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"The Contest"
Seinfeld episode
Episode no. Season 4
Episode 11

(#51 overall)

Written by Larry David
Directed by Tom Cherones
Original airdate November 18, 1992
Guest stars

Jane Leeves
Andrea Parker

Season 4 episodes
Seinfeld – Season 4
August 1992 – May 1993
  1. "The Trip, Part 1"
  2. "The Trip, Part 2"
  3. "The Pitch"
  4. "The Ticket"
  5. "The Wallet"
  6. "The Watch"
  7. "The Bubble Boy"
  8. "The Cheever Letters"
  9. "The Opera"
  10. "The Virgin"
  11. "The Contest"
  12. "The Airport"
  13. "The Pick"
  14. "The Movie"
  15. "The Visa"
  16. "The Shoes"
  17. "The Outing"
  18. "The Old Man"
  19. "The Implant"
  20. "The Junior Mint"
  21. "The Smelly Car"
  22. "The Handicap Spot"
  23. "The Pilot, Part 1"
  24. "The Pilot, Part 2"
List of Seinfeld episodes

"The Contest" was the 51st episode of the NBC sitcom, Seinfeld. The eleventh episode of the fourth season, it aired on November 18, 1992.[1] In the episode, George Costanza tells Jerry Seinfeld, Elaine Benes and Cosmo Kramer that his mother caught him unaware while he was masturbating. The conversation results in George, Jerry, Elaine and Kramer entering into a contest to determine who can go for the longest period of time without masturbating.

The episode was controversial when broadcast because NBC thought that masturbation was not a topic suitable for prime time television. As a result, the word "masturbation" is never used in the episode. Instead, the subject is described using a series of euphemisms, while the meaning of the subject is still made clear to the audience.[2] The writer of the episode, Larry David, won the Primetime Emmy Award for Outstanding Individual Achievement in Writing in a Comedy Series for his work on the episode.[3] One euphemism used in the episode was when a character said they were still "master of my domain" which meant they were still in the contest. That became a catchphrase in popular culture, although it is not always used to refer to masturbation.[4][5]



The fourth season of Seinfeld has a continuous story arc, in which Jerry and George are writing a television pilot for NBC. In the previous episode, "The Virgin", Jerry had started dating Marla (played by Jane Leeves), a woman who is a virgin.


The episode begins with Jerry, Kramer and Elaine dining at Monk's Cafe. George enters and says that, "My mother caught me". When asked what, he says, "I was alone", and goes on to imply that his mother caught him masturbating in her house while reading Glamour Magazine, resulting in her falling over in shock and ending up in the hospital. George says he'll never do that again, and when Jerry expresses skepticism at this, they make a $100 bet over who can go the longest without masturbating. Kramer then joins the bet, as does Elaine. However, Elaine is forced to bet $150, because the men claim that it is harder for men to not masturbate, as it is part of a man's "lifestyle".

Kramer is first out, due to the presence of a beautiful woman in the apartment across the street who walked around naked with the curtains open. The others are distracted by various temptations. George is distracted in the hospital his mother is staying in by a beautiful woman who receives daily sponge baths from a beautiful female nurse. Elaine attends a fitness club which is also attended by John F. Kennedy Jr.. Jerry is tempted by the naked woman across the street and frustrated because the woman he's dating won't have sex with him, since she is a virgin.

The contest affects their sleep, and the remaining contestants suffer insomnia, while only the people who were eliminated can sleep peacefully. Elaine shares a ride with Kennedy, and she tells him that she lives near Jerry in order to extend the ride. She then learns that Kennedy wants to meet, and says he'll drop by Jerry's apartment. Eventually, the pressure becomes too much for her and she is the second person to be knocked out of the contest.

While making out on the couch, Marla asks Jerry if they can have sex, claiming that she is ready. However, Jerry then tells Marla about the contest, prompting Marla to leave in disgust. Elaine believes that Kennedy has changed his mind and not bothered to see her. George then tells Elaine that Kennedy did come, but missed her and went with Marla. They then see Kramer with the naked woman across the street. That night, everyone has a good sleep, implying that nobody won, but as seen in The Finale, Jerry is shown to the victor. Marla also is found, showing that she had sex with John.


