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William Makepeace Thackeray

William Makepeace Thackeray
Born William Makepeace Thackeray
18 July 1811 (1811-07-18)
Calcutta, India
Died 24 December 1863 (1863-12-25)
London, England
Occupation Novelist
Nationality English
Writing period 1829-1864 (published posthumously)
Genres Historical Fiction
Notable work(s) Vanity Fair
Spouse(s) Isabella Gethin Shawe

William Makepeace Thackeray (pronounced /ˈθækəri/; 18 July 1811 – 24 December 1863) was an English novelist of the 19th century. He was famous for his satirical works, particularly Vanity Fair, a panoramic portrait of English society.



Thackeray, an only child, was born in Calcutta, India, where his father, Richmond Thackeray (1 September 1781 – 13 September 1815), held the high rank of secretary to the board of revenue in the British East India Company. His mother, Anne Becher (1792–1864) was the second daughter of Harriet and John Harman Becher who was also a secretary (writer) for the East India Company.

William had been sent to England earlier, at the age of five, with a short stopover at St. Helena where the imprisoned Napoleon was pointed out to him. He was educated at schools in Southampton and Chiswick and then at Charterhouse School, where he was a close friend of John Leech. He disliked Charterhouse,[1] parodying it in his later fiction as "Slaughterhouse." (Nevertheless Thackeray was honored in the Charterhouse Chapel with a monument after his death.) Illness in his last year there (during which he reportedly grew to his full height of 6'3") postponed his matriculation at Trinity College, Cambridge, until February 1829. Never too keen on academic studies, he left the University in 1830, though some of his earliest writing appeared in university publications The Snob and The Gownsman.[2]

He travelled for some time on the continent, visiting Paris and Weimar, where he met Goethe. He returned to England and began to study law at the Middle Temple, but soon gave that up. On reaching the age of 21 he came into his inheritance but he squandered much of it on gambling and by funding two unsuccessful newspapers, The National Standard and The Constitutional for which he had hoped to write. He also lost a good part of his fortune in the collapse of two Indian banks. Forced to consider a profession to support himself, he turned first to art, which he studied in Paris, but did not pursue it except in later years as the illustrator of some of his own novels and other writings.

Thackeray portrayed by Eyre Crowe, 1845

Thackeray's years of semi-idleness ended after he met and, on 20 August 1836, married Isabella Gethin Shawe (1816-1893), second daughter of Matthew Shawe, a colonel, who had died after extraordinary service, primarily in India, and his wife, Isabella Creagh. Their three daughters were Anne Isabella (1837-1919), Jane (1837; died at 8 months) and Harriet Marian (1840-1875). He now began "writing for his life," as he put it, turning to journalism in an effort to support his young family.

He primarily worked for Fraser's Magazine, a sharp-witted and sharp-tongued conservative publication, for which he produced art criticism, short fictional sketches, and two longer fictional works, Catherine and The Luck of Barry Lyndon. Later, through his connection to the illustrator John Leech, he began writing for the newly created Punch magazine, where he published The Snob Papers, later collected as The Book of Snobs. This work popularized the modern meaning of the word "snob".

Tragedy struck in his personal life as his wife succumbed to depression after the birth of their third child in 1840. Finding he could get no work done at home, he spent more and more time away, until September of that year, when he noticed how grave her condition was. Struck by guilt, he took his ailing wife to Ireland. During the crossing she threw herself from a water-closet into the sea, from which she was rescued. They fled back home after a four-week domestic battle with her mother. From November 1840 to February 1842 she was in and out of professional care, her condition waxing and waning.

Caricature of Thackeray by Thackeray

In the long run, she deteriorated into a permanent state of detachment from reality, unaware of the world around her. Thackeray desperately sought cures for her, but nothing worked, and she ended up confined in a home near Paris. She remained there until 1893, outliving her husband by thirty years. After his wife's illness, Thackeray became a de facto widower, never establishing another permanent relationship. He did pursue other women, in particular Mrs. Jane Brookfield and Sally Baxter. In 1851 Mr. Brookfield barred Thackeray from further visits to or correspondence with Jane. Baxter, an American twenty years his junior whom he met during a lecture tour in New York City in 1852, married another man in 1855.

