| Stormwatch | ||||
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| Studio album by Jethro Tull | ||||
| Released | September 14, 1979 | |||
| Recorded | 1978 - 1979 | |||
| Genre | Folk
rock Progressive rock |
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| Length | 45:42 (original release) / 59:38 (2004 remastered edition with bonus tracks) | |||
| Label | Island Records (UK) Chrysalis Records (US) |
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| Producer | Ian Anderson Robin Black |
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| Professional reviews | ||||
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| Jethro Tull chronology | ||||
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Stormwatch (1979) is an album by the rock group Jethro Tull and is considered the last in the trilogy of folk-rock albums by Jethro Tull (although folk music influenced virtually every Tull album). Among other subject-matter, the album touches heavily on the problems relating to the environment, oil and money, although the threat at the time was reasonably perceived as "Global cooling".
With heavy rock and elegant orchestrations, the album presents energy, thought, intensity and an inner peace, ending with an overall sense of calm.
In 2004, a remastered version of Stormwatch was released with four bonus tracks.
This is the last Tull album to feature the classic line-up of 1970s. Bassist John Glascock is only featured on three tracks ("Flying Dutchman", "Orion", and "Elegy"). Ian Anderson played bass elsewhere on the album.
The instrumental piece "Elegy" was written by David Palmer.
Contents |
All songs composed by Ian Anderson except where noted.
The remastered CD added bonus tracks (which had been on the 20 Years of Jethro Tull box-set) and extensive liner notes:
Also featuring:
Dun Ringill is the historic site of an Iron Age fort on the Isle of Skye, which served as the original seat of the Clan MacKinnon. Anderson once owned and lived in nearby Kilmarie House, until he sold the estate in 1994.[1] A sporran is a type of pouch traditionally worn with a kilt.
Other tracks allude to the constellation of Orion and the legend of the Flying Dutchman.
It is sometimes rumored that "Elegy" was a homage to John Glascock — who was very ill at the time due to a congenital heart defect, and would die shortly after the album's release. Actually, it is an elegy to David Palmer's father and is one of the few tracks on which Glascock plays.
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