The episode was written by Larry David. Kenny Kramer claimed that there actually was a "Contest" in which David and some friends of his took part, although he did not initially want to take part because he thought he could not win it. David won the contest.[6] When David came up with using the idea for an episode of Seinfeld, he did not talk about it with Seinfeld for a considerable time, because he thought the episode was impossible for him to pitch.[7] However, Seinfeld thought it was not offensive.[8] The original script was not revealed until the night before the cast read-through.[9] The first version written by David was not as clean as the one later broadcast.[7] The note from the censor claimed that David should not use the word "Snapple".[10] Julia Louis-Dreyfus thought that the episode would never go ahead due to the subject matter.[11] Seinfeld decided it would be better to remove any references to what George actually did.[7] Seinfeld claimed that what was noteworthy about "The Contest" was the "Dovetailing" of the stories.[12] He claimed that it probably would have been possible to have used the word "Masturbation" in the episode, although it would have probably ended up not being as funny.[8] Part of the opening scene of the episode contains some of the script that was originally meant to be used in "The Seinfeld Chronicles", the original pilot episode.[9]

"The Contest" is the first episode to feature Estelle Costanza as an on-screen character. Estelle Harris, who played the character, had not seen Seinfeld before she auditioned for the role. The cast and crew commented positively on the similarity in appearance between Harris and Jason Alexander, as it made it more believable that their characters could be related. Alexander's real-life mother looks similar to Harris.[13]

There are two deleted scenes in "The Contest". One features Joyce, the teacher of Elaine's fitness class, in the opening scene talking to Elaine, Jerry and Kramer. The second features George and Estelle Costanza in the hospital, where the female patient has been moved to the room next-door after Estelle complained about her nakedness.[14]


"The Contest" is considered to be one of the best Seinfeld episodes, winning several awards and positive reviews from the critics. David won a Primetime Emmy Award for Outstanding Individual Achievement in Writing in a Comedy Series for the episode.[3] He also won a Writers Guild of America Award for his work on the episode.[9] Director Tom Cherones won a Directors Guild of America Award for Outstanding Directorial Achievement in Comedy Series for this episode.[15] He was also nominated for a Primetime Emmy Award for Outstanding Individual Achievement in Directing.[16] TV Guide ranked the episode #1 on its list of "TV's Top 100 Episodes of All Time".[17]

"The Contest" received a Nielsen Rating of 13/19, meaning that the episode was watched by an average of 13% of households and 19% of all televisions were tuned to the episode when it was broadcast. Approximately 18.5 million people watched the episode. The first repeat of the episode gave Seinfeld its highest ratings up till that point, with a 20.1/30 Nielsen Rating. It also received only 31 complaints from viewers, despite the subject matter.[9] There were worries from advertisers who did not want to advertise during the episode due to the topics that were being discussed. However, most regular advertisers did not broadcast adverts during the show because the series did not have good ratings at the time.[18]

The episode is considered by most reviewers as a success for being able to cover a controversial subject in an inoffensive manner. Jonathan Boudreaux for said that "The Emmy-winning script by Larry David introduced the brilliant euphemism "master of my domain" to our lexicon and helped the series to truly become must-see TV. We know what the episode is about, but the script never explicitly says it. "The Contest" effortlessly takes a potentially incendiary subject and renders it utterly inoffensive yet hilarious".[19] He also said that "The Contest" episode was "one of the series' most infamous".[20] Donna Dorsett from commented on the refusal to use the word "masturbation", saying that, "If the word had been used, even once, the show would not have been nearly as hilarious. The episode was totally inoffensive".[21]

James Plath from DVD Town said that, "Estelle Harris, as George's mother, is hilarious".[22] John F. Kennedy Jr. appeared to have had no problem with appearing as a character in the episode, although he himself did not appear in the show, his role being played by an actor who is not named in the credits.[23]

Cultural references

This is the second Seinfeld episode to feature Elaine's fondness for the Kennedy family, the first being "The Baby Shower".[9] JFK Jr., who "appears" in this episode was killed in a plane crash on July 16, 1999. Seinfeld claimed that he had never heard of the song "The Wheels on the Bus" (which he sings while watching Tiny Toon Adventures) before recording the episode.[8] The original script featured Jerry watching the TV series Flipper. It was changed due to concerns over music rights.[9]

"The Contest" is referenced in other Seinfeld episodes. The first being "The Outing", where the plot is that Jerry and George are mistakenly outed as gay. During the episode, when George visits his mother, there is a male patient in the hospital, who receives daily sponge baths from a male nurse. Although the winner of the contest is not mentioned, it is implied in "The Puffy Shirt" that George was the winner. However, as the plane is going down in "The Finale", it is revealed that George had actually cheated, therefore making Jerry the true winner. When Jerry asks him why he cheated George simply replies, "Because I'm a cheater!"[9]

