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Ultra high frequency
Frequency Range 0.3 to 3 GHz

ITU Radio Band Numbers


Ultra high frequency (UHF) designates a range of electromagnetic waves with frequencies between 300 MHz and 3 GHz (3,000 MHz), also known as the decimetre band or decimetre wave as the wavelengths range from one to ten decimetres (10 cm to 1 metre). Radio waves with frequencies above the UHF band fall into the SHF (super high frequency) and EHF (extremely high frequency) bands, all of which fall into the microwave frequency range. Lower frequency signals fall into the VHF (very high frequency) or lower bands. See Electromagnetic spectrum and Radio spectrum for a full listing of frequency bands.



UHF and VHF are the most commonly used frequency bands for transmission of television signals. Modern mobile phones also transmit and receive within the UHF spectrum. UHF is widely used by public service agencies for two-way radio communication, usually using narrowband frequency modulation, but digital services are on the rise. Narrowband radio modems use UHF and VHF frequencies for long range data communications e.g. for supervision and control of power distribution networks and other SCADA and automation applications. There has traditionally been very little radio broadcasting in this band until recently; see Digital Audio Broadcasting for details. The Global Positioning System also uses UHF.

One uncommon use of UHF waves is for the detection of partial discharges. Partial discharges occur because of the sharp geometries created in high voltage insulated equipment. The advantage of UHF detection is that this method can be used to localize the source of the discharge. A drawback to UHF detection is the extreme sensitivity to external noise. UHF detection methods are used in the field, especially for large distribution transformers.

2.45 GHz, now mainly used for Wi-Fi, Bluetooth and US cordless phones has been proposed for Wireless energy transfer. Some pilot experiments have been performed, but it is not used on a large scale.

Amateur radio operators also operate in several UHF bands.

Some radio-frequency identification (RFID) tags utilize UHF. These tags are commonly known as UHFID's or Ultra-HighFID's (Ultra-High Frequency Identification) and often are small battery-powered devices such as those used to remotely open doors of motorcars.

All frequencies in the UHF band are used for Ground-penetrating RADAR, as well as frequencies in the VHF band. Generally, the lower the frequency, the greater the penetrative depth of RADAR signals. 250Mhz. 500Mhz and 100Mhz antennas are commonly employed for archaeological geophysics, while frequencies below 100Mhz are used for geological and mining geophysics.

Characteristics, advantages, & disadvantages

The point to point transmission and reception of TV and radio signals is affected by many variables. Atmospheric moisture, solar wind, physical obstructions such as mountains and buildings, and time of day will all have an effect on the signal transmission and degradation of signal reception. All radio waves are partially absorbed by atmospheric moisture. Atmospheric absorption reduces, or attenuates, the strength of radio signals over long distances. The effects of attenuation degradation increases when switching from VHF TV signals to UHF TV signals. UHF TV signals are generally more degraded by moisture than lower bands such as VHF TV signals. The layer of the Earth's atmosphere called the ionosphere is filled with charged particles that can reflect some radio waves. This helps transmit a VHF TV signal over long distances, as the wave repeatedly bounces from the sky to the ground, but UHF TV signals do not benefit from such reflection. UHF transmission and reception will be enhanced or degraded by tropospheric ducting as the atmosphere warms and cools throughout the day. The main advantage of UHF transmission is the physically short wave that is produced by the high frequency. The size of transmission and reception antennas, is related to the size of the radio wave. The UHF antenna is stubby and short. Smaller and less conspicuous antennas can be used with higher frequency bands. The major disadvantage of UHF is its limited broadcast range and reception, often referred to as line-of-sight between the TV station's transmission antenna and customer's reception antenna, as opposed to VHF's very long broadcast range and reception which is less restricted by line-of-sight.

UHF is widely used in two-way radio systems and cordless telephones whose transmission and reception antennas are closely spaced. UHF signals travel over line-of-sight distances. Transmissions generated by two-way radios and cordless telephones do not travel far enough to interfere with local transmissions. A number of public safety and business communications are handled on UHF. Civilian applications such as GMRS, PMR446, UHF CB, and 802.11b ("WiFi") are popular uses of UHF frequencies. A repeater is used to propagate UHF signals when a distance that is greater than the line-of-sight is required.



In Australia, UHF was first anticipated in the mid 1970s with TV channels 27 - 69. The first UHF TV broadcasts in Australia were operated by Special Broadcasting Service (SBS) on channel 28 in Sydney and Melbourne starting in 1980, and translator stations for the Australian Broadcasting Corporation (ABC). The UHF band is now used extensively as ABC, SBS, commercial and public-access television services have expanded, particularly through regional areas.

Australia also provides the UHF CB service for general-purpose two-way communications.


The first Canadian television network was publicly-owned Radio-Canada, the Canadian Broadcasting Corporation. Its stations, as well as that of the first private networks (CTV and TVA, created in 1961), are primarily VHF. More recent third-network operators initially signing-on in the 1970s or 1980s were often relegated to UHF, or (if they were to attempt to deploy on VHF) to reduced power or stations in outlying areas. Canada's VHF spectrum was already crowded with both domestic broadcasts and numerous foreign border stations.

The use of UHF to provide programming which otherwise would not be available, such as province-wide educational services (Knowledge Channel, TVOntario, Télé-Québec), French language programming (outside Québec) and ethnic/multilingual television, has therefore become common. Third networks such as Quatre-Saisons or Global often will rely heavily on UHF stations as repeaters or as a local presence in large cities where VHF spectrum is largely already full. The handful of digital terrestrial television stations currently on-air in Canada as of 2008 are also all UHF broadcasts, although some digital broadcasts will return to VHF channels vacated after the digital transition is completed in August 2011.[1]

Digital Audio Broadcasting, deployed on a very limited scale in Canada in 2005, uses UHF frequencies in the L band from 1452-1492 MHz. There are currently no VHF Band III digital radio stations in Canada as, unlike in much of Europe, these frequencies are among the most popular for use by television stations.[2]


In the Republic of Ireland, UHF was introduced in 1978 to augment the existing RTÉ One VHF 625-line transmissions and to provide extra frequencies for the new RTÉ Two channel. The first UHF transmitter site was Cairn Hill in Co. Longford, followed by Three Rock Mountain in South Co. Dublin. These sites were followed by Clermont Carn in Co. Louth and Holywell Hill in Co. Donegal in 1981. Elsewhere in Ireland, both the RTÉ channels are available on VHF. Since then RTÉ have migrated nearly all their low-power relay sites to UHF. TV3 and TG4 are transmitted entirely in UHF only. When Digital Terrestrial TV is introduced, it is intended to broadcast this on UHF only initially, although VHF allocations exist. VHF TV is likely to cease whenever the existing analogue broadcasts are switched off. The UHF band is also used in parts of Ireland for Television deflector systems bringing British television signals to towns and rural areas which cannot receive these signals directly


In Japan, an Independent UHF Station (ja:全国独立UHF放送協議会 Zenkoku Dokuritsu Yū-eichi-efu Hōsō Kyōgi-kai ?, literally National Independent UHF Broadcasting Forum) is one of a loosely-knit group of free commercial terrestrial television stations which is not a member of the major national networks keyed in Tokyo and Osaka.

