| 1st | 1987">Top animated feature-length films: 1987 |
| 7th | Top Disney film soundtracks |
| The Brave Little Toaster | |
|---|---|
![]() Theatrical poster |
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| Directed by | Jerry Rees |
| Produced by | Donald Kushner Thomas L. Wilhite |
| Written by | Thomas M. Disch (book and story) Story Adaptation Brian McEntee Joe Ranft Jerry Rees |
| Starring | Jon Lovitz Tim Stack Timothy E. Day Thurl Ravenscroft Deanna Oliver |
| Music by | David Newman |
| Cinematography | Joe Ranft |
| Editing by | Donald W. Ernst |
| Studio | Hyperion/Kushner-Locke |
| Distributed by | Buena Vista Pictures Hyperion Pictures Walt Disney Pictures DVD & Video Release Walt Disney Studios Home Entertainment |
| Release date(s) | July 10, 1987 (USA) September 18, 1987 (Brazil) |
| Running time | 90 min. |
| Country | United States |
| Language | English |
| Budget | US$2.3 million[1] |
| Followed by | The Brave Little Toaster Goes to Mars (1998) |
The Brave Little Toaster is a 1987 American animated film directed by Jerry Rees, written by Thomas M. Disch, produced by Hyperion Pictures along with The Kushner-Locke Company, and released by Walt Disney Pictures (who were the original producers). The film is known for its dark and unsettling undertones that are somehow overshadowed by its family-friendly premise. The plot follows five household appliances—the Toaster (a toaster), Lampy (a desk lamp), Blanky (an electric blanket), Radio (a vacuum tube radio), and Kirby (a Kirby vacuum cleaner)—on their quest to find their owner, Rob (also referred to as "The Master").
The film was based on the novel of the same name, written by Disch, which first appeared in The Magazine of Fantasy and Science Fiction in 1980. Many members of Pixar Animation Studios were involved with this film, including John Lasseter, whose trademark A113 appears on Master's door, and Joe Ranft.
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Five appliances — a radio (Radio), a lamp (Lampy), an electric blanket (Blanky), a vacuum cleaner (Kirby), and a toaster (Toaster) — wake up and await their "Master", a child whom they have not seen for many years, with a growing sense of abandonment. When a car stops at the cabin and turns out to be a real estate broker placing a "for sale" sign, the appliances spiral into despair. The paranoid air conditioner is provoked into overheating and short-circuits. Unable to accept that the Master would abandon them, Toaster decides to head out and find the Master. The group rigs up a car battery to an office chair pulled by Kirby and set out into the world, following the Radio's signal from the City of Light.
During their travels from the cabin to the big city, the appliances have many harrowing adventures: they come across a colorful meadow where a flower mistakes its reflection in Toaster's chrome plating as another of its kind, then wilts when the Toaster rejects its advances. Toaster has a nightmare in which he is attacked by an evil clown. A violent storm in the middle of the night blows Blanky up into the trees, and Lampy risks his life by using himself as a lightning rod to recharge the group's dead battery. After recovering Blanky, the group tries to cross a waterfall, only to fall in and wash up downstream where they become hopelessly lost.
Having lost the office chair and battery, the group resorts to pulling the disabled vacuum cleaner through the swamp. After almost drowning in quicksand, they are rescued by Elmo St. Peters, the owner of an appliance parts store. At the store they meet a group of partially dismantled or broken appliances, who have given up on hope in favor of B-Movie style horror and insanity. Facing the prospect of being dismantled and sold, the appliances escape and head into the city.
The appliances arrive at the Master's apartment only to discover that they have been replaced by modern Cutting Edge appliances. The group is tossed into the garbage in the hope that the Master will take the newer appliances to college instead. When the Master, who we find out is named Rob, arrives home after failing to find the appliances at the cabin, his black and white television broadcasts advertisements for the garbage dump where the appliances have been taken. Rob decides to go there and buy replacements.
At the dump the appliances watch as several cars, resigned to being Worthless, are picked up by a giant magnetic crane and dropped onto a conveyor belt advancing toward the car crusher, which smashes the cars to death. They attempt to foil the magnetic crane in order to allow Rob to find them. After being thwarted several times, the furious crane picks up Rob himself as well as all of the appliances save Toaster, and drops them on the compactor's conveyor belt. In a climactic act of self-sacrifice, Toaster leaps into the compactor's gears and stops the machine from destroying his friends and Rob. Rob returns to the apartment with all of the appliances in tow, including the now mangled Toaster. Despite his girlfriend Chris' skepticism, he repairs Toaster and takes all of them to college with him.
