|Origin||Raleigh, North Carolina|
|Associated acts||Ryan Adams, The Cardinals|
Whiskeytown was an alternative country band formed in Raleigh, North Carolina in 1994. Fronted by Ryan Adams, other members included Caitlin Cary, Phil Wandscher, Eric "Skillet" Gilmore, and Mike Daly. They disbanded in 1999, with Adams leaving to pursue his solo career.
The band is considered one of the genre's most influential and successful, along with Uncle Tupelo, The Jayhawks and The Old 97's. Like these acts, Whiskeytown gradually expanded its sound outside the confines of alt-country, while still keeping roots in acts like singer/songwriter Gram Parsons and alternative rock band The Replacements.
Despite the fact that the band only released three albums, none of the albums feature a consistent lineup, with only Adams and Cary remaining constants.
In 2009, Adams indicated that the band may reunite in the near future.
Whiskeytown began in 1994 in Raleigh, North Carolina. After performing punk rock with a band called The Patty Duke Syndrome, Adams found inspiration in the country-rock of Gram Parsons, and started a band with violinist Caitlin Cary, drummer Eric "Skillet" Gilmore, bassist Steve Grothman and guitarist Phil Wandscher.
Faithless Street, released on Mood Food Records in 1996, established the band as one of the genre's leaders, thanks to glowing reviews in publications such as No Depression, and helped the band score a major-label record deal with the Geffen Records imprint Outpost.
Faithless was re-released on the imprint in 1998 with nearly a dozen bonus tracks from the era, some of which are new, and others of which showed up on Strangers Almanac, Rural Free Delivery, and other early EPs in different versions. One track, "Oklahoma," was removed. Adams claimed that the reason for the re-release was the muddy sound of the original version and his distaste for "Oklahoma," which was added to the album despite his objections. 
Whiskeytown's 1997 major-label debut, Strangers Almanac, helped to establish Adams' reputation as a songwriter. In the midst of the album's recording, Gilmore and Grothman left, and Wandscher left soon after the album's release. The band cycled through numerous members throughout the next year, including Brad Rice and Steven Terry, both of whom were involved in the recording of Almanac but left later that year.
The band's reputation preceded it in the live setting. In a 1997 Detroit Free Press article titled Whiskeytown: half band, half soap opera, a June 1997 show at Mac's Bar in Lansing, Michigan was described by fans as a half-baked performance.
Despite the band's internal strife, Almanac was a successful album with critics, with the tracks "16 Days" and the Replacements-esque "Yesterday's News" receiving significant radio play. The positive reviews came from increasingly mainstream publications such as Rolling Stone, who claimed at the time, "If there's to be a nirvana among the bands that are imprecisely dubbed alternative country, look to Whiskeytown." 
During the tour for Stranger's Almanac, the entire band was fired at a concert in Kansas City. The only people who started and finished the tour were Adams, Caitlin Cary, Mike Daly and tour manager Thomas O'Keefe.[]
The album's recording was a much different affair from the first two likely because of the band's constantly changing dynamic. The traditional country of the first two albums, especially Faithless, was largely replaced with a more sophisticated country-rooted pop sound, very similar to Wilco's 1999 album Summerteeth. Also adding to the different flavor of the album was a cast of guest stars, including The Replacements' Tommy Stinson and The Smashing Pumpkins' James Iha.
Despite the album's completion and Whiskeytown's sizable fanbase, Outpost Records closed during the merger between Polygram and Universal, and as a result the album stayed in limbo for nearly two years, effectively ending the band.
Lost Highway Records, the roots-minded label imprint of Universal Music, picked up the album after signing Adams (who, in the interim, recorded his highly-acclaimed debut solo record Heartbreaker on indie label Bloodshot Records) and released it in May 2001.
Since the band's break-up in 1999, most core members have chosen to remain active in music. Cary, who married original drummer Eric "Skillet" Gilmore, has released three solo albums and created a female folk trio named Tres Chicas. 
Adams has remained in the spotlight since the band's breakup, releasing numerous solo albums, including three in 2005. He has drawn considerable praise from such legends as Elton John and Phil Lesh for his songwriting.  Meanwhile he has maintained his reputation for bad behavior, most notably when he threw a fan out of a concert for jokingly requesting a song by his near-namesake Bryan Adams in Nashville in 2002. 
Adams and Cary have claimed to be reuniting Whiskeytown on multiple occasions, as recently as 2005, but as of yet, nothing new has been released. The band did reunite for a one-off, impromptu gig after one of Adams' shows in Raleigh, NC, in 2005. Gilmore, Cary, and Adams were joined on-stage by Adams' current pedal steel player, Jon Graboff, and then-bassist Catherine Popper.
In 2009, Adams stated: "I think there might be more from your old pals Whiskeytown. It has been discussed. [...] I am glad that I respected the catalogue and left it to be picked up at a later date like I did."
Ryan Adams was born in the military town of Jacksonville, North Carolina. He has referenced Jacksonville multiple times in song, both with Whiskeytown and as a solo artist. The two most notable Whiskeytown references are Faithless Street's "Midway Park," named after an off-base military housing community outside of Camp Lejeune, and "Jacksonville Skyline" from 2001's Pneumonia, which speaks of the "neon signs, car dealerships and diners" that are prevalent throughout the community, which is described as a "city with a hopeless streetlight." Adams' new band, Ryan Adams and The Cardinals, carry the name of the mascot of Jacksonville High School, which Adams attended. The Cardinals have also recorded an album titled Jacksonville City Nights from which the song "The End" deals explicitly with Adams's feelings for his hometown.