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The United Service Organizations
Small web logo.jpg
Type Services
Founded February 4, 1941
Headquarters Arlington, VA
Staff Sloan D. Gibson
President and CEO
Area served 140 centers worldwide
Focus morale, welfare and recreational services to U.S. military personnel and their families
Revenue Donations from American people
Volunteers 44,000
Motto Until Every One Comes Home
Website USO Home
"USO" redirects here, for other uses see USO (disambiguation)

The United Service Organizations Inc. (USO) is a private, nonprofit organization that provides morale and recreational services to members of the U.S. military, with programs in 140 centers worldwide. Since 1941, it has worked in partnership with the Department of Defense (DOD), and has provided support and entertainment to U.S. armed forces, relying heavily on private contributions and on funds, goods, and services from DOD. Although congressionally chartered, it is not a government agency.

During World War II, the USO became the G.I.'s "home away from home," and began a tradition of entertaining the troops that continues today. Involvement in the USO was one of the many ways in which the nation had come together to support the war effort, with nearly 1.5 million Americans having volunteered their services in some way. After it was disbanded in 1947, it was revived in 1950 for the Korean War, after which it also provided peacetime services. During the Vietnam War, USOs were sometimes located in combat zones.

The organization became particularly famous for its live performances called Camp Shows, through which the entertainment industry helped boost the morale of its servicemen and women. Hollywood in general was eager to show its patriotism, and lots of big names joined the ranks of USO entertainers. They entertained in military bases both at home and overseas, often placing their own lives in danger by traveling or performing under hazardous conditions - some losing their lives.

During the 1990s it delivered services to 5 million active duty service members and their families and today "continues to be a touch of home to America's troops."

Contents

History

Mission and goals

The USO was founded in 1941 in response to a request from President Franklin D. Roosevelt to provide morale and recreation services to U.S. uniformed military personnel. Roosevelt was elected as its honorary chairman. This request brought together six civilian organizations: the Salvation Army, Young Men’s Christian Association (YMCA), Young Women’s Christian Association (YWCA), National Catholic Community Service, National Travelers Aid Association and the National Jewish Welfare Board. They were brought together under one umbrella to support U.S. troops. Roosevelt said he wanted "these private organizations to handle the on-leave recreation of the men in the armed forces." According to historian Emily Yellin, "The government was to build the buildings and the USO was to raise private funds to carry out its main mission: boosting the morale of the military."[1]

Opening of first USO facility in Iraq, 2008

The first national campaign chairman was Thomas Dewey, who raised $16 million in the first year. The second chairman was Prescott Bush, a future senator and father to one future president, and the grandfather to another.[1] The USO was incorporated in New York February 4, with the first facility erected in DeRidder, Louisiana,1941.[2] More USO centers and clubs opened around the world as a “Home Away from Home” for GIs. The USO club was a place to go for dances and social events, for movies and music, for a quiet place to talk or write a letter home, or for a free cup of coffee and an egg.

The USO also brought Hollywood celebrities and volunteer entertainers to perform for the troops. According to movie historian Steven Cohan, "most of all ... in taking home on the road, it equated the nation with showbiz. USO camp shows were designed in their export to remind soldiers of home." They did this, he noted, by "nurturing in troops a sense of patriotic identification with America through popular entertainment."[3] An article in Look magazine at the time, stated, "For the little time the show lasts, the men are taken straight to the familiar Main Street that is the goal of every fighting American far away from home." Maxene Andrews wrote, "The entertainment brought home to the boys. Their home." Actor George Raft stated at the beginning of the war, "Now it's going to be up to us to send to the men here and abroad real, living entertainment, the songs, the dances, and the laughs they had back home."[3]

USO promotional literature stated its goals:

"The story of USO camp shows belongs to the American people, for it was their contribution that made it possible. It is an important part in the life of your sons, your brothers, your husbands, and your sweethearts."[3]

World War II

Bob Hope USO show, 1944

After being formed in 1941 in response to World War II, "centers were established quickly... in churches, barns, railroad cars, museums, castles, beach clubs, and log cabins."[4] Most centers offered recreational activities, such as holding dances and showing movies. And there were the well-known free coffee and doughnuts. Some USO bases provided a haven for spending a quiet moment alone or writing a letter home, while others offered spiritual guidance and made childcare available for military wives.

