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Thomas Nast

Self-portrait of Thomas Nast
Born September 27, 1840(1840-09-27)
Landau, Germany
Died December 7, 1902 (aged 62)
Guayaquil, Ecuador
Signature

Thomas Nast (September 27, 1840 – December 7, 1902) was a German-born American caricaturist and editorial cartoonist who is considered to be the "Father of the American Cartoon."[1]

Contents

Youth and education

Photograph of Nast by Sarony, Union Square, N.Y.

He was born in the barracks of Landau, Germany (in the Rhine Palatinate), the son of a trombonist in the 9th regiment Bavarian band. The elder Nast's socialist political convictions put him at odds with the German government, and in 1846 he left Landau, enlisting first on a French man-of-war and subsequently on an American ship.[2] He sent his wife and children to New York City, and at the end of his enlistment in 1849 he joined them there. Thomas Nast's passion for drawing was apparent from an early age, and he was enrolled for about a year of study with Alfred Fredericks and Theodore Kaufmann and at the school of the National Academy of Design. After school (at the age of 15), he started working in 1855 as a draftsman for Frank Leslie's Illustrated Newspaper; three years afterwards for Harper's Weekly.

Career

Photograph of Nast taken between 1860 and 1875 by Mathew Brady or Levin Handy

Nast drew for Harper's Weekly from 1859 to 1860 and from 1862 until 1886. In February 1860 he went to England for the New York Illustrated News to depict one of the major sporting events of the era, the prize fight between the American John C. Heenan and the English Thomas Sayers.[3] A few months later, as artist for The Illustrated London News, he joined Garibaldi in Italy. Nast's cartoons and articles about the Garibaldi military campaign to unify Italy captured the popular imagination in the U.S. In 1861, he married Sarah Edwards, whom he had met two years earlier.

His first serious works in caricature was the cartoon "Peace," (made in 1862) directed against those in the North who opposed the prosecution of the American Civil War. This and his other cartoons during the Civil War and Reconstruction days were published in Harper's Weekly. He was known for drawing battlefields in border and southern states. These attracted great attention, and Nast was called by President Abraham Lincoln "our best recruiting sergeant".[4] Later, Nast strongly opposed President Andrew Johnson and his Reconstruction policy.

Campaign against the Tweed Ring

The "Brains"
Boss Tweed depicted by Thomas Nast in a wood engraving published in Harper's Weekly, October 21, 1871
A Group of Vultures Waiting for the Storm to "Blow Over" – "Let Us Prey."
The Tweed Ring depicted by Nast in a wood engraving published in Harper's Weekly, September 23, 1871

Nast's drawings were instrumental in the downfall of Boss Tweed, the powerful Tammany Hall leader. As commissioner of public works for New York City, Tweed led a ring that, by 1870, had gained total control of the city's government, and controlled "a working majority in the State Legislature".[5] Tweed and his associates—Peter Barr Sweeny (park commissioner), Richard B. Connolly (controller of public expenditures), and Mayor A. Oakey Hall—defrauded the city of many millions of dollars by grossly inflating expenses paid to contractors connected to the Ring. Nast, whose cartoons attacking Tammany corruption had appeared occasionally since 1867, intensified his focus on the four principal players in 1870 and especially in 1871.

Tweed so feared Nast's campaign that an emissary was sent to offer Thomas Nast a large bribe, which was represented as a gift from a group of wealthy benefactors to enable Nast to study art in Europe.[6] Feigning interest, Nast bid the initial offer of $100,000 dollars up to $500,000 before declaring, "I don't think I'll do it".[7] Nast pressed his attack, and an indignant public rose against the Ring, which was removed from power in the election of November 7, 1871. Tweed was arrested in 1873 and convicted of fraud. When Tweed attempted to escape justice in December 1875 by fleeing to Cuba and from there to Spain, officials in Vigo, Spain were able to identify the fugitive by using one of Nast's cartoons.[8]

Nast believed that the well-organized Irish immigrant communities in New York had provided the basis for Tweed's popular support. Because of this—along with Nast's Anti-Catholic and Nativist beliefs—Nast often portrayed the Irish immigrant community, and Catholic Church leaders, with extreme prejudice. In 1871, one of his works, titled "The American River Ganges", infamously portrayed Catholic bishops as crocodiles waiting to attack American school children. Nast's anti-Irish sentiment is apparent in his characteristic depiction of the Irish as violent drunks, often with ape-like features.

The American River Ganges, a cartoon by Thomas Nast showing bishops attacking public schools, with connivance of Boss Tweed and his associates. Published in Harper's Weekly, September 30, 1871.
The Usual Irish Way of Doing Things, a cartoon by Thomas Nast depicting a drunken Irishman lighting a powder keg. Published in Harper's Weekly, September 2, 1871.