In the early 1840s, Thackeray had some success with two travel books, The Paris Sketch Book and The Irish Sketch Book. Later in the decade, he achieved some notoriety with his Snob Papers, but the work that really established his fame was the novel Vanity Fair, which first appeared in serialized instalments beginning in January 1847. Even before Vanity Fair completed its serial run, Thackeray had become a celebrity, sought after by the very lords and ladies he satirized; they hailed him as the equal of Dickens.

He remained "at the top of the tree", as he put it, for the remaining decade and a half of his life, producing several large novels, notably Pendennis, The Newcomes, and The History of Henry Esmond, despite various illnesses, including a near fatal one that struck him in 1849 in the middle of writing Pendennis. He twice visited the United States on lecture tours during this period.


Thackeray also gave lectures in London on the English humourists of the eighteenth century, and on the first four Hanoverian monarchs. The latter series was published in book form as The Four Georges. In Oxford, he stood unsuccessfully as an independent for Parliament. He was narrowly beaten by Cardwell (1070 votes, against 1005 for Thackeray).

In 1860, Thackeray became editor of the newly established Cornhill Magazine, but was never comfortable as an editor, preferring to contribute to the magazine as a columnist, producing his Roundabout Papers for it.

His health worsened during the 1850s and he was plagued by the recurring stricture of the urethra that laid him up for days at a time. He also felt he had lost much of his creative impetus. He worsened matters by over-eating and drinking and avoiding exercise, though he enjoyed horseback riding and kept a horse. He could not break his addiction to spicy peppers, further ruining his digestion. On 23 December 1863, after returning from dining out and before dressing for bed, Thackeray suffered a stroke and was found dead on his bed in the morning. His death at the age of fifty-two was entirely unexpected, and shocked his family, friends, and reading public. An estimated 7000 people attended his funeral at Kensington Gardens. He was buried on 29 December at Kensal Green Cemetery, and a memorial bust sculpted by Marochetti can be found in Westminster Abbey.


Thackeray began as a satirist and parodist, with a sneaking fondness for roguish upstarts like Becky Sharp in Vanity Fair, Barry Lyndon in The Luck of Barry Lyndon and Catherine in Catherine. In his earliest works, writing under such pseudonyms as Charles James Yellowplush, Michael Angelo Titmarsh and George Savage Fitz-Boodle, he tended towards the savage in his attacks on high society, military prowess, the institution of marriage and hypocrisy.

Title-page to Vanity Fair, drawn by Thackeray, who furnished the illustrations for many of his earlier editions.

One of his very earliest works, "Timbuctoo" (1829), contained his burlesque upon the subject set for the Cambridge Chancellor's medal for English verse, (the contest was won by Tennyson with "Timbuctoo"). His writing career really began with a series of satirical sketches now usually known as The Yellowplush Papers, which appeared in Fraser's Magazine beginning in 1837. These were adapted for BBC Radio 4 in 2009, with Adam Buxton playing Charles Yellowplush.[3]

Between May 1839 and February 1840, Fraser's published the work sometimes considered Thackeray's first novel, Catherine, originally intended as a satire of the Newgate school of crime fiction but ending up more as a rollicking picaresque tale in its own right.

In The Luck of Barry Lyndon, a novel serialized in Fraser's in 1844, Thackeray explored the situation of an outsider trying to achieve status in high society, a theme he developed much more successfully in Vanity Fair with the character of Becky Sharp, the artist's daughter who rises nearly to the heights by manipulating the other characters.

He is best known now for Vanity Fair, with its deft skewerings of human foibles and its roguishly attractive heroine. His large novels from the period after this, once described unflatteringly by Henry James as examples of "loose baggy monsters", have faded from view, perhaps because they reflect a mellowing in the author, who became so successful with his satires on society that he seemed to lose his zest for attacking it.

The later works include Pendennis, a sort of bildungsroman depicting the coming of age of Arthur Pendennis, a kind of alter ego of Thackeray's who also features as the narrator of two later novels: The Newcomes and The Adventures of Philip. The Newcomes is noteworthy for its critical portrayal of the "marriage market", while Philip is noteworthy for its semi-autobiographical look back at Thackeray's early life, in which the author partially regains some of his early satirical zest.

Also notable among the later novels is The History of Henry Esmond, in which Thackeray tried to write a novel in the style of the eighteenth century. In fact, the eighteenth century held a great appeal for Thackeray. Not only Esmond but also Barry Lyndon and Catherine are set then, as is the sequel to Esmond, The Virginians, which takes place in America and includes George Washington as a character who nearly kills one of the protagonists in a duel.