But the organization became mostly known for its live performances called Camp Shows, through which the entertainment industry helped boost the morale of its servicemen and women. At its high point in 1944, the USO had more than 3,000 clubs, and curtains were rising on USO shows 700 times a day. From 1941 to 1947, the USO presented more than 400,000 performances, featuring entertainers such as Bing Crosby, Judy Garland, Bette Davis, Humphrey Bogart, Lauren Bacall, Frank Sinatra, Marlene Dietrich, Hattie McDaniel, Eubie Blake, Ann Sheridan, Laurel and Hardy, The Marx Brothers, Jack Benny, Larry Adler,Zero Mostel, James Cagney, James Stewart, Gary Cooper, Doraine and Ellis, Danny Kaye, The Rockettes, Al Jolson, Fred Astaire, Curly Joe DeRita,The Andrews Sisters, Joe E. Brown, Joe E. Lewis, Ray Bolger, Lucille Ball, Glenn Miller, Martha Raye, Mickey Rooney, Betty Hutton, Dinah Shore, and most famously, Bob Hope.

The USO's fundraising efforts were not without controversy. An MGM film, Mr. Gardenia Jones, created to assist the USO in its fundraising campaign, was nearly withdrawn from theaters due to objections by the War Department. The objections were centered around scenes showing soldiers jumping with joy at the opportunity to shower in canteens and rest in overstuffed and comfortable USO chairs. The Army, noted the New York Times, "feels this is not good for morale as it implies that there are no showers or other comforts for soldiers in military camps." The film starred Ronald Reagan, who was then a captain in the Army.[5]

War correspondent Quentin Reynolds, in an article for Billboard magazine in 1943, wrote, "Entertainment, all phases of it -- radio, pictures and live -- should be treated as essential. You don't know what entertainment means to the guys who do the fighting until you've been up there with the men yourself. . . . You can quote me as saying that we should use entertainment as an essential industry so long as it's for the boys in service. Anybody who has been there would insist on it. . . . Hell, you should have seen how happy the G.I.'s were when they heard the ballplayers were coming over. And John Steinbeck, just back from a chore as war correspondent, . . . also applauded show business as part of the war effort and its importance as a morale builder."[6]

Looking back after the war
Irving Berlin singing aboard USS Arkansas, 1944

According to historian Paul Holsinger, between 1941 and 1945, the USO did 293,738 performances in 208,178 separate visits. Estimates were that more than 161 million servicemen and women, in the U.S. and abroad, were entertained. The USO also did shows in military hospitals, eventually entertaining more than 3 million wounded soldiers and sailors in 192 different hospitals. There were 702 different USO troupes that toured the world, some spending up to six months per tour.[7] In 1943, a United States Liberty ship named the SS U.S.O. was launched. She was scrapped in 1967.

Twenty-eight performers died in the course of their tours, from plane crashes, illness, or diseases contracted while on tour. Al Jolson, the first entertainer to go overseas in World War II, lost a lung and caught malaria, cutting short his tour.

In 1942, about seven months after the war began, CBS went on the air with a weekly radio variety show called Stagedoor Canteen. The show remained on the air for the duration of the war and became one of the nation's most popular.[7] In 1943, United Artists released a reality-style movie about the USO called Stage Door Canteen, and the following year Warner Brothers produced a similar movie, called Hollywood Canteen. In 1991, 20th Century Fox produced the film, For the Boys, which told the story of two USO performers, and starred Bette Midler and James Caan. It covered a 50-year timespan, from the USO's inception in 1941 through Operation Desert Storm, in 1991. Another movie was planned in 1950 but never made. Just 10 days after Al Jolson returned from entertaining troops in Korea, he agreed with RKO producers to star in a new movie, Stars and Stripes for Ever, about a U.S.O. troupe in the South Pacific during World War II. Unfortunately, he died a week later as a result of physical exhaustion from his tour.