"The Contest" is referenced in the "Shaq" episode of Curb Your Enthusiasm (S02E08), in which Larry David and Shaquille O'Neal watch "The Contest" together.[24] It also features in the animated sitcom Family Guy; in "Jungle Love", Peter Griffin pays the villagers of a South American tribe to re-enact "The Contest".[25] The episode inspired two Seinfeld-themed porn films. The first, The Bet, released soon after the episode was broadcast in 1993, featured three men and a woman in a similar contest. The film became a source of amusement in the Seinfeld offices. A second film called Hindfeld was released the following year.[9]


  1. ^ Kytasaari, Dennis (2007-08-09). "Seinfeld (a Titles & Air Dates Guide)". Retrieved 2008-02-17.  
  2. ^ Jason Alexander. (2005-06-13). Seinfeld Season 4: The Breakthrough Season. [DVD]. Sony Pictures Home Entertainment. ISBN 5-035822-197916.  
  3. ^ a b "1992-1993 Emmy Awards". Infoplease. Retrieved 2008-02-17.  
  4. ^ Johnson, Jeff (2006-06-05). "Master of My Domain". The New York Times. Retrieved 2008-03-24.  
  5. ^ Marin, Rick (2000-07-16). "The Great And Wonderful Wizard of Odds". The New York Times. Retrieved 2008-03-24.  
  6. ^ Kenny Kramer. (2005-06-13). Seinfeld Season 4: Inside Looks - "The Contest". [DVD]. Sony Pictures Home Entertainment. ISBN 5-035822-197916.  
  7. ^ a b c Larry David. (2005-06-13). Seinfeld Season 4: Inside Looks - "The Contest". [DVD]. Sony Pictures Home Entertainment. ISBN 5-035822-197916.  
  8. ^ a b c Jerry Seinfeld. (2005-06-13). Seinfeld Season 4: "The Contest" - Yada Yada Yada (Audio Commentary). [DVD]. Sony Pictures Home Entertainment. ISBN 5-035822-197916.  
  9. ^ a b c d e f g h Seinfeld Season 4: Notes about Nothing - "The Contest". [DVD]. Sony Pictures Home Entertainment. 2005-06-13. ISBN 5-035822-197916.  
  10. ^ Larry David. (2005-06-13). Seinfeld Season 4: The Breakthrough Season. [DVD]. Sony Pictures Home Entertainment. ISBN 5-035822-197916.  
  11. ^ Julia Louis-Dreyfus. (2005-06-13). Seinfeld Season 4: Inside Looks - "The Contest". [DVD]. Sony Pictures Home Entertainment. ISBN 5-035822-197916.  
  12. ^ Jerry Seinfeld. (2005-06-13). Seinfeld Season 4: Inside Looks - "The Contest". [DVD]. Sony Pictures Home Entertainment. ISBN 5-035822-197916.  
  13. ^ Estelle Harris. (2005-06-13). Seinfeld Season 4: Inside Looks - "The Contest". [DVD]. Sony Pictures Home Entertainment. ISBN 5-035822-197916.  
  14. ^ Seinfeld Season 4: In the Vault - "The Contest". [DVD]. Sony Pictures Home Entertainment. 2005-06-13. ISBN 5-035822-197916.  
  15. ^ 1990's Directors Guild Awards official site "". Retrieved on March 14, 2008
  16. ^ Emmy Awards official site Seinfeld 1992 - 1993 Retrieved on March 14, 2008
  17. ^ "TV's Top 100 Episodes of All Time" TV Guide; June 15, 2009; Pages 34-49
  18. ^ Robert Wright. (2005-06-13). Seinfeld Season 4: The Breakthrough Season. [DVD]. Sony Pictures Home Entertainment. ISBN 5-035822-197916.  
  19. ^ Boudreaux, Jonathan (2005-05-13). "Seinfeld: Season 4 DVD Review". Retrieved 2008-02-17.  
  20. ^ Boudreaux, Jonathan (2005-11-27). "Seinfeld: Season 5 and Seinfeld: Season 6 DVD Review DVD Review". Retrieved 2008-02-24.  
  21. ^ Dorsett, Donna (2005-06-03). "Seinfeld, Season 4 (1992 - 1993)". Retrieved 2008-02-24.  
  22. ^ Plath, James (2005-05-17). "Jerry Seinfeld: Comedian (The Complete 4th Season)". DVD Town. Retrieved 2008-02-17.  
  23. ^ Moos, Jeanne (1999-06-23). "JFK Jr. remembered as legend with sense of humor". CNN. Retrieved 2008-03-24.  
  24. ^ Traina, Jimmy (2005-07-20). "Top 10 Athlete TV Cameos: From Seinfeld's Hernandez to The Jefferson's Reggie". Sports Illustrated. Retrieved 2008-03-24.  
  25. ^ MacFarlane, Seth; Goodman, David; Sheridan, Chris; Green, Seth; Sulkin, Alec; Wild, Wellslesy and Hentemann, Mark. (2005). Family Guy, Season 4, Disc 3: Jungle Love Audio Commentary. [DVD]. FOX. ISBN 5-039036-026079.  