Family life and background

Anne Becher and William Makepeace Thackeray, c.1813

Thackeray's father, Richmond, was born at South Mimms and went to India in 1798 at the age of sixteen to assume his duties as writer (secretary) with the East India Company. Richmond fathered a daughter, Sarah Redfield, born in 1804, by Charlotte Sophia Rudd, his native and possibly Eurasian mistress, the mother and daughter being named in his will. Such liaisons were common among gentlemen of the East India Company, and it formed no bar to his later courting and marrying William's mother.[4]

Anne Becher, born 1792, was "one of the reigning beauties of the day", a daughter of John Harmon Becher (Collector of the South 24 Parganas district d. Calcutta, 1800), of an old Bengal civilian family "noted for the tenderness of its women". Anne Becher, her sister Harriet and widowed mother Harriet had been sent back to India by her authoritarian guardian grandmother, widow Ann Becher, in 1809 on the Earl Howe. Anne's grandmother had told her that the man she loved, Henry Carmichael-Smyth, an ensign of the Bengal Engineers whom she met at an Assembly Ball in Bath, Somerset during 1807, had died & Henry was told that Anne was no longer interested in him . This was not true. Though Carmichael-Smyth was from a distinguished Scottish military family, , Anne's grandmother went to extreme lengths to thwart their marriage; surviving family letters state that she wanted a better match for her Granddaughter. .[5]

Anne Becher and Richmond Thackeray were married in Calcutta on 13 October 1810. Their only child, William, was subsequently born on 18 July 1811.[6]

c.1813 there was a fine miniature portrait of the exuberant and youthful Anne Becher Thackeray and William Makepeace Thackeray at about age 2, done in Madras by George Chinnery.[7]

Her family's deception was unexpectedly revealed in 1812, when Richmond Thackeray unwittingly invited to dinner the supposedly dead Carmichael-Smyth. After Richmond's death of a fever on 13 September 1815, Anne married Henry Carmichael-Smyth on 13th March 1817, but they did not return to England until 1820, though they had sent William off to school there more than three years before. The separation from his mother had a traumatic effect on the young Thackeray which he discusses in his essay "On Letts's Diary" in The Roundabout Papers.

He is British comedian Al Murray's great-great-great-grandfather.[8]

Reputation and legacy

During the Victorian era, Thackeray was ranked second only to Charles Dickens, but he is now much less read and is known almost exclusively for Vanity Fair. In that novel he was able to satirize whole swaths of humanity while retaining a light touch. It also features his most memorable character, the engagingly roguish Becky Sharp. As a result, unlike Thackeray's other novels, it remains popular with the general reading public; it is a standard fixture in university courses and has been repeatedly adapted for movies and television.

In Thackeray's own day, some commentators, such as Anthony Trollope, ranked his History of Henry Esmond as his greatest work, perhaps because it expressed Victorian values of duty and earnestness, as did some of his other later novels. It is perhaps for this reason that they have not survived as well as Vanity Fair, which satirizes those values.

Thackeray saw himself as writing in the realistic tradition and distinguished himself from the exaggerations and sentimentality of Dickens. Some later commentators have accepted this self-evaluation and seen him as a realist, but others note his inclination to use eighteenth-century narrative techniques, such as digressions and talking to the reader, and argue that through them he frequently disrupts the illusion of reality. The school of Henry James, with its emphasis on maintaining that illusion, marked a break with Thackeray's techniques.

Though Edward Bulwer-Lytton is credited with originating the phrase "the Great Unwashed", the earliest citation of it to be found in his oeuvre is in "The Parisians" of 1872, while Thackeray used it as early as 1850 in "Pendennis", in an ironic context implying the phrase would be known to his readers.

2 Palace Green, a house built for Thackeray in the 1860s, is currently the permanent residence of the Israeli Embassy to the United Kingdom.[1]

See also

List of works

  • The Adventures of Philip (1862) - ISBN 1-4101-0510-5
  • Denis Duval (1864) - ISBN 1-4191-1561-8
  • Sketches and Travels in London
  • Notes of a Journey from Cornhill to Grand Cairo
  • Stray Papers: Being Stories, Reviews, Verses, and Sketches (1821-1847)
  • Literary Essays
  • English Humourists
  • Four Georges
  • Lovel the Widower