The film rights to The Brave Little Toaster, the original novel, were bought by the Disney Studios in 1982, two years after its appearance in print. After John Lasseter and Glen Keane had finished the short 2D/3D test film based on the book, Where the Wild Things Are, Lasseter and Thomas L. Wilhite decided they wanted to make a whole feature this way. The story they chose was The Brave Little Toaster, but in their enthusiasm, they had issues when they pitched the idea. One of them, animation administrator Ed Hansen disliked it so much that when Lasseter and Wilhite tried to sell the idea to him and Ron Miller, which they at that time were already aware of, they rejected it due to the idea of having traditionally animated characters inside more-costly computer-generated backgrounds.[2] A few minutes after the meeting, Lasseter received a phone call from Hansen and was asked to come down to his office, where Lasseter was told that his job had been terminated. The development was then transferred to the new Hyperion Pictures, the creation of former Disney employees Wilhite and Willard Carroll, who took the production along with them.[3]
With Disney backing the project, Toaster soon turned into an independent effort; the electronics company TDK and video distributor CBS-Fox soon joined in. In 1986, Hyperion began to work on the story and characters, with Taiwan's Wang Film Productions for the overseas unit.[3] The cost was reduced to $2.3 million as production began. Jerry Rees, a crew member on two previous Disney films, The Fox and the Hound and Tron, and a friend of Lasseter, was chosen to direct the film, and was also a writer on the screenplay along with Joe Ranft. Rees' inspiration for voice casting came from the Groundlings improvisational group, some of whose members (Jon Lovitz, Phil Hartman, Timothy Stack, and Mindy Sterling) voiced characters in the film. Lovitz and Hartman were stars of Saturday Night Live at the time. The color stylist was veteran Disney animator Ken O'Connor, a member of Disney's feature animation department from its establishment.[3]
The Brave Little Toaster has songs by Van Dyke Parks and a score composed and conducted by David Newman. Newman's score for this movie was one of his earlier works and apparently one that he felt very close to. He did not view it as an overly happy film and decided to give it a dramatic score to go with that idea.[citation needed]
The Brave Little Toaster was initially released on July 10, 1987, and made its way to the Sundance Film Festival the following year. Despite being a favorite with festival audiences, it failed to find a distributor. Disney, who held the video and television rights, withdrew its official theatrical distribution, intending it to be shown on its new premium cable service instead. The buzz it generated at Sundance dissipated, and it only received limited theatrical airings through Hyperion, mainly at arthouse facilities across the U.S., and most notably at the Film Forum in New York City, in May 1989. Disney finally premiered the film on home video in July 1991 and, throughout the '90s onward, it enjoyed popularity as a rental amongst children as well as a Parent's Choice Award win. The VHS was re-issued in 1994 in traditional Disney white clamshell packaging, followed by another VHS release in 1998. The film was released on DVD in 2002, to tie in with the film's 15th anniversary.
The film became a cult favorite with audiences. The original film has garnered a 75% rating on the reviews website, Rotten Tomatoes.[4] The Washington Post called the film, "a kid's film made without condescension".[5] The Brave Little Toaster received an Emmy nomination for Best Animated Program in 1988. It was followed by two sequels, The Brave Little Toaster Goes to Mars (1998), also written by Disch, and The Brave Little Toaster to the Rescue (1999). The two sequels were released out of chronological order; To the Rescue takes place before Goes to Mars.
The Brave Little Toaster is generally darker in tone for a Disney film, despite being made at a time when darker animated features such as The Secret of NIMH and Disney's own The Black Cauldron were common, and caused some controversy upon its home video release where it earned a wider audience than it did with its film festival and television showings.[citation needed] Example scenes include: the air conditioner's enraged attempted suicide (he is later revived by Rob), a nightmare sequence featuring an evil clown, a scene where a blender's motor is fatally removed, and a few instances of mild profanity. As well, during the song Worthless, no fewer than eight speaking automobile characters end up being smashed mercilessly into scrap metal and killed.
Most of its dark tone comes from its undertones about the advancement of technology and the lead group of characters' sense of abandonment leading to near insanity, as well as a surprisingly poignant scene in which nature and technology meet, involving a lonely flower seeing its own reflection in the Toaster's shiny metal chrome and thought it had found a companion, as the Toaster hid behind a bush - he took a peek through the leaves and saw that the flower, now wilted and dying, was bent over in sorrow, rejection and loneliness - a petal dropped to the ground like a tear. While its undertones are open and expanded, they are somehow overshadowed by its family friendly appeal and delightful characters, and its kid-orientation expanded in the later direct-to-video sequels, adding much brighter song sequences and new talking animal characters.
The main cast of the film have a cameo appearance in the episode "Christmas in Oz" from the TV show The Oz Kids.
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