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1903 cover of The Saturday Evening Post: Otto von Bismarck illustrated by George Gibbs.

The Saturday Evening Post is a bimonthly American magazine. While the publication traces its historical roots to Benjamin Franklin and The Pennsylvania Gazette first published in 1728, The Saturday Evening Post, rechristened under new ownership in 1821 as a four-page newspaper, eventually became the most widely circulated weekly magazine. The magazine gained prominent status under the leadership of its longtime editor George Horace Lorimer (1899–1937).

The Saturday Evening Post published current event articles, editorials, human interest pieces, humor, illustrations, a letter column, poetry (including work written by readers), single-panel cartoons and stories by the leading writers of the time. It was known for commissioning lavish illustrations and original works of fiction. Illustrations were featured on the cover and embedded in stories and advertising. Some Post illustrations became popular and continue to be reproduced as posters or prints, especially those by Norman Rockwell.

Curtis Publishing Co. stopped publishing the Post in 1969 after the company lost a landmark defamation suit and was ordered to pay over $3 million in damages. The Post was revived in 1971 as a quarterly publication. As of the late 2000s, the Saturday Evening Post magazine is published six times a year by the "Saturday Evening Post Society", which purchased the magazine in 1982.

Contents

Illustration

A Norman Rockwell Post cover illustration from January 1922.

In 1916, Saturday Evening Post editor George Horace Lorimer discovered Norman Rockwell, then an unknown 22-year-old New York artist. Lorimer promptly purchased two illustrations from Rockwell, using them as covers, and commissioned three more drawings. Rockwell's illustrations of the American family and rural life of a bygone era became icons. During his 50-year career with the Post, Rockwell painted more than 300 covers.

The Post also employed Nebraska artist John Philip Falter, who became known "as a painter of Americana with an accent of the Middle West," who "brought out some of the homeliness and humor of Middle Western town life and home life." He produced 120 covers for the Post between 1943 and 1968, ceasing only when the magazine began displaying photographs on its covers.

Other popular cover illustrators include the artists N.C. Wyeth, J. C. Leyendecker, John Clymer, and John E. Sheridan.

Content

Each issue featured several original short stories and often included an installment of a serial appearing in successive issues. Most of the fiction was written for mainstream tastes by popular writers, but some literary writers were featured. The opening pages of stories featured paintings by the leading magazine illustrators. The Post published stories and essays by Ray Bradbury, Kay Boyle, Agatha Christie, Brian Cleeve, William Faulkner, F. Scott Fitzgerald, C. S. Forester, Kurt Vonnegut, Paul Gallico, Hammond Innes, Louis L'Amour, Sinclair Lewis, Joseph C. Lincoln, John P. Marquand, Edgar Allan Poe, Sax Rohmer, William Saroyan, John Steinbeck and Rex Stout and Rob Wagner.

Jack London's best known novel The Call of the Wild was first published, in serialized form, in the Saturday Evening Post in 1903.[1]

Emblematic of the Post's fiction was author Clarence Budington Kelland, who first appeared in 1916-17 with stories of homespun heroes, Efficiency Edgar and Scattergood Baines. Kelland was a steady presence from 1922 until 1961.

For many years William Hazlett Upson contributed a very popular series of short stories about the escapades of Earthworm Tractors salesman Alexander Botts. Publication in the Post launched careers and helped established artists and writers stay afloat. P. G. Wodehouse said "the wolf was always at the door" until the Post gave him his "first break" in 1915 by serializing Something New.[2]

After the election of Franklin Delano Roosevelt, Post columnist Garet Garrett became a vocal critic of the New Deal. Garrett accused the Roosevelt administration of initiating socialist strategies. After Lorimer died, Garrett became editorial writer-in-chief and criticized the Roosevelt administration's support of the U.K. and efforts to prepare to enter what became World War II. Garrett's positions aroused controversy and may have cost the Post readers and advertisers.

The Post readership began to decline in the late 1950s and 1960s. In general, the decline of general interest magazines was blamed on television, which competed for advertisers and readers' attention. The Post had problems retaining readers: The public's taste in fiction was changing, and the Post 's conservative politics and values remained controversial. Content by popular writers became harder to obtain. Prominent authors drifted away to newer magazines offering more money and status. As a result, the Post published more articles on current events and cut costs by replacing illustrations with photographs for covers and advertisements.

