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What's Opera, Doc?: Wikis


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What's Opera, Doc?
Merrie Melodies (Bugs Bunny and Elmer Fudd) series

Lobby card
Directed by Chuck Jones
Produced by Eddie Selzer (unc.)
Story by Michael Maltese
Voices by Mel Blanc
Arthur Q. Bryan (unc.)
Music by Richard Wagner
Milt Franklyn (arrangement)
Michael Maltese (lyrics, "Return My Love")
Animation by Ken Harris
Richard Thompson
Abe Levitow
Layouts by Maurice Noble
Backgrounds by Phillip DeGuard
Studio Warner Bros. Cartoons
Distributed by Warner Bros. Pictures
Release date(s) July 6, 1957
Color process Technicolor
Running time 6:49 (one reel)
Language English

What's Opera, Doc? is a 1957 American animated cartoon short in the Merrie Melodies series, directed by Chuck Jones for Warner Bros. Cartoons. The Michael Maltese story features Elmer Fudd chasing Bugs Bunny through a 6:11 operatic parody of 19th century classical composer Richard Wagner's operas, particularly Der Ring des Nibelungen (The Ring of the Nibelung) and Tannhäuser. It is sometimes characterized as a condensed version of Wagner's Ring, and its music borrows heavily from the second opera Die Walküre, woven around the standard Bugs-Elmer conflict.

Originally released to theaters by Warner Bros. on July 6, 1957, What's Opera, Doc? features the speaking and singing voices of Mel Blanc as Bugs and Arthur Q. Bryan as Elmer (except for one word dubbed by Blanc). The short is also sometimes informally referred to as Kill the Wabbit after the line sung by Fudd to the tune of Wagner's "Ride of the Valkyries", the opening passage from Act Three of Die Walküre (which is also the leitmotif of the Valkyries). This short is also notable for one of the final performances of Elmer Fudd by Arthur Q. Bryan, who died in 1959.

In 1994, What's Opera, Doc? was voted #1 of the 50 Greatest Cartoons of all time by 1000 members of the animation field.



The screen pans on the silhouette of a mighty Viking (presumably Thor) arousing ferocious lightning storms, but then zooms in to reveal that it is only Elmer Fudd (as the demigod Siegfried). Elmer sings his signature line "Be vewy qwiet, I'm hunting wabbits" (in recitative), before arriving at Bugs Bunny's hole. We watch as Elmer jams his spear into Bugs's hole to "Kiww the wabbit! Kiww the wabbit! Kiww the wabbit!" Bugs sticks his head out of another rabbit hole, and, apparently appalled, sings his signature line "What's up, doc?" to the theme of Siegfried's horn call from the Ring Cycle. He then taunts Elmer about his "spear and magic helmet". This prompts a display of Elmer-as-Siegfried's "mighty powers", set to the overture of The Flying Dutchman. At that, Bugs flees and the chase begins.

Suddenly, Elmer is stopped in his tracks at the sight of the beautiful Valkyrie Brünnhilde (Bugs in an obvious disguise), riding in grandly on an enormously fat horse (in Chuck Amuck: The Life and Times of an Animated Cartoonist, director Jones notes that the production team "gave the horse the operatic curves we couldn't give Bugs"). "Siegfried" and "Brünnhilde" exchange endearments, set to the overture to Tannhäuser:

"Oh Bwunhilde, you'w so wuvwy!"
"Yes I know it; I can't help it!"'
Oh Bwunhilde, be my wuv!

and after the usual "hard to get" pursuit (including a brilliant set design of pink flowers by Maurice Noble) they perform a short ballet (based on the Venusberg ballet in Tannhäuser), capping it off with the duet "Return My Love" set to another section of the Tannhäuser overture. Bugs' true identity is suddenly exposed when his headdress falls off, enraging Elmer and prompting him to command fierce lightning, "typhoons, hurricanes, earthquakes" and, finally, "SMOG!!!" (a word Elmer screams which was not done by Bryan, but by Blanc[1]) to "stwike da wabbit!" while music from The Valkyries plays in the background.

Eventually, a lightning bolt strikes Bugs dead. Upon seeing the bunny's corpse, Elmer immediately regrets his wrath and tearfully carries the bunny off, presumably to Valhalla in keeping with the Wagnerian theme, per Act III of The Valkyries (although the music again comes from the overture to Tannhäuser). Bugs suddenly breaks character, raises his head to face the audience and remarks, "Well, what did you expect in an opera? A happy ending?" The Merrie Melodies end title card then appears with all the words already there.

This cartoon marks one of only three times that Bugs Bunny is defeated by Fudd. The other two were Rabbit Rampage and Hare Brush. This is also the only one of the three where Fudd shows regret for defeating Bugs.

