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Theodore Sturgeon (born Edward Hamilton Waldo; 26 February 1918 — 8 May 1985) was an American science fiction author.

He was known to use a technique known as "rhythmic prose", in which his prose text would drop into a standard poetic meter. This has the effect of creating a subtle shift in mood, usually without alerting the reader to its cause.

His most famous novel is More Than Human (1953).

Contents

Biography

Sturgeon was born in Staten Island, New York in 1918. Eleven years later, after a divorce, his mother married a Scotsman, William Dicky ("Argylle") Sturgeon. Young Edward changed his name to Theodore, the better to match his childhood nickname, "Teddy", and to distinguish himself from his birth father, also named Edward.[1] Although "Theodore Sturgeon" is frequently misidentified as a pseudonym, it was in fact his legal name since the age of eight.[2]

He sold his first story in 1938 to the newspaper McClure's Syndicate, which bought much of his early (non-fantastic) work; his first genre appearance was "Ether Breather" in Astounding Science Fiction a year later. At first he wrote mainly short stories, primarily for genre magazines such as Astounding and Unknown, but also for general-interest publications such as Argosy Magazine. He used the pen name "E. Waldo Hunter" when two of his stories ran in the same issue of Astounding. A few of his early stories were signed "Theodore H. Sturgeon."

Sturgeon ghost-wrote an Ellery Queen mystery novel, The Player on the Other Side (Random House, 1963). This novel gained critical praise from critic H.R.F. Keating, who "had almost finished writing Crime and Mystery: the 100 Best Books, in which I had included The Player on the Other Side ... placing the book squarely in the Queen canon"[3] when he learned that it had been written by Sturgeon. Similarly, "William DeAndrea, author and ... winner of Mystery Writers of America awards, selecting his ten favorite mystery novels for the magazine Armchair Detective, picked The Player on the Other Side as one of them. He said: 'This book changed my life ... and made a raving mystery fan (and therefore ultimately a mystery writer) out of me. ... The book must be 'one of the most skilful pastiches in the history of literature. An amazing piece of work, whomever did it'."[3]

Fantastic Adventures, August 1951, featuring Sturgeon's story "Excalibur and the Atom" (cover art by Robert Gibson Jones).

Sturgeon wrote the screenplays for the Star Trek episodes "Shore Leave" (1966) and "Amok Time" (1967, later published as a "Fotonovel" in 1978). The latter is known for his invention of the pon farr, the Vulcan mating ritual, the first use of the sentence "Live long and prosper" and the first use of the Vulcan hand symbol. Sturgeon also wrote several episodes of Star Trek that were never produced. One of these was notable for having first introduced the Prime Directive. He also wrote an episode of the Saturday morning show Land of the Lost, "The Pylon Express", in 1975. Two of Sturgeon's stories were adapted for The New Twilight Zone. One, "A Saucer of Loneliness", was broadcast in 1986 and was dedicated to his memory. Another short story, "Yesterday was Monday", was the inspiration for the The New Twilight Zone episode A Matter of Minutes. His 1944 novella "KillDozer" was the inspiration for the 1970s made-for-TV movie, Marvel comic book, and alternative rock band of the same name.

Although Sturgeon is well-known among readers of classic science-fiction anthologies (at the height of his popularity in the 1950s he was the most anthologized author alive) and much respected by critics (John Clute writes in The Encyclopedia of Science Fiction: "His influence upon writers like Harlan Ellison and Samuel R. Delany was seminal, and in his life and work he was a powerful and generally liberating influence in post-WWII US sf"), he is not much known among the general public and won comparatively few awards (though it must be noted that his best work was published before the establishment and consolidation of the leading genre awards, while his later production was scarcer and weaker). He was listed as a primary influence of the much more famous Ray Bradbury. Kurt Vonnegut based his character Kilgore Trout on Theodore Sturgeon.

