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Sol Hurok (Solomon Isiaevich
Hurok; born Solomon Izrailevich Gurkov, Russian
Соломон Израилевич Гурков) (April 9, 1888, Ukraine — March 5, 1974, New York City) was
a world famous 20th century American impresario.[1]
Hurok moved to the United States in 1906 and became a naturalized citizen in 1914.
During Hurok's long and illustrious career,[2][3]
S. Hurok Presents managed many major performing
artists, including Marian Anderson, Irina
Arkhipova, Vladimir Ashkenazy, Feodor
Chaliapin, Van
Cliburn, Isadora Duncan, Michel Fokine, Emil Gilels, Jerome Hines, Arturo Benedetti
Michelangeli, David Oistrakh, Anna Pavlova, Jan Peerce, Svyatoslav
Richter, Mstislav Rostropovich, Arthur
Rubinstein, Isaac
Stern, Galina Vishnevskaya, Efrem
Zimbalist, and many others.
The First Moog Quartet, the first to
perform electronic music in Carnegie Hall, was
formed in 1970 in response to Hurok's request to hear the Moog
synthesizer in a live concert.
In 1935, Rubinstein introduced Hurok to singer
Marian
Anderson,[4][5]
who retained Hurok as her manager for the rest of her career.[6
] A few years later Hurok, with Walter White of the NAACP
and First Lady Eleanor Roosevelt, was instrumental
in persuading U.S. Secretary of the Interior Harold L. Ickes
to arrange the now-legendary Easter Sunday open-air concert on the steps of
the Lincoln
Memorial on April 9, 1939.
In 1959, after 35 years of effort,[7]
Sol Hurok brought the historic Russian Bolshoi Ballet to the United States for an eight week
performance tour. In 1961, he brought Russia's Kirov Academy of Ballet and the
Igor Moiseyev
Ballet Company to the U.S. In 1962, he achieved the extraordinary
by again bringing the Bolshoi to the U.S. for a tour at the height
of the Cuban Missile Crisis.[4][8
]
In honor of Hurok's vast influence on American music, on
December 4, 1971 he was awarded the prestigious University of Pennsylvania Glee Club Award
of Merit[9].
Beginning in 1964, this award was "established to bring a
declaration of appreciation to an individual each year that has
made a significant contribution to the world of music and helped to
create a climate in which our talents may find valid
expression."
In 1972, a bomb planted in Hurok's Manhattan office exploded,[8
][10]
killing Iris Kones and injuring several others, including Hurok.
The bombing had been arranged by the Jewish
Defense League, which opposed the U.S. tours of artists from
the Soviet
Union.[11]
In 1974, en route to a meeting with David Rockefeller to discuss a Rudolf Nureyev
project,[8
] Hurok died of a heart attack. More than two
thousand people nearly filled Carnegie Hall for his funeral,[8
] where Marian Anderson delivered the final
eulogy.[4]
“He didn't have the musical understanding of a scholar or
specialist,” Russian pianist Alexander Slobodyanik, another
Hurok discovery, told me. “But he had a sixth sense for the aura
surrounding an artist, the aura of success or the ability to
interest an audience. And after all, most people in a concert
audience don't have any special education either. Like Hurok, they
just have hearts.”
– Harlow Robinson, "Sol
Hurok: America's dance impresario."[12
]
References
- ^ Harris Green. "Book Review: The Last
Impresario: The Life, Times, and Legacy of Sol Hurok, by
Harlow Robinson". Dance Magazine, September 1994. http://findarticles.com/p/articles/mi_m1083/is_n9_v68/ai_15825426.
- ^
S. Hurok at the Internet Broadway
Database
- ^
Sol Hurok at the Internet Movie Database
- ^ a
b
c
"Brief notes about Sol
Hurok". http://www.historyforsale.com/html/prodetails.asp?documentid=166347&start=15&page=41.
"Fittingly, it was Anderson who said the final words at Hurok's
funeral."
- ^ United States Postal
Service (2005). "Marian Anderson, Voice of
the Century" (plain
text). http://www.usps.com/communications/community/_txt/mariankit.txt.
- ^
"Marian Anderson
Biography". University of Pennsylvania
Library Special Collections-MA Register 4 (Scope and Content
Note). Last update: 31 January 2003. http://www.library.upenn.edu/collections/rbm/mss/anderson/anderson_m4.html.
- ^ "What Sol Wrought".
Time. 27 April 1959. http://www.time.com/time/magazine/article/0,9171,811062,00.html?promoid=googlep.
"After 35 years of trying, Hurok had finally signed Moscow's famed Bolshoi Ballet for
an epochal eight-week U.S. tour, and now he was issuing a frantic
order: tell newspapers nothing more about the Bolshoi—not even its repertory. Was Hurok mad? Not at all. As the
Bolshoi opened at Manhattan's Metropolitan Opera
House… he was merely the center of the fiercest ticket crush in
recent memory."
- ^ a
b
c
d
Harlow Robinson (November 1994). "Sol Hurok: America's dance
impresario". Dance Magazine. http://findarticles.com/p/articles/mi_m1083/is_n11_v68/ai_15923029/pg_5.
"By bringing Soviet artists to the West and American artists to the
USSR from the
mid-1950s through the mid-1970s, Hurok added an important measure
of continuity and humanity to the fragile superpower relationship.
Even at the height of the Cuban Missile Crisis, the moment
at which the world came closest to nuclear war, the Bolshoi Ballet was
dancing across the United States under the "S. Hurok Presents"
banner. To those opposed to rapprochement with Moscow, however, such as the militant Jewish
Defense League, Hurok's presentation of Soviet performers in
the United States was a moral outrage. Beginning with picket
lines and stinkbombs, the JDL's anti-Hurok campaign
climaxed in the terrorist bombing of his offices in early
1972. Hurok was hospitalized for smoke inhalation, and one of his
secretaries was killed. Those who knew Hurok well agree that the
incident undermined his seemingly indestructible constitution. He
died two years later of a massive heart attack on the way to a
meeting with David Rockefeller. They were planning
to discuss possible financing for a new attraction he was
developing with Rudolf Nureyev—"Nureyev and
Friends.""
- ^
"The University of
Pennsylvania glee Club Award of Merit Recipients". http://www.dolphin.upenn.edu/gleeclub/MEMBERS_merit.html.
- ^ Richard Rosenthal (2000). "Chapter
One, excerpt: Rookie Cop: Deep Undercover in the Jewish Defense
League". Leapfrog Press. ISBN 0-9654578-4-5. "Before
those responsible were aware they had killed a young Jewish woman,
one of those in charge of the operation had already made the
obligatory call to the media, saying: "This culture destroys
millions of Jews. Cultural bridges of friendship will not be built
over the bodies of Soviet Jews. NEVER AGAIN!""
- ^
Harvey W. Kushner, Encyclopedia of Terrorism,
SAGE, 2003, 192-193 ISBN 0761924086
- ^
Harlow Robinson (November 1994). "Sol Hurok: America's dance
impresario". Dance Magazine. http://findarticles.com/p/articles/mi_m1083/is_n11_v68/ai_15923029.