The Full Wiki



More info on Willi Domgraf-Fassbaender

Willi Domgraf-Fassbaender: Wikis

  

Note: Many of our articles have direct quotes from sources you can cite, within the Wikipedia article! This article doesn't yet, but we're working on it! See more info or our list of citable articles.

Encyclopedia

Updated live from Wikipedia, last check: May 21, 2013 01:39 UTC (38 seconds ago)

From Wikipedia, the free encyclopedia

Willi Domgraf-Fassbaender (February 19, 1897, Aachen - February 13, 1978, Nuremberg) was a German operatic baritone, particularly associated with Mozart and Verdi roles. He is considered to have been one of the best lyric baritones of the inter-war period.

Life and career

Domgraf-Fassbaender studied first in Berlin with Jacques Stuckgold and Paul Bruns, and later in Milan with the prominent Italian dramatic tenor Giuseppe Borgatti (who also taught the leading English tenor Heddle Nash). His stage debut occurred in 1922 in his native Aachen, as Almaviva in Nozze di Figaro.

He sang at the Deutsche Oper Berlin from 1923 to 1925, at the Düsseldorf opera house from 1925 to 1927, at the Staatstheater Stuttgart from 1927 to 1930, and finally at the Berlin Staatsoper from 1930 until 1948.

Domgraf-Fassbaender was invited regularly to sing at the Glyndebourne Festival in England from the festival's foundation in 1934 until 1937, performing Mozart roles. He also appeared at the Salzburg Festival in Austria in 1937, as Papageno in The Magic Flute. After the Second World War, he performed mostly in Vienna, Munich, Hannover, and Nuremberg, where he was resident producer at the latter city's opera house from 1953 to 1962.

In 1954 he began teaching at the Music Conservatory of Nuremberg, where he trained his daughter, the mezzo-soprano Brigitte Fassbaender.

Domgraf-Fassbaender had a beautiful voice which he used with sensitive musicianship and an excellent technique. He was an accomplished singer-actor as well, appearing in a few musical films. Domgraf-Fassbaender left a sizeable legacy of audio recordings, many of which are available on CD reissues.

Sources

  • Dictionaire des interprètes, Alain Pâris, (Éditions Robert Laffont, SA, Paris, 1989) ISBN 2-221-06660-X
  • The Concise Oxford Dictionary of Opera [second edition], (Oxford University Press, London, 1980).







Got something to say? Make a comment.
Your name
Your email address
Message