By the war's end, Steven Cohan concludes that "the USO amounted to the biggest enterprise American show business has ever tackled. The audience was millions of American fighting men, the theatre's location: the world, the producer: USO camp shows"[3]

Women in the USO

Canteen dance, 1942

According to Emily Yellin, many of the key foot soldiers in the USO's mission were women who were "charged with providing friendly diversion for U.S. troops who were mostly men in their teens and twenties."[1] USO centers throughout the world recruited female volunteers to serve doughnuts, dance, and just talk with the troops. USO historian Julia Carson writes that this "nostalgic hour," designed to cheer and comfort soldiers, involved "listening to music - American style" and "looking at pretty girls, like no other pretty girls in the world - American girls."[8]

African American women "scrambled to rally the community around the soldiers and create programs for them." By 1946, hostesses had served more than two thousand soldiers a day while also providing facilities for the wounded and convalescent who were on leave. They went to black businesses and fraternal organizations in order to find sponsorship for their USO group, and later expanded to fulfill the needs of soldiers during the Korean war. Moreover, they worked to merge black and white USOs into one desegregated unit. As black historian Megan Shockley noted, "Their work for the desegregation of USOs had begun during World War II, and it finally paid off."[9]

Women were also key entertainers who performed at shows. Stars such as Marlene Dietrich, Judy Garland, Betty Grable and Rita Hayworth had traveled over a million miles. Yellin notes that on one tour, Hayworth visited six camps, gave thousands of autographs, and "came back from Texas with a full-fledged nervous breakdown from over-enthusiasm!"[1] Opera singer Lily Pons, after she had performed a "serious" opera song to troops in Burma, "an applause erupted that stunned even the most seasoned performers." She later wrote in a letter, "Every woman back home wears a halo now, and those who represent her had better keep theirs on, too."[1]

Author Joeie Dee pointed out that "for women entertainers, traveling with the USO made it possible to be patriots and adventurers as well as professionals." She adds, however, that the G.I.s in the USO audiences "tended to see these women in a different light - as reminders of and even substitutes for their girls back home, as a reward for fighting the war, as embodiments of what they were fighting for."[10] Edward Skvarna, now 84, remembers 1943, when he met Donna Reed at a U.S.O. canteen and asked her to dance. "I had never danced with a celebrity before, so I felt delighted, privileged even, to meet her. . . . But I really felt she was like a girl from back home." Jay Fultz, author of her biography, states that soldiers "often wrote to her as if to a sister or the girl next door, confiding moments of homesickness, loneliness, privation and anxiety."[11]

Women entertainers

One female entertainer wrote about conditions while performing:

"We've played to audiences, many of them ankle deep in mud, huddled under the ponchos in the pouring rain (it breaks your heart the first two or three times to see men so hungry for entertainment.) We've played on uncovered stages, when we, as well as the audience, got rain-soaked. We've played with huge tropical bugs flying in our hair and faces; we've played to audiences of thousands of men, audiences spreading from our very feet to far up a hillside and many sitting in the trees. . . . We've played to audiences in small units of 500 or so, and much oftener to audiences of 8 to 10,000. Every night we play a different place."[1]
US Coast Guard, 1st show in Vietnam, 1970

Singer and dancer Ann Miller described performing for badly wounded soldiers. She did forty-eight shows for "broken soldiers," who were mostly lying on stretchers in the lobbies of hotels, watching as she entertained them. Yellin writes, "During her last show she collapsed and had to be taken home on an Army airplane."[1] Afterwards, Miller described the experience:

"We went from ward to ward to ward, singing and dancing and trying to boost the morale of these men. It was just hell. . . . I just fell apart and I think the shock of seeing those men with their arms and legs blown off - it was just frightening. But when you do it, you do it. You try to help them, try to sing and dance. You try to keep their spirits up. It's heartbreaking."[1]

Korean War

In 1947 the USO was disbanded due partly to lack of funds. However, in 1950, when the United States entered the Korean War, Secretary of Defense George Marshall and Secretary of the Navy Francis Matthews requested that the USO be reactivated "to provide support for the men and women of the armed forces with help of the American people" According to war historian Paul Edwards, Between 1952 and 1953, not a day went by without the USO providing services somewhere in Korea. At home or overseas, in 1952 it was serving 3.5 million in the armed forces using much the same methods of operation as it did in World War II.

