Warner Bros., Cleopatra
Associated acts Sly & the Family Stone

Sly Stone (born Sylvester Stewart, March 15, 1943, Denton, Texas) is an American musician, songwriter, and record producer, most famous for his role as frontman for Sly & the Family Stone, a band which played a critical role in the development of soul, funk and psychedelia in the 1960s and 1970s. Sly & the Family Stone was started in San Francisco, California.


Music career


Early career

The Stewart family was a deeply-religious middle-class household from Denton, Texas. The parents, K.C. and Alpha Stewart, held the family together under the doctrines of the Church of God in Christ (COGIC) and encouraged musical expression in the household.[1] Born 15 March 1943,[2] Sylvester Stewart was the second of 5 children raised in Vallejo, in the northern San Francisco Bay Area. After the family moved from Denton, Texas to Vallejo, Sylvester and his brother Freddie and their sisters Rose and Vaetta formed "The Stewart Four" as children, performing gospel music in the Church of God in Christ and even recording a single local release 78 rpm single, "On the Battlefield" b/w "Walking in Jesus' Name", in 1952. The eldest sister, Loretta, was the only Stewart child not to pursue a musical career. All of the other Stewart children would later adopt the surname "Stone" and become members of Sly & the Family Stone.

Sylvester was a musical prodigy from a young age. By the time he was seven Sylvester had already become proficient on the keyboards. By the age eleven Sylvester had mastered the guitar, bass, and drums as well.[2] While still in High School, Sylvester learned to play a number of instruments, settling primarily with the guitar, and joined a number of high school bands. One of these was The Viscaynes, a doo-wop group which, Sylvester and his Filipino friend, Frank Arelano, were the only non-white members. The fact that the group was integrated made the Viscaynes "hip" in the eyes of their audiences, and would later inspire Sylvester's idea of a multicultural Family Stone. The Viscaynes released a few local singles, including "Yellow Moon" and "Stop What You Are"; during the same period, Sylvester also recorded a few solo singles under the name Danny Stewart. With his brother, Fred, he formed several short-lived groups, like the Stewart Bros.[3]

The name Sly was a common nickname for Sylvester throughout his years in grade school. A classmate misspelled his name Slyvester and ever since the nickname followed him.[2] In the mid-1960s, Stone worked as a disc jockey for San Francisco, California soul radio station KSOL, where he included white performers such as The Beatles and The Rolling Stones into his playlists. During the same period, he worked as a record producer for Autumn Records, producing for San Francisco-area bands such as The Beau Brummels, The Mojo Men, Bobby Freeman, and Grace Slick's first band, the Great Society. Adopting the stage name "Sly Stone," he then formed "The Stoners" in 1966 which included Cynthia Robinson on trumpet. With her he started his next band, Sly and the Family Stone. Stone, Robinson, and Fred Stewart were joined by Larry Graham, Greg Errico, and Jerry Martini, all of whom had studied music and worked in numerous amateur groups. Rosie Stone joined the group soon after. Working around the Bay Area in 1967, this multiracial band made a strong impression. On the first recordings Little Sister: Vet Stone, Mary McCreary, and Elva Mouton did backup vocals.[3] In 1968 sister Rosie Stone (piano and vocals) joined the band.

Stone was influential in guiding KSOL-AM into soul music and started calling the station K-SOUL. The second was a popular soul music station (sans the K-SOUL moniker), at 107.7 FM (now known as KSAN). The current KSOL has a different format and is unrelated to the previous two stations.

Sly & the Family Stone's success

Along with James Brown and Parliament-Funkadelic, Sly & the Family Stone were the pioneers of 1970s funk. Their fusion of R&B rhythms, infectious melodies, and psychedelia created a new pop/soul/rock hybrid the impact of which has proven lasting and widespread. Motown producer Norman Whitfield, for example, patterned the label's forays into harder-driving, socially relevant material (such as The Temptations' "Runaway Child" and "Ball of Confusion") based on their sound. The pioneering precedent of Stone's racial, sexual, and stylistic mix, had a major influence in the 1980s on artists such as Prince and Rick James. Legions of artists from the 1990s forward — including Public Enemy, Fatboy Slim, Beck and many others — mined Stone’s seminal back catalog for hook-laden samples.[3]

After a mildly received debut album, A Whole New Thing (1967), Sly & The Family Stone had their first hit single with "Dance to the Music", which was later included on an album of the same name. Although their third album, Life (also 1968), also suffered from low sales, their fourth album, Stand! (1969), became a runaway success, selling over three million copies and spawning a number one hit single, "Everyday People." By the summer of 1969, Sly & The Family Stone were one of the biggest names in music, releasing three more top five singles, "Hot Fun in the Summertime" and "Thank You (Falettinme Be Mice Elf Agin)" / "Everybody is a Star", before the end of the year, and appearing at Woodstock.