Sturgeon died on May 8, 1985, of lung fibrosis, in Eugene, Oregon.[4] Sturgeon lived for several years in the neighboring city of Springfield. [5]

Sturgeon's Law

In 1951, Sturgeon coined what is now known as Sturgeon's Law: "Ninety percent of SF [science fiction] is crud, but then, ninety percent of everything is crud." This was originally known as Sturgeon's Revelation; Sturgeon has said that "Sturgeon's Law" was originally "Nothing is always absolutely so." However, the former statement is now widely referred to as Sturgeon's Law. He is also known for his dedication to a credo of critical thinking that challenged all normative assumptions: "Ask the next question." He represented this credo by the symbol of a Q with an arrow through it, an example of which he wore around his neck and used as part of his signature in the last 15 years of his life.

Life and family

Sturgeon was a distant relative of Ralph Waldo Emerson, and through his Waldo, Hamilton Dicker and Dunn ancestors, a direct descendant of numerous influential Anglican clergymen. Both Sturgeon and his brother Peter were eventually to become atheists, although Sturgeon continuously developed his own, highly imaginative spiritual side. If Sturgeon had been aware of much of his ancestry and any stories associated with it, he never shared these with his friends or offspring, although the short "I Say--Ernest" (1972) does bring to life one wing of his ministerial family.

Sturgeon's one sibling, Peter Sturgeon, wrote technical material for the pharmaceutical industry and eventually for the WHO, has been credited with bringing Mensa to the United States. Edward Waldo, their birth father, was a color and dye manufacturer of middling success. Their mother, Christine Hamilton Dicker (Waldo) Sturgeon, was a well-educated writer, watercolorist, and poet who published journalism, poetry and fiction under the name Felix Sturgeon. William Dicky Sturgeon (sometimes known as Argyll), their stepfather, was a mathematics teacher at a prep school and then Romance Languages Professor at Drexel Institute of Technology in Philadelphia.

Sturgeon held a wide variety of jobs during his lifetime. As an adolescent, he wanted to be a circus acrobat; an episode of rheumatic fever prevented him from pursuing this. From 1935 (aged 17) to 1938, he was a sailor in the merchant marine, and elements of that experience found their way into several stories. He sold refrigerators door to door. He managed a hotel in the West Indies around 1940-1941, worked in several construction and infrastructure jobs (driving a bulldozer in Puerto Rico, operating a gas station and truck lubrication center, work at a drydock) for the US Army in the early war years, and by 1944 was an advertising copywriter. In addition to freelance fiction and television writing, he also operated a literary agency (which was eventually transferred to Scott Meredith), worked for Fortune Magazine and other Time Magazine Inc. properties on circulation, and edited various publications. Sturgeon had somewhat irregular output, frequently suffering from writer's block.

Theodore Sturgeon vividly recalled being in the same room with L. Ron Hubbard, when Hubbard became testy with someone there and retorted, "Y'know, we're all wasting our time writing this hack science fiction! You wanta make real money, you gotta start a religion!" Reportedly Sturgeon also told this story to others.

Sturgeon played guitar and wrote music which he sometimes performed at Science Fiction Conventions.

Sturgeon was married three times, had two long-term committed relationships outside of marriage, divorced once, and fathered a total of seven children. His first wife was Dorothe Fillingame (married 1940, divorced 1945) with whom he had two daughters, Patricia and Cynthia. He was married to singer Mary Mair from 1949 until an annulment in 1951. Later in 1951, he wed Marion McGahan with whom he had a son, Robin (b. 1952); daughters Tandy (b. 1954) and Noël (b. 1956); and son Timothy (b. 1960). His fourth long-term committed relationship was with reporter and photographer W. Bonnie Golden, with whom he had a son, Andros (b.1970)(Note, Wina Sturgeon says she was married [6] to him, and uses the name professionally). Finally, his last long-term committed relationship was with writer and educator Jayne Engelhart Tannehill, with whom he remained until the time of his death.

Sturgeon was a lifelong pipe smoker. This may have had no connection to his death from lung fibrosis; rather, the condition may have been caused by exposure to asbestos during his Merchant Marine stint as a young man.

Novels

Novelisations

Sturgeon, under his own name, was hired to write novelisations of the following movies based on their scripts (links go to articles about the movies):

Pseudonymous novels

  • I, Libertine (1956): Historical novel created as a for-hire hoax. Credited to "Frederick R. Ewing," written from a premise by Jean Shepherd.
  • The Player on The Other Side (1963): Mystery novel published as by Ellery Queen and ghost-written with Queen's assistance and supervision.

