The Full Wiki

More info on The Transfiguration of Blind Joe Death

The Transfiguration of Blind Joe Death: Wikis

Advertisements
  

Note: Many of our articles have direct quotes from sources you can cite, within the Wikipedia article! This article doesn't yet, but we're working on it! See more info or our list of citable articles.

Encyclopedia

From Wikipedia, the free encyclopedia

The Transfiguration of Blind Joe Death

Cover of the Riverboat Records release of the LP
Studio album by John Fahey
Released 1965
Recorded 1965 at MIT, Cambridge, MA and Berkeley, CA
Genre Folk
Length 38:34 (original)
38:40 (reissue)
Label Riverboat Records
John Fahey chronology
The Dance of Death & Other Plantation Favorites
(1964)
The Transfiguration of Blind Joe Death
(1965)
The Great San Bernardino Birthday Party & Other Excursions
(1966)
Alternate Cover
Cover of the 1997 reissue

The Transfiguration of Blind Joe Death is a 1965 album by American fingerstyle guitarist and composer John Fahey, originally issued in a hand-lettered edition of 50. It was reissued by Takoma Records in 1967 and in 1997 on CD by Fantasy Records with notes by pianist and guitarist George Winston.

Contents

History

The title refers to a mythical bluesman named Blind Joe Death, first introduced by Fahey on his debut album Blind Joe Death. For years Fahey and Takoma continued to treat the imaginary guitarist as a real person, including booklets with their LPs containing biographical information about him and that he had taught Fahey to play.[1][2][3]

The Transfiguration of Blind Joe Death was issued by Riverboat Records, initially in a hand-lettered edition of 50, before The Great San Bernardino Birthday Party (Guitar Vol. 4), but was later reissued by Takoma Records. Once reissued by Takoma, it became Volume 5,[4] but was already labeled Volume 5 on the Riverboat album sleeves.[5] It was reissued on CD in 1997 by Takoma.

The original 1965 liner notes came in a separate booklet, were lengthy and were attributed to one Charles Holloway, Esq. They begin: "A disgusting, degenerate, insipid young folklorist from the Croat & Isaiah Nettles Foundation for Ethnological Research meandered mesmerically midst marble mansions in Mattapan, Massachusetts. It was an unsavory, vapid day in the summer of 2010 as the jejune air from Back Bay transubstantiated itself autologically and gradually into an ozone-like atmosphere."[6]

The Transfiguration of Blind Joe Death was partly recorded on the East coast, but more tracks were needed to make the album. Barry Hansen, Fahey's friend and some-time producer and contributor, stated: "We didn't have the budget for a legit studio for that one. So I found someone who had a real nice home recorder and a quiet room. I pretty much set John up and let him play. He was all by himself for most of it. I wasn't even around for many of the takes... He sat there with a dog at his feet. There's one track where the dog barks in the middle of the music—it was my decision to leave that false start in."[7]

Cover

The distinctive cover of The Transfiguration of Blind Joe Death is briefly focused on in a shot of a record store in Stanley Kubrick's film A Clockwork Orange. The jacket design and drawing are by David Omar White.

Reception

After its reissue in 1997, "The Transfiguration of Blind Joe Death" received highly laudatory reviews. In his review for Stylus, Chris Smith gave it an A+ rating and wrote "Fahey excels at conjuring up a painstakingly developed sense of time and place in his playing, and if its predecessor at times accurately mapped out the restive confines of the dark night of the soul, this record no less vividly represents a (mildly acid-fried) return to the front porch and the prairie." Calling "On the Sunny Side of the Ocean" the "undeniable highlight of the album", he refers to the rest of the songs generally as "...unpredictable, complex, and evocative as any of Fahey’s previous, more aggressively daring work."[8] Likewise, a 5 out of 5-star rating from Allmusic reviewer Steven McDonald conceded the album "has a lot of rough edges in terms of the recording but a tremendous amount of power when it comes to the music. Fahey was at the top of his game..."[9]

Musician said it "...balance[s] whimsy and dignity, melody and dissonance, in a wholly original and very bent manner..."[10] and music critic Jeff Lindholm, writing for the folk and world music magazine Dirty Linen, called it "...a mix of old-timey country, ragtime, Spanish flamenco, Indian classical music and more. Quiet, beautiful and jaw-droppingly intricate."[11]

In a review for the 1967 Takoma reissue, ED Denson called the liner notes "...a paraniod vision of reality unrivalled since Kafka. Nothing is what it purports to be directly, but everything is "in a certain sense" — people make statements like characters in B-grade horror films, the trivial becomes significant, the meaningful, nothing."