Many stars, both well-known and new, came to perform, including Bob Hope, Errol Flynn, Debbie Reynolds, Donald O'Connor, Piper Laurie, Jane Russell, Paul Douglas, Terry Moore, Marilyn Monroe, Danny Kaye, Rory Calhoun, Mickey Rooney, Jayne Mansfield, Al Jolson and many others. Jolson notably was the first to volunteer and traveled to Korea at his own expense[12] (he was also the first to entertain troops during World War II.)[13]

Veterans have recalled many of the USOs events, sometimes in vivid detail:

"On that cold, overcast day, there were more than five thousand troops in the audience. They sat on the ground or up on the hillside. When everyone was settled, Danny Kaye opened the show by going to the microphone, looking at his large audience, and shouting, "Who's holding back the enemy?" The GIs roared with laughter. We were thrilled to have Kaye and his entertainers in our area. We especially liked the young women in the show. Danny was okay, with his stories and jokes, but after all, we knew what American men looked like."[14]:51

Author Linda Granfield in describing the show, writes, "For two hours, the men could forget they were soldiers at war. After the show, they returned to the fighting in the hills. Some in that audience never made it back."[14] By the end of the war, over 113,000 American USO volunteers were working at 294 centers at home and abroad."[15] And 126 units had given 5,422 performances to servicemen in Korea and the wounded in Japan

Vietnam War

The USO was in Vietnam before the first combat troops arrived, with the first USO club opened in Saigon in April, 1963. The 23 centers in Vietnam and Thailand served as many as a million service members a month, and the USO presented more than 5,000 performances during the Vietnam War featuring stars such as John Wayne, Ann-Margret, Sammy Davis Jr., Phyllis Diller, Martha Raye, Joey Heatherton, Wayne Newton, Jayne Mansfield, Redd Foxx, Rosey Grier, Anita Bryant, Nancy Sinatra, Jimmy Boyd, Lola Falana, and (of course) Bob Hope. Even Philip Ahn, the first actor of Korean descent to become a Hollywood star, became the first Asian American USO performer to entertain troops in Vietnam.[16]

In addition, the USO operated centers at major U.S. airports to provide a lounge and place to sleep for American servicemen between their flights. Vietnam historian James Westheider noted that the USO "tried to bring a little America to Vietnam." Volunteer American civilians, who did 18-month tours, staffed the clubs. According to Westheider, "The young women wore miniskirts - no slacks were allowed." Each club had a snack bar, gift shops, a barbershop, photo developing, overseas phone lines, and hot showers.[17]

When providing entertainment, the USO did its best to attract known stars from back home to help relieve the stresses of war. Even Senator John Kerry recalled how important this kind of diversion would become. He remembered a "Bob Hope Follies" USO show, which included actress Ann Margret, Miss America, football star Rosey Grier, and others. According to Kerry biographer Douglas Brinkley, "When the Swift finally made it back to the My Tho River, the crew confronted the heartbreaking sight of a huge Navy landing craft ferrying the troops back. The USO show was over." Kerry later wrote, "The visions of Ann Margret and Miss America and all the other titillating personalities who would have made us feel so at home hung around us for a while until we saw three Chinook helicopters take off from the field and presumed that our dreams had gone with them."[18]

But for GIs who saw the show, it was worth it: "We turned to watch Ann perform, and for about two minutes of American beauty, the war was forgotten. Everyone fully understood just what was really worth fighting for. . . . The show was fantastic, but the escape the Bob Hope tour provided us in expectation for days before, and after, helped us keep in touch with what we were there for -- God, Country, apple pie ... and Ann-Margret!"[19]

The visits by the stars meant a lot to the men and women in Vietnam. "It was not just the entertainment; it meant that they were not forgotten that far away from home," writes Westheider.[17] He adds that the tours made a "deep impression" on the stars as well. Singer and actress Connie Stevens remembered her 1969 tour with Bob Hope, when she decided to go despite the fact she had two children both under the age of two. Today, she claims that "veterans were still stopping her and thanking her for visiting Vietnam over 30 years later."[17]

War in Iraq

To support troops participating in Operations Enduring Freedom and Iraqi Freedom, USO centers opened in Afghanistan, Iraq, Kuwait and Qatar. USO centers number more than 130 around the world. Recently, the USO opened the Rocky Mountain USO Center at Denver International Airport, a third center in Kuwait and its first center in Iraq at Balad Air Base. The USO provides a variety of programs and services, including orientation programs, family events, travel assistance, free Internet and e-mail access, and recreation services. A new program called "USO in a Box," delivers program materials ranging from DVD players and videos to musical instruments to remote forward operating bases in Afghanistan and Iraq.