In general, his political cartoons supported American Indians, Chinese Americans and advocated abolition of slavery. Nast also dealt with segregation and the violence of the Ku Klux Klan, which was detailed in one of his more famous cartoons called "Worse than Slavery", which showed a despondent black family having their house destroyed by arson, and two members of the Ku Klux Klan and White League are shaking hands in their mutually destructive work against black Americans. His cartoons frequently had numerous sidebars and panels with intricate subplots to the main cartoon. A Sunday feature could provide hours of entertainment and highlight social causes. His signature "Tammany Tiger" has been emulated by many cartoonists over the years, and he introduced into American cartoons the practice of modernizing scenes from Shakespeare for a political purpose.

The Tammany Tiger Loose—"What are you going to do about it?", published in Harper's Weekly in November 1871, just before election day

Party politics

Harper's Weekly, and Nast, played an important role in the election of Ulysses Grant in 1868 and 1872; in the latter campaign, Nast's ridicule of Horace Greeley's candidacy was especially merciless. Nast became a close friend of President Grant and the two families shared regular dinners until Grant's death. Nast encouraged the former president's efforts in writing his autobiography while battling cancer.

He moved to Morristown, New Jersey in 1872 and lived there for many years. In 1873, Nast toured the United States as a lecturer and a sketch-artist, as he would do again in 1885 and 1887.

He shared political views with his friend Mark Twain and was for many years a staunch Republican. Nast opposed inflation of the currency, notably with his famous rag-baby cartoons, and he played an important part in securing Rutherford B. Hayes’ presidential election in 1876. Hayes later remarked that Nast was "the most powerful, single-handed aid [he] had",[9] but Nast quickly became disillusioned with President Hayes, whose policy of Southern pacification he opposed. He was not given free rein to attack Hayes in Harper's, however; with the death of Fletcher Harper in 1877, Nast lost an important champion at the journal, and his contributions became less frequent. He focused on oil paintings and book illustrations, but these are comparatively unimportant.

Interior Secretary Schurz cleaning house, Harper's Weekly, January 26, 1878

In 1884, his advocacy of civil service reform and his distrust of James G. Blaine, the Republican presidential candidate, forced him to become a Mugwump, whose support of Grover Cleveland helped him to win election as the first Democratic president since 1856. In the words of the artist's grandson, Thomas Nast St Hill, "it was generally conceded that Nast's support won Cleveland the small margin by which he was elected. In this his last national political campaign, Nast had, in fact, 'made a president.'"[10] Nevertheless, Nast's tenure at Harper's Weekly ended with his Christmas illustration of December 1886. In the words of journalist Henry Watterson, "in quitting Harper's Weekly, Nast lost his forum: in losing him, Harper's Weekly lost its political importance."[11]

portrait of Thomas Nast from Harpers Weekly, 1867

In 1890, he published Thomas Nast's Christmas Drawings for the Human Race. He contributed cartoons in various publications, notably the Illustrated American, but with the advent of new methods and younger blood his vogue was passed. In 1892, he took control of a failing magazine, the New York Gazette, and renamed it Nast's Weekly. Now returned to the Republican fold, Nast used the Weekly as a vehicle for his cartoons supporting Benjamin Harrison for president, but the magazine had little impact and ceased publication shortly after Harrison's defeat.[12]

In 1902 Theodore Roosevelt appointed him as the United States' Consul General to Guayaquil, Ecuador in South America. During a deadly yellow fever outbreak, Nast stayed to the end helping numerous diplomatic missions and businesses escape the contagion. At age 62, in 1902, he died of yellow fever contracted there. His body was returned to the United States where he was interred in the Woodlawn Cemetery in The Bronx, New York.

Notable works

Nast's Santa Claus on the cover of the January 3, 1863, issue of Harper's Weekly.

Nast's depiction of iconic characters, such as Santa Claus and Uncle Sam, are widely credited with giving us the recognized versions we see today.

Supposed origins of the word "Nasty"

There is a misconception among some that the word "nasty" originated from Thomas Nast's name, due to the tone of his cartoons.[13] However, the word "nasty" has origins hundreds of years before Thomas Nast was born.[14]

Notes

  1. ^ "The Historic Elephant and Donkey; It Was Thomas Nast "Father of the American Cartoon," Who Brought Them Into Politics." (PDF). New York Times. 08/02/1908. p. SM9. http://query.nytimes.com/mem/archive-free/pdf?_r=1&res=9D07EFDB113EE033A25751C0A96E9C946997D6CF&oref=slogin. Retrieved 2008-07-12.  
  2. ^ Paine 1974, p. 7.
  3. ^ Paine 1974, p. 36.
  4. ^ Paine 1974, p.69.
  5. ^ Paine 1974, p. 140.
  6. ^ Paine 1974, p. 181.
  7. ^ Paine 1974, pp. 181–182.
  8. ^ Paine 1974, pp. 336–337.
  9. ^ Paine 1974, p. 349.
  10. ^ Nast & St. Hill 1974, p. 33.
  11. ^ Paine 1974, p. 528.
  12. ^ Paine 1974, p. 540.
  13. ^ About.com
  14. ^ Harper, Douglas (November 2001). "nasty etymology". Online Etymology Dictionary. http://www.etymonline.com/index.php?term=nasty. Retrieved 2009-02-01.  

References

Thomas Nast asks pardon for his sketches.

External links


1911 encyclopedia

Up to date as of January 14, 2010
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