Vandalism: Wikis

  
  
  
  

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From Wikipedia, the free encyclopedia

Vandalism is the behaviour attributed to the Vandals, by the Romans, in respect of culture: ruthless destruction or spoiling of anything beautiful or venerable.[1] Such action includes criminal damage, defacement, graffiti and crass erection of an eyesore.

Contents

History of the term

Historically, vandalism has been justified by painter Gustave Courbet as destruction of monuments symbolizing "war and conquest". Therefore, it is often done as an expression of contempt, creativity, or both. Like other similar terms (Barbarian/barbary, and Philistine), the term Vandal was originally an ethnic slur referring to the Vandals, who under Geiseric sacked Rome in 455. The Vandals, like the Philistines, no longer exist as an identifiable ethnic group. The term in its modern acceptance was coined in January 1794 during the French Revolution, by Henri Grégoire, constitutional bishop of Blois, in his report directed to the Republican Convention, where he used word Vandalisme to describe some aspects of the behaviour of the republican army. Gustave Courbet's attempt, during the 1871 Paris Commune, to dismantle the Vendôme column, a symbol of the past Napoleon III authoritarian Empire, was one of the most celebrated events of vandalism. Nietzsche himself would meditate after the Commune on the "fight against culture", taking as example the intentional burning of the Tuileries Palace on May 23, 1871. "The criminal fight against culture is only the reverse side of a criminal culture" wrote Klossowski after quoting Nietzsche.[2]

In a proposal to the International Conference for Unification of Criminal Law held in Madrid in 1933, Raphael Lemkin envisaged the creation of two new international crimes (delicta juris gentium): the crime of barbarity, consisting in the extermination of racial, religious or social collectivities, and the crime of vandalism, consisting in the destruction of cultural and artistic works of these groups.[3] The proposal was not accepted.

Vandalism as crime

Private citizens commit vandalism when they willfully damage or deface the property of others or the commons. Some vandalism may qualify as culture jamming or sniggling: it is thought by some to be artistic in nature even though carried out illegally or without the property owner's permission. Examples include at least some graffiti art, billboard "liberation" and possibly crop circles. Criminal vandalism takes many forms. Graffiti on public property is common in many inner cities as part of a gang culture; however, other more serious forms of vandalism that may take place during public unrest such as rioting can involve the willful destruction of public and private property. Vandalism per se is sometimes considered one of the less serious common crimes, but it can become quite serious and distressing when committed extensively, violently or as an expression of hatred and intimidation.

Examples

Examples of vandalism include salting lawns, cutting trees without permission, egg throwing, breaking windows, arson, spraying paint on others' properties, tagging, placing glue into locks, tire slashing, keying (scratching) paint, ransacking a property, and flooding a house by clogging a sink and leaving the water running.

Politically motivated vandalism.
Graffiti depicting graffiti removal by Banksy. Created in May 2008 at Leake Street in London, painted over by August 2008. Notice the animals resembling cave art from Lascaux or Altamira.
The destruction of glass windows and doors is a form of vandalism.
A caution sign damaged by bullet holes.
Side of a car that has been keyed.

Motives

Actions of this kind can be ascribed to anger or envy, or to spontaneous, opportunistic behaviour– possibly for peer acceptance or bravado in gang cultures, or disgruntlement with the target (victim) person or society. Opportunistic vandalism of this nature may also be filmed, the mentality of which can be akin to happy slapping. The large-scale prevalence of gang graffiti in some inner cities has almost made it acceptable to the societies based there– so much so that it may go unnoticed, or not be removed, possibly because it may be a fruitless endeavour, to be graffitied on once again.

Reaction of authorities

In view of its incivility, punishment for vandalism can be particularly severe in some countries. In Singapore, for example, a person who attempts to cause or commits an act of vandalism may be liable to imprisonment for up to 3 years and may also be punished with caning. Vandalism in the UK is construed as an environmental crime and may be punished with an ASBO (Anti-Social Behaviour Order).

Former New York City mayor Rudolph Giuliani made a crackdown on vandalism a centerpiece of his anti-crime agenda in the 1990s, asserting that a strong campaign against nonviolent "quality of life" crimes such as vandalism would bring about a corresponding decrease in violent crime. FBI statistics claim that New York's crime rate plummeted during his tenure.[4]

Vandalism as art

Graffiti is a common form of vandalism.
A bust of Germanicus Caesar. Note the cross incised on the statue's forehead and the broken off nose.[5]

Though vandalism in itself is illegal, it is often also an integral part of modern popular culture. French painter Gustave Courbet's attempt to disassemble the Vendôme column during the 1871 Paris Commune was probably one of the first artistic vandalist acts, celebrated at least since Dada performances during World War I. The Vendôme column was considered a symbol of the recently-deposed Second Empire of Napoleon III, and dismantled as such.

After the burning of the Tuileries Palace on May 23, 1871, Philosopher Friedrich Nietzsche himself meditated about the "fight against culture", wondering what could justify culture if it were to be destroyed in such a "senseless" manner (the arguments are: culture is justified by works of art and scientific achievements; exploitation is necessary to those achievements, leading to the creation of exploited people who then fight against culture. In this case, culture can't be legitimised by art achievements, and Nietzsche writes: "I {also} know what it means: fighting against culture". After quoting him, Klossowski writes: "The criminal fight against culture is only the reverse side of a criminal culture"[2]

As destruction of monument, vandalism can only have sense in a culture respecting history, archeology - Nietzsche spoke of monumental history. As destruction of monumental history, vandalism was assured a long life (as Herostratus proved): Performance art could make such a claim, as well as Hakim Bey's poetic terrorism or Destroy 2000 Years of Culture from Atari Teenage Riot. Gustave Courbet's declaration stated:

"Attendu que la colonne Vendôme est un monument dénué de toute valeur artistique, tendant à perpétuer par son expression les idées de guerre et de conquête qui étaient dans la dynastie impériale, mais que réprouve le sentiment d’une nation républicaine, [le citoyen Courbet] émet le vœu que le gouvernement de la Défense nationale veuille bien l’autoriser à déboulonner cette colonne."[6]

("As the Vendôme column is formally considered a monument devoid of any artistic value, tending to perpetuate with its expression ideas of war and conquest of the past imperial dynasty, that are reprobated by a republican nation's sentiment, citizen Courbet is to emit his wish that the National Defense government will allow him to dismantle this column.")