Short stories

Sturgeon published numerous short story collections during his lifetime, many drawing on his most prolific writing years of the 1940s and 1950s.

Note that some reprints of these titles (especially paperback editions) may cut one or two stories from the line-up. Statistics herein refer to the original editions only.

Collections published during Sturgeon's lifetime

The following table includes sixteen volumes (one of them collecting western stories) where up to three stories (representing no more than half the book) were previously published in a Sturgeon collection.

Title Year Number
of stories
previously
collected
Originally published
Earliest story Latest story
Without Sorcery 1948 13 1939 1947
E Pluribus Unicorn 1953 13 1947 1953
A Way Home 1955 11 1946 1955
Caviar 1955 7 1 1941 1955
A Touch of Strange 1958 11 1953 1958
Aliens 4 1959 4 1944 1958
Beyond 1960 6 1941 1960
Sturgeon In Orbit 1964 5 1951 1955
Starshine 1966 6 3 1940 1961
Sturgeon Is Alive and Well... 1971 11 1954 1971
The Worlds of Theodore Sturgeon 1972 10 3 1941 1962
Sturgeon's West (westerns) 1973 7 1949 1973
Case and the Dreamer 1974 3 1962 1973
Visions and Venturers 1978 8 1 1942 1965
The Stars Are The Styx 1979 10 1 1951 1971
The Golden Helix 1979 10 3 1941 1973

The following 6 collections consisted entirely of reprints of previously collected material:

Title Year Stories Notes
Number Earliest Latest
Thunder and Roses 1957 8 1946 1955 selected from 11 in 1955's "A Way Home"
Not Without Sorcery 1961 8 1939 1941 selected from 13 in 1948's Without Sorcery
The Joyous Invasions 1965 3 1955 1958 selected from 4 in 1959's "Aliens 4"
To Here and the Easel 1973 6 1941 1958
Maturity 1979 3 1947 1958
Alien Cargo 1984 14 1940 1956

Complete short stories

North Atlantic Books has been releasing the chronologically assembled The Complete Short Stories of Theodore Sturgeon since 1994. The series will run to 13 volumes, with the last appearing in 2010.

The currently available volumes include:

  1. The Ultimate Egoist (1937 to 1940)
  2. Microcosmic God (1940 to 1941)
  3. Killdozer (1941 to 1946)
  4. Thunder and Roses (1946 to 1948)
  5. The Perfect Host (1948 to 1950)
  6. Baby is Three (1950 to 1952)
  7. A Saucer of Loneliness (1953)
  8. Bright Segment (1953 to 1955, as well as two "lost" stories from 1946)
  9. And Now the News... (1955 to 1957)
  10. The Man Who Lost the Sea (1957 to 1960)
  11. The Nail and the Oracle (1961 to 1969)
  12. Slow Sculpture (1970 to 1972, plus one 1954 novella and one unpublished story)[7]
  13. Case and The Dreamer (1972 to 1983, plus one 1960 story and three unpublished stories) forthcoming September 2010

Representative short stories

Sturgeon was best known for his short stories and novellas. The best known include:

  • "Ether Breather" (September 1939, his first published science-fiction story)
  • "Derm Fool" (March 1940)
  • "It!" (August 1940)
  • "Shottle Bop" (February 1941)
  • "Microcosmic God" (April 1941)
  • "Yesterday Was Monday" (1941)
  • "Killdozer!" (November, 1944)
  • "Bianca's Hands" (May, 1947)
  • "Thunder and Roses" (November 1947)
  • "The Perfect Host" (November 1948)
  • "Minority Report" (June 1949, no connection to the 2002 movie, which was based on a later story by Philip K. Dick)
  • "One Foot and the Grave" (September 1949)
  • "A Saucer of Loneliness" (February 1953)
  • "The World Well Lost" (June 1953)
  • "Mr. Costello, Hero" (December 1953)
  • "The [Widget], The [Wadget], and Boff" (1955)
  • "The Skills of Xanadu" (July 1956)
  • "The Other Man" (September 1956)
  • "And Now The News" (December 1956)
  • "The Girl Had Guts" (January 1957)
  • "Need" (1960)
  • "How to Forget Baseball" (Sports Illustrated, December 1964)
  • "The Nail and the Oracle" (Playboy, October 1964)
  • "Slow Sculpture" (Galaxy, February 1970) — winner of a Hugo Award and a Nebula Award
  • "Occam's Scalpel" (August, 1971, with an introduction by Terry Carr)
  • "Vengeance Is" (1980, Dark Forces anthology edited by Kirby McCauley)
  • " If All Men Were Brothers, Would You Let One Marry Your Sister?" (1967, Dangerous Visions anthology edited by Harlan Ellison) — Nebula Award 1967 Nominee Novella
  • "The Man Who Learned Loving" — Nebula Award 1969 Nominee Short Story

Autobiography

  • Argyll, an autobiographical sketch about Sturgeon's relationship with his stepfather.

References

  1. ^ Theodore Sturgeon, Storyteller. 1976 Biographical essay by Paul Williams. "Young Edward had always been known as Teddy."
  2. ^ op. cit.. "To this day, libraries all over the world list "Theodore Sturgeon" as a pseudonym for "E.H. Waldo, which is incorrect."
  3. ^ a b Keating, H.R.F., The Bedside Companion to Crime, New York: Mysterious Press, 1989
  4. ^ Theodore Sturgeon FAQ
  5. ^ Obituary from the Register-Guard, May 10, 1985, retrieved from George C. Willick's "Spacelight" webpage May 4, 2007.
  6. ^ [1], "Wina on the Web: One small step for a man; one giant debate over Armtrong's first moon words"
  7. ^ Solicitation from Amazon.com

Article on-line from 2007 in which Wina Sturgeon recalls watching Apollo landing with TS in 1969

External links


Quotes

Up to date as of January 14, 2010

From Wikiquote

Ask the next question.

Theodore Sturgeon (26 February 19188 May 1985) was an American Science-Fiction writer, essayist, and poet.

Sourced

It's the Simple things that are really effective. Try to remember that.
  • It's the Simple things that are really effective. Try to remember that.
    • Professor Thaddeus MacIlhainy Nudnick, in "Two Percent Inspiration", first published in Astounding Science-Fiction (October 1941); also published in Microcosmic God : Volume II : The Complete Stories of Theodore Sturgeon (1995), edited by Paul Williams, p. 322 ISBN 1556433018
  • That Heel. That lousy wart on the nose of progress.
    • Character Hughie McCauley, quoting fictional space-opera hero Captain Jaundess, in "Two Percent Inspiration", first published in Astounding Science-Fiction (October 1941); also published in Microcosmic God : Volume II : The Complete Stories of Theodore Sturgeon (1995), edited by Paul Williams, p. 322 ISBN 1556433018
  • Love's a different sort of thing, hot enough to make you flow into something, interflow, cool and anneal and be welded stronger than what you started with.
  • I repeat Sturgeon's Revelation, which was wrung out of me after twenty years of wearying defense of science fiction against attacks of people who used the worst examples of the field for ammunition, and whose conclusion was that ninety percent of it is crud.
    The Revelation: Ninety percent of everything is crud.
    Corollary 1: The existence of immense quantities of trash in science fiction is admitted and it is regrettable; but it is no more unnatural than the existence of trash anywhere.
    Corollary 2: The best science fiction is as good as the best fiction in any field.
    • Venture Science Fiction (March 1958) The original expression of this has often been declared to have been "Sure, ninety percent of science fiction is crud. That's because ninety percent of everything is crud." According to Philip Klass Sturgeon made the remark during a talk at New York University around 1951. It has also commonly appeared in variant forms such as "Ninety percent of everything is crap" and is often referred to as "Sturgeon's Law" — though he himself gave that title to another phrase:
Sturgeon's Law originally was "Nothing is always absolutely so." The other thing was known as "Sturgeon's Revelation".
  • Interview with David G Hartwell, The New York Review of Science Fiction (March - April 1989)
  • A science fiction story is a story built around human beings, with a human problem and a human solution, which would not have happened at all without its scientific content.
    • As quoted in The Issue at Hand : Studies in Contemporary Magazine Science Fiction (1964) by James Blish, p. 14
  • It means "Ask the next question." Ask the next question, and the one that follows that, and the one that follows that. It's the symbol of everything humanity has ever created, and is the reason it has been created. This guy is sitting in a cave and he says, "Why can't man fly?" Well, that's the question. The answer may not help him, but the question now has been asked.
    The next question is what? How? And so all through the ages, people have been trying to find out the answer to that question. We've found the answer, and we do fly. This is true of every accomplishment, whether it's technology or literature, poetry, political systems or anything else. That is it. Ask the next question. And the one after that.
  • Science fiction, outside of poetry, is the only literary field which has no limits, no parameters whatsoever. You can go not only into the future, but into that wonderful place called "other", which is simply another universe, another planet, another species.