U.S. military personnel and their families visit USO centers more than five million times each year.

From June 8 to 11, 2009, T.V. personality Stephen Colbert traveled to Iraq to film his show The Colbert Report for four days in a USO sponsored event.

The USO is also providing services for the annual "Tribute to the Troops" special of World Wrestling Entertainment. They have aired WWE RAW from Afghanistan and Iraq every Christmas in the United States in a pre-taped show from the combat zone.

Honoring Bob Hope

Bob and Dolores Hope, 1944

In 1996, the U.S. Congress honored Bob Hope by declaring him the "first and only honorary veteran of the U.S. armed forces."[20] According to Hope biographer William Faith, his reputation has become ingrained in the "American consciousness" because he had flown millions of miles to entertain G.I.s during both wartime and peace. His contribution to the USO began in 1941 and ended with Operation Desert Shield in 1991. He was always treated as "an asset to the U.S. Government with his willingness to entertain whenever they needed him."[20] After WWII was declared over, the USO had sent out an "impassioned bulletin" asking entertainers not to abandon the GIs now that the war was over. Hope was among the first to say "yes." The Military Order of the Purple Heart notes that "his contributions to the USO are well known: they are legend."[21]

As a result of his non-stop entertainment to both the civilian population and the military, he received numerous other honors over the years: a C-17 Air Force plane was named The Spirit of Bob Hope; a naval vessel was named the USNS Bob Hope; and streets, schools, hospitals, and a golf tournament were also named in his honor. A Senate resolution declared him "a part of American folklore." The Guinness Book of Records called him the most honored entertainer ever. And during his 1993 televised birthday celebration, when he turned 90, General Colin Powell saluted Hope "for his tireless USO trouping", which was followed by onstage tributes from all branches of the armed forces. General William Westmoreland spoke about his loyalty to the GI throughout the gritty Vietnam years. And bandleader Les Brown, who was with him during many of his tours, mentioned that his band "had seen more of Hope's ass in the last forty years than any of Hope's immediate family."[20]

War correspondent Quentin Reynolds wrote in 1943, "He and his troupe would do 300 miles in a jeep, and give four shows . . . . One of the generals said Hope was a first rate military target since he was worth a division; that that's about 15,000 men. Presumably the Nazis appreciated Hope's value, since they thrice bombed towns while the comic was there."[6]

During the Vietnam war years he gave a number of high-rating television specials and sensed that the media had given him a broad endorsement for continuing on his GI mercy missions. Soon after his Christmas show in Saigon in 1967, he learned that the Vietcong had planned a terrorist attack at his hotel against him and his entire troupe, missing him by ten minutes. He was later "mystified," writes Faith, "and ... increasingly intolerant of the pockets of dissent. Draft-card burnings on college campuses angered him..." "Can you imagine," Hope wrote in a magazine article, "... that people in America are burning their draft cards to show their opposition and that some of them are actually rooting for your defeat?"[20] In the spring of 1973, Hope began writing his fifth book, The Last Christmas Show, which was dedicated to "the men and women of the armed forces and to those who also served by worrying and waiting." He signed over his royalties to the USO.

His final Christmas show was during Operation Desert Shield in 1990. The show was not easy, notes Faith. "There were so many restrictions. Hope's jokes were monitored by the State Department to avoid offending the Saudis. . . . and the media was restricted from covering the shows. . . . Because in Saudi Arabia national custom prescribes that women must be veiled in public, Ann Jillian, Marie Osmond, and the Pointer Sisters were left off Hope's Christmas Eve show."[20]

In 2009, Stephen Colbert performing his last episode of week-long taping for his The Colbert Report show, carried a golf club on stage and dedicated it to Bob Hope's service for the USO.

Financials

Sloan D. Gibson became the 22nd USO President on September 1, 2008, succeeding Edward A. Powell. The USO has a paid staff of approximately 240. Additionally, more than 30,000 USO volunteers provide an estimated 371,417 hours of service annually. As reported by the USO, the unpaid volunteer to paid employee ratio overseas is 20 to 1. Within the United States, the number is "significantly higher".

