The Heiress: Wikis


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The Heiress

Original poster
Directed by William Wyler
Produced by William Wyler
Written by Henry James (novel)
Ruth Goetz (play/screenplay)
Augustus Goetz (play/screenplay)
Starring Olivia de Havilland
Montgomery Clift
Ralph Richardson
Miriam Hopkins
Ray Collins
Music by Aaron Copland
Cinematography Leo Tover
Editing by William Hornbeck
Distributed by Paramount Pictures
Release date(s) October 6, 1949
Running time 115 minutes
Country United States
Language English
Budget $2.6 million

The Heiress is a 1949 American drama film by Ruth and Augustus Goetz adapted from their 1947 play of the same title that was based on the 1880 novel Washington Square by Henry James. The film was directed by William Wyler with Olivia de Havilland as Catherine Sloper, Montgomery Clift as Morris Townsend, and Ralph Richardson as Dr. Sloper.


Cast and characters

Plot synopsis

Catherine Sloper is a plain, painfully shy woman whose emotionally detached father makes no secret of his disappointment in her. When she meets the charming Morris Townsend, she immediately is taken by the attention that he lavishes upon her, attention she so desperately seeks from her father. Catherine falls madly in love with Morris and they plan to marry.

Catherine's father believes Morris is courting Catherine only to get her inheritance and threatens to disinherit her if she marries him. Catherine does not care, and plans to elope with Morris but not before telling him about her father's decision. On the night they are to elope, Catherine eagerly waits at home for Morris to come and take her away, but he never arrives.

Catherine is heartbroken. A few years pass and her father dies, leaving her his entire estate. Morris eventually returns, penniless. Again he professes his love for Catherine, claiming that he left her behind because he could not bear to see her destitute. Catherine pretends to forgive him and tells him she still wants to elope as they originally planned. He promises to come back that night for her, and she tells him she'll start packing her bags.

When Morris returns, Catherine takes her revenge. She calmly asks the maid to bolt the door, leaving Morris locked outside, shouting her name. Her aunt asks her how she can be so cruel, and she responds, "I have been taught by masters." The film fades out with Catherine silently ascending the stairs while Morris' despairing cries echo unanswered through the darkness.


Wendy Hiller originated the role of Catherine on Broadway; in the West End, Peggy Ashcroft portrayed the title character.

After seeing The Heiress on Broadway, Olivia de Havilland approached William Wyler about directing her in a screen adaptation of the play. He agreed and encouraged Paramount Pictures executives to purchase the rights from the playwrights for $250,000 and offer them $10,000 per week to write the screenplay. The couple was asked to make Morris less of a villain than he was in their play and the original novel in deference to the studio's desire to capitalize on Montgomery Clift's reputation as a romantic leading man[1].

Ralph Richardson reprised the role of Austin Sloper he originated in the London production.

The film premiered at Radio City Music Hall in New York City.

The film was remade under the original Henry James title in 1997.

Critical reception

In his review in the New York Times, Bosley Crowther said the film "crackles with allusive life and fire in its tender and agonized telling of an extraordinarily characterful tale" and added, "Mr. Wyler . . . has given this somewhat austere drama an absorbing intimacy and a warming illusion of nearness that it did not have on the stage. He has brought the full-bodied people very closely and vividly to view, while maintaining the clarity and sharpness of their personalities, their emotions and their styles . . . The Heiress is one of the handsome, intense and adult dramas of the year."[2]

TV Guide rates the film five out of a possible five stars and adds, "This powerful and compelling drama . . . owes its triumph to the deft hand of director William Wyler and a remarkable lead performance by Olivia de Havilland.[3]

Time Out London calls the film "typically plush, painstaking and cold. . . . highly professional and heartless."[4]

Channel 4 says of the performances, "de Havilland's portrayal . . . is spine-chilling . . . Clift brings a subtle ambiguity to one of his least interesting roles, and Richardson is also excellent."[5]

Awards and nominations


In 1996, The Heiress was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".


External links

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