Hence, painter Courbet justified the dismantlement of the Vendôme column on political grounds, downgrading its artistic value. Vandalism poses the problem of the value of art compared to life's hardships: Courbet thought that the political values transmitted by this work of art neutralized its artistic value. Anyway, his project wasn't followed, however, on April 12, 1871, the dismantlement of the imperial symbol was voted by the Commune, and the column taken down on May 8. After the assault on the Paris Commune by Adolphe Thiers, Gustave Courbet was condemned to pay part of the expenses.

In 1974, Norman Mailer glorified the art of vandalism in Faith of Graffiti, which likened tagging in New York City to the work of Giotto and Rauschenberg. New York Authoritys responded by coating subway walls with Teflon paint, jailing taggers and requiring hardware stores to keep spray paint inventories under lock and key.[7]

Tags, designs, and styles of writing are commonplace on clothing and are an influence on many of the corporate logos with which we are familiar. Many skateparks and similar youth-oriented venues are decorated with commissioned graffiti-style artwork, and in many others patrons are welcome to leave their own. There is still, however, a very fine line between vandalism as an artform, as a political statement, and as a crime. An excellent example of one who walks this threefold line is Bristol born guerrilla-artist Banksy, who is revered as a cult artistic figure by most people. When councils have removed his works, they have been met by public outrage. Official vandalism is far worse than that perpetrated by individuals, a point made by Banksy when decorating buildings of no architectural merit whatsoever.

Online

Nowadays, websites are prime targets for vandalism, especially wikis because they can be edited by anyone. However, many wikis have established security measures that allow users to edit while preventing vandalism.

See also

References

  1. ^ "Oxford English Dictionary". Oxford University Press. http://www.oed.com. Retrieved 2008-05-06. 
  2. ^ a b See Pierre Klossowski, Nietzsche and the Vicious Circle, first Chapter: What is the value of culture if those who are exploited by it destroy it? "En sorte qu'il nous faut être bien loin de vouloir, du haut de notre sentiment de nous-mêmes, imputer le crime d'un combat contre la culture exclusivement à ces malheureux. Je sais ce que cela veut dire: le combat contre la culture. (...) je me campronnai avec une conviction sérieuse à la valeur métaphysique de l'art, lequel ne saurait exister à cause des pauvres gens, mais doit accomplir des missions plus hautes. Mais, en dépit de mon extrême douleur, je n'étais pas en état de jeter la moindre pierre à ces profanateurs qui, pour moi, n'étaient que les suppôts de la culpabilité universelle, sur laquelle il y a beaucoup à méditer!" (Nietzsche quoted by Klossowski pp.29-30 French edition, who adds: "Le combat criminel contre la culture n'est lui-même que l'envers d'une culture criminelle" ("The criminal fight against culture is only the reverse side of a criminal culture")
  3. ^ Raphael Lemkin: Akte der Barbarei und des Vandalismus als delicta juris gentium, Anwaltsblatt Internationales (Wien), November 1933.
  4. ^ NYC Mayor's Press Office (2001-05-30). "FBI Crime Statistics For Calendar Year 2000 Show Drop In New York City Crime". Press release. http://www.nyc.gov/html/om/html/2001a/pr181-01.html. Retrieved 2007-08-04. 
  5. ^ British Museum
  6. ^ "La Colonne Vendôme déboulonnée" (in French). http://www.histoire-image.org/site/etude_comp/etude_comp_detail.php?analyse_id=60. Retrieved 2007-08-04. 
  7. ^ Fine Art, Sí, Vandalism, No

Wikibooks

Up to date as of January 23, 2010
(Redirected to Wiki Vandalism Bootcamp article)

From Wikibooks, the open-content textbooks collection

Wiki Vandalism Bootcamp
WELCOME TO ANTI-VANDALISM BOOTCAMP

What are you waiting for? Get to your classroom!

  1. Finding And Locating Vandalism Development stage: 100% (as of {{{2}}})
    1. Irc Commands Development stage: 25% (as of {{{2}}})
  2. How to engage Vandalism Development stage: 00% (as of {{{2}}})
  3. Warning Vandals Development stage: 00% (as of {{{2}}})
  4. Reporting Vandals Development stage: 00% (as of {{{2}}})

Simple English

For the Wikipedia term, please see Wikipedia:Vandalism.

Vandalism is a crime that is done by destroying or damaging the property of another. A person that does this is called a vandal. This can include graffiti and website damage. This is usually illegal.

History

The name "vandal" is from the Vandals, a tribe that attacked and damaged the city of Rome in the 455 CE.

Examples

Websites can also be vandalized. A perfect example of website vandalism is Wikipedia. As Wikipedia is powered by wiki software, this makes it easier for vandals to do vandalism since pages can be changed by everyone. This usually gives people who are doing good edits a problem.

File:Graffiti in Bucharest,
An example of vandalism as an art

However, not all vandalism is bad. Some vandalism is to let people see their talent of art. The vandals do not have enough money to buy an art gallery and therefore using public property to allow people to admire their talent.








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