The following information is based on USO's audited financial statements for the year ended December 31, 2006:

Source of Funds U.S. $
In-kind contributions 83,497,430
Public appeals 32,325,150
USO center revenue 13,660,792
Corporate, foundation and individual giving 8,748,594
Investment income 6,440,121
Entertainment sponsorships 2,593,504
United Way, CFC and other federated 1,040,528
Rental and other income 393,703
Total Income 148,699,822
Expenses U.S. $
Program expenses 124,008,404
Fund raising expenses 12,767,448
Administrative expenses 6,571,080
Total expenses 143,346,932

In a Government Accountability Office (GAO) report of 2003, which reviewed expenses for the previous three years, the GAO concluded that the "DOD and USO did not have sufficient financial and management controls to reasonably ensure that all appropriated funds were used appropriately ... USO did not require its independent auditor to fully test internal controls over grants or funds reimbursed to USO by DOD, as required by its agreements with DOD."[22]

References

  1. ^ a b c d e f g h Yellin, Emily. Our Mothers' War: American Women at Home and at the Front During World War II, Simon and Schuster (2005)
  2. ^ John Whiteclay Chambers II. "USO." The Oxford Companion to American Military History. Oxford University Press (2000). [1]
  3. ^ a b c d Cohan, Steven. The Road Movie Book, Routledge (1997)
  4. ^ Clairday, Robynn. Postcards from World War II, Square One Publishers (2001)
  5. ^ Pryor, Thomas. New York Times, June 28, 1942
  6. ^ a b "Quentin Reynolds Talks on Terrific Job Big and Little Showbiz is Doing Overseas", Billboard, Oct. 30, 1943 p. 4
  7. ^ a b Holsinger, Paul. War and American Popular Culture: a Historical Encyclopedia, Greenwood Publishing Group (1999)
  8. ^ Carson, Julia. Home Away From Home: The Story of the USO, Harper & Brothers (1946)
  9. ^ Shockley, Megan Taylor. We, Too, are Americans: African American Women in Detroit and Richmond, 1940-54, Univ. of Illinois Press (2004)
  10. ^ Dee, Joeie. Hi GI, Xulon Press (2005)
  11. ^ "Dear Donna: A Pinup So Swell She Kept G.I. Mail", New York Times, May 24, 2009
  12. ^ Akst, Harry "The Jolson Nobody Knew", Cosmopolitan, January, 1951
  13. ^ Woolf, S.J. "Army Minstrel", New York Times, Sept. 27, 1942
  14. ^ a b Granfield, Linda. I Remember Korea: Veterans Tell Their Stories of the Korean War, 1950-53 Houghton Mifflin Harcourt (2003)
  15. ^ Edwards, Paul M. The Korean War, Greenwood Publishing Group (2006)
  16. ^ Chung, Hye Seung. Hollywood Asian, Temple Univ. Press (2006)
  17. ^ a b c Westheider, James E. The Vietnam War, Greenwood Publishing Group (2007)
  18. ^ Brinkley, Douglas. Tour of Duty: John Kerry and the Vietnam War HarperCollins (2004)
  19. ^ War-Stories.com
  20. ^ a b c d e Faith, William. Bob Hope: A Life in Comedy, Da Capo Press (2003)
  21. ^ Military Order of the Purple Heart, Legacy of the Purple Heart, 4th Ed., Turner Publishing Co. (2001)
  22. ^ "DOD Needs to Strengthen Internal Controls over Funds Used to Support USO Activities" GAO Report, GAO-04-56 December 5, 2003

External links


Wiktionary

Up to date as of January 15, 2010

Definition from Wiktionary, a free dictionary

See also uso

Contents

English

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Wikipedia

Etymology

Initialism.

EB1911A-pict1.png This entry lacks etymological information. If you are familiar with the origin of this word, please add it to the page as described here.
Particularly: “first sense probably derived from UFO”

Initialism

Singular
USO

Plural
USOs

USO (plural USOs)

  1. unidentified submerged object or unidentified submarine object
  2. (US) United Service Organizations

Related terms

Anagrams








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