Japan's original broadcasters were VHF. Although some experimental broadcasts were made as early as 1939, NHK (founded in 1926 as a radio network modeled on the BBC) began regular VHF television broadcasting in 1953. Its two terrestrial television services (NHK General TV and NHK Educational TV) appear on VHF 1 and 3 respectively in the Tokyo region. Privately-owned Japanese VHF TV stations were most often built by large national newspapers with Tokyo stations exerting a large degree of control over national programming.

The independent stations broadcast in analogue UHF, unlike major networks which were historically primarily broadcast in analogue VHF. The loose coalition of UHF independents is operated mostly by local governments or metropolitan newspapers with less outside control. Compared with major network stations, Japan's UHF independents have more restrictive programming acquisition budgets and lower average ratings; they are also more likely to broadcast single episode or short-series UHF anime (many of which serve to promote DVD's or other product tie-ins) and brokered programming such as religion and infomercials.

Japanese terrestrial television is in the process of switching entirely to digital UHF, with all analogue television (both VHF and UHF) planned to shut down in 2011.


UHF broadcasting was used outside Kuala Lumpur and the Klang Valley by private TV station TV3 in the late 80s, with the government stations only transmitting in VHF (Bands 1 and 3) and the 450 MHz range being occupied by the ATUR cellular phone service operated by Telekom Malaysia. The ATUR service ceased operation in the late 90s, freeing up the frequency for other uses. UHF was not commonly used in the Klang Valley until 1994 (despite TV3's signal also being available over UHF Channel 29, as TV3 transmitted over VHF Channel 12 in the Klang Valley). 1994 saw the introduction of the channel MetroVision (which ceased transmission in 1999, got bought over by TV3's parent company - System Televisyen Malaysia Berhad - and relaunched as 8TV in 2004). This was followed by Ntv7 in 1998 (also acquired by TV3's parent company in 2005) and recently Channel 9 (which started in 2003, ceased transmission in 2005, was also acquired by TV3's parent company shortly after, and came back as TV9 in early 2006). At current count, there are 4 distinct UHF signals receivable by an analog TV set in the Klang Valley: Channel 25 (8TV), Channel 29 (TV3 UHF transmission), Channel 37 (NTV7) and Channel 39 (TV9). Channel 35 is usually allocated for VCRs, decoder units (i.e. the ASTRO and MiTV set top boxes) and other devices that have an RF signal generator (i.e. game consoles).

United Kingdom

In the UK, UHF television began in 1964 following a plan by the General Post Office to allocate sets of frequencies for 625-lined television to regions across the country, so as to accommodate four national networks with regional variations (the VHF allocations allowed for only two such networks using 405 lines). The UK UHF channels would range from 21 to 68 (later extended to 69) and regional allocations were generally grouped close together to allow for the use of aerials designed to receive a specific sub-band with greater efficiency than wider-band aerials could. Aerial manufacturers would therefore divide the band into over-lapping groups; A (channels 21-34), B (39-53), C/D (48-68) and E (39-68). The first service to use UHF was BBC2 in 1964 followed by BBC1 and ITV (already broadcast on VHF) in 1969 and Channel 4/S4C in 1982. PAL colour was introduced on UHF only in 1967 (for BBC2) and 1969 (for BBC1 & ITV).

As a consequence of achieving maximum national coverage, signals from one region would typically over-lap with that of another, which was accommodated for by allocating a different set of channels in each adjacent area, often resulting in greater choice for viewers when a network in one region aired different programmes to the neighbouring region.

Initial uptake of UHF television was very slow: Differing propagation characteristics between VHF and UHF meant new additional transmitters needed to be built, often at different locations to the then-established VHF sites, and generally with a larger number of relay stations to fill the greater number of gaps in coverage that came with the new band. This led to poor picture quality in bad coverage areas, and many years before the service achieved full national coverage. In addition to this, the only exclusively UHF service, BBC2, would run for only a few hours a day and run alternative programming for minority audiences in contrast to the more populist schedules of BBC1 and ITV. However the 1970s saw a large increase in UHF TV viewing while VHF took a significant decline: The appeal of colour, which was never introduced to VHF (despite preliminary plans to do so in the late 1950s and early 1960s) and the fall in television prices saw most households use a UHF set by the end of that decade. With the second and last VHF television service having launched in 1955, VHF TV was finally decommissioned for good in 1985 with no plans for it to return to use.

The launch of Channel 5 in 1997 added a fifth national television network to UHF, requiring deviation from the original frequency allocation plan of the early 1960s and the allocation of UHF frequencies previously not used for television (such as UK Channels 35 and 37, previously reserved for RF modulators in devices such as domestic videocassette recorders, requiring an expensive VCR re-tuning programme funded by the new network). A lack of capacity within the band to accommodate a fifth service with the complex over-lapping led to the fifth and final network having a significantly reduced national coverage compared to the other networks, with reduced picture quality in many areas and the use of wide-band aerials often required.

The launch of digital terrestrial television in 1998 saw the continued use of UHF for television, with six multiplexes allocated for the service, all within the UHF band. However analogue transmissions have been planned to cease completely by 2012 after which time it is uncertain as to whether the vacated capacity will be used for additional digital television services or put into alternative use, such as mobile telecommunications or internet services.

United States


On December 29, 1949, KC2XAK of Bridgeport, Connecticut, became the first UHF television station to operate on a regular daily schedule. The first commercially-licensed UHF television station on the air was KPTV, Channel 27, in Portland, Oregon, on September 18, 1952. This TV station even used much of the equipment, including the transmitter, from KC2XAK.

American television broadcasting, which began experimentally in the 1930s with some regular commercial broadcasting in just a few cities (such as New York and Chicago) 1941, was originally allocated (by the Federal Communication Commission - the FCC) broadcasting channels solely in the VHF (Very High Frequency) band. All VHF TV channels except channel 1 through 13 had been removed from the FCC allocation list during World War II and those frequencies re-allocated for military use, leaving thirteen channels as of May 1945.[3] While efforts at TV broadcasting on any channel were drastically curtailed for the duration of WW II, largely due to lack of available receivers, the post-war era would bring rapid expansion in the nascent broadcast television industry.

After VHF Channel 1 was re-allocated to land-mobile radio systems in 1948 due to radio-interference problems, a mere one dozen TV channels remained. These were found to be not enough to serve the needs of television broadcasting as it grew nationwide during the latter 1940s and the 1950s. For example, these cities were never able to be allocated any VHF-TV stations at all, due to technical reasons found by the FCC: Lexington, Kentucky, Huntsville, Alabama, and Fresno, California. In addition, scores more cities were able to receive only one VHF broadcast station, for example High Point, North Carolina, Montgomery, Alabama, Wilmington, Delaware, Bakersfield, California, and Santa Barbara, California. Also, the entire state of New Jersey would receive only one VHF broadcast station of its own (which was to ultimately become WNET 13 Newark), leaving much of the state to be served from New York City or Philadelphia, and Delaware has had only one VHF station. Clearly, there was a problem with an insufficient number of TV channels being available to cover all of the United States.