  • Sheldon Goldfarb Catherine: A Story (The Thackeray Edition). University of Michigan Press, 1999.
  • Ferris, Ina. William Makepeace Thackeray. Boston: Twayne, 1983.
  • Monsarrat, Ann. An Uneasy Victorian: Thackeray the Man, 1811-1863. London: Cassell, 1980.
  • Peters, Catherine. Thackeray’s Universe: Shifting Worlds of Imagination and Reality. New York: Oxford University Press, 1987.
  • Prawer, Siegbert S.: Breeches and Metaphysics: Thackeray's German Discourse. Oxford : Legenda, 1997.
  • Prawer, Siegbert S.: Israel at Vanity Fair: Jews and Judaism in the Writings of W. M. Thackeray. Leiden : Brill, 1992.
  • Prawer, Siegbert S.: W. M. Thackeray's European sketch books : a study of literary and graphic portraiture. P. Lang, 2000.
  • Ray, Gordon N. Thackeray: The Uses of Adversity, 1811-1846. New York: McGraw-Hill, 1955.
  • Ray, Gordon N. Thackeray: The Age of Wisdom, 1847-1863. New York: McGraw-Hill, 1957.
  • Ritchie, H.T. Thackeray and His Daughter. Harper and Brothers, 1924.
  • Shillingsburg, Peter. William Makepeace Thackeray: A Literary Life. Basingstoke: Palgrave, 2001.
  • Williams, Ioan M. Thackeray. London: Evans, 1968.


  1. ^ Dunton, Larkin (1896). The World and Its People. Silver, Burdett. p. 25.  
  2. ^ Thackeray, William Makepeace in Venn, J. & J. A., Alumni Cantabrigienses, Cambridge University Press, 10 vols, 1922–1958.
  3. ^ "The Yellowplush Papers". British Comedy Guide. Retrieved 2009-02-09.  
  4. ^ Menon, Anil (29 March 2006). "William Makepeace Thackeray: The Indian In The Closet". Round Dice. Anil Menon. Retrieved 2009-02-10.  
  5. ^ Alexander, Eric (2007). "Ancestry of William Thackeray". Henry Cort Father of the Iron Trade. Retrieved 2009-02-10.  
  6. ^ Gilder, Jeannette Leonard; Joseph Benson Gilder (15 May 1897). The Critic: An Illustrated Monthly Review of Literature, Art, and Life (Original from Princeton University, Digitized 18 April 2008 ed.). Good Literature Pub. Co.. pp. 335.  
  7. ^ Ooty Well Preserved & Flourishing
  8. ^

External links



Up to date as of January 14, 2010

From Wikiquote

To endure is greater than to dare; to tire out hostile fortune; to be daunted by no difficulty; to keep heart when all have lost it; to go through intrigue spotless; and to forgo even ambition when the end is gained — who can say this is not greatness?

William Makepeace Thackeray (18 July 181124 December 1863) was an English Victorian writer.