External links

Source material

Up to date as of January 22, 2010

From Wikisource

The Contest
by Arthur Conan Doyle

In the year of our Lord 66, the Emperor Nero, being at that time in the twenty-ninth year of his life and the thirteenth of his reign, set sail for Greece with the strangest company and the most singular design that any monarch has ever entertained. With ten galleys he went forth from Puteoli, carrying with him great stores of painted scenery and theatrical properties, together with a number of knights and senators, whom he feared to leave behind him at Rome, and who were all marked for death in the course of his wanderings. In his train he took Natus, his singing coach; Cluvius, a man with a monstrous voice, who should bawl out his titles; and a thousand trained youths who had learned to applaud in unison whenever their master sang or played in public. So deftly had they been taught that each had his own role to play. Some did no more than give forth a low deep hum of speechless appreciation. Some clapped with enthusiasm. Some, rising from approbation into absolute frenzy, shrieked, stamped, and beat sticks upon the benches. Some--and they were the most effective--had learned from an Alexandrian a long droning musical note which they all uttered together, so that it boomed over the assembly. With the aid of these mercenary admirers, Nero had every hope, in spite of his indifferent voice and clumsy execution, to return to Rome, bearing with him the chaplets for song offered for free competition by the Greek cities. As his great gilded galley with two tiers of oars passed down the Mediterranean, the Emperor sat in his cabin all day, his teacher by his side, rehearsing from morning to night those compositions which he had selected, whilst every few hours a Nubian slave massaged the Imperial throat with oil and balsam, that it might be ready for the great ordeal which lay before it in the land of poetry and song. His food, his drink, and his exercise were prescribed for him as for an athlete who trains for a contest, and the twanging of his lyre, with the strident notes of his voice, resounded continually from the Imperial quarters.

Now it chanced that there lived in those days a Grecian goatherd named Policles, who tended and partly owned a great flock which grazed upon the long flanks of the hills near Heroea, which is five miles north of the river Alpheus, and no great distance from the famous Olympia. This person was noted all over the countryside as a man of strange gifts and singular character. He was a poet who had twice been crowned for his verses, and he was a musician to whom the use and sound of an instrument were so natural that one would more easily meet him without his staff than his harp. Even in his lonely vigils on the winter hills he would bear it always slung over his shoulder, and would pass the long hours by its aid, so that it had come to be part of his very self. He was beautiful also, swarthy and eager, with a head like Adonis, and in strength there was no one who could compete with him. But all was ruined by his disposition, which was so masterful that he would brook no opposition nor contradiction. For this reason he was continually at enmity with all his neighbours, and in his fits of temper he would spend months at a time in his stone hut among the mountains, hearing nothing from the world, and living only for his music and his goats.

One spring morning, in the year of 67, Policles, with the aid of his boy Dorus, had driven his goats over to a new pasturage which overlooked from afar the town of Olympia. Gazing down upon it from the mountain, the shepherd was surprised to see that a portion of the famous amphitheatre had been roofed in, as though some performance was being enacted. Living far from the world and from all news, Policles could not imagine what was afoot, for he was well aware that the Grecian games were not due for two years to come. Surely some poetic or musical contest must be proceeding of which he had heard nothing. If so, there would perhaps be some chance of his gaining the votes of the judges; and in any case he loved to hear the compositions and admire the execution of the great minstrels who assembled on such an occasion. Calling to Dorus, therefore, he left the goats to his charge, and strode swiftly away, his harp upon his back, to see what was going forward in the town.

