| Timothy Asch | |
|---|---|
 Filmmaker, anthropologist, and photographer Tim Asch |
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| Born | July 16, 1932 Southampton, New York |
| Died | October 3, 1994 (aged 62) Los Angeles, California |
| Occupation | Professor, USC Center for Visual Anthropology |
| Nationality | United States |
| Genres | Visual anthropology |
| Notable work(s) | The Ax Fight |
Timothy Asch (July 16, 1932 – October 3, 1994, Los Angeles, California), was a noted anthropologist, photographer, and ethnographic filmmaker. Along with John Marshall and Robert Gardner, Asch played an important role in the development of visual anthropology. He is particularly known for his film The Ax Fight and his role with the USC Center for Visual Anthropology.
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Asch was born in Southampton, New York and attended The Putney School. He studied at Columbia University, where he received his B.S. in anthropology in 1959. While at Columbia, he served as a teaching assistant for Margaret Mead, who encouraged his work in visual anthropology. From 1950-1951, he served apprenticeships with Minor White, Edward Weston and Ansel Adams through the San Francisco Art Institute (formerly known as the California School of Fine Arts). He received his M.A. in African Studies from Boston University (with an anthropology concentration at Harvard University) in 1964.
Asch was known for the his work as an ethnographic filmmaker on the Yanomami in conjunction with Napoleon Chagnon. He also worked with anthropologist Jay Ruby.
Asch taught at New York University, Brandeis University, and Harvard University, prior to joining the University of Southern California (USC) in 1982. He became the Director of the Center for Visual Anthropology after the death of founder Barbara Myerhoff. During his period at USC, he was involved with the Margaret Mead Film Festival.
Asch acted as Director of the Center for Visual Anthropology up until his death from cancer on October 3, 1994. [1] The Spring 1995 issue of Visual Anthropology Review (Vol. 11, No.1) was dedicated to Asch. [2]
Asch was a prolific filmmaker with an extensive list of more than 70 films to his credit.[1]
Asch married Patricia Wood. Together they acted as partners with other anthropologists in Afghanistan and Indonesia to produce films widely used in education and research. They had four children together: daughters Caya and Kim, and sons Gregory and Alexander.[2]
| Timothy Asch | |
|---|---|
| Born | July 16, 1932 Southampton, New York |
| Died | October 3, 1994 (aged 62) Los Angeles, California |
| Occupation | Professor, USC Center for Visual Anthropology |
| Nationality | United States |
| Genres | Visual anthropology |
| Notable work(s) | The Ax Fight |
Timothy Asch (July 16, 1932 – October 3, 1994, Los Angeles, California), was a noted anthropologist, photographer, and ethnographic filmmaker. Along with John Marshall and Robert Gardner, Asch played an important role in the development of visual anthropology. He is particularly known for his film The Ax Fight and his role with the USC Center for Visual Anthropology.
Contents |
Asch was born in Southampton, New York and attended The Putney School. He studied at Columbia University, where he received his B.S. in anthropology in 1959. While at Columbia, he served as a teaching assistant for Margaret Mead, who encouraged his work in visual anthropology. From 1950-1951, he served apprenticeships with Minor White, Edward Weston and Ansel Adams through the San Francisco Art Institute (formerly known as the California School of Fine Arts). He received his M.A. in African Studies from Boston University (with an anthropology concentration at Harvard University) in 1964.
Asch was known for the his work as an ethnographic filmmaker on the Yanomami in conjunction with Napoleon Chagnon. He also worked with anthropologist Jay Ruby.
Asch taught at New York University, Brandeis University, and Harvard University, prior to joining the University of Southern California (USC) in 1982. He became the Director of the Center for Visual Anthropology after the death of founder Barbara Myerhoff. During his period at USC, he was involved with the Margaret Mead Film Festival.
Asch acted as Director of the Center for Visual Anthropology up until his death from cancer on October 3, 1994. [1] The Spring 1995 issue of Visual Anthropology Review (Vol. 11, No.1) was dedicated to Asch. [2]
Asch was a prolific filmmaker with an extensive list of more than 70 films to his credit.[1]
Asch married Patricia Wood. Together they acted as partners with other anthropologists in Afghanistan and Indonesia to produce films widely used in education and research. They had four children together: daughters Caya and Kim, and sons Gregory and Alexander.[2]
   | Out of Sync: The Cinema of Tim Asch - OUT OF SYNC: THE CINEMA OF TIM ASCH - Jay Ruby |
| | Some Hurried Thoughts about Tim Asch and Patrick Tierney - Visual Anthropology Review |
| | ''Timothy Asch and Ethnographic Film'' - Timothy Asch and Ethnographic Film - E.D Lewis - Microsoft Reader eBook - Download Now! |
| | Tim Asch: Yanomamo Series - DER Documentary: The Yanomamo Series |
| | ''Morning with Asch'' - DER Documentary: Morning With Asch |
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