The magazine's publisher, Curtis Publishing Co., lost a landmark defamation suit, Curtis Publishing Co. v. Butts 388 U.S. 130 (1967),[3] resulting from an article, and was ordered to pay $3,060,000 in damages to the plaintiff. The Post article implied that football coaches Paul "Bear" Bryant and Wally Butts conspired to fix a game between the University of Alabama and the University of Georgia. Butts sued Curtis Publishing Co. for defamation. The case went to the Supreme Court, which held that libel damages may be recoverable (in this instance against a news organization) if the injured party is a non-public official. But the plaintiff must prove that the defendant was guilty of a reckless lack of professional standards when examining allegations for reasonable credibility.

William Emerson was promoted to editor-in-chief in 1965 and remained in the position until the magazine's demise in 1969.[4]

In 1968 Martin Ackerman, a specialist in troubled firms, became president of Curtis after lending it $5 million. Although at first he said there were no plans to shut down the magazine, he halved its circulation in an attempt to increase the quality of the audience, and then shut it down.[5] In announcing that the February 8, 1969, issue would be the magazine's last, Curtis executive Martin Ackerman stated that the magazine had lost $5 million in 1968 and would lose a projected $3 million in 1969.[6] In a meeting with employees after the magazine's closure had been announced, Emerson thanked the staff for their professional work and promised "to stay here and see that everyone finds a job".[7]

At a March 1969 postmortem on the magazine's closing, Emerson stated that The Post "was a damn good vehicle for advertising" with competitive renewal rates and readership reports and expressed what The New York Times called "understandable bitterness" in wishing "that all the one-eyed critics will lose their other eye".[8] Otto Friedrich, the magazine's last managing editor, blamed the death of The Post on Curtis. In his Decline and Fall (Harper & Row, 1970), an account of the magazine's final years (1962–1969), he argued that corporate management was unimaginative and incompetent. Friedrich acknowledges that The Post faced challenges as the tastes of American readers changed over the course of the 1960s, but he insisted that the magazine maintained a standard of quality and was appreciated by readers.

In 1971, The Post was revived as a quarterly publication, gaining wide recognition for its in-depth coverage of health and disease prevention, in additional to general interest articles. More recently, the Post embraced a broader range of subject matter for its readers, while maintaining its tradition of cover illustration.[9] Today, the Saturday Evening Post magazine is still published six times a year by the "Saturday Evening Post Society", a 501(c)(3) non-profit organization.

Editors

(from the purchase by Curtis, 1898)[citation needed]

Cover gallery

See also

Similar magazines

References

  1. ^ "Jack London: First edition of The Call of the Wild in the Saturday Evening Post". manhattanrarebooks-literature.com. The Manhattan Rare Book Company. http://manhattanrarebooks-literature.com/london_call_of_the_wild.htm. Retrieved February 9, 2010. 
  2. ^ "The Art of Fiction - P.G. Wodehouse" (pdf). The Paris Review. 2005 (reprint). pp. 21. http://www.theparisreview.com/media/3773_WODEHOUSE.pdf. Retrieved 2008-06-09. 
  3. ^ 388 U.S. 130 (1967)
  4. ^ Applebome, Peter. "William A. Emerson Jr., Editor in Chief of Saturday Evening Post, Dies at 86", The New York Times, August 26, 2009. Accessed August 30, 2009.
  5. ^ Lambert B. Martin Ackerman, 61, publisher; closed The Saturday Evening Post. New York Times. 1993-08-04.
  6. ^ Bedingfield, Robert E. "Feb. 8 Issue of Saturday Evening Post to Be Last", The New York Times, January 11, 1969. Accessed August 29, 2009.
  7. ^ Carmody, Deirdre. "MAGAZINE STAFF SAYS SAD GOOD-BY; Post Secretaries Find a Rose on Desk to Mark the Day", The New York Times, January 11, 1969. Accessed August 29, 2009.
  8. ^ Dougherty, Philip H. "Postmortem on Saturday Evening Post", The New York Times, March 30, 1969. Accessed August 29, 2009.
  9. ^ Anonymous (June 14, 1971). "Return of the Post". Time. http://www.time.com/time/magazine/article/0,9171,909890-2,00.html. Retrieved 2008-04-12. 
  10. ^ "Letters: From the Editor". saturdayeveningpost.com. The Saturday Evening Post. http://www.saturdayeveningpost.com/sections/letters/from-the-editor. Retrieved July 7, 2009. 
  11. ^ Steve George (December 22, 2009). "A Home Story". saturdayeveningpost.com. The Saturday Evening Post. http://www.saturdayeveningpost.com/2009/12/22/letters/from-the-editor/home-story.html. Retrieved February 9, 2010. 

External links

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