 Professional ratings
Review scores
Source Rating
Allmusic 5/5 stars[9]
Dirty Linen (not rated) [11]
Musician (no rating) [10]
Stylus Magazine (A+) [8]

Track listing

All songs by John Fahey unless otherwise noted. Song times are from the original release.

Advertisements

Side one

  1. "Beautiful Linda Getchell" (Fahey, L. Mayne Smith) – 1:50
  2. "Orinda-Moraga" – 3:55
  3. "I Am the Resurrection" – 3:00
  4. "On the Sunny Side of the Ocean" – 3:00
  5. "Tell Her to Come Back Home" (Fahey, Uncle Dave Macon) – 2:45
  6. "My Station Will Be Changed After Awhile" – 2:02
  7. "101 Is a Hard Road to Travel" (Fahey, Macon) – 2:17

Side two

  1. "How Green Was My Valley" – 2:15
  2. "Bicycle Built for Two" – 1:10 (possibly titled in reference to the 1892 song, "Daisy Bell")
  3. "The Death of the Clayton Peacock" – 2:52
  4. "Brenda's Blues" – 1:45
  5. "Old Southern Medley" (Fahey, Stephen Foster, Charlie Patton, Daniel Decatur Emmett) – 6:08
  6. "Come Back Baby" – 2:15
  7. "Poor Boy" (Fahey, Bukka White) – 2:25
  8. "Saint Patrick's Hymn" (based on "Saint Patrick's Breastplate") – 0:55

Personnel

  • John Fahey – guitar
  • L. Mayne Smith – banjo

Production notes:

  • Barry Hansen – engineer, editing
  • Brian Hansen – engineer

References

  1. ^ Fahey, John. "Original Liner Notes: Death Chants, Breakdowns, and Military Waltzes". Takoma Records. http://www.johnfahey.com/pages/v2note.html. Retrieved January 5, 2010. 
  2. ^ Sullivan, John Jeremiah (2009). Best Music Writing 2009: Unknown Bards. Seal Press. pp. 29. ISBN 978-0-3068-1782-3. http://books.google.com/books?id=qZjaM3u5F6wC&pg=PA37&dq=%22Blind+Joe+Death%22&lr=&cd=48#v=onepage&q=%22Blind%20Joe%20Death%22&f=false. 
  3. ^ Gordon, Robert (2001). It Came From Memphis. Simon and Schuster. pp. 128. ISBN 978-0-7434-1045-8. http://books.google.com/books?id=nHRc6MoAQacC&pg=PA124&dq=%22Blind+Joe+Death%22&lr=&cd=34#v=onepage&q=%22Blind%20Joe%20Death%22&f=false. 
  4. ^ The Fahey Files notes on the songs.
  5. ^ Photo of back cover of Riverboat release of The Transfiguration of Blind Joe Death.
  6. ^ The original liner notes at The Fahey Files.
  7. ^ Dr. Demento gets serious about John Fahey. Perfect Sound Forever. Gross, Jason. 2001. Accessed March 2009.
  8. ^ a b Meyer, Bill (September 2003). "Review: The Transfiguration of Blind Joe Death". Stylus Magazine. http://www.stylusmagazine.com/reviews/john-fahey/the-transfiguration-of-blind-joe-death.htm. 
  9. ^ a b McDonald, Steven. "The Transfiguration of Blind Joe Death > Review". Allmusic. http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:7q47gjvrj6ip. Retrieved March 15, 2009. 
  10. ^ a b "Review: The Transfiguration of Blind Joe Death". Musician: 90. August 1997. 
  11. ^ a b Lindholm, Jeff (August/September 1997). "Review: The Transfiguration of Blind Joe Death". Dirty Linen. 

External links


Advertisements






Got something to say? Make a comment.
Your name
Your email address
Message