With a grand total of 106 VHF stations broadcasting by the end of the 1940s in the U.S., problems with interference between stations due to some overcrowding of stations were already becoming apparent in the densely-populated areas, such as the eastern mid-Atlantic states (New York, Pennsylvania, New Jersey, Delaware, Maryland, and Connecticut) and Southern California. In 1949, the Federal Communications Commission stopped accepting applications for licensing new stations (a freeze that lasted until 1952) in order to address questions such as the allocation of additional channel frequencies, and also the selection of an electonic system for color television.

Allocating more of the VHF band (30 to 300 megahertz - MHz ) by moving existing radio communication users of this band seemed to be impossible. For example, FM radio broadcasting had already suffered a huge setback after a forced move from its original 42 to 50 MHz allocated band to the current 88 to 108 MHz band in 1946[4] rendered all existing FM transmitters and receivers obsolete. Furthermore, several other important radio communications services use the VHF band. For example, in aeronautical radio use, a so-called "UHF radio" system for voice communications actually falls in VHF spectrum as all of its frequencies are below 300 MHz. The aeronautical radio VHF radio system, located above 108 MHz, is among the frequencies fall into the wide band that is in between Channel 6 and Channel 7 of VHF broadcast TV. Police and fire department radios, land-mobile users and two-metre amateur radio operators also occupy VHF Band II, along with the entire FM broadcast band. It was impractical and uneconomic to require these well-established users to move to other frequencies, such as to the genuine UHF band (300 MHz to 3.0 GHz).

The U.S. Army and Navy (and the new Air Force - established 1947) did not need to keep their huge wartime UHF spectrum allocation simply because they had never used most of it. That allocation had been done hastily in 1942 in the face of the emergency of a huge war of unknown duration - and with the presence of very new and poorly-understood electronic technologies like radar. In 1942, nobody knew how much bandwidth that the Army and the Navy might need for radar and for radio communications, so the Federal Government took a wise expedient: it allocated a huge amount of radio spectrum to the uniformed services for the time being, in case the service might need it. Then, it could make adjustments later.

After the War ended, and after the growth of civilian TV broadcasting in the years after the war, by 1950 expansion of TV channels into the UHF band of frequencies became inevitable. However, lots of UHF TV technology remained unproven at that time, though plenty had been learned about UHF electronics during the war, especially in the development and improvement of radar. (There are significant advantages to using shorter wavelengths, hence higher frequencies, for radars.) Also, the question of which owners should retain the more-valuable (at that time) VHF TV channels remained hotly contested between several different competing interests.

To incumbent corporations, such as the Radio Corporation of America and its National Broadcasting Company subsidiary, UHF-TV and FM radio represented disruptive technologies - competition to their existing and long-established manufacturing and broadcast interests in VHF-TV and AM radio. To the second-ranked radio network the Columbia Broadcasting System, the allocation of the UHF spectrum to permit two channels of color TV or of some form of high-definition television appeared to be more important than the use of the channels to provide more channels to individual cities. To newer entrants into TV broadcasting such as the DuMont Laboratories compaqny and its fourth-ranked DuMont Television Network, however, the need for additional TV channels in major markets was urgent.[5] For proponents of educational TV broadcasting, the difficulties in competing with commercial broadcasters for the increasingly-scarce VHF channels becoming a key problem.[6]

Any attempt to pursue the objective of broadcast localism on the VHF-TV channels threatened in many regions to push the third-network TV companies such as the American Broadcasting Company onto stations in outlying communities, if they could be accommodated on VHF channels at all.

A key question in the FCC's allocation of TV channels was hence that of intermixture. To allocate four to as many as seven VHF channels to each of the largest cities would mean forcing the smaller, intervening cities completely onto the UHF channels, while an allocation scheme that sought to assign one or two VHF channels in each smaller city would force VHF and UHF stations to compete in most markets. (Some may find it hard to believe, but the large metropolitan areas of New York City, Washington-Baltimore, Los Angeles, and San Francisco received seven VHF stations apiece, and Chicago was allocated five, with the other two possible ones going to Milwaukee, Wisc., and Rockford, Ill.)

Primary Network Affiliates May 1954.png

Hopes that UHF-TV would allow dozens of television stations in every media market were thwarted not only by poor image frequency rejection in superheterodyne receivers with the standard intermediate frequency of 45.75 MHz, but also by very poor adjacent-channel rejection and channel selectivity by early tuner designs and manufactures. UHF-TV stations in the same immediate area were usually assigned by the FCC a minimum of six channels apart due to inadequate TV receiver manufacture. Technical problems with the design of vacuum tubes for operation at high UHF frequencies were beginning to be addressed as late as 1954.[7] These shortcomings led to "UHF taboos", which in effect limited each metropolitan area to only moderately more UHF stations than VHF ones, despite the theoretically much higher number of channels.[8]

While the more-established broadcasters were operating profitably on VHF channels as affiliates of the largest TV networks (at the time, NBC and CBS), most of the original UHF local stations of the 1950s soon went bankrupt, limited by the range their signals could supposedly travel, the lack of UHF tuners in most TV sets, and difficulties in finding advertisers willing to spend money on them. TV network affiliations were also difficult to get in many locations; the UHF stations with major-network affiliation would often lose these affiliations in favour of any viable new VHF TV station which entered the same market. Of the 82 new UHF-TV stations in the United States broadcasting as of June 1954, only 24 of them remained one the air a year later.[9] The fraction of new TV receivers that were factory-equipped with all-channel tuners dropped from 35% in early 1953 to 9.0% by 1958, a drop that was only partially compensated for by field upgrades or the availability of UHF converters for separate purchase.

The majority of the 165 UHF stations to begin telecasting between 1952 and 1959 did not survive. Under the All-Channel Receiver Act, FCC regulations by 1965 would ensure that all new TV sets sold in the U.S. had built-in UHF tuners. In spite of this, by 1971, there were just more than 170 full-service UHF broadcast stations nationwide.[10]

Independent and educational stations

In the United States, the UHF stations gained a reputation for being locally owned, less polished and professional, not as popular, and having weaker signal propagation than their VHF channel counterparts.

While UHF-TV has been available to American TV broadcasters since 1952, affiliates of the four major American TV networks (NBC, CBS, ABC, and DuMont) continued to transmit their programs primarily on VHF channels wherever they were available. With the availability of the twelve VHF television channels limited by FCC spacing rules to avoid co-channel and adjacent channel interference between TV stations in the same or nearby cities, all available VHF-TV allocations were already in use in most large TV markets by the mid-1950s.

To be more specific, two TV stations on the same channel needed to be about 160 or more miles apart, and two TV stations on adjacent channels needed to be about 60 or miles apart. Exceptions to this rule occurred with VHF channels 4 and 5, and VHF channels 6 and 7, because there are additional "guard bands" between these two pairs that are allocated to other uses. Thus, the pair channel 4 and 5 was found in New York City, Washington, D.C., St. Louis, Los Angeles, San Francisco, and many other places. Likewise, the pair channel 6 and 7 was found in Denver, Colorado and several other places.