External links


Simple English

Theodore Sturgeon (26 February 1918 — 8 May 1985) was an American science fiction author.

He used a special writing style called rhythmic prose. Prose writing tells a story, but rhythmic writing is often poetry. His prose text would fit into a standard poetry rhythm, or meter. This made subtle shift in mood. Usually the reader would not notice how the timing of the words changed their feeling.

His most famous novel is More Than Human (1953).

Contents

Biography

Sturgeon was born Edward Hamilton Waldo in Staten Island, New York in 1918. His name was legally changed at age eleven after his mother's divorce and remarriage to William Dicky ("Argylle") Sturgeon.[1] "Theodore Sturgeon" is occasionally misidentified as a pseudonym; it was in fact his legal name.[2]

He sold his first story in 1938 to the McClure Syndicate, which bought much of his early (non-fantastic) work; his first genre appearance was "Ether Breather" in Astounding Science Fiction a year later. At first he wrote mainly short stories, primarily for genre magazines such as Astounding and Unknown, but also for general-interest publications such as Argosy Magazine. He used the pen name "E. Waldo Hunter" when two of his stories ran in the same issue of Astounding. A few of his early stories were signed "Theodore H. Sturgeon."

Sturgeon ghost-wrote an Ellery Queen mystery novel, The Player on the Other Side (Random House, 1963). This novel gained critical praise from critic H.R.F. Keating, who "had almost finished writing Crime and Mystery: the 100 Best Books, in which I had included The Player on the Other Side ... placing the book squarely in the Queen canon"[3] when he learned that it had been written by Sturgeon. Similarly, "William DeAndrea, author and ... winner of Mystery Writers of America awards, selecting his ten favorite mystery novels for the magazine Armchair Detective, picked The Player on the Other Side as one of them. He said: 'This book changed my life ... and made a raving mystery fan (and therefore ultimately a mystery writer) out of me. ... The book must be 'one of the most skilful pastiches in the history of literature. An amazing piece of work, whomever did it'."[3]

Sturgeon wrote the screenplays for the Star Trek episodes "Shore Leave" (1966) and "Amok Time" (1967, later published as a "Fotonovel" in 1978). The latter is known for his invention of the pon farr, the Vulcan mating ritual, the first use of the sentence "Live long and prosper" and the first use of the Vulcan hand symbol. Sturgeon also wrote several episodes of Star Trek that were never produced. One of these was notable for having first introduced the Prime Directive. He also wrote an episode of the Saturday morning show Land of the Lost, "The Pylon Express", in 1975. Two of Sturgeon's stories were adapted for The New Twilight Zone. One, "A Saucer of Loneliness", was broadcast in 1986 and was dedicated to his memory. Another short story, "Yesterday was Monday", was the inspiration for the The New Twilight Zone episode A Matter of Minutes. His 1944 novella "Killdozer!" was the inspiration for the 1970s made-for-TV movie, Marvel comic book, and alternative rock band of the same name.

