| The Green Berets (film) | |
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![]() Theatrical release poster by Frank McCarthy |
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| Directed by | John Wayne Ray Kellogg Mervyn LeRoy (uncredited) |
| Produced by | Michael Wayne |
| Written by | James Lee Barrett Robin Moore (novel) |
| Starring | John Wayne David Janssen Jim Hutton Aldo Ray George Takei Luke Askew Mike Henry |
| Music by | Miklós Rózsa (as Miklos Rozsa) |
| Cinematography | Winton C. Hoch |
| Editing by | Otho Lovering |
| Distributed by | Warner Bros.-Seven Arts |
| Release date(s) | |
| Running time | 141 min. |
| Country | |
| Language | English Vietnamese |
| Budget | $7,000,000 |
The Green Berets is a 1968 film featuring John Wayne, George Takei, David Janssen, Jim Hutton, and Aldo Ray, nominally based on the eponymous 1965 book by Robin Moore, though the screenplay has little relation to the book. Unlike most war films, the movie polarised public opinion to this day.
Thematically, The Green Berets is strongly anti-communist and pro-Saigon. It was produced in 1968, at the height of American involvement in the Vietnam War, the same year as the Tet offensive against the largest cities in southern Vietnam. John Wayne was prompted by the anti-war atmosphere and social discontent in the U.S. to make this film in countering that. He requested and obtained full military co-operation and matériel from President Lyndon Baines Johnson.
Columbia Pictures, (who had bought the book's pre-publication film rights) was not able to produce a script that was approved by the Army whilst producer David L. Wolper, who also tried to buy the same rights, could not obtain finance for filming.[1]
John Wayne had always been a steadfast supporter of American involvement in the war in Vietnam. He had entertained the soldiers in Vietnam, and wanted The Green Berets to be a tribute to them. He co-directed the film, and turned down the "Major Reisman" role in The Dirty Dozen to do so. The film's first scene illustrates that contention when Green Beret tour guides at Fort Benning, Georgia, show civilian visitors to the U.S. Infantry School the Soviet- and Chinese-made weapons issued to the soldiers and guerillas of the communist NVA and VC.
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At Fort Bragg, newspaper reporter George Beckworth (David Janssen) is at a Special Forces briefing about the American military involvement in the war in Vietnam. The briefing (at Gabriel Demonstration Area, named for SGT Jimmy Gabriel, first SF soldier killed in Vietnam) includes a demonstration and explanation of the whys and wherefores of participating in that Asian war.
Skeptical civilians and journalists are told that multinational Communism is what the U.S. will be fighting in Vietnam; proof: weapons and equipment, captured from North Vietnamese soldiers and Viet Cong guerrillas, originating in Communist Russia, Communist Czechoslovakia, and Communist China. Despite that, Beckworth remains skeptical about the value of intervening in Vietnam's civil war. When asked by Green Beret Colonel Mike Kirby (John Wayne) if he had ever been to Vietnam, reporter Beckworth replies that he had not, but then accepts the soldier's challenge, and agrees to go and bear witness.
Colonel Kirby is posted to South Vietnam with two handpicked A-Teams of Special Forces troopers. One A-Team is to replace a team at a basecamp working with South Vietnamese and Montangnard soldiers whilst the other A-Team is to form a counter guerilla Mike force.
Arriving In South Vietnam, they meet Beckworth who Wayne allows to join them at the basecamp where he witnesses the humanitarian aspect (irrigation ditches, bandages, candy for children) of the Special Forces mission. Still, he remains skeptical of the U.S.'s need to be there. He changes his mind after a ferocious North Vietnamese Army attack upon the SF camp, admitting he probably will be fired from the newspaper for filing a story supporting the American war.
After that battle, Beckworth temporarily disappears from the story, while COL Mike Kirby leads a team of Green Berets, Montagnards (Degar), and ARVN soldiers on a top-secret kidnap mission capturing a very important NVA field commander, who lives, eats, and drinks very well, in a guarded mansion, while the common people go hungry, cold, and naked. Kirby's ARVN counterpart Colonel Cai uses his sister in law as a honey trap bait for the General. The raid is successful with the captured General airlifted out of the area by a Skyhook device but at a high cost to the patrol.
Near the end of the story, Beckworth is seen with a Vietnamese boy named Hamchunk awaiting the return of the helicopters carrying the survivors of the raid.
Although the film portrays the Vietcong and North Vietnamese Army as sadistic tyrants, it does, however, show them as a capable and willing enemy. The film also shows that unlike America's previous experience in foreign wars, this one had no front lines, meaning that the enemy can show up and attack at almost any position, anywhere. The film also shows the sophisticated spy ring of the VC and NVA that provided information about their adversaries. Like A Yank in Viet-Nam it is one of the rare films to give a positive view of the South Vietnamese military forces.
The US Army objected to James Lee Barrett's initial script in several ways. The first was that the Army wanted to show the South Vietnamese soldiers defending the base camp assault that was rectified. Secondly the Army objected to the raid with the mission of kidnapping a General that originally took place in North Vietnam.[2]
The film is criticized for glorifying the Vietnam War, and, in 2005, Chicago newspaper movie critic Roger Ebert enumerated it in his list of most-hated films for being a "heavy-handed, remarkably old-fashioned film."
Four commonly-cited technical mistakes are (i) the sun setting in the wrong horizon, (ii) the pine tree forests, (iii) the communist enemy's incorrect weapons, and (iv) all the actors were too old.
The original choice for scoring the film, Elmer Bernstein who was a friend and frequent collaborator with John Wayne turned the assignment down due to his political beliefs. As a second choice, the producers contacted Miklos Rozsa then in Rome. When asked to do The Green Berets for John Wayne Rozsa replied "I don't do Westerns". Rozsa was told "It's not a Western, it's an 'Eastern'".[4] As a title song, the producers used a Ken Darby choral arrangement of Barry Sadler's hit song Ballad of the Green Berets. Rozsa provided a strong and varied musical score including a night club vocal by a Vietnamese singer Bạch Yến[5] however bits of Onward Christian Soldiers was deleted from the final film.
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