With the most financially-affluent and network-connected TV broadcasters all on VHF channels, UHF stations in major population centers of the United States were usually unable to get big TV-network affiliations (ABC, CBS, & NBC), and thus were usually either educational network or independent TV stations.[11] Other UHF stations did for a time affiliate with less-affluent broadcast networks that didn't last very long; for example, the fourth-ranked DuMont Network, which operated from 1946 to 1956, and then went out of business. The movie UHF, which starring "Weird Al" Yankovic and Michael Richards, parodied the independent UHF station phenomenon.[12]

However, there were significant cities that had few or no VHF channels allocated to them. Hence, these cities did get UHF stations that did get major network affiliations and did become financially-sound businesses. Some of these stations have been located in state capital cities or served nearby state capitals, such as Montgomery, Alabama, Frankfort, Kentucky, Dover, Delaware, Lincoln, Nebraska, Topeka, Kansas, Jefferson City, Missouri, Lansing, Michigan, Harrisburg, Pennsylvania, Madison, Wisconsin, and Springfield, Missouri. In the United States, the television stations of or near state capital cities are important because they closely cover the operations of the state governments and spread the information to the residents of a wide region of the states.

TV antenna manufacturers of years ago often rated their top-of-the-line "deep-fringe" antenna models with phrases like "100 miles VHF / 60 miles UHF" if the antenna included UHF reception at all. (In the practice of electrical engineering, the frequency range in which an antenna is to be used is an important factor in its design.)

TV set manufacturers of years ago often treated UHF tuners as extra-charge optional-items until the All-Channel Receiver Act of 1964 forced their inclusion in all new TV sets as a standard. By 1964, many pioneering UHF broadcasters had already gone bankrupt. Various attempts were made by the FCC regulators to stem the tide of UHF station failures met with mixed results:

  • Limits on the number of owned-and-operated stations controlled by one corporation were raised from five stations to seven, provided that two of them were UHF stations. Both NBC-TV (WBUF 17 Buffalo, WNBC 30 Hartford) and CBS-TV (WHCT 18 Hartford, WXIX 19 Milwaukee) acquired pairs of UHF stations as an experiment in the mid-1950s, only to abandon the stations in 1958-59. Their commercial network programming soon returned to VHF channel affiliates. WBUF's allocation on channel 17 was donated to the public-TV broadcaster WNED-TV, which now broadcasts as a Public Broadcasting Service station.[13]
  • The UHF television impact policy (1960-1988) allowed applications for new VHF TV stations to be opposed in cases where licensure could lead to the economic failure of an existing UHF TV broadcaster.[14]
  • The secondary affiliation rule (1971-1995) prohibited a network entering a market with two existing VHF TV network affiliates and one UHF independent TV station from placing its programs on a secondary basis on one or both VHF stations without offering them to the UHF station.[15]
  • Limits on UHF effective radiated power, originally very restrictive, were relaxed. A UHF TV station could be licensed for up to five megawatts of carrier power, unlike VHF TV stations, which were limited to 100 - 316 kilowatts of carrier power depending on their channel.
  • More recent limits on station ownership are based on the combined percentage of the American population (originally 35% maximum, now increased to 45%) reached by one group of stations under common ownership. A UHF discount, by which only half of the audience of a UHF station would be counted against these limits, would ultimately allow groups such as PAX to reach the majority of the American audience using owned-and-operated UHF stations.[16]

The situation was to begin to improve in the 1960s and 1970s, but progress was to be slow and difficult.

While ABC-TV and the short-lived DuMont Network, being smaller and less prosperous networks, had had a number of UHF affiliates,[17] National Educational Television and the later PBS had even more.

The original SIN (Spanish International Network), which was established in 1962 as the predecessor of the modern Univisión network, was built primarily by UHF-TV broadcasters, such as charter stations KWEX-TV, Channel 41 in San Antonio and KMEX-TV, Channel 34, in Los Angeles.

Ultimately, in addition to providing TV service where VHF channels simply were not possible because of the limitations on the technology, UHF-TV also became a means to obtain programming which was not being provided by the "Big Three" commercial networks. For example, there were educational services like the Public Broadcasting Service, religious broadcasting, and Spanish language or multilingual broadcasting that all relied primarily on UHF channels to offer programming alternatives.

Fourth networks, satellite and cable television

In 1970, Ted Turner had acquired a struggling independent station on Channel 17 in Atlanta, Georgia, purchasing reruns of popular television shows, the Atlanta Braves baseball team and the Atlanta Hawks basketball team in order to provide access to entertainment for broadcast.

This station, renamed as WTBS, was uplinked in 1975 to satellite alongside new premium channels such as HBO, gaining access to distant cable television markets and becoming the first of various superstations to obtain national coverage. In 1986 Turner purchased the entire MGM film library, and Turner Broadcasting System's access to movie rights was to prove commercially valuable as home videocassette rental became ubiquitous in the 1980s.

In 1986, the DuMont owned-and-operated station group Metromedia was acquired by News Corporation and used as the foundation to relaunch a fourth commercial network which obtained affiliation with many former big-city independent stations as Fox TV.

While largely built from former independents and UHF stations in its early years, Fox had the large programming budgets that the original DuMont lacked. It ultimately was able in some markets to draw existing long-standing VHF affiliates away from established big-three networks, outbidding CBS for National Football Conference programming in 1994 and attracting many of that network's affiliates. Various smaller networks were created with the intent to follow in its footsteps, often assembling a fledgling network by affiliating with a disparate collection of formerly-independent UHF stations which otherwise would have no network programming.

Fox launched in 1986. The film UHF portrayed a fictional station on channel 62 in 1989. By 1994, New World Communications was moving its established stations from CBS to Fox affiliations in multiple markets, including WJBK-TV 2 Detroit. In many cases, this pushed CBS onto UHF; "U-62" as the new home of CBS in Detroit became CBS owned-and-operated station WWJ-TV in 1995, obtaining access to audiences thousands of miles distant through satellite and cable television.

The concentration of media ownership, the proliferation of cable and satellite television and the digital television transition have contributed to the quality equalization of VHF and UHF broadcasts. The distinction between UHF and VHF characteristics has declined in importance with the emergence of additional broadcast television networks (Fox, The CW, MyNetworkTV, Univision, Telemundo and ION), and the decline of direct OTA reception. The number of major large-city independent stations has also declined as many have joined or formed new networks.

Digital television

See also DTV transition in the United States#VHF_frequencies_and_digital_television

The majority of digital TV stations currently broadcast their over-the-air signals in the UHF band, both because VHF had been largely already filled with analog TV at the time the digital facilities were built and because of severe issues with impulse noise on digital low-VHF channels. While virtual channel numbering schemes routinely display channel numbers like "2.1" or "6.1" for individual North American terrestrial HDTV broadcasts, these are more often than not actually UHF signals. Many equipment vendors therefore use "HDTV antenna" or similar branding as all but synonymous to "UHF antenna".