Although Sturgeon is well-known among readers of classic science-fiction anthologies (at the height of his popularity in the 1950s he was the most anthologized author alive[needs proof]) and much respected by critics (John Clute writes in The Encyclopedia of Science Fiction: "His influence upon writers like Harlan Ellison and Samuel R. Delany was seminal, and in his life and work he was a powerful and generally liberating influence in post-WWII US sf"), he is not much known among the general public and won comparatively few awards (though it must be noted that his best work was published before the establishment and consolidation of the leading genre awards, while his later production was scarcer and weaker). He was listed as a primary influence of the much more famous Ray Bradbury. Kurt Vonnegut based his character Kilgore Trout on Theodore Sturgeon.[needs proof]

Sturgeon died on May 8, 1985, of lung fibrosis, in Eugene, Oregon.[4] Sturgeon lived for several years in the neighboring city of Springfield.[5]

Sturgeon's Law

In 1951, Sturgeon said something that is now known as Sturgeon's Law. He said, "Ninety percent of SF [science fiction] is crud, but then, ninety percent of everything is crud." At first, this was called Sturgeon's Revelation. Sturgeon has said that "Sturgeon's Law" was originally "Nothing is always absolutely so." However, the former statement is now widely referred to as Sturgeon's Law. He is also known for his strong support of critical thinking and challenging all normative assumptions: "Ask the next question." He represented this credo by the symbol of a Q with an arrow through it, an example of which he wore around his neck and used as part of his signature in the last 15 years of his life.

Novels

  • The Dreaming Jewels (1950) Also published as The Synthetic Man
  • More Than Human (1953) Fix-up of three linked novellas, the first and third written around the previously published "Baby Is Three"
  • The Cosmic Rape (1958) Abridged version published as To Marry Medusa
  • Venus Plus X (1960)
  • Some of Your Blood (1961)
  • Godbody (1986) (published posthumously)

Novelizations

Movie producers hired Sturgeon under his own name to write novelisations of these movies based on their scripts:

  • The King and Four Queens (1956)
  • Voyage to the Bottom of the Sea (1961)
  • The Rare Breed (1966)

Pseudonymous novels

  • I, Libertine (1956): Historical novel created as a for-hire hoax. Credited to "Frederick R. Ewing," written from a premise by Jean Shepherd.
  • The Player on The Other Side (1963): Mystery novel credited to Ellery Queen and ghost-written with Queen's assistance and supervision.

Short stories

Sturgeon published numerous short story collections during his lifetime, many drawing on his most prolific writing years of the 1940s and 1950s.

Note that some reprints of these titles (especially paperback editions) may cut one or two stories from the line-up. Statistics herein refer to the original editions only.

Collections published during Sturgeon's lifetime

The following table includes sixteen volumes (one of them collecting western stories) where up to three stories (representing no more than half the book) were previously published in a Sturgeon collection.

Title Year Number
of stories
previously
collected
Originally published
Earliest story Latest story
Without Sorcery 1948 13 1939 1947
E Pluribus Unicorn 1953 13 1947 1953
A Way Home 1955 11 1946 1955
Caviar 1955 7 1 1941 1955
A Touch of Strange 1958 11 1953 1958
Aliens 4 1959 4 1944 1958
Beyond 1960 6 1941 1960
Sturgeon In Orbit 1964 5 1951 1955
Starshine 1966 6 3 1940 1961
Sturgeon Is Alive and Well... 1971 11 1954 1971
The Worlds of Theodore Sturgeon 1972 10 3 1941 1962
Sturgeon's West (westerns) 1973 7 1949 1973
Case and the Dreamer 1974 3 1962 1973
Visions and Venturers 1978 8 1 1942 1965
The Stars Are The Styx 1979 10 1 1951 1971
The Golden Helix 1979 10 3 1941 1973

The following 6 collections consisted entirely of reprints of previously collected material:

Title Year Stories Notes
Number Earliest Latest
Thunder and Roses 1957 8 1946 1955 selected from 11 in 1955's "A Way Home"
Not Without Sorcery 1961 8 1939 1941 selected from 13 in 1948's Without Sorcery
The Joyous Invasions 1965 3 1955 1958 selected from 4 in 1959's "Aliens 4"
To Here and the Easel 1973 6 1941 1958
Maturity 1979 3 1947 1958
Alien Cargo 1984 14 1940 1956

Complete short stories

North Atlantic Books has been releasing the chronologically assembled The Complete Short Stories of Theodore Sturgeon, edited by Paul Williams, since 1994. The series will run to 13 volumes, with the last appearing in 2010.