Personal problems and decline

With the band's newfound fame and success came numerous problems. Relationships within the band were deteriorating; there was friction in particular between the Stone brothers and Larry Graham.[4] Epic requested more product.[5] The Black Panther Party demanded that Stone make his music more militant and more reflective of the black power movement,[5] replace Greg Errico and Jerry Martini with black instrumentalists, and replace manager David Kapralik.[6]

After moving to the Los Angeles area in fall 1969, Stone and his bandmates became heavy users of illegal drugs, primarily cocaine and PCP.[7] As the members became increasingly focused on drug use and partying (Stone carried a violin case filled with illegal drugs wherever he went),[8] recording slowed significantly. Between summer 1969 and fall 1971, the band released only one single, "Thank You (Falettinme Be Mice Elf Agin)" / "Everybody Is a Star", released in December 1969. The former song was one of the first recordings to employ the heavy, funky beats that would be featured in the funk music of the following decade. It showcased bass player Larry Graham's innovative percussive playing technique of bass "slapping". Graham later said that he developed this technique in an earlier band in order to compensate for that band's lack of a drummer.[9]

"Thank You" reached the top of the Billboard Hot 100 in February 1970.[10] The single also peaked at #5 on the R&B chart and remained there for five weeks, while also remaining at #1 on the Pop chart for two weeks in the spring of 1970, before selling over a million copies.[11]

In the fall of 1969, Stone moved from San Francisco to Los Angeles with his then girlfriend Deborah King, later Deborah Santana (wife of Carlos Santana from 1973 until filing for divorce in 2007). The band's fifth album, There's a Riot Goin' On (1971), reflected the turmoil. Most of Riot was recorded with overdubbing as opposed to The Family Stone all playing at the same time; Stone played most of the parts himself and performed more of the lead vocals than usual.

The band's cohesion slowly began to erode, and its sales and popularity began to decline as well. Errico withdrew from the group in 1971 and was eventually replaced with Andy Newmark. Larry Graham and Stone were no longer on friendly terms, and Graham was fired in early 1972 and replaced with Rustee Allen. The band's later releases, Fresh (1973) and Small Talk (1974), featured even less of the band and more of Stone. The band's reputation for not arriving at performances caused promoters to avoid booking them, and after a disastrous engagement at the Radio City Music Hall in January 1975, The Family Stone broke apart completely.

Later years

Stone went on to record four more albums as a solo artist (only High on You (1975) was released under just his name; the other three were released under the "Sly & The Family Stone" name). He also collaborated with Funkadelic on The Electric Spanking of War Babies (1981), but was unable to reinvigorate his career.

Stone did do a short tour with Bobby Womack in the summer of 1984, and he continued to make sporadic appearances on compilations and other artists' records. In 1986, Stone was featured on a track from The Time member Jesse Johnson's solo album Shockadelica called "Crazay". The music video featured Stone on keyboards and vocals, and received some airplay on the BET music network.

In 1987, Stone released a single, "Eek-a-Boo Static Automatic", from the Soul Man soundtrack. He also co-wrote and co-produced "Just Like A Teeter-Totter," which appeared on a Bar-Kays album from 1989.

In 1990, he gave an energetic vocal performance on the Earth, Wind and Fire song, "Good Time." In 1991, he appeared on a cover of "Thank You (Falettinme Be Mice Elf Agin)" performed by the Japanese band 13CATS. And he shared lead vocals with Bobby Womack on "When the Weekend Comes" from Womack's 1993 album I Still Love You. His last major public appearance until 2006 was during the 1993 Rock and Roll Hall of Fame induction ceremony where Stone showed up onstage to be entered into the Hall of Fame along with the Family Stone. In 2003, the other six members of the original Family Stone entered the studio to record a new album. Stone was invited to participate, but declined.

Stone reportedly lives near Beverly Hills or Napa Valley with two female assistants, where he records at a home studio and rides his motorcycle. A few home-studio recordings (most likely from the late 1980s) with Stone's voice and keyboards over a drum machine have made their way onto a bootleg. One Stone-penned demo called "Coming Back for More" appears to be autobiographical and includes the verse: "Been so high, I touched the sky and the sky says 'Sly, why you tryin' to get by?' Comin' back for more." His son, Sylvester Jr., told People Magazine in 1997 that his father had composed an album's worth of material, including a tribute to Miles Davis called "Miles and Miles."

On August 15, 2005, Stone drove his younger sister Vet Stone on his motorcycle to Los Angeles' Knitting Factory, where Vet was performing with her Sly & the Family Stone tribute band, the Phunk Phamily Affair. Stone kept his helmet on during the entire performance, and was described by one concertgoer as looking a little like Bootsy Collins. A film crew doing a documentary on Sly & the Family Stone was at the show and apparently captured this rare sighting on film. Stone, according to his web site, is producing and writing material for the group's new album. In addition, Stone renamed the group "Family Stone."