When Policles came into the suburbs, he found them deserted; but he was still more surprised when he reached the main street to see no single human being in the place. He hastened his steps, therefore, and as he approached the theatre he was conscious of a low sustained hum which announced the concourse of a huge assembly. Never in all his dreams had he imagined any musical competition upon so vast a scale as this. There were some soldiers clustering outside the door; but Policles pushed his way swiftly through them, and found himself upon the outskirts of the multitude who filled the great space formed by roofing over a portion of the national stadium. Looking around him, Policles saw a great number of his neighbours, whom he knew by sight, tightly packed upon the benches, all with their eyes fixed upon the stage. He also observed that there were soldiers round the walls, and that a considerable part of the hall was filled by a body of youths of foreign aspect, with white gowns and long hair. All this he perceived; but what it meant he could not imagine. He bent over to a neighbour to ask him, but a soldier prodded him at once with the butt end of his spear, and commanded him fiercely to hold his peace. The man whom he had addressed, thinking that Policles had demanded a seat, pressed closer to his neighbour, and so the shepherd found himself sitting at the end of the bench which was nearest to the door. Thence he concentrated himself upon the stage, on which Metas, a well-known minstrel from Corinth and an old friend of Policles, was singing and playing without much encouragement from the audience. To Policles it seemed that Metas was having less than his due, so he applauded loudly, but he was surprised to observe that the soldiers frowned at him, and that all his neighbours regarded him with some surprise. Being a man of strong and obstinate character, he was the more inclined to persevere in his clapping when he perceived that the general sentiment was against him.

But what followed filled the shepherd poet with absolute amazement. When Metas of Corinth had made his bow and withdrawn to half-hearted and perfunctory applause, there appeared upon the stage, amid the wildest enthusiasm upon the part of the audience, a most extraordinary figure. He was a short fat man, neither old nor young, with a bull neck and a round, heavy face, which hung in creases in front like the dewlap of an ox. He was absurdly clad in a short blue tunic, braced at the waist with a golden belt. His neck and part of his chest were exposed, and his short, fat legs were bare from the buskins below to the middle of his thighs, which was as far as his tunic extended. In his hair were two golden wings, and the same upon his heels, after the fashion of the god Mercury. Behind him walked a negro bearing a harp, and beside him a richly dressed officer who bore rolls of music. This strange creature took the harp from the hands of the attendant, and advanced to the front of the stage, whence he bowed and smiled to the cheering audience." This is some foppish singer from Athens," thought Policles to himself, but at the same time he understood that only a great master of song could receive such a reception from a Greek audience. This was evidently some wonderful performer whose reputation had preceded him. Policles settled down, therefore, and prepared to give his soul up to the music.

The blue-clad player struck several chords upon his lyre, and then burst suddenly out into the "Ode of Niobe." Policles sat straight up on his bench and gazed at the stage in amazement. The tune demanded a rapid transition from a low note to a high, and had been purposely chosen for this reason. The low note was a grunting, a rumble, the deep discordant growling of an ill-conditioned dog. Then suddenly the singer threw up his face, straightened his tubby figure, rose upon his tiptoes, and with wagging head and scarlet cheeks emitted such a howl as the same dog might have given had his growl been checked by a kick from his master. All the while the lyre twanged and thrummed, sometimes in front of and sometimes behind the voice of the singer. But what amazed Policles most of all was the effect of this performance upon the audience. Every Greek was a trained critic, and as unsparing in his hisses as he was lavish in his applause. Many a singer far better than this absurd fop had been driven amid execration and abuse from the platform. But now, as the man stopped and wiped the abundant sweat from his fat face, the whole assembly burst into a delirium of appreciation. The shepherd held his hands to his bursting head, and felt that his reason must be leaving him. It was surely a dreadful musical nightmare, and he would wake soon and laugh at the remembrance. But no; the figures were real, the faces were those of his neighbours, the cheers which resounded in his ears were indeed from an audience which filled the theatre of Olympia. The whole chorus was in full blast, the hummers humming, the shouters bellowing, the tappers hard at work upon the benches, while every now and then came a musical cyclone of "Incomparable! Divine!" from the trained phalanx who intoned their applause, their united voices sweeping over the tumult as the drone of the wind dominates the roar of the sea. It was madness--insufferable madness! If this were allowed to pass, there was an end of all musical justice in Greece. Policles' conscience would not permit him to be still. Standing upon his bench with waving hands and upraised voice, he protested with all the strength of his lungs against the mad judgment of the audience.

At first, amid the tumult, his action was hardly noticed. His voice was drowned in the universal roar which broke out afresh at each bow and smirk from the fatuous musician. But gradually the folk round Policles ceased clapping, and stared at him in astonishment. The silence grew in ever widening circles, until the whole great assembly sat mute, staring at this wild and magnificent creature who was storming at them from his perch near the door.