Mother is the name for God in the lips and hearts of little children.
Good humour may be said to be one of the very best articles of dress one can wear in society.
How hard it is to make an Englishman acknowledge that he is happy!
  • Let the man who has to make his fortune in life remember this maxim. Attacking is his only secret. Dare, and the world always yields: or, if it beat you sometimes, dare again, and it will succumb.
  • The true pleasure of life is to live with your inferiors.
  • What money is better bestowed than that of a schoolboy's tip? How the kindness is recalled by the recipient in after days! It blesses him that gives and him that takes.
    • The Newcomes, Ch. 16
  • The wicked are wicked, no doubt, and they go astray and they fall, and they come by their deserts: but who can tell the mischief which the very virtuous do?
    • The Newcomes, Ch. 20
  • This Bouillabaisse a noble dish is —
    A sort of soup or broth, or brew,
    Or hotchpotch of all sorts of fishes,
    That Greenwich never could outdo.
    • Ballads, The Ballad of Bouillabaisse, st. 2 (1855)
  • She looks so haughty that I should have thought her a princess at the very least, with a pedigree reaching as far back as the Deluge. But this lady was no better born than many other ladies who give themselves airs; and all sensible people laughed at her absurd pretensions.
  • Good humour may be said to be one of the very best articles of dress one can wear in society.
    • Sketches and Travels in London; Mr. Brown's Letters to his Nephew: "On Tailoring — And Toilettes in General" (1856)
  • Stupid people, people who do not know how to laugh, are always pompous and self-conceited.
    • Sketches and Travels in London; Mr. Brown's Letters to His Nephew: "On Love, Marriage, Men and Women" (1856)
  • Except for the young or very happy, I can't say I am sorry for any one who dies.
    • Letter to Mrs. Bryan Waller Procter (26 November 1856), from The Letters and Private Papers of William Makepeace Thackeray, ed. Edgar F. Harden [Garland Publishing, Inc., 1994, ISBN 9-8240-3646-8], vol. 1, p. 763
  • Despair is perfectly compatible with a good dinner, I promise you.
    • Lovel the Widower (1860), Ch. 6
  • The play is done; the curtain drops,
    Slow falling to the prompter’s bell
    A moment yet the actor stops
    And looks around to say farewell.
    It is an irksome word and task:
    And when he’s laughed and said his say
    He shows, as he removes the mask,
    A face that’s anything but gay.
    • The End of the Play, reported in Bartlett's Familiar Quotations, 10th ed. (1919).
  • Christmas is here:
    Winds whistle shrill,
    Icy and chill.
    Little care we;
    Little we fear
    Weather without,
    Sheltered about
    The Mahogany Tree.
    • The Mahogany Tree, reported in Bartlett's Familiar Quotations, 10th ed. (1919).
  • Werther had a love for Charlotte
    Such as words could never utter;
    Would you know how first he met her?
    She was cutting bread and butter.
    • Sorrows of Werther, reported in Bartlett's Familiar Quotations, 10th ed. (1919).
  • Charlotte, having seen his body
    Borne before her on a shutter,
    Like a well-conducted person,
    Went on cutting bread and butter.
    • Sorrows of Werther, reported in Bartlett's Familiar Quotations, 10th ed. (1919).
  • Ho, pretty page, with the dimpled chin
    That never has known the barber’s shear,
    All your wish is woman to win,
    This is the way that boys begin.
    Wait till you come to Forty Year.
    • The Age of Wisdom, reported in Bartlett's Familiar Quotations, 10th ed. (1919).
  • Then sing as Martin Luther sang,
    As Doctor Martin Luther sang,
    “Who loves not wine, woman and song,
    He is a fool his whole life long.”
    • A Credo, reported in Bartlett's Familiar Quotations, 10th ed. (1919).
  • How hard it is to make an Englishman acknowledge that he is happy!
    • Pendennis. Book ii. Chap. xxxi, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Vanity Fair (1847-1848)

Full text online
The world is a looking-glass, and gives back to every man the reflection of his own face.
  • The world is a looking-glass, and gives back to every man the reflection of his own face. Frown at it, and it will in turn look sourly upon you; laugh at it and with it, and it is a jolly kind companion; and so let all young persons take their choice.
    • Vol. I, ch. 2
  • This I set down as a positive truth. A woman with fair opportunities, and without a positive hump, may marry whom she likes.
    • Vol. I, ch. 4. Compare: "I should like to see any kind of a man, distinguishable from a gorilla, that some good and even pretty woman could not shape a husband out of", Oliver Wendell Holmes, Sr., The Professor at the Breakfast Table; "The whole world is strewn with snares, traps, gins and pitfalls for the capture of men by women", Bernard Shaw, Epistle Dedicatory to Man and Superman.
  • Here was a man who could not spell, and did not care to read — who had the habits and the cunning of a boor: whose aim in life was pettifogging: who never had a taste, or emotion, or enjoyment, but was sordid and soil; and yet he had rank, and honors, and power, somehow: and was dignitary of the land, and a pillar of the state.
    • Vol. I, ch. 9
  • But oh, Mesdames, if you are not allowed to touch the heart sometimes in spite of syntax, and are not to be loved until you all know the difference between trimeter and tetrameter, may all Poetry go to the deuce, and every schoolmaster perish miserably!
    • Vol. I, ch. 12
  • Some cynical Frenchman has said that there are two parties to a love-transaction: the one who loves and the other who condescends to be so treated.
    • Vol. I, ch. 13
  • Whenever he met a great man he grovelled before him, and my-lorded him as only a free-born Briton can do.
    • Vol. I, ch. 13
  • If a man's character is to be abused, say what you will, there's nobody like a relation to do the business.
    • Vol. I, ch. 19
  • Them's my sentiments.
    • Vol. I, ch. 21
  • Everybody in Vanity Fair must have remarked how well those live who are comfortably and thoroughly in debt; how they deny themselves nothing; how jolly and easy they are in their minds.
    • Vol. I, ch. 22
  • Mother is the name for God in the lips and hearts of little children.
    • Vol. II, ch. 2
  • I think I could be a good woman if I had five thousand a year.
    • Vol. II, ch. 6
  • Ah! Vanitas vanitatum! Which of us is happy in this world? Which of us has his desire? or, having it, is satisfied? — Come, children, let us shut up the box and the puppets, for our play is played out.
    • Vol. II, ch. 27