Terrestrial digital television is based on a forward error correction scheme, in which a channel is assumed to have a random bit error rate and additional data bits may be sent to allow these errors to be corrected at the receiver. While this error correction can work well in the UHF band where the interference consist largely of white noise, it has largely proven inadequate on lower VHF channels where bursts of impulse noise disrupt the entire channel for short lengths of time. A short impulse-noise burst might be a minor annoyance to analog TV viewers, but due to the fixed timing and repetitive nature of analog video synchronization is usually recoverable. The same interference can prove severe enough to prevent the reliable reception of the more fragile and more highly-compressed ATSC digital television. Power limits are also lower on low-VHF; a digital UHF station may be licensed to transmit up to a megawatt of effective radiated power. Very few stations returned to VHF channels 2-6 after digital transition was completed in 2009. At least three quarters of all full-power digital broadcasts continued to use UHF transmitters, even after transition is complete, with most of the others located on the high-VHF channels. In some American markets, such as Syracuse, New York, there are no full-service VHF TV stations remaining after digital transition.

The one remaining limitation of UHF, that of a greatly-reduced ability for signals to travel great distances in the presence of obstacles due to terrain, continues to adversely affect digital UHF TV reception. Potentially, this limitation could be overcome by the use of DTS (Distributed Transmission Systems). Multiple digital UHF transmitters in carefully-selected locations can be synchronized as a single-frequency network to produce a tailored coverage area pattern rivaling that of a single full-power VHF transmitter.

While the Federal Communications Commission authorization to use DTS on anything more than an experimental basis came in November 2008, too late for sites to be acquired and transmitters built before the 2009 end of American digital transition, it is likely that more of these distributed UHF transmission systems will be constructed alongside conventional digital broadcast translator systems in the years to come as a means to get digital and high-definition television out to a wider audience.

UHF islands

One notable exception to historical patterns favoring VHF broadcasters has existed in mid-sized television markets within the United States which were too close to the outer fringe of the broadcast range of large-city VHF stations to qualify for their own stations on these frequencies. As no full-power VHF channels could be made available in these areas without encountering problems of interference from overlapping broadcast ranges, the Federal Communications Commission granted some mid-sized cities only UHF licenses. With all stations (including big-three network affiliates) on UHF, all-channel receivers and antennas became commonplace locally and UHF stations signing on as early as 1954 were often able to obtain the programming and viewership needed to remain viable into the modern era.[18]

These communities, known as UHF islands, included cities like Huntsville, Alabama; Fresno, California; South Bend, Indiana; Elmira, New York; Scranton, Pennsylvania; Lexington, Kentucky, and Springfield, Massachusetts. Other smaller cities found that only one VHF channel was open and any additional programming would need to be provided either by UHF, by distant stations or by low-power broadcasting.

Broadcast translators and low-power television

A large number of very small UHF TV transmitters continue to operate with no programming or commercial identity of their own, merely retransmitting signals of existing full-power stations to a smaller area poorly covered by the main VHF signal. Such transmitters are called "translators" rather than “stations”. The smallest, owned by local municipal-level groups or the originating TV stations, are numbered sequentially - W or K, followed by the channel number, followed by two sequentially-issued letters, yielding a "translator callsign" in a generic format which appears K14AA through W69ZZ. Translators and repeaters also exist on VHF channels, but infrequently and with stringently-limited power as the VHF spectrum is already crowded with full-power network stations in most regions.

The translator band, UHF TV channels 70-83, consisted mostly of these small repeaters; it was removed from television use in 1983 with the tiny repeaters moved primarily to lower UHF channels. The 804-890 MHz band segment is now primarily used by mobile phones.

As improvements to originating stations signals lessen the need for these small translators in some areas, often the small transmitter facilities and their allocated frequencies would be repurposed for low-power broadcasting; instead of repeating a distant signal, the tiny transmitter would be used to originate programming for a small local area.

Radio, mobile and non-broadcast applications

The Family Radio Service and General Mobile Radio Service use the 462 and 467 MHz areas of the UHF spectrum. There is a considerable amount of lawful unlicensed activity (cordless phones, wireless networking) clustered around 900 MHz and 2.4 GHz. These ISM bands - open frequencies with a higher unlicensed power permitted for use originally by Industrial, Scientific, Medical apparatus - are now becoming some of the most crowded in the spectrum because they are open to everyone.

The 2.45 GHz frequency, readily absorbed by water, is the standard for use by microwave ovens.

The spectrum from 806 MHz to 890 MHz (UHF channels 70-83) was taken away from TV broadcast services in 1983, primarily for analogue mobile telephony. In 2009, as part of the transition from analog to digital over-the-air broadcast of television, the spectrum from 698 MHz to 806 MHz (UHF channels 52-69) was also no longer used for TV broadcasting. Channel 55, for instance, was sold to Qualcomm for their MediaFLO service, which is resold under various mobile telephone network brands. Some US broadcasters had been offered incentives to vacate this channel early, permitting its immediate mobile use.

The FCC's scheduled auction for this newly-available spectrum was completed in March 2008.[19]

Frequency allocation


  • UHF CB Australia - UHF CB News, Information & Repeater Locations. UHF CB Australia Supporting and expanding the UHF CB network
  • UHF Citizens Band: 476.425–477.400 MHz


United Kingdom

  • 380–395 MHz: Terrestrial Trunked Radio (TETRA) service for emergency use
  • 430–440 MHz: Amateur radio (ham - 70 cm band)
  • 606–614 MHz: Protected for radio-astronomy
  • 470–862 MHz: TV channels 21–69 (channel 36 used for radar, channel 38 used for radio astronomy, channel 69 used for licenced and licence exempt wireless microphones, channels 31-40 and 63-68 to be released and may be made available for other uses by Ofcom. Public consultation due December 2006)
  • 1240–1316 MHz: Amateur radio (ham - 23 cm band)
  • 1880–1900 MHz: DECT Cordless telephone
  • 2310–2450 MHz: Amateur radio (ham - 13 cm band)

United States

A brief summary of some UHF frequency use:

  • 300–420 MHz: Government use, including meteorology, military aviation, and federal two-way use
  • 420–450 MHz: Government radiolocation and amateur radio (ham - 70 cm band)
  • 433 MHz: Short range consumer devices including automotive, alarm systems, home automation, temperature sensors
  • 450–470 MHz: UHF business band, General Mobile Radio Service, and Family Radio Service 2-way "walkie-talkies", public safety
  • 470–512 MHz: TV channels 14–20
  • 512–698 MHz: TV channels 21–51 (channel 37 used for radio astronomy)
  • 698–806 MHz: Was auctioned in March 2008; bidders got full use after the transition to digital TV was completed on June 12, 2009 (formerly TV channels 52–69)
  • 806–824 MHz: Public safety and commercial 2-way (formerly TV channels 70–72)
  • 824–851 MHz: Cellular A & B franchises, terminal (mobile phone) (formerly TV channels 73–77)
  • 851–869 MHz: Public safety and commercial 2-way (formerly TV channels 77–80)
  • 869–896 MHz: Cellular A & B franchises, base station (formerly TV channels 80–83)
  • 902–928 MHz: ISM band: cordless phones and stereo, radio-frequency identification, datalinks, amateur radio (33 cm band)
  • 929–930 MHz: Pagers
  • 931–932 MHz: Pagers
  • 935–941 MHz: Commercial 2-way radio
  • 941–960 MHz: Mixed studio-transmitter links, SCADA, other.
  • 960–1215 MHz: Aeronautical Radionavigation
  • 1240–1300 MHz: Amateur radio (ham - 23 cm band)
  • 1452–1492 MHz: Military use (therefore not available for Digital Audio Broadcasting, unlike Canada/Europe)
  • 1710–1755 MHz: AWS mobile phone uplink (UL) Operating Band
  • 1850–1910 MHz: PCS mobile phone—order is A, D, B, E, F, C blocks. A, B, C = 15 MHz; D, E, F = 5 MHz
  • 1920–1930 MHz: DECT Cordless telephone
  • 1930–1990 MHz: PCS base stations—order is A, D, B, E, F, C blocks. A, B, C = 15 MHz; D, E, F = 5 MHz
  • 2110–2155 MHz: AWS mobile phone downlink (DL) Operating Band
  • 2300–2310 MHz: Amateur radio (ham - 13 cm band, lower segment)
  • 2310–2360 MHz: Satellite radio (Sirius and XM)
  • 2390–2450 MHz: Amateur radio (ham - 13 cm band, upper segment)
  • 2400–2483.5 MHz: ISM, IEEE 802.11, 802.11b, 802.11g, 802.11n Wireless LAN, IEEE 802.15.4-2006, Bluetooth, ZigBee, Microwave oven

