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Thomas Sturge Moore (March 4, 1870– July 18, 1944) was an English poet, author and artist. He was born on 4 March 1870 and was educated at Dulwich College, the Croydon Art School and Lambeth Art School.[1][2] He was a long-term friend and correspondent of W. B. Yeats. He was also a playwright, writing a Medea influenced by Yeats' drama and the Japanese Noh style.

Sturge Moore was a prolific poet and his subjects included, morality, art and the spirit. His first pamphlet, Two Poems, was printed privately in 1893 and his first book of verse, The Vinedresser, was published in 1899. His love for poetry lead him to become an active member of the Poetry Recital Society. His first (of 31) plays to be produced was Aphrodite against Artemis (1906), staged by the Literary Theatre Club of which he became a member in 1908. He received a civil list pension in 1920 in recognition for his contribution to literature and in 1930 he was nominated as one of seven candidates for the position of Poet Laureate. He died on 18 July 1944.

He adopted the name 'Sturge' as a way of avoiding confusion with the poet Thomas Moore.

He was the brother of the famous philosopher George Edward Moore, one of the founders of the Analytic tradition in philosophy.[3]

References

  • Sturge Moore & the Life of Art by Frederick L. Gwynn (1951)
    1. ^ Hodges, S, (1981), God's Gift: A Living History of Dulwich College, pages 88, (Heinemann: London)

External links


Thomas Sturge Moore (March 4, 1870– July 18, 1944) was an English poet, author and artist. He was born on 4 March 1870 and was educated at Dulwich College, the Croydon Art School and Lambeth Art School.[1][2] He was a long-term friend and correspondent of W. B. Yeats. He was also a playwright, writing a Medea influenced by Yeats' drama and the Japanese Noh style.

Sturge Moore was a prolific poet and his subjects included, morality, art and the spirit. His first pamphlet, Two Poems, was printed privately in 1893 and his first book of verse, The Vinedresser, was published in 1899. His love for poetry lead him to become an active member of the Poetry Recital Society. His first (of 31) plays to be produced was Aphrodite against Artemis (1906), staged by the Literary Theatre Club of which he became a member in 1908. He received a civil list pension in 1920 in recognition for his contribution to literature and in 1930 he was nominated as one of seven candidates for the position of Poet Laureate. He died on 18 July 1944.

He adopted the name 'Sturge' as a way of avoiding confusion with the poet Thomas Moore.

He was the brother of the famous philosopher George Edward Moore, one of the founders of the Analytic tradition in philosophy.[3]

References

  • Sturge Moore & the Life of Art by Frederick L. Gwynn (1951)
    1. ^ Hodges, S, (1981), God's Gift: A Living History of Dulwich College, pages 88, (Heinemann: London)
  • ^ biographical information in archives catalogue
  • ^ Hodges, S, (1981), God's Gift: A Living History of Dulwich College, pages 87-88, (Heinemann: London)
  • External links


    Quotes

    Up to date as of January 14, 2010

    From Wikiquote

    Thomas Sturge Moore (1870-03-041944-07-18) was an English poet, art-historian, dramatist and wood-engraver.

    Sourced

    • Then, cleaving the grass, gazelles appear
      (The gentler dolphins of kindlier waves)
      With sensitive heads alert of ear;
      Frail crowds that a delicate hearing saves.
      • "The Gazelles", line 13; from The Centaur's Booty (London: Duckworth, 1903) p. ix.
    • For milkmaids and queens and gipsy-princesses
      Dream and kiss blindfold or starve upon guesses.
      • "Reason Enough", line 7; from The Sea is Kind (London: Grant Richards, 1914) p. 75.
    • Break free, my soul, good manners are thy tomb!
      • "Reason Enough", line 18; from The Sea is Kind (London: Grant Richards, 1914) p. 75.
    • "Shells with lip, or tooth, or bleeding gum,
      Tell-tale shells, and shells that whisper 'Come',
      Shells that stammer, blush, and yet are dumb – "
      "O let me hear!"
      • "A Duet", line 5; from The Sea is Kind (London: Grant Richards, 1914) p. 78.

    Criticism

    • In my opinion Mr. Moore is a greater poet than Mr. Yeats. He has lived obscurely, and has not displayed Mr. Yeats's talent for self-dramatization; for these reasons and others he has never become a public figure or a popular writer.
      • Yvor Winters Uncollected Essays and Reviews (Chicago: Swallow Press, 1973) p. 139.
    • A sheep in sheep's clothing.
      • Edmund Gosse, quoted in Ferris Greenslet Under the Bridge: An Autobiography (Boston: Houghton Mifflin, 1943) p. 104.
      • Sometimes misattributed to Yeats.

    External links

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