The History of Pendennis (1848-1850)

It is best to love wisely, no doubt; but to love foolishly is better than not to be able to love at all. Some of us can't: and are proud of our impotence, too.
If a secret history of books could be written, and the author's private thoughts and meanings noted down alongside of his story, how many insipid volumes would become interesting, and dull tales excite the reader!
  • Although I enter not,
    Yet round about the spot
    Ofttimes I hover;
    And near the sacred gate
    With longing eyes I wait,
    Expectant of her.
    • Pendennis: At the Church Gate, reported in Bartlett's Familiar Quotations, 10th ed. (1919).
  • It is best to love wisely, no doubt; but to love foolishly is better than not to be able to love at all. Some of us can't: and are proud of our impotence, too.
    • Ch. 6
  • Yes, I am a fatal man, Madame Fribsbi. To inspire hopeless passion is my destiny.
    • Ch. 23
  • Remember, it's as easy to marry a rich woman as a poor woman.
    • Ch. 28
  • Of the Corporation of the Goosequill — of the Press, my boy, ... of the fourth estate ... There she is — the great engine — she never sleeps. She has her ambassadors in every quarter of the world — her couriers upon every road. Her officers march along with armies, and her envoys walk into statesmen's cabinets. They are ubiquitous.
    • Ch. 30
  • As the gambler said of his dice, to love and win is the best thing, to love and lose is the next best.
    • Ch. 40
  • If a secret history of books could be written, and the author's private thoughts and meanings noted down alongside of his story, how many insipid volumes would become interesting, and dull tales excite the reader!
    • Ch. 42

The History of Henry Esmond (1852)

Full text online (1852)
There are a thousand thoughts lying within a man that he does not know till he takes up the pen to write.
  • 'Tis not the dying for a faith that's so hard, Master Harry — every man of every nation has done that — 'tis the living up to it that is difficult, as I know to my cost.
    • Bk. I, ch. 6
  • 'Tis strange what a man may do, and a woman yet think him an angel.
    • Bk. I, ch. 7
  • There are a thousand thoughts lying within a man that he does not know till he takes up the pen to write.
    • Bk. II, ch. 1

The Virginians (1857-1859)

The Virginians (1857-1859)
I never know whether to pity or congratulate a man on coming to his senses.
  • The book of female logic is blotted all over with tears, and Justice in their courts is for ever in a passion.
    • Ch. 4
  • Women like not only to conquer, but to be conquered.
    • Ch. 4
  • I never know whether to pity or congratulate a man on coming to his senses.
    • Ch. 56
  • Next to the very young, I suppose the very old are the most selfish.
    • Ch. 61
  • To endure is greater than to dare; to tire out hostile fortune; to be daunted by no difficulty; to keep heart when all have lost it; to go through intrigue spotless; and to forgo even ambition when the end is gained — who can say this is not greatness?
    • Ch. 92

The Four Georges (1860)

  • Bravery never goes out of fashion.
    • "George II"
  • It is to the middle class we must look for the safety of England.
    • "George III"
  • George, be a King!
    • "George III"
    • Said by Princess Augusta to her son, George III


  • The two most engaging powers of an author are to make new things familiar, familiar things new.
    • In this work are exhibited in a very high degree the two most engaging powers of an author. New things are made familiar, and familiar things are made new. ~ Samuel Johnson, "The Life of Alexander Pope" from Lives of the English Poets (1781) [1]

Quotes about Thackeray

  • Thackeray is everybody's past — is everybody's youth. Forgotten friends flit about the passages of dreamy colleges and unremembered clubs; we hear fragments of unfinished conversations, we see faces without names for an instant, fixed forever in some trivial grimace: we smell the strong smell of social cliques now quite incongruous to us; and there stir in all the little rooms at once the hundred ghosts of oneself.
    • G. K. Chesterton, The Victorian Age in Literature (1913) [University of Notre Dame Press, 1963], Ch. II: The Great Victorian Novelists (p. 64)

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