Friends and family say Stone continues to write songs and record in his home studio. Family Stone drummer Greg Errico told Rolling Stone in the March 2006 issue, "Sly's been calling two or three times a day lately, singing over the phone."

A new Stone instrumental can be heard at the artist's Web site [1]. Stone's sister, Vet, said in a recent radio interview that the song will be recorded with vocals.

Live bookings for Sly & the Family Stone had steadily dropped since 1970, because promoters were afraid that Stone or one of the band members might miss the gig, refuse to play, or pass out from drug use.[12] These issues were regular occurrences for the band during the 1970s, and had an adverse effect on their ability to demand money for live bookings.[12] At many of these gigs, concert-goers rioted if the band failed to show up, or if Stone walked out before finishing his set. Ken Roberts became the group's promoter, and later their general manager, when no other representatives would work with the band because of their erratic gig attendance record.[13] In January 1975, the band booked itself at Radio City Music Hall. The famed music hall was only one-eighth occupied, and Stone and company had to scrape together money to return home.[14] Following the Radio City engagement, the band was dissolved.[14]

Rose Stone was pulled out of the band by Bubba Banks, who was by then her husband. She began a solo career, recording a Motown-style album under the name Rose Banks in 1976. Freddie Stone joined Larry Graham's group, Graham Central Station, for a time; after collaborating with his brother one last time in 1979 for Back on the Right Track, he retired from the music industry and eventually became the pastor of the Evangelist Temple Fellowship Center in Vallejo, California. Little Sister was also dissolved; Mary McCrary married Leon Russell and worked with him on music projects.[15] Andy Newmark became a successful session drummer, playing with Roxy Music, B. B. King, Steve Winwood and others.[16]


Stone filed suit against Jerry Goldstein, the former manager of Sly and the Family Stone for $50 million in January 2010. The suit claims that Goldstein used fraudulent practices to convince him to deliver the rights to his songs to Goldstein. In the suit, he makes the same claim about the Sly and the Family Stone trademark.[17]

Mid 2000s tributes

A Sly & the Family Stone tribute took place at the 2006 Grammy Awards on February 8, 2006, at which Stone gave his first live musical performance since 1987. Sly & the original Family Stone lineup (minus Larry Graham) performed briefly during a tribute to the band, for which the headliners included Steven Tyler, John Legend, Van Hunt, and Robert Randolph. Sporting an enormous blonde mohawk, thick sunglasses, a "Sly" beltbuckle and a silver lamé suit, he joined in on "I Want To Take You Higher." Hunched over the keyboards, he wore a cast on his right hand (the result of a recent motorcycle mishap), and a hunched back caused him to look down through most of the performance. His voice, though strong, was barely audible over the production. Stone walked to the front of the stage toward the end of the performance, sang a verse and then with a wave to the audience, sauntered offstage before the song was over.[18] "He went up the ramp [outside the theater], got on a motorcycle and took off," Ken Ehrlich, executive producer of the Grammy Awards show told the Chicago Sun-Times.

Ehrlich said Stone refused to leave his hotel room until he was given a police escort to the show and then waited in his car until the performance began.

A Sly & The Family Stone tribute album, Different Strokes By Different Folks, was released on July 12, 2005 by Starbucks' Hear Music label, and on February 7, 2006 by Epic Records. The project features both cover versions of the band's songs and songs which sample the original recordings. Among the artists for the set are The Roots ("Star", which samples "Everybody is a Star"), Maroon 5 and Ciara ("Everyday People"), John Legend, Joss Stone & Van Hunt ("Family Affair"), the Black Eyed Peas' Will.I.Am ("Dance to the Music"), and Steven Tyler, Joe Perry and Robert Randolph ("I Want to Take You Higher"). Epic Records' version of the tribute album, which included two additional covers ("Don't Call Me Nigger, Whitey" and "Thank You (Falletinme Be Mice Elf Agin)") was released in January 2006.[19]


On Sunday, January 14, 2007 Stone made a short guest appearance at a show of The New Family Stone band he supports at the House of Blues.

