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The Last Time I Saw Paris

Theatrical release poster
Directed by Richard Brooks
Produced by Jack Cummings
Written by F. Scott Fitzgerald (story)
Julius J. Epstein (screenplay)
Philip G. Epstein (screenplay)
Richard Brooks (screenplay)
Starring Elizabeth Taylor
Van Johnson
Walter Pidgeon
Donna Reed
Music by Conrad Salinger
Cinematography Joseph Ruttenberg
Editing by John D. Dunning
Distributed by Metro-Goldwyn-Mayer
Release date(s) November 18, 1954 (1954-11-18)
Running time 116 minutes
Country United States
Language English

The Last Time I Saw Paris is a 1954 romantic drama made by MGM, loosely based on F. Scott Fitzgerald 's short story Babylon Revisited. It was directed by Richard Brooks and produced by Jack Cummings. The screenplay was by Julius J. Epstein, Philip G. Epstein and Richard Brooks.

The film starred Elizabeth Taylor and Van Johnson, with Walter Pidgeon, Donna Reed, Eva Gabor, Kurt Kasznar, George Dolenz, Sandy Descher and Roger Moore.

The film's title song was composed by Oscar Hammerstein II and Jerome Kern and, although the song was not written explicitly for the movie (used in Lady Be Good), it was featured prominently throughout the film and can be heard in many scenes, either being sung or being played as an instrumental.

The film is currently in the public domain.

Plot

As World War II ends in Europe, journalist Charles Wills (Van Johnson) is on the streets of Paris, covering the celebrations. He is suddenly grabbed by a beautiful woman, who kisses him and disappears. Charles follows the crowd to Café Dhingo and meets another pretty woman named Marion Elliswirth (Donna Reed). The mutual attraction is instant and she invites him to join her father's celebration of the end of the war in Europe. Charles, Marion and her persistent French suitor Claude Matine (George Dolenz) arrive at the Elliswirth household, and we find that the woman who had kissed Charles is Marion's younger sister Helen (Elizabeth Taylor).

Their father, James Elliswirth (Walter Pidgeon), had survived World War I and promptly joined the Lost Generation. Unlike most drifters, he never grew out of it; raising his two daughters to desire such a lifestyle. Helen takes after her father and uses her beauty to sustain a life of luxury even though they are flat broke. Marion goes the other way and looks for serious-minded and conventional young men such as Claude, an aspiring prosecutor, and Charles, the future novelist.

in a scene from the film

Charles and Helen fall in love and start dating. After Helen recovers from a near-death case of pneumonia, they get married and settle in Paris. James good-naturedly joins the happy family of Charles, Helen and their daughter Vickie (Sandy Descher). Marion, having lost Charles to Helen, agrees to marry Claude. Charles struggles to make ends meet with his meagre salary, unsuccessfully works on his novels and looks after Vickie.

At about this time, the barren oil fields in Texas James had bought years before finally begin to produce. Charles, to whom James had given the oil fields as a dowry, quits his job, and Helen and James begin to host parties instead of going to them. Sudden wealth changes Helen, who becomes more responsible, while Charles parties his wealth away. They also each start to pursue other interests: Helen flirts with handsome tennis player Paul Lane (Roger Moore), while Charles competes in a local Paris-to-Monte Carlo race with professional divorcee Lorraine Quarl (Eva Gabor).

After the race Charles returns to Paris, only to find Helen sitting in Café Dhingo with Paul. A fight breaks out between Paul and Charles, and an angry Charles goes home first and puts the chain on the door, preventing it from being opened all the way. When Helen comes home and tries to enter she can't. She calls out to him, but Charles is in a drunken stupor on the staircase and we hear the bottle dropped from his hands as Helen calls. Helen ends up having to walk all the way to her sister's in the snow. She catches pneumonia again and dies.

Marion petitions for and gets full custody of Vickie, while Charles goes back home to America. A few years later, having straightened himself out, published a book, and stopped boozing, Charles returns to Paris, hoping his reform will persuade Marion to give Vickie back to him. Marion refuses, still feeling resentful towards Charles for having fallen for Helen instead of her. Seeing that Charles and Vickie belong together, Claude steps in and tells Marion that she is punishing Charles for his not realizing that Marion loved him. It is painful for him to tell her that he, Claude, could not have all of her love, but Charles should not be punished any more.

Marion goes into Café Dhingo (on whose main wall is a big picture of Helen) to look for Charles (who is gazing at the painting) and tells him that Helen would not have wanted him to be alone. Outside the cafe, Claude is with Vicki. The child runs to Charles and Charles and the child walk off together as the movie ends.

See also

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