Wagner's music

When presented in the 1979 compilation The Bugs Bunny-Road Runner Movie, Bugs Bunny claims that the short was the whole of Wagner's 17-hour Opera Cycle "Der Ring des Nibelungen" (The Ring of the Nibelung, which he mispronounced as "The Rings of Nibble-lung" in his Brooklynese accent), condensed into only 7 minutes. He also pronounced Richard Wagner the way it looks (wag-ner), instead of Rikard Vagner. Besides the second opera of Ring, Die Walküre (The Valkyrie) and the third opera of the Ring, Siegfried, other Wagnerian music present in the cartoon comes from Tannhäuser and Der fliegende Holländer (The Flying Dutchman). Specific excerpts include:

  • the overture from The Flying Dutchman — opening storm scene
  • Siegfried's horn call from Siegfried"O mighty warrior of great fighting stock"
  • the overture and "Pilgrims’ Chorus" from Tannhäuser"O Bwünnhilde, you'w so wuvwy," "Return my love," and the closing scene
  • the overture from Rienzi— as Elmer is chasing Bugs.
  • the Bacchanal from Tannhäuser — ballet scene between Elmer and Bugs


This cartoon is widely regarded not only as Chuck Jones’ greatest masterpiece, but many film critics, animation fans, and filmmakers consider this to be the greatest animation achievement of all the cartoons Warner Bros. released since this medium arose in 1930. It has topped many Top Ten lists of the greatest animated cartoons of all time. It was rated by a panel of over 1000 animators in Jerry Beck's 1994 book The 50 Greatest Cartoons: As Selected by 1,000 Animation Professionals as the #1 greatest cartoon of all time.[2]

In 1992, it became the first cartoon short to be deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress, and thus was selected for preservation in the National Film Registry. Duck Amuck and One Froggy Evening were also later inducted into the registry, making Chuck Jones the only animator with three shorts thus recognized. It is currently the only Bugs Bunny short listed in the National Film Registry.[3]

A magnum opus

What's Opera, Doc? required about 6 times as much work and expense as any of the other 6-minute cartoons his production unit was turning out at the time. Jones has admitted as much, having described a surreptitious re-allocation of production time to completing the short.[4] During the 6 minutes of What's Opera, Doc?, Jones lampoons:

  • Disney's Fantasia,
  • the contemporary style of ballet,
  • Wagner's perceived ponderous operatic style, and even
  • the by-then clichéd Bugs-and-Elmer formula.

Michael Maltese devised the story for the cartoon, and also wrote lyrics to Wagner's music to create the duet "Return My Love". Art director Maurice Noble devised the stylized backdrops for the cartoon. The cartoon drew upon previous Warner studio work; Maltese originated the concept of Bugs in Valkyrie drag riding a fat horse to the Tannhäuser Pilgrim's Chorus in the suppressed 1945 wartime cartoon Herr Meets Hare, directed by Friz Freleng.


In addition to its appearance in The Bugs Bunny-Road Runner Movie, What's Opera, Doc? is also included on disc four of the Looney Tunes Golden Collection: Volume 2 DVD box-set, supplemented with two audio commentaries, optional music-only and voice-only audio tracks, and accompanied by a making-of documentary entitled Wagnerian Wabbit.

Also available for download on iTunes under Bugs Bunny, Vol. 1, this episode is paired with Bugs Bunny Gets the Boid.

Homage was paid to this cartoon in the Looney Tunes video game Bugs Bunny and Taz: Time Busters, in which Fudd-as-Siegfried is the boss character of the Viking Era.

A clip from the short was used on Animaniacs in the Slappy Squirrel segment "Critical Condition".

On October 23, 2007, Microsoft's Xbox Live service began offering more than 50 Looney Tunes animated shorts on Xbox Live Marketplace, with several of them available in high definition for the first time. While there is a fee to download the cartoons, What's Opera, Doc? was available on the service for free in both standard and high definition formats.




  1. ^ What's Opera, Doc? at the Internet Movie Database. Although Arthur Q. Bryan was the voice of Elmer at the time, and performs the character for the majority of the cartoon, Mel Blanc voices the character for one word: "SMOG!", because Blanc (whose vocal ability was legendary) could scream the line better than Bryan. Blanc did not take over as the voice of Elmer until 1972; in the interim, Hal Smith voiced Elmer after Bryan's death in December 1959.
  2. ^ Turner Pub; 1st ed edition (October 1994); ISBN 978-1878685490
  3. ^ National Film Registry: 1989-2007
  4. ^ Cartoons were scheduled for a five-week production, according to producer Eddie Selzer. Jones did this cartoon in seven weeks instead. To cover up for the extra time spent, he had his entire unit doctor their time cards to make it appear as if they working on the Wile E. Coyote and Road Runner short Zoom and Bored (1957) for two weeks before production of that cartoon actually started.


External links

Preceded by
Piker's Peak
Bugs Bunny Cartoons
Succeeded by
Bugsy and Mugsy


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