| Tyranny and Mutation | ||||
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| Studio album by Blue Öyster Cult | ||||
| Released | February 1973 | |||
| Recorded | Columbia Studios, New York | |||
| Genre | Hard rock, heavy metal | |||
| Length | 38:11 | |||
| Label | CBS | |||
| Producer | Murray Krugman & Sandy Pearlman | |||
| Professional reviews | ||||
| Blue Öyster Cult chronology | ||||
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Tyranny and Mutation (On the album cover: THE BLVE ÖYSTER CVLT: TYRANNY AND MVTATION) was the second album by hard rock band, Blue Öyster Cult, released in 1973 (see 1973 in music).
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This is the only album by Blue Öyster Cult which renders the band name as The Blue Öyster Cult.
On the original record, one side had the original black text-on-red background style for the label of side A (called "The Black") where side B ("The Red") had the opposite - a black background with red text. On the 2001 remasters of this album and of Blue Öyster Cult, this red-on-black style is used on the disc. (Secret Treaties and Agents of Fortune use the black-on-red style.)
This was the first BOC album to feature a contribution from punk poetess Patti Smith, who would go on to co-write several songs for the band.
The song "The Red and the Black" is a re-titled, re-recorded version of the band's "I'm on the Lamb But I Ain't No Sheep" from their first studio album. The lyrics are a reference to the Royal Canadian Mounted Police.
Erroneous lyrics to the song "Mistress of the Salmon Salt (Quicklime Girl)" were printed in the remastered version of this album and have propagated through the Internet. The corrected lyrics supplied by Albert Bouchard:
"that Duke's joint" should be "that juke joint"
"A harvester lifts his arms to the rain" should be "A harvest of limbs, of arms and of legs"
On at least one pressing of the album on CD prior to the 2001 Remaster, some of the segues between songs were mispositioned. This affects every track except for the last. Three of them (O.D.'d on Life Itself -> Hot Rails to Hell, Hot Rails -> 7 Screaming Diz-Busters -> Baby Ice Dog) are minor, but all the other erroneous segues are fairly noticeable and a bit disruptive, especially if listened to in MP3 format or any other format where gaps exist before or after songs.
| Year | Album | Billboard 200 |
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| 1973 | Tyranny and Mutation | #122 |
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