See also


  1. ^$file/DTV_PLAN_Dec08-e.pdf
  2. ^ About DAB - Canadian Association of Broadcasters
  3. ^ Fifties Television: The Industry and Its Critics, William Boddy, University of Illinois Press, 1992, ISBN 9780252062995
  4. ^
  5. ^ Radio and Television Regulation: Broadcast Technology in the United States 1920-1960, Hugh Richard Slotten, JHU Press, 2000, ISBN 9780801864506
  6. ^ Missed Opportunities: FCC Commissioner Frieda Hennock and the UHF Debacle, Susan L. Brinson, Journal of Broadcasting & Electronic Media • Spring, 2000
  7. ^ VALVES AT UHF: A REVIEW OF RECENT DEVELOPMENTS, S. Simpson, Practical Television magazine, March 1954
  8. ^ The Superheterodyne Concept and Reception, Charles W. Rhodes, TV Technology, July 20, 2005
  9. ^
  10. ^ Stay Tuned: A History of American Broadcasting; pp 387-388; Christopher H. Sterling, John M. Kittross; Erlbaum 2002; ISBN 9780805826241
  11. ^ UHF morgue
  12. ^ U-62 program schedule, July 1989
  13. ^ Buffalo Broadcasters: History - UHF
  14. ^ Media Economics: Theory and Practice, Alison Alexander, Erlbaum Associates 2004 ISBN 9780805845808
  15. ^ FCC order revoking secondary affiliation rule, 1995
  16. ^
  17. ^ The DuMont Television Network, Appendix 10/11: A Trail of Bleached Bones, C. Ingram
  18. ^ WSJV 28 South Bend, Indiana history indicates station founded 1954, still extant as no VHF channels available due to proximity to Chicago
  19. ^ Going once, twice, the 700MHz spectrum is sold, NY Times, Mar 18 2008
  20. ^

External links


Up to date as of January 14, 2010

From Wikiquote

UHF is a 1989 film about a hapless dreamer who suddenly becomes in charge of a rinky-dink UHF television station and turns it into the most popular channel in town.

Directed by Jay Levey. Written by Weird Al Yankovic and Jay Levey.
Starring: "Weird Al" Yankovic, David Bowe, Fran Dresher, Victoria Jackson, Michael Richards, and Kevin McCarthy.
TV as it was meant to be seen. In a movie theater. taglines


George Newman

  • Lesbian Nazi hookers abducted by UFOs and forced into weight-loss programs, all this week on Town Talk!
  • Sex with furniture, what do you think?
  • Look up! Look down! Now look at Mr. Frying Pan! [George conks Bobbo in the face with the frying pan] Uh-oh. Bobbo fall down go boom. Uuupsy-daisy...Aw, what's wrong, Bobbo? I bet I know! You're hungry, aren't you? [Bobbo honks his horn weakly] Have I got just the thing for you! Yes sir, clowns AND kids alike just can't resist the mouth-watering, lip-smacking taste of Mrs. Hackenberger's Butter Cookies! [He proceeds to stuff Bobbo's face with "cookies," which are actually dog biscuits; George has picked up the wrong box!!] Right, Bobbo? That's right! And guess what, Mom? They're nutritious, too! Just look at how much Bobbo here likes 'em! [cut to a revolted Bobbo] Mmmm, THAT'S GOOOOOD!! [Bobbo looks ready to vomit] And don't forget folks, there's a nifty surprise inside every box of Mrs. Hackenberger's...[notices his mistake for the first time] Heh Heh Heh, UH-OHHH!! [Bobbo turns and glares at Uncle Nutzy as if to say "WHAT Uh-Oh?!?"] Bobbo's been eating...YAPPY'S DOG TREATS!! [a look of horror crosses Bobbo's face, and he runs off to the "little clowns' room."] That's right, Yappy's Dog Treats! Your dog will love that real liver-and-tuna taste... [We hear Bobbo vomiting]... With just a hint of cheese...!
  • You gotta grab life by the lips and YANK as hard as you can.
  • Oh, no. What time is it!? [arm with a watch breaks through the wall, George looks at the watch] Seven THIRTY!?
  • Shut up you pinhead! You make me SICK! (To Satan)
  • Ah-ha! ROAD MAPS!! (referring to his search in Al Capone's glove compartment)
  • Right now I'd like to show you one of my favorite cartoons. It's a sad, depressing story about a pathetic coyote who spends every waking moment of his life in the futile pursuit of a sadistic roadrunner who MOCKS him and LAUGHS at him as he's repeatedly CRUSHED and MAIMED! Hope you ENJOY IT!!!
  • [Message left on Teri's answering machine] Teri! I'm sorry! Come on give me one more chance please! Come on Teri! Teri! Oh Oh I'm in hell! I'M IN HELL!! TERI TERI PICK UP THE PHONE!! PICK UP THE PHONE!! PICK UP THE PHONE!!! OH OH TERI!!!!!! PLE-HE-HE-HE-HEASE!

Stanley Spadowski

  • [Grinning] This is my new mop. George, my friend, he gave me this mop. It's not as good as my first mop, I miss my first mop, but it's still a good mop. ... Because life is like a mop. Sometimes it's full of dirt and crud and bugs and hairballs and stuff, but you've got to clean it out. You gotta put it in here and rinse it out and start all over again. And sometimes, life sticks to the floor so bad a mop isn't good enough. It's not good enough. You gotta get down here with a toothbrush and really scrub, and if that doesn't work, if that doesn't can't give up. You've got to run a window and say, "HEY! THESE FLOORS ARE AS DIRTY AS HELL, AND I'M NOT GOING TO TAKE IT ANYMORE!!!"
  • Oh, Joel Miller, you just found the marble in the oatmeal! You're a very, very, very lucky little boy. You know why? You get to drink from...THE FIRE HOOOOOSE!!!
  • I'm thinkin' of something orange. Something orange. Give up? It's an orange. [laughs] Ok, now I'm thinkin' of something blue. Something bluuuuuue. [singing] DUN-DADA-DUN-DADA-DUN-DADA-DUN-DADA DAA DAAAAA!! [Thugs push him into the closet] Don't you like Bonanza?!
  • MY MOP!!!
  • This is pretty good watermelon...[pauses and considers]...Tastes like poop. I'm gonna eat some Corn Flakes.[grabs box of Corn Flakes] These are pretty good...WHOA!! Free toy inside! Free toy inside!! Let's find it. [rummages his hand in the box] Don't let your mom know that you do this.
  • Watch out, Mr. Coyote... Aww.