"Fools!" he cried. "What are you clapping at? What are you cheering? Is this what you call music? Is this cat-calling to earn an Olympian prize? The fellow has not a note in his voice. You are either deaf or mad, and I for one cry shame upon you for your folly."

Soldiers ran to pull him down, and the whole audience was in confusion, some of the bolder cheering the sentiments of the shepherd, and others crying that he should be cast out of the building. Meanwhile the successful singer having handed his lyre to his negro attendant, was inquiring from those around him on the stage as to the cause of the uproar. Finally a herald with an enormously powerful voice stepped forward to the front and proclaimed that if the foolish person at the back of the hall, who appeared to differ from the opinion of the rest of the audience, would come forward upon the platform, he might, if he dared, exhibit his own powers, and see if he could outdo the admirable and wonderful exhibition which they had just had the privilege of hearing.

Policles sprang readily to his feet at the challenge, and the great company making way for him to pass, he found himself a minute later standing in his unkempt garb, with his frayed and weather-beaten harp in his hand, before the expectant crowd. He stood for a moment tightening a string here and slackening another there until his chords rang true. Then, amid a murmur of laughter and jeers from the Roman benches immediately before him, he began to sing.

He had prepared no composition, but he had trained himself to improvise, singing out of his heart for the joy of the music. He told of the land of Elis, beloved of Jupiter, in which they were gathered that day, of the great bare mountain slopes, of the swift shadows of the clouds, of the winding blue river, of the keen air of the uplands, of the chill of the evenings, and the beauties of earth and sky. It was all simple and childlike, but it went to the hearts of the Olympians, for it spoke of the land which they knew and loved. Yet when he at last dropped his hand, few of them dared to applaud, and their feeble voices were drowned by a storm of hisses and groans from his opponents. He shrank back in horror from so unusual a reception, and in an instant his blue-clad rival was in his place. If he had sung badly before, his performance now was inconceivable. His screams, his grunts, his discords, and harsh jarring cacophanies were an outrage to the very name of music. And yet every time that he paused for breath or to wipe his streaming forehead a fresh thunder of applause came rolling back from the audience. Policles sank his face in his hands and prayed that he might not be insane. Then, when the dreadful performance ceased, and the uproar of admiration showed that the crown was certainly awarded to this impostor, a horror of the audience, a hatred of this race of fools, and a craving for the peace and silence of the pastures mastered every feeling in his mind. He dashed through the mass of people waiting at the wings, and emerged in the open air. His old rival and friend Metas of Corinth was waiting there with an anxious face.

"Quick, Policles, quick!" he cried. "My pony is tethered behind yonder grove. A grey he is, with red trappings. Get you gone as hard as hoof will bear you, for if you are taken you will have no easy death."

"No easy death! What mean you, Metas? Who is the fellow?"

"Great Jupiter! did you not know? Where have you lived? It is Nero the Emperor! Never would he pardon what you have said about his voice. Quick, man, quick, or the guards will be at your heels!"

An hour later the shepherd was well on his way to his mountain home, and about the same time the Emperor, having received the Chaplet of Olympia for the incomparable excellence of his performance, was making inquiries with a frowning brow as to who the insolent person might be who had dared to utter such contemptuous criticisms.

"Bring him to me here this instant," said he, "and let Marcus with his knife and branding-iron be in attendance."

"If it please you, great Caesar," said Arsenius Platus, the officer of attendance, "the man cannot be found, and there are some very strange rumours flying about."

"Rumours!" cried the angry Nero. "What do you mean, Arsenius? I tell you that the fellow was an ignorant upstart, with the bearing of a boor and the voice of a peacock. I tell you also that there are a good many who are as guilty as he among the people, for I heard them with my own ears raise cheers for him when he had sung his ridiculous ode. I have half a mind to burn their town about their ears so that they may remember my visit."

"It is not to be wondered at if he won their votes, Caesar," said the soldier, "for from what I hear it would have been no disgrace had you, even you, been conquered in this conquest."

"I conquered! You are mad, Arsenius. What do you mean?"

"None know him, great Caesar! He came from the mountains, and he disappeared into the mountains. You marked the wildness and strange beauty of his face. It is whispered that for once the great god Pan has condescended to measure himself against a mortal."

The cloud cleared from Nero's brow. "Of course, Arsenius! You are right! No man would have dared to brave me so. What a story for Rome! Let the messenger leave this very night, Arsenius, to tell them how their Emperor has upheld their honour in Olympia this day."

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