The currently available volumes include:

  1. The Ultimate Egoist (1937 to 1940)
  2. Microcosmic God (1940 to 1941)
  3. Killdozer (1941 to 1946)
  4. Thunder and Roses (1946 to 1948)
  5. The Perfect Host (1948 to 1950)
  6. Baby is Three (1950 to 1952)
  7. A Saucer of Loneliness (1953)
  8. Bright Segment (1953 to 1955, as well as two "lost" stories from 1946)
  9. And Now the News... (1955 to 1957)
  10. The Man Who Lost the Sea (1957 to 1960)
  11. The Nail and the Oracle (1961 to 1969)
  12. Slow Sculpture (1970 to 1972, plus one 1954 novella and one unpublished story)[6]
  13. Case and The Dreamer (1972 to 1983, plus one 1960 story and three unpublished stories) forthcoming September 2010

Representative short stories

Sturgeon was best known for his short stories and novellas. The best known include:

  • "Ether Breather" (September 1939, his first published science-fiction story)
  • "Derm Fool" (March 1940)
  • "It!" (August 1940)
  • "Shottle Bop" (February 1941)
  • "Microcosmic God" (April 1941)
  • "Yesterday Was Monday" (1941)
  • "Killdozer!" (November, 1944)
  • "Bianca's Hands" (May, 1947)
  • "Thunder and Roses" (November 1947)
  • "The Perfect Host" (November 1948)
  • "Minority Report" (June 1949, no connection to the 2002 movie, which was based on a later story by Philip K. Dick)
  • "One Foot and the Grave" (September 1949)
  • "A Saucer of Loneliness" (February 1953)
  • "The World Well Lost" (June 1953)
  • "Mr. Costello, Hero" (December 1953)
  • "The [Widget], The [Wadget], and Boff" (1955)
  • "The Skills of Xanadu" (July 1956)
  • "The Other Man" (September 1956)
  • "And Now The News" (December 1956)
  • "The Girl Had Guts" (January 1957)
  • "Need" (1960)
  • "How to Forget Baseball" (Sports Illustrated, December 1964)
  • "The Nail and the Oracle" (Playboy, October 1964)
  • "Slow Sculpture" (Galaxy, February 1970) — winner of a Hugo Award and a Nebula Award
  • "Occam's Scalpel" (August, 1971, with an introduction by Terry Carr)
  • "Vengeance Is" (1980, Dark Forces anthology edited by Kirby McCauley)
  • "If All Men Were Brothers, Would You Let One Marry Your Sister?" (1967, Dangerous Visions anthology edited by Harlan Ellison) — Nebula Award 1967 Nominee Novella
  • "The Man Who Learned Loving" — Nebula Award 1969 Nominee Short Story

Autobiography

  • Argyll, an autobiographical sketch about Sturgeon's relationship with his stepfather.

References

  1. Theodore Sturgeon, Storyteller. 1976 Biographical essay by Paul Williams. "Sturgeon because that was the stepfather's name -- he was a professor of modern languages at Drexel Institute in Philadelphia -- and Theodore because Edward was the boy's father's name and the mother was still bitter and anyway young Edward had always been known as Teddy."
  2. op. cit.. "To this day, libraries all over the world list "Theodore Sturgeon" as a pseudonym for "E.H. Waldo, which is incorrect."
  3. 3.0 3.1 Keating, H.R.F., The Bedside Companion to Crime, New York: Mysterious Press, 1989
  4. Theodore Sturgeon FAQ
  5. Obituary from the Register-Guard, May 10, 1985, retrieved from George C. Willick's "Spacelight" webpage May 4, 2007.
  6. Solicitation from Amazon.com

Article on-line from 2007 in which Wina Sturgeon recalls watching Apollo landing with TS in 1969

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