On April 1, 2007, Stone appeared with the Family Stone at the Flamingo Las Vegas Showroom, after George Wallace's standup act.[2]

On July 7, 2007 Stone made a short appearance with the Family Stone at the San Jose, CA Summerfest. He sang "Sing a Simple Song" and "If You Want Me to Stay," and walked off stage before the end of "Higher." He wore a baseball cap, dark glasses, a white hooded sweatshirt, baggy pants and gold chains. Stone, who took the stage at about 8:45 p.m., cut the set short, in part, because the promoter was told that the show had to end by 9:00. The band began their set over 90 minutes late reportedly because the stage management was poor and the promoter's band played for 30 minutes longer than scheduled. Stone's 15-minute set came only after his sister, Vet, and the rest of the band performed for 35 minutes. As he exited the stage he told the audience near the front of the stage that he would return. He did return, but only to tell the crowd that the police were shutting down the show. While many blamed Stone for this incident, others believed that the promoter was at fault.

The same scenes were repeated at the Montreux Jazz Festival on the 13th July 2007 with over half the sold-out venue walking out in disgust even earlier than his stage exit.

The same happened again one day later at the Blue Note Records Festival in Ghent, Belgium. Here he left the stage after saying to the audience that "when waking up this morning he realized he was old, and so he needed to take a break now". He did the same again one day later, performing at the North Sea Jazz Festival.

But as the tour progressed, Stone seemed to be more confident and animated, often dancing and engaging the audience. By the time the tour rolled into Paris, things appeared to be improving, and Stone sporting an afro and a headband, performed an energetic and absorbing show, with one his finest performances of "Family Affair." He performed soulful versions of "Stand", "I Want To Take You Higher", "Sing A Simple Song", "If You Want Me To Stay", and "Thank You (Falettinme Be Mice Elf Agin)", (which at one point morphed into "Thank you For Talkin' To Me Africa", a track rarely performed in public). But the show was marred by sound problems and the vocals were barely audible through much of the show.

On Memorial Day, May 25, 2009, Stone re-emergeed once again, granting an hour-long interview with KCRW-FM Los Angeles, An NPR affiliate, to discuss his life and career.

On 18 August 2009 the Guardian reported that a forthcoming documentary claims Stone was living on welfare and staying in cheap hotels and campervans. The film alleges that Stone's former manager, Jerry Goldstein, cut off his access to royalty payments following a dispute over a 'debt agreement', forcing Stone to depend on social security payments. [3]

On Labor Day, September 7, 2009, Stone emerged at the 20th annual African Festival of the Arts in Chicago, Il. He performed a 15 minute set during George Clinton's Performance. He performed his popular hits along with George Clinton's band, stealing the show. He left immediately after his short performance.

On December 6, 2009, Sly signed a new recording contract with the LA based Cleopatra Records. A new album is expected sometime in 2010.


See also


  1. ^ Selvin, Joel (1998). For the Record: Sly and the Family Stone: An Oral History. New York: Quill Publishing. ISBN 0-380-79377-6.
  2. ^ a b c Santiago, Eddie. Sly: The Lives of Sylvester Stewart and Sly Stone. Eddie Santiago, 2008. Print.
  3. ^ a b c "Sly & The Family Stone." Rolling Stone. Web.
  4. ^ Selvin, Joel (1998), pp. 107, 146–152
  5. ^ a b * Kaliss, Jeff (2008). I Want to Take You Higher: The Life and Times of Sly & the Family Stone. New York: Hal Leonard/Backbeat Books. ISBN 0-879-30934-2.
  6. ^ Selvin, Joel (1998), p. 89; interview with David Kapralik.
  7. ^ Selvin, Joel (1998), pp. 94–98
  8. ^ Selvin, Joel (1998), p. 122
  9. ^ Bass Legend Graham Lays Down the Millennial Funk: Larry Graham. Rolling Stone. Retrieved on 2008-10-25.
  10. ^ name="BillboardCharts"
  11. ^ allmusic: Thank You (Falettinme Be Mice Elf Agin). All Media Guide, LLC. Retrieved on 2008-10-25.
  12. ^ a b Selvin, Joel (1998), pp. 141–145
  13. ^ Selvin, Joel (1998), pp. 186–189.
  14. ^ a b Selvin, Joel (1998), pp. 188–191.
  15. ^ Ankeny, Jason. "Leon Russell". Allmusic. Retrieved on 2007-02-05.
  16. ^ Credits for Andy Newmark. Allmusic. Retrieved on 2007-02-05.
  17. ^ The Detroit Free Press, January 30, 2010, page 11A
  18. ^ Wilkinson, Peter (February 24, 2006). "Sly's Strange Comeback". Rolling Stone. Retrieved September 9, 2009. 
  19. ^ Bradbury, Andrew Paine (August 18, 2005). "Sly Stone Joins Family". Rolling Stone. Retrieved September 9, 2009. 

Reference works

  • Lewis, Miles Marshall (2006). There's a Riot Goin' On. New York: Continuum International Publishing Group. ISBN 0-826-41744-2.
  • Kamp, David. "Sly Stone's Higher Power." Vanity Fair. Conde Nast, Aug. 2007.

External links


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