R.J. Fletcher

  • This is a business, not a home for irresponsible pus-brains!
  • This community means about as much to me as a festering bowl of dog snot!! You think I CARE about the pea-brained yokels of this town?! If you took their combined I.Q., and multiplied it by a hundred, you might have enough intelligence to tie your shoe, if you didn't drool all over yourself first!! I can't stand those sniveling maggots. They make me want to puke. But, there is one good thing about broadcasting to a town full of mindless sheep. I always know I have them exactly where I want them. Ha, ha, ha, ha, ha!!!
  • [speaking to the crowd at the telethon] Dear friends, I'm sure that one day you realize that by shutting down this hotbed of subversive activity...

Raul Hernandez

  • Not many people know this, but the turtle is nature's suction cup. [licks the bottom of a turtle, throws it towards the ceiling] Look. It sticks.
  • This is my ant farm. These little guys can lift fifty times their own weight. They also spend weeks digging these intricate little tunnels. And oh yeah, they really hate it when you do this! [Raul picks up the ant farm and shakes it] Oh look! They're really mad now!
  • For those of you just joining us, today we're teaching poodles how to fly.
  • [as in The Treasure of the Sierra Madre (1948)] Badgers? Badgers? We don't need no stinking badgers!


Crazy Eddie: If nobody comes down here and buys a car in the next hour, I'm gonna club this baby seal! That's right. I'm gonna club this seal to make a better deal. You know I'll do it, too, cause I'm crazy!
Richard Fletcher: [sarcastically, after having tripped up Noodles Macintosh] Awwwww, did I do that? Oopsie!
Joe Earley: [after cutting off a finger with a table saw] Can you believe this?! Would you look at that! Just call me "Mr. Butterfingers"! I think it's on the floor somewhere. Is my face red.

[In the "Spatula City" advertising commercial]

Sy Greenblum: Hello, this is Sy Greenblum, president of Spatula City. I like the spatulas so much, I bought the company.
Earl Ramsey: Gun control is for wimps and communists. Listen, let's get one thing straight. Guns don't kill people; I do!
Teri: George Newman, you are a thoughtless, insensitive CREEP! From now on you can forget bout my birthday, because WE'RE THROUGH!
Philo: Hello, my name is Philo and welcome to...[unfolds a piece of paper with the title written on it; recites title with echo effect] Secrets Of The Universe. [folds paper back up] Today we are going to learn how to make plutonium from common household items.

[In a preview for the TV movie "Conan the Librarian"]

Young book customer: These books are a little overdue. [Conan slices him in two!!]
Ghandi: Give me a steak, medium-rare.
Kuni (and other karate experts): SUH-PLIIEES!!
Noodles Macintosh: [having just vengefully stuck a foot out and tripped up Richard Fletcher, now throwing Richard Fletcher's sarcasm right back at him] Awwww...did I do that? Oopsie!


Bob: How could you do this to me? I knew this was gonna happen.
George Newman: You're right, Bob. I'm sorry. What can I say? I-I'm a miserable worthless hunk of slime. Here, I want you to take this crowbar and just bash my head right in. Go ahead. Really. Just BASH my head right in.
Bob: George, you know I can't do that. You still owe me 5 bucks.

R.J. Fletcher: You IDIOT! CAN'T you do anything I tell you?! Does THIS look like a Number 2 pencil?!?!!
Richard Fletcher: No, but I thought...
R.J. Fletcher: You THOUGHT?!?!! I'm not paying you to THINK!!!
Richard Fletcher: But, Dad....
R.J. Fletcher: SHUT UP!!

R.J. Fletcher: Do you see anything missing from this desk?
Stanley Spadowski : [Snapping his finger and pointing] That stapler?

George Newman: Did you a good time in there, Stanley?
Stanley Spadowski: Yeah yeah. That was FUN.
George Newman: Great! How would you like to do that every day?
Stanley Spadowski: Yeah! That would be neat - WAIT A minute! Do I...still get to be the janitor?
George Newman: [Incredulously] Sure.
Stanley Spadowski: It's a DEAL!

One of Fletcher's thugs: [Motioning towards George] Who is this guy?
George Newman: [As Stallone's Rambo] I'm your worst nightmare!

George Newman: I need a drink.
Bob: But you don't drink.
George Newman: Yeah, but I've been meaning to start.

R.J. Fletcher: What's your name?
Stanley Spadowski: Spodowski, Stanley Spodowski.
R.J. Fletcher: [Smiling pleasantly] May I call you Stanley?
Stanley Spadowski: Okay.
R.J. Fletcher: Stanley, YOU'RE FIRED! GET OUT!!!

Harvey Bilchik: [lounging in his pool, answering his phone] YYYYYYOOO! Oh, Louie! It's you! So, what's up?
Big Louie: Bad news, Mr. Bilchik. None of your horses came in.
Harvey Bilchik: Aw, gee, too bad. So, what's the damages?
Big Louie: Seventy-five thousand dollars.

George Newman: I think I may have missed something.
R.J. Fletcher: Oh? Didn't I tell you? I own this place now.
George Newman: YOU WHAT?!!
R.J. Fletcher: What's the matter, kid, you got WAX in your ears?!!

Blind Guy: [Turns Rubik's Cube] Is this it?
Bum: Nope!
Blind Guy: [Turns Rubik's Cube Again] Is this it?
Bum: Nope!

Pamela Finklestein: Yeah, but...Yeah, but..."Broads don't belong in broadcasting"?! Is that the kind of professional courtesy you teach your news department?
R.J. Fletcher: Why, that's a terrible thing. I don't know how many time I've told those boys, never call chicks broads.
Pamela FInklestein: [incensed and not fooled at all by Fletcher's "sincerity"] WHY YOU SLIMY!!...OOOOHH!!!!

[On the game show, "Wheel of Fish", Phyllis Weaver has just spun the wheel and landed on a red snapper]

Kuni: Ahhh, red snapper. Mmmmm, very tasty. Okay, Weaver, listen carefully. You can hold on to your red snapper...[Hiro-San emerges, carrying a table with a box]...or you can go for what's in the box that Hiro-San is bringing down the aisle right now!!! What's it gonna be? [Phyllis Weaver decides between the Red Snapper and the box. The audience points to the box]
Phyllis Weaver: I'll take the box. The box! [the audience applauds]
Kuni: You took the box! Let's see what's in the box! [Hiro-san opens the box, and the audience gasps: the box is completely empty!] Nothing! Absolutely nothing! STUPID! You so STU-PIIIIIIIIIIID!

Bob: I don't know about this, George. We don't know the first thing about what goes on in a television station.
George Newman: Don't worry, Bob. It's just like working in a fish-market. Except you don't have to clean and gut fish all day.

Stanley Spadowski: George, you know I was wondering, like if you were traveling through outer space, I mean like you're going real fast, like the speed of light, you know... hoooohhhhh... and all of a sudden you started screaming... aaaahhhhh aaaaahhhhh... Do you think your brain would blow up?
Bob: Guys, I'm trying to work... Do you mind?
Stanley Spadowski: I don't mind. Go right ahead... Do you mind, George?

R.J. Fletcher: This is an embarrassment! A disgrace! What do you think R.J. Fletcher Senior would be saying if he were alive today?
Richard Fletcher: "Help me out of this box, I can't breathe in here. Help, let me out."

George Newman: Hey, kids. Where y'wanna go? [a pause of indifferent silence] That's right. To Uncle Nutzy's Clubhouse. And boy-oh-boy, are we gonna have big fun today. We're gonna have so much fun, we'll forget about how miserable we are, and how much life sucks, and how we're all just gonna grow old and die someday.
Little Weasel: I wanna go home!
George Newman: Shut up, you little weasel!! Okay. Right now I'd like to show you one of my favorite cartoons. It's a sad, depressing story about a pathetic coyote who spends every waking moment of his life in the futile pursuit of a sadistic roadrunner who MOCKS him and LAUGHS at him as he's repeatedly CRUSHED and MAIMED! Hope you ENJOY IT!!!

[In a preview for the TV movie "Conan the Librarian"]

Timid Man: Can you tell me where I can find a book on astronomy?

[Conan the Librarian lifts the man up with his bare hands]

Conan the Librarian:[imitating Arnold Schwarzenegger] Don't you know the Dewey Decimal System?!

[George and Teri make up]

Teri: Hello, stranger.
George Newman: Teri, what are you doing here? I thought you never wanted to see me again.
Teri: Whatever gave you that idea?
George Newman: Well, my first clue is when you told me you never wanted to see me again.

[while watching "Raul's Wild Kingdom"]

Bob: Where did you find this guy?
George Newman: Me? I thought you hired him.

Teri: George, did you get fired again?
George Newman: [banging his head against a counter] YES!!! YES, It's TRUE, IT'S ALL TRUE!! I JUST DON'T KNOW WHAT'S WRONG WITH MEEEEEEE!!!!!! [instantly changes his mood] So, what's for dinner? [takes a look at what's for dinner] Mashed potatoes?! My favorite! Teri, you shouldn't have!

Pamela Finklestein: Yeah, so, can I help you?
George Newman: Hi, I'm George Newman. I'm the new station manager.
Pamela Finklestein: OOOOHHH!!! You know, when I first took this job, they told me that this position would only be temporary, and that eventually, when the time was right, I would be moved up to news which is really my forte. You know how long I've been working here? Two years!! It's kind of hard to get promoted when every other week you have a new boss! This job really sucks!!
George Newman: Well, this is my friend Bob.

Teri: George, you've been bouncing from job to job ever since I've known you. You have to find some way of making your overactive imagination work for you instead of against you.[turns around and discovers that George has molded his mashed potatoes into a mountain as a joke on Close Encounters of the Third Kind What are you doing?
George Newman: This means something...this is important.

Bob: Well, I've got good news and bad news.
George Newman: OK, Let's have the bad news first.
Bob: Well, given our current financial status compounded with fixed income and outstanding invoices...I figure this station should be flat broke by the end of this week.
George Newman: What's the good news?
Bob: I lied. There is no good news.

Stanley Spadowski: George? What's wrong, George?
George Newman: Stanley, you don't want to know.
Stanley Spadowski: [Looking genuinely puzzled] Why'd I ask? [Back to George] Is there anything I can do to help?
George Newman: Not unless you've got seventy-five thousand dollars on you.
Stanley Spadowski: [While searching carefully through a few crumpled pieces of currency] No, sorry.

Bum: HEY, Mister!!
George Newman: Not now, OK?
Bum: Well I was just wondering if it's too late to buy any of them shares. [Produces a large wad of money] I'll take whatever ya got left!
George Newman: [Looking amazed, referring to the wad of money] How much is that?
Bum: Two thousand dollars, heh heh heh!! Keep the change! [Places the money in George's hand]

R.J. Fletcher: Hey, what's going on here?
Harvey Bilchik: [preparing to sign a document George has produced] Heh Heh Heh!!
R.J. Fletcher: Now wait just one minute!! What do you think you're doing?!!
George Newman:[triumphantly showing the document Harvey Bilchik has just signed to the crowd] WE DID IT!! THE STATION'S OURS!!!

R.J. Fletcher: YOU CAN'T DO THIS!! We had an agreement, remember?!! An ORAL contract!! I'll SUE!!
Harvey Bilchik: Awww, blow it out yer ear scuzzbag!

R.J. Fletcher:[laughing smugly with a present in hand] Ha ha ha haa, Aw Richard, you shouldn't have.
Richard Fletcher: Happy Fathers Day Daaaad.
R.J. Fletcher:[looks in the box, throws the present back at his son and jumps up infuriated] What is this piece of crap!!! I thought I told you I wanted a ROLEX!!!!! A ROLEX!!!!!
[Station employee knocks on R.J.'s office door]
R.J. Fletcher: WHAT?!
Station Employee: [opens door cautiously and sheepishly, wearing a large white cowboy hat with a big feather band and a raccoon tail] Sir?
R.J. Fletcher: [teeth gritted] What do YOU want?
Station Employee: I just thought I ought to tell you sir that there's a lot of talk on the street about this Channel 62, they're..they're starting to get a pretty strong following.
R.J. Fletcher: Excuse me?! Did you say channel 62???
Station Employee: Uh huh.
R.J. Fletcher: [arrogantly] Do I have to remind you, that WE are a NETwork affiliate? And WE are in competition with other NETWORKS. [shouting] Not with a bunch of PUNKS, broadcasting out of a CLOSET!!! [Throws something at the employee]
Station Employee: But, s..s..s..
R.J. Fletcher: Do you enjoy wasting my time?!?! GET OUT OF MY OFFICE!!!
Station Employee:[looks dejected and turns to leave]
R.J. Fletcher: And take that ridiculous thing OFF!!
Station Employee:[stops, turns back and looks at Fletcher, surprised, then looks down, sad again, and rips off a very realistic looking fake mustache.]


  • TV as it was meant to be seen. In a movie theater.
  • A lot of TV stations have forgotten what "quality" means. But not Channel 62. They NEVER knew what it meant.
  • It's crazy. It's zany. It's hysterical. It's TV according to "Weird Al" Yankovic.

External links

Wikipedia has an article about:


Up to date as of January 15, 2010

Definition from Wiktionary, a free dictionary






UHF (uncountable)

  1. (electronics) ultra high frequency
  2. United Health Foundation

Related terms

See also

Simple English

UHF is a 1989 movie starring Weird Al Yankovic. It is about two men that get fired and start working for a